Showing posts with label Rennette Watson. Show all posts
Showing posts with label Rennette Watson. Show all posts

Monday, 28 November 2022

BRANDING, EXPOSING YOUR NAME AROUND THE WORLD

Today, The Grandma has continued her English classes with The Bishops in Castelldefels.

First, they have been talking about plurals in English.

Next, they have practised must and should modal verbs again.

Finally, they have given some advice to Rennette Watson to improve her brand around the world.

More information: Plural
 

In marketing, brand management begins with an analysis on how a brand is currently perceived in the market, proceeds to planning how the brand should be perceived if it is to achieve its objectives and continues with ensuring that the brand is perceived as planned and secures its objectives.

Developing a good relationship with target markets is essential for brand management. Tangible elements of brand management include the product itself; its look, price, and packaging. The intangible elements are the experiences that the target markets share with the brand, and also the relationships they have with the brand. A brand manager would oversee all aspects of the consumer's brand association as well as relationships with members of the supply chain.


It is defined as the process of creating a relationship or a connection between a company's product and emotional perception of the customer for the purpose of generating segregation among competition and building loyalty among customers.

Brand management is a function of marketing that uses special techniques in order to increase the perceived value of a product. Based on the aims of the established marketing strategy, brand management enables the price of products to grow and builds loyal customers through positive associations and images or a strong awareness of the brand.

Brand management is the process of identifying the core value of a particular brand and reflecting the core value among the targeted customers.
In modern terms, a brand could be corporate, product, service, or person.

RNT, Rennette's brand
Brand management builds brand credibility and credible brands only can build brand loyalty, bounce back from circumstantial crisis, and can benefit from price-sensitive customers. The earliest origins of branding can be traced to pre-historic times. 

The practice may have first begun with the branding of farm animals in the middle East in the neolithic period. Stone Age and Bronze Age cave paintings depict images of branded cattle. Egyptian funerary artwork also depicts branded animals. Over time, the practice was extended to marking personal property such as pottery or tools, and eventually some type of brand or insignia was attached to goods intended for trade.

Around 4,000 years ago, producers began by attaching simple stone seals to products which, over time, were transformed into clay seals bearing impressed images, often associated with the producer's personal identity thus giving the product a personality.

A number of archaeological research studies have found extensive evidence of branding, packaging and labelling in antiquity. Archaeologists have identified some 1,000 different Roman potters' marks of the early Roman Empire, suggesting that branding was a relatively widespread practice.

More information: The Branding Journal

In Pompeii (circa 35 CE), Umbricius Scauras, a manufacturer of fish sauce, also known as garum, was branding his amphora which travelled across the entire Mediterranean. Mosaic patterns in the atrium of his house were decorated with images of amphora bearing his personal brand and quality claims.

In the East, evidence of branding also dates to an early period. From as early as 200 BCE, Chinese packaging and branding was used to signal family, place names and product quality, and the use of government imposed product branding was used between 600 and 900 AD.

In Japan, branding has a long heritage. For many Japanese businesses, a mon or seal is an East Asian form of brand or trademark.

The impetus for more widespread branding was often provided by government laws, requiring producers to meet minimum quality specifications or to standardise weights and measures, which in turn, was driven by public concerns about quality and fairness in exchange. The use of hallmarks, applied to precious metal objects, was well in place by the 4th century CE in Byzantium.

Evidence of silver bars marked under authority of the Emperor Augustinian dates to around 350 CE, and represents one of the oldest known forms of consumer protection. Hundreds of silver objects, including chalices, cups, plates, rings and bullion, all bearing hallmarks from the early Byzantine period, have been found and documented. Hallmarks for silver and gold were introduced in Britain in 1300.

In Medieval Europe, branding was applied to a broader range of goods and services. Craft guilds, which sprang up across Europe around this time, codified and reinforced, systems of marking products to ensure quality and standards. Bread-makers, silversmiths and goldsmiths all marked their wares during this period.

By 1266, English bakers were required by law to put a symbol on each product they sold. Bricui et al. have argued that the number of different forms of brands blossomed from the 14th century following the period of European discovery and expansion.

More information: 99 Designs

Branding was more widely used in the 19th century, following the industrial revolution, and the development of new professions like marketing, manufacturing and business management formalised the study of brands and branding as a key business activity.

Branding is a way of differentiating product from mere commodities, and therefore the use of branding expanded with each advance in transportation, communication, and trade.

With the rise of mass media in the early 20th century, companies soon adopted techniques that would allow their advertising messages to stand out; slogans, mascots, and jingles began to appear on radio in the 1920s and early television in the 1930s. By the 1930s, these advertising spots, as the packets of time became known, were being sold by the station's geographical sales representatives, ushering in an era of national radio advertising.

From the first decades of the 20th-century, advertisers began to focus on developing brand personality, brand image and brand identity-concepts.

By the 1940s, manufacturers began to recognize the way in which consumers were developing relationships with their brands in a social/psychological/anthropological sense. Advertisers began to use motivational research and consumer research to gather insights into consumer purchasing. Throughout the late 20th-century, brand advertisers began to imbue goods and services with a personality, based on the insight that consumers searched for brands with personalities that matched their own.

Among the most highly visible and recognizable brands is the script and logo for Coca-Cola products. Despite numerous blind tests indicating that Coke's flavor is not preferred, Coca-Cola continues to enjoy a dominant share of the cola market.

Modern brand management also intersects with legal issues such as genericization of trademark.  Yet, in a sense, reaching this stage of market domination is itself a triumph of brand management, in that becoming so dominant typically involves strong profit.

More information: Branding Mag
 
 
 
Your brand is your name, basically.
A lot of people don't know that they need to build their brand;
your brand is what keeps you moving.

Meek Mill

Wednesday, 15 July 2020

RENNETTE RETURNS TO PARIS TO SING 'LA VIE EN ROSE'

The Watsons visit Notre-Dame Cathedral
Today, The Watsons and The Grandma have flown to Paris to spend some hours in the French capital. It has been a present for Rennette, especially, but all the family has enjoyed this travel.

During the trip from Barcelona to Paris, The Watsons have continued studying their English for Sales course. They have revised Past Simple and its regular forms.

Rennette has been very excited with the idea of visiting the capital of her country, a wonderful city that she loves. She has sung some French songs during the trip and the rest of The Watsons and The Grandma have enjoyed all of them, especially La Vie en Rose.

More information: Past Simple-Regular Verbs

La Vie en Rose is the signature song of popular French singer Édith Piaf, written in 1945, popularized in 1946, and released as a single in 1947.

The song became very popular in the US in 1950 with no fewer than seven different versions reaching the Billboard charts. These were by Tony Martin, Paul Weston, Bing Crosby, Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong.

A version in 1977 by Grace Jones was also a successful international hit. La Vie en Rose has been covered by many other artists over the years, including a 1993 version by Donna Summer. Harry James also recorded a version in 1950. Bing Crosby recorded the song again for his 1953 album Le Bing: Song Hits of Paris.

The song's title can be translated as Life in happy hues, Life seen through happy lenses, or Life in rosy hues; its literal meaning is Life in Pink.

La Vie en Rose (May 1945) is a song by Édith Piaf, with music by Louiguy, Édith Piaf being the lyricist, but not the composer, registered with SACEM. It was probably Robert Chauvigny who finalised the music, and when Édith suggested to Marguerite Monnot that she sing the piece, the latter rejected that foolishness.

Edith Piaf
It was eventually Louiguy who accepted the authorship of the music. It was broadcast before being recorded. Piaf offered the song to Marianne Michel, who modified the lyrics slightly, changing les choses (things) for la vie life". In 1943, Piaf had performed at a nightclub/bordello called La Vie en Rose.

Initially, Piaf's peers and songwriting team didn't think the song would be successful, finding it weaker than the rest of her repertoire. Heeding their advice, the singer put the song aside, only to change her mind the next year. It was performed live in concert for the first time in 1946. It became a favorite with audiences.

La Vie en Rose was the song that made Piaf internationally famous, with its lyrics expressing the joy of finding true love and appealing to those who had survived the difficult period of World War II.

La Vie en Rose was released on a 10" single in 1947 by Columbia Records, a division of EMI, with Un refrain courait dans la rue making the B-side. It met with a warm reception and sold a million copies in the US. It was the biggest-selling single of 1948 in Italy, and the ninth biggest-selling single in Brazil in 1949.

Piaf performed the song in the 1948 French movie Neuf garçons, un cœur. The first of her albums to include La Vie en Rose was the 10" Chansons parisiennes, released in 1950. It appeared on most of Piaf's subsequent albums, and on numerous greatest hits compilations. It went on to become her signature song and her trademark hit, sitting with Milord and Non, je ne regrette rien among her best-known and most recognizable tunes. Encouraged by its success, Piaf wrote 80 more songs in her career.

English lyrics were written by Mack David and numerous versions were recorded in the US in 1950.

Louis Armstrong recorded C'est si bon and La Vie en Rose in New York City with Sy Oliver and his Orchestra on June 26, 1950 and this reached the No. 28 position in the Billboard charts.

Bing Crosby also recorded the song in French in 1953 for his album Le Bing: Song Hits of Paris.

The song received a Grammy Hall of Fame Award in 1998.

More information: French Moments


I want to make people cry even
when they don't understand my words.

Edith Piaf

Monday, 8 June 2020

NOAMH KAVANAGH & 'IN YOUR EYES', IRELAND AGAIN

Niamh Kavanagh won Eurovision in 1993
Today, The Grandma has been talking with The Watsons about Niamh Kavanagh, the Irish singer who won the Eurovision Song Contest representing her country in 1993 singing In Your Eyes.

Ireland has participated in the Eurovision Song Contest 53 times since making its debut at the 1965 Contest in Naples, missing only two contests since then (1983 and 2002). The contest final is broadcast in Ireland on RTÉ One.

Ireland is the most successful country in the contest, with a record total of seven wins, and is the only country to have won three times consecutively.

This is the last week The Grandma is going to talk about Eurovision with The Watsons. She has offered them lots of information about artists, songs and constests to have enough material to work in a good candidature for Rennette Watson. After this week, The Watsons are going to finish their confinment and they are going to go out and enjoy the city again.

The Grandma will return with them next July. They deserve some free days to rest and return with more energy.

Before talking about Niamh Kavanagh, The Grandma has offered a new Cambridge Key English Test A2 Example to The Watsons.


Niamh Kavanagh (born 13 February 1968) is an Irish singer who sang the winning entry at the Eurovision Song Contest 1993.

The 1993 Eurovision Song Contest was held in Millstreet, County Cork, Republic of Ireland. She sang In Your Eyes to clinch a second consecutive win for Ireland in the Eurovision Song Contest.

The singer represented Ireland again in the Eurovision Song Contest 2010 in Oslo, with the song It's for You. She performed at the semi-final on 27 May 2010, finishing 9th in a field of 17 contestants, thus qualifying for the Grand Final on 29 May 2010. In the final, she finished 23rd in a field of 25 contestants, having received 25 points.

More information: Twitter

Kavanagh is highly regarded among fans of the Eurovision Song Contest, and the OGAE Ireland, official Eurovision fan club, president Diarmuid Furlong, said: A lot of us would regard Niamh as one of the best vocalists who's ever won the Eurovision Song Contest.

While she has enjoyed success in Europe Kavanagh remains relatively unknown in the United States. However, the singer recorded an album in that country following her initial Eurovision success.

Kavanagh was born in Glasnevin, Dublin, Ireland. Her father was a singer and a saxophonist. She often sang songs at family parties as a child. Her influences include Aretha Franklin, Ella Fitzgerald and Blood, Sweat and Tears, all of whom she listened to from a young age, as well as Bonnie Raitt.

N. Kavanagh in Eurovision, 1993
Kavanagh performed as a lead and backing vocalist on the film soundtrack for The Commitments in songs such as Destination Anywhere and Do Right Woman, Do Right Man.

In spite of this, Kavanagh was not prepared for the boost in recognition she received for her later entries in the Eurovision Song Contest.

On 14 March 1993, twenty-five-year-old Kavanagh performed in RTÉ's National Song Contest, which selected the Irish entry for the larger Eurovision Song Contest, to be held in Millstreet, County Cork, later that spring.

Opening the show at Dublin's Point Theatre, Kavanagh performed In Your Eyes, lyrics and music by Jimmy Walsh. At the close of voting, Kavanagh handily won the National Song Contest with 118 points from the ten regional juries, a 39-point margin over the runner-up. This win meant Kavanagh and In Your Eyes would go on to represent Ireland on the Eurovision stage in Millstreet.

At the Eurovision on 15 May, Kananagh performed In Your Eyes near the middle of the show, as the fourteenth act out of twenty-five. This time, the voting was much closer, and Ireland exchanged the leading position with the United Kingdom several times throughout the announcement of the results.

With 187 points, a record at the time, Kavanagh went on to win the competition in a nail-biting finish, as the result was decided by the final maximum score awarded by the last country to vote.

In Your Eyes went on to be the best-selling single in Republic of Ireland for 1993, and reached number 24 in the UK Singles Chart. It went on to become a double-platinum success and Kavanagh was recognised by people on the street. She recorded an album in Nashville, Tennessee, United States, and this album was produced by John Jennings. She later left music to spend more time with her children.

More information: Extra

In Your Eyes is a ballad sung by Irish singer Niamh Kavanagh that won the Eurovision Song Contest in 1993 for Ireland with 187 points.

The song is a love song written and composed by Jimmy Walsh, where the singer tells how, after being lonely, she has found love and heaven in her lover's arms and how it had changed her.

In 1992, the writer Walsh, who was based in New York, recorded a demo of the song in a studio there. One of the engineers suggested a girl singer that he knew, who could record it. A then-unknown Idina Menzel came in and listened to the song. She suggested a key change for the chorus as she found it rather flat.

Walsh was concerned that this would make the song too difficult to sing, but Menzel insisted she could do it. She duly recorded the demo and this was sent out to Niamh Kavanagh, who was recommended to Walsh as being a singer who could handle the difficult ranges within the song.

N. Kavanagh in Eurovision, 1993
Kavanagh loved the song, but was unsure of wanting to compete in the Eurovision. Eventually, Walsh said that he would withdraw the song if she didn't do it, so she agreed to enter with it.

Kavanagh had a home win, since the contest took place in Ireland due to Linda Martin's win the previous year. It was the second of Ireland's three victories in a row in the early Nineties.


The song was performed fourteenth on the night, following Sweden's Arvingarna with Eloise and preceding Luxembourg's Modern Times with Donne-moi une chance. At the close of voting, it had received 187 points, placing 1st in a field of 25. Despite winning the Irish national song contest, Kavanagh found it difficult to find a record label willing to release the record due to its association with the contest. Eventually, she partly funded the recording of it herself and released it in limited numbers in Ireland under a made-up label name, Eureyes Music.

During the run up to the contest, she met with Simon Cowell, who was present with the UK entrant Sonia. He signed her up to Arista Records and the song was released internationally through them.

In Your Eyes became the best selling single in Ireland for 1993. It also reached No. 24 in the UK Singles Chart and became a minor hit in the Netherlands and Germany.

The song was succeeded as winner in 1994 by Paul Harrington and Charlie McGettigan, also representing Ireland, singing Rock'n'Roll Kids.

Niamh Kavanagh also returned to the Contest in 2010 with It's for You, which came 23rd out of 25 countries, with 25 points in the final.

It wasn't until 2017, during a documentary on the Irish winners, that Kavanagh learned that the singer on the demo she had heard all those years ago was a young Idina Menzel, who was by then internationally famous.

More information: The Sun


Showing no emotion, my feelings locked inside
I made myself an island, trying to take my heart and hide
I built a wall around me, afraid of letting go
But suddenly an open door I never saw before.

Niamh Kavanagh

Saturday, 23 May 2020

GEORGES MOUSTAKI, THE SENSITIVITY OF AUTHOR MUSIC

Georges Moustaki
Today, The Grandma has been talking with The Watsons about Georges Moustaki, the French singer-songwriter of Jewish Italo-Greek origin who died on a day like today in 2013.

Georges Moustaki is one of the best songwriters of the history and his lyrics have become hymns for different generations.

The Watsons must start to create a song for Rennette Watson and listen to George Moustaki is always a great source  of inspiration.

Georges Moustaki (born Giuseppe Mustacchi; 3 May 1934-23 May 2013) was an Egyptian-French singer-songwriter of Jewish Italo-Greek origin, best known for the poetic rhythm and simplicity of the romantic songs he composed and often sang.

Moustaki gave France some of its best-loved music by writing about 300 songs for some of the most popular singers in that country, such as Édith Piaf, Dalida, Françoise Hardy, Yves Montand, Barbara, Brigitte Fontaine, Herbert Pagani, France Gall, Cindy Daniel, Juliette Gréco, Pia Colombo, and Tino Rossi, as well as for himself.

Georges Moustaki was born Giuseppe Mustacchi in Alexandria, Egypt, on 3 May 1934. His parents, Sarah and Nessim Mustacchi, were Francophile, Greek Jews from the ancient Romaniote Jewish community.

More information: All Music

Originally from the Greek island of Corfu, they moved to Egypt, where young Giuseppe was born and first learned French. They owned the Cité du Livre −one of the finest book shops in the Middle East– in the cosmopolitan city of Alexandria, where many ethnic communities lived together.

Moustaki's father spoke five languages whereas his mother spoke six. The young Giuseppe and his two older sisters spoke Italian at home and Arabic in the streets. The parents placed Giuseppe and his sisters in a French school where they learned to speak French.

At the age of 17, after a summer holiday in Paris, Moustaki obtained his father's permission to move there, working as a door-to-door salesman of poetry books. He began playing the piano and singing in nightclubs in Paris, where he met some of the era's best-known performers. His career took off after the young singer-songwriter Georges Brassens took Moustaki under his wing.

Georges Moustaki
Brassens introduced him to artists and intellectuals who spent much of their time around Saint-Germain-des-Prés. Out of gratitude, Moustaki adopted the first name of the only musician he called master.

Moustaki said that his taste for music came from hearing various French singers -Édith Piaf, Charles Trenet, Henri Salvador, Georges Ulmer, Yves Montand, Georges Guétary and Luis Mariano- sing.

Moustaki was introduced to Édith Piaf in the late 1950s by a friend whose praise of the young songwriter was so flattering that Piaf, then at the peak of her fame, requested somewhat sarcastically to hear him sing his best works. I picked up a guitar and I was lamentable. But something must have touched her. She asked me to go and see her perform that same evening at the Olympia music hall and to show her later the songs I had just massacred.

He soon began writing songs for Piaf, the most famous of which, Milord, about a lower-class girl who falls in love with an upper-class British traveller, reached number one in Germany in 1960 and number 24 in the British charts the same year. It has since been performed by numerous artists, including Bobby Darin and Cher.

Piaf was captivated by Moustaki's music, as well as his great charm. Piaf liked how his musical compositions were flavored with jazz and styles that went beyond France's borders. Moustaki and Piaf became lovers and embarked on what the newspaper Libération described as a year of devastating, mad love, with the newspapers following the 'scandal' of the 'gigolo' and his dame day after day.

More information: UNESCO

After a decade of composing songs for various famous singers, Moustaki launched a successful career as a performer himself, singing in French, Italian, English, Greek, Portuguese, Arabic and Spanish.

Moustaki's songwriting career peaked in the 1960s and 1970s with songs like Sarah, performed by Serge Reggiani, and La Longue Dame brune, written for the singer Barbara (Monique Serf).

In 1969 Moustaki composed the song Le Métèque -métèque is a pejorative word for a shifty-looking immigrant of Mediterranean origin- in which he described himself as a wandering Jew and a Greek shepherd.

Serge Reggiani rejected it and the record companies refused to produce it. Moustaki then sang it himself, on a 45rpm disc, and it became a huge hit in France, spending six non-consecutive weeks at number one in the charts.

Georges Moustaki
A small, subliminal settling of scores became the hymn of anti-racism and the right to be different, the cry of revolt of all minorities, Moustaki said of the song.

In 1971 Moustaki adapted the Ennio Morricone/Joan Baez song Here's to You under the new title Marche de Sacco et Vanzetti for his album Il y avait un jardin. One year later, Moustaki popularized the translation of two songs by Mikis Theodorakis, l'Homme au cœur blessé and Nous sommes deux, the latter being a French version of Imaste dio.

Moustaki's philosophy was reflected in his 1973 song Déclaration: I declare a permanent state of happiness and the right of everyone to every privilege. I say that suffering is a sacrilege when there are roses and white bread for everyone.
 
Moustaki became a French citizen in 1985.

In 2008, after a 50-year career during which he performed on every continent, Moustaki recorded his last album, Solitaire. On it, he recorded two songs with China Forbes.

In 2009, in a packed concert hall in Barcelona, he told the stunned audience that he was giving his last public performance as he would no longer be capable of singing because of an irreversible bronchial illness.

Moustaki married Annick Yannick Cozannec when he was twenty years old and she was twenty-five. Their daughter, Pia, was born the following year. They lived in an apartment at rue des Deux-Ponts on the Île Saint-Louis in Paris for many years, before his lung illness forced him to leave his beloved Paris to seek out warmer and cleaner air in the French Riviera.

In his last interview given to Nice-Matin newspaper in February 2013, Moustaki said, I regret not being able to sing in my bathroom. But singing in public, no. I've done it all... I've witnessed magical moments."

Georges Moustaki died on 23 May 2013 at a hospital in Nice, France, after a long battle with emphysema.

More information: The Guardian


En Méditerranée, dans ce bassin où jouent
Des enfants aux yeux noirs, il y a trois continents
Et des siècles d'histoire, des prophètes des dieux,
Le Messie en personne, il y a un bel été
Qui ne craint pas l'automne, en Méditerranée.

 
Georges Moustaki

Saturday, 16 May 2020

RENNETTE WATSON SHINES A BIG LIGHT IN EUROVISION

Rennette Watson shines a light in Eurovision
Today, Rennette Watson has participated in the show, Eurovision: Europe Shine a Light, that has showcased the selected entries in place of the Grand Final on 16 May.

Due to the Coronavirus pandemic, the Eurovision Song Contest 2020 that had to be celebrated today has been cancelled but all the artists have joined for this special show to send hope and their best wishes to don't give up and continue our struggle against this terrible disease.

They have sung Love shine a light, the song sung by Katrina and The Waves that won the 1997 Eurovision Song Contest for the United Kingdom.

The Eurovision Song Contest 2020 was planned to be the 65th edition of the Eurovision Song Contest.

The contest would have taken place in Rotterdam, Netherlands, following the country's victory at the 2019 contest in Tel Aviv, Israel, with the song Arcade performed by Duncan Laurence. It would have been the fifth time that the Netherlands hosted the contest, the last time having been the 1980 contest. It was due to be held at Rotterdam Ahoy.

The contest was cancelled on 18 March 2020, due to the COVID-19 pandemic. It is the first time in the contest's 64-year history that it has been cancelled.

It was scheduled to consist of two semifinals on 12 and 14 May, and a final on 16 May 2020. Forty-one countries would have participated in the contest; Bulgaria and Ukraine would have returned after their absences from the 2019 contest, while Hungary and Montenegro had confirmed their non-participation after taking part in the previous edition. All forty-one competing artists and songs were confirmed by the relevant broadcasters by early March 2020.

Following its cancellation, the European Broadcasting Union began discussions of potential carryovers for the 2021 contest, such as host city and participating artists, with various parties.

In place of the cancelled contest, the EBU and its Dutch members NPO, NOS and AVROTROS organised a replacement show, Eurovision: Europe Shine a Light, to showcase the selected entries in place of the Grand Final on 16 May.

More information: Eurovision TV


Love shine a light in every corner of the world
Let the love light carry let the love light carry
Light up the magic for every boy and girl
Let our love shine a light in every corner of the world.

Katrina and The Waves

Monday, 4 May 2020

JAMALA SINGS '1984', THE UKRANIAN FIRST TRIUMPH

Jamala won Eurovision in 2016
Today, The Grandma has been talking with The Watsons about Susana Alimivna Jamaladinova, aka Jamala, the Ukrainian singer, actress and songwriter who won the Eurovision Song Contest representing Ukraine in 2016 and singing 1944.

Before talking about Jamala, The Grandma has offered a new Cambridge Key English Test A2 Example to The Watsons.

  

Susana Alimivna Jamaladinova (born 27 August 1983), better known by her stage name Jamala, is a Ukrainian singer, actress and songwriter. She represented Ukraine and won the Eurovision Song Contest 2016 in Stockholm, Sweden with her song 1944.

Susana Jamaladinova was born in Osh, Kirghiz SSR, to a Crimean Tatar father and an Armenian mother. Her Crimean Tatar ancestors were forcibly resettled from Crimea to the central Asian republic under Joseph Stalin during World War II, although her own relatives fought on the Soviet side. In 1989 her family returned to Crimea. Her maternal ancestors are Armenians from Nagorno-Karabakh. They were well-to-do peasants until her great-grandfather's land was confiscated and he was exiled to Osh where he changed his Armenian name to make it sound more Russian.

Jamala speaks Russian as her mother tongue, and she is also fluent in Ukrainian and English which she learned as an adolescent. Though she wrote some songs in Crimean Tatar, she is not fluent in the language.

Her parents divorced for about four years so that her mother could purchase a house in Crimea for the family under her maiden name. During this period, Soviet authorities did not allow ethnic Crimean Tatars, like her father, to purchase property in Crimea.


More information: Wiwi Blogs

Jamala has been fond of music since her early childhood. She made her first professional recording at the age of nine, singing 12 folk and children's Crimean Tatar songs. She entered the Simferopol Music College and later graduated from Tchaikovsky National Music Academy of Ukraine as an opera singer, but preferred a career in pop music.

On 14 February 2010, she released her first single You Are Made of Love from her debut studio album For Every Heart. She released It's Me, Jamala as the second single on 18 October 2010.


On 23 November 2010, she released Smile as the third single from the album.

Early in 2011, she participated on the national selection show in an attempt to represent Ukraine at the Eurovision Song Contest with the song Smile. The song was a crowd favorite and Jamala herself managed to land a spot in the finals of the competition. However, she later decided to withdraw from the competition.


Jamala won Eurovision in 2016
On 12 April 2011, she released her debut studio album For Every Heart through Moon Records Ukraine.

On 8 November 2012, she released Ya Lyublyu Tebya as the lead single from her second studio album All or Nothing.

She released Hurt as the second single, and Kaktus in Ukrainian Ка́ктус» was released on 6 March 2013, as the third and final single from the album. She released All or Nothing on 19 March 2013, through Moon Records Ukraine.

On 25 September 2014, she released Zaplutalas, in Ukrainian Заплу́талась, as the lead single from her debut EP Thank You. The EP was released on 1 October 2014, through Enjoy Records.

On 26 March 2015, Ochyma was released as the lead single from her third studio album. Shlyakh dodomu, in Ukrainian Шлях додо́му, was released as the second single on 18 May 2015.

On 15 June 2015, Podykh, in Ukrainian По́дих, was released as the third single. She released her album Podykh on 12 October 2015, through Enjoy Records.


More information: VOA News

Jamala successfully represented Ukraine in the Eurovision Song Contest 2016 with the song 1944.


The song is about the deportation of the Crimean Tatars in 1944 and particularly about her great-grandmother, who lost her daughter while being deported to Central Asia. Jamala wrote the song's lyrics in 2014.

In the second semi-final of the contest, Jamala performed 14th and was one of ten participants who qualified for the grand final. It was announced later that she placed second, scoring 287 points, and won the televoting with 152 points.

On 14 May 2016, Jamala won the competition with 534 points. Jamala's song was considered by Russian media and lawmakers to be critical of the Russian annexation of Crimea in 2014 and the ongoing war between Russia and Ukraine in Donbass. For this reason it has been announced that no other flags than the official country-participant are allowed in the arena for the Eurovision Song Contest. This included a ban for flags like Crimean Tatars' flags to be in audience, and only the Ukrainian flags was allowed for her Crimean Tatars' supporters.


Jamala won Eurovision in 2016
After her win in the Eurovision Song Contest, she was awarded the title People's Artist of Ukraine by Ukrainian President.

After winning Eurovision 2016, she has gone on to publish many songs, including I Believe in U, which she performed at Eurovision 2017 as an interval act, along with Zamanyly.

On 17 May 2016, it was announced that the Ukrainian Foreign Ministry would be nominating Jamala as a UNICEF Goodwill Ambassador.

On 12 October 2018, Jamala released her fifth studio album, Kryla. The title track was released as the first single on 21 March 2018. She had previously performed the track as the interval act for the 2018 Ukrainian National Selection for the Eurovision Song Contest, Vidbir.

On 26 April 2017, Jamala married Bekir Suleimanov. Their relationship became known in September 2016, when she appeared with him at the Manhattan Short Film Festival. The couple married in the Islamic Cultural Center of Kyiv using the traditional wedding ceremony Nikah. Suleimanov had recently graduated from the Physics and Mathematics Department of Taras Shevchenko National University of Kyiv and is an activist of the Muslim Crimean Tatar community.


More information: The Guardian

1944 is a song written and performed by Ukrainian singer Jamala. It represented Ukraine in the Eurovision Song Contest 2016 and won with a total of 534 points.

The lyrics for 1944 concern the deportation of the Crimean Tatars, in the 1940s, by the Soviet Union at the hands of Joseph Stalin because of their alleged collaboration with the Nazis.


Jamala was particularly inspired by the story of her great-grandmother Nazylkhan, who was in her mid-20s when she and her five children were deported to barren Central Asia. One of the daughters did not survive the journey. Jamala's great-grandfather was fighting in World War II in the Red Army at this time and thus could not protect his family. The song was also released amid renewed repression of Crimean Tatars following the Russian annexation of Crimea, since most Crimean Tatars refuse to accept the annexation.

Jamala won Eurovision in 2016
The English lyrics were written by the poet Art Antonyan.

The song's chorus, in the Crimean language, is made up of words from a Crimean Tatar folk song called Ey Güzel Qırım that Jamala had heard from her great-grandmother, reflecting on the loss of a youth which could not be spent in her homeland. The song features the duduk played by Aram Kostanyan and the use of the mugham vocal style.

Jamala represented Ukraine in the Eurovision Song Contest 2016, performing in the second half of the second semi-final...

1944 is the first Eurovision song to contain lyrics in the Crimean language. She won the final receiving the second highest televoting score and second highest jury vote.

More information: The Local

In a February 2016 interview with The Guardian, Jamala said that the song also reminded her of her own family living in Crimea nowadays, claiming that since the 2014 Russian annexation of Crimea the Crimean Tatars are on occupied territory. The song lyrics, however, do not address this annexation. Eurovision rules prohibit songs with lyrics that could be interpreted as having political content.


On 9 March 2016, a tweet from the European Broadcasting Union confirmed that neither the title nor the lyrics of the song contained political speech and therefore it did not breach any Eurovision rule, thus allowing it to remain in the competition.

Immediately after the selection of this song, some Russian politicians, as well as authorities in Crimea, accused the Ukrainian authorities of using the song to offend Russia and capitalising on the tragedy of the Tatars to impose on European viewers a false picture of alleged harassment of the Tatars in the Russian Crimea.

More information: DW


When strangers are coming
They come to your house
They kill you all
and say
We’re not guilty
not guilty.


Yaşlığıma toyalmadım
Men bu yerde yaşalmadım
Yaşlığıma toyalmadım
Men bu yerde yaşalmadı.


Jamala

Friday, 1 May 2020

1981. BUCKS FIZZ, 'MAKING YOUR MIND UP' FROM THE UK

Bucks Fizz
Today, The Grandma has been talking with The Watsons. They continue isolated and working in Rennette Watson's candidature to Eurovision Song Contest. They have been talking about British winners, especially Bucks Fizz, a pop group that won the 1981 Eurovision Song Contest with the song Making Your Mind Up.

Before talking about Bucks Fizz, The Grandma has offered a new Cambridge Key English Test A2 Example to The Watsons.


Bucks Fizz is a British pop group that achieved success in the 1980s, most notably for winning the 1981 Eurovision Song Contest with the song Making Your Mind Up.

The group was formed in January 1981 specifically for the contest and comprised four vocalists: Bobby G, Cheryl Baker, Mike Nolan and Jay Aston.

They received attention for the dance routine which accompanied the song, in which the male members of the group ripped the female members' outer skirts off to reveal much shorter mini-skirts beneath.

The group went on to have a successful career around the world, although they were commercially unsuccessful in the United States, but the UK remained their biggest market, where they had three No.1 singles with Making Your Mind Up (1981), The Land of Make Believe (1981) and My Camera Never Lies (1982) and became one of the top-selling groups of the 1980s.

They also had UK Top 10 hits with Now Those Days Are Gone (1982), If You Can't Stand the Heat (1982), When We Were Young (1983) and New Beginning (Mamba Seyra) (1986). Bucks Fizz have sold over 50 million records worldwide.

Bucks Fizz in Eurovision, 1981
The line-up of the group has changed a number of times over the years, most famously when Jay Aston quit the group in 1985 and was replaced by Shelley Preston.

Today, two versions of the group exist: a version which includes original member Bobby G, and a version comprising the other three original members -Cheryl Baker, Mike Nolan and Jay Aston under the name The Fizz.

In late 1980, Nichola Martin and Andy Hill sought to create a new group to enter their song Making Your Mind Up in the Eurovision Song Contest. The first member to be recruited was Mike Nolan, who was known to Martin. Together, they recorded a demo of the song and entered it for inclusion in A Song for Europe -the preliminary heats for the contest. Realising that a name was needed for the performing artists, Martin quickly decided on Buck's Fizz, as it was her favourite drink.

In January, Martin contacted Cheryl Baker to join them, as she remembered her from the 1978 Eurovision group, Co-Co. Concurrent to this, Martin was holding auditions for another male vocalist and female vocalist, should Baker turn down the position, which she didn't. At the end of these auditions, Martin had found a male singer, Stephen Fischer and female, Jay Aston.

More information: All Music

Unsure of which female vocalist to use, she ultimately decided to use both Baker and Aston as she felt their vocals complemented each other and Martin stepped down from the group in order to team up with Hill for another line-up as they had two songs in the competition.

Fischer then became unavailable as he was appearing in a musical at the time and Martin hired another auditionee, Bobby G for the group. The four members came together for the first time on 11 January 1981. Jill Shirley, with whom Martin had been in a group called Rags who had appeared in the 1977 A Song for Europe contest, placing fourth, agreed to manage the group.

During rehearsals, a dance routine was devised for the song which went on to become famous for the moment where the girls' skirts are ripped off halfway through -only to reveal shorter skirts underneath.

Bucks Fizz in Eurovision, 1981
The routine itself was choreographed by Chrissie Wickham, a former member of dance troupe Hot Gossip, although Martin, Baker and Aston have all since laid claim to the skirt-rip idea, Martin had used a similar idea when Rags had taken part in the earlier A Song for Europe contest in 1977; subsequently performing the same routine on Top of the Pops after failing to win the competition.

On 11 March, A Song for Europe took place with the then unknown Bucks Fizz competing against well-known act Liquid Gold, as well as Hill and Martin's own group, Gem.

Making Your Mind Up became an easy winner and the group recorded the song with Hill as producer. Later in the month it was released as a single and entered the charts at No.24. By the time the contest was staged, the single had risen to No.2.

On 4 April, Bucks Fizz represented United Kingdom in the 1981 Eurovision Song Contest, which was held in Dublin. Although they were favourites to win, the song faced stiff competition and after a vocally unsound rendition, the early votes were poor. Halfway through the voting process, Bucks Fizz took the lead, although they remained close throughout. Ultimately, Bucks Fizz won the contest by a margin of four points, beating Germany into second place.

Making Your Mind Up became a major hit around the continent, reaching No.1 in the UK as well as eight other countries. It charted highly in other countries such as Australia, eventually selling four million copies worldwide.

More information: The Guardian

With Shirley remaining as the group's manager, Hill as producer and Martin as co-songwriter, they worked with record company A&R head Bill Kimber to continue the group's success, determined that they would not become another Eurovision one-hit wonder. A follow-up single was recorded amid promotional tours and the group's image was revamped.

In May, the single Piece of the Action was released. The song boasted a contemporary pop sound and high production values, in contrast to the rock and roll style of Making Your Mind Up. As Baker has stated: Our follow-up single was nothing at all like Making Your Mind Up, it was a good, strong, contemporary pop song, Piece of the Action became an immediate hit and quickly rose to No.12 in the UK charts. It also charted highly across Europe. 

Bucks Fizz in Eurovision, 1981
Buoyed by this success, the group launched into recording their debut album with producer Andy Hill. Released in July, the self-titled album also became a top 20 hit in the UK charts, as did their third single, One of Those Nights.

In November 1981, Bucks Fizz represented the UK at the World Popular Song Festival in Tokyo, where they achieved the Best Song Award and fifth place overall with their song Another Night. The song was released as a single there and went on to be included on their second album.

In 2005, BBC viewers were invited to vote on the most memorable Eurovision moments ever. Bucks Fizz won with the Making Your Mind Up skirt-rip routine.

More information: Smooth Radio

Making Your Mind Up is a song by the British pop group Bucks Fizz. It was the winner of the 1981 Eurovision Song Contest and was composed by Andy Hill and John Danter. Released in March 1981, it was Bucks Fizz's debut single, the group having been formed just two months earlier.

Following its win in the contest, the song reached No.1 in the UK and several other countries, eventually selling in excess of four million copies. It launched the career of the group, who went on to become one of the biggest selling acts of the 1980s and featured on their debut, self-titled album.

From 2004 to 2007 the BBC used the name Making Your Mind Up for their Eurovision selection show in honour of the song.

In late 1980, songwriter Andy Hill composed Making Your Mind Up with an eye to entering it into the A Song for Europe finals the following year. Working with his then girlfriend, Nichola Martin, a singer and music publisher, she encouraged him to collaborate with musician John Danter, who she could sign up to her publishing company, therefore owning half the rights of the song, Hill was already signed to another publisher. Martin claims that Danter's input was minimal, the song being essentially a Hill composition.

Bucks Fizz in Eurovision, 1981
In October 1980, they set about recording a demo of the song featuring the vocals of Hill, Martin and Mike Nolan, a singer Martin had worked with before.

In December, the song was chosen out of 591 submitted entries to be one of the eight songs performed in the contest. Martin then realised she had to quickly assemble a group to perform the song for the contest, based around her and Nolan. With the song already entered under the name Bucks Fizz, Martin and future group manager, Jill Shirley recruited Cheryl Baker, Bobby G and Jay Aston to the line-up, with Martin herself dropping out.

The song was alongside another Hill/Danter composition, Have You Ever Been in Love, which would be performed by Martin and Hill under the name Gem.

Martin and Shirley secured a recording deal with RCA Records and Hill spent a week at Mayfair Studios in London with the group recording the song and its B-side. Backing vocals on the record were supplied by Alan Carvell, who also went on to be one of two backing singers in the Eurovision performance.

More information: Metro

The song was co-published by Paper Music, which was a year-old publishing company owned by Billy Lawrie -himself a songwriter and brother of singer Lulu. Choreographer Chrissie Whickham, a former member of dance troupe Hot Gossip, spent two days with the group working on the dance routine.

The lyrics of the song are largely meaningless, although it can be argued that they are about making the decision to commit to a serious relationship.

On 4 April, the 1981 Eurovision Song Contest was staged in Dublin. In a close contest throughout the voting procedure with no less than five different songs taking the lead at various stages, Making Your Mind Up managed to secure a victory with 136 points, beating second-placed Germany by a small margin of four.

Making Your Mind Up went to No.1 in the UK following the victory and remained there for three weeks, becoming one of the biggest selling songs of the year. It also saw the group in high demand throughout Europe, with the single hitting No.1 in many countries and charting in the top ten in Australia.

The record eventually sold four million copies worldwide. The single began a run of 20 UK hits for Bucks Fizz and was quickly followed up by Piece of the Action and debut album, Bucks Fizz. At the end of the decade, Making Your Mind Up was No.47 in the UK top selling singles of the 1980s.

More information: The Sun


And try to look as if you don't care less
But if you want to see some more
Bending the rules of the game will let you find
The one you're looking for
And then you can show that you think you know
You're making your mind up.

 
Bucks Fizz