Friday 6 July 2018

RICHARD III OF ENGLAND: SHAKESPEARIAN ANTI-HERO

Richard III, King of England
Today, The Grandma has started to review Intermediate Language Practice, a new English manual to consolidate her grammar and her vocabulary. Today, she has studied Present Tenses with Chapters 1-3.

More information: Flo-Joe

She likes checking current news and historic facts and on a day like today, in July, 6 1483, Richard III was crowned King of England.The Grandma doesn't like stories about monarchies because she has republican ideas but this case is different, because Richard III is one of the most amazing William Shakespeare's works.

Richard III (2 October 1452-22 August 1485) was King of England from 1483 until his death at the Battle of Bosworth Field. He was the last king of the House of York and the last of the Plantagenet dynasty. His defeat at Bosworth Field, the last decisive battle of the Wars of the Roses, marked the end of the Middle Ages in England. He is the protagonist of Richard III, one of William Shakespeare's history plays.

When his brother King Edward IV died in April 1483, Richard was named Lord Protector of the realm for Edward's eldest son and successor, the 12-year-old Edward V. Arrangements were made for Edward's coronation on 22 June 1483; but, before the young king could be crowned, the marriage of his parents was declared bigamous and therefore invalid, making their children officially illegitimate and barring them from inheriting the throne.

More information: The Richard III Society

On 25 June, an assembly of Lords and commoners endorsed a declaration to this effect and proclaimed Richard the rightful king. The following day, Richard III began his reign, and he was crowned on 6 July 1483. 

Memorial stone for King Richard III
The young princes, Edward and his younger brother Richard, Duke of York, were not seen in public after August, and accusations circulated that the boys had been murdered on Richard's orders. 

There were two major rebellions against Richard during his reign. The first, in October 1483, was led by staunch allies of Edward IV and Richard's former ally, Henry Stafford, 2nd Duke of Buckingham; but the revolt collapsed. 

In August 1485, Henry Tudor and his uncle, Jasper Tudor, led a second rebellion. Henry Tudor landed in southern Wales with a small contingent of French troops and marched through his birthplace, Pembrokeshire, recruiting soldiers. Henry's force engaged Richard's army and defeated it at the Battle of Bosworth Field in Leicestershire. Richard was slain in the conflict, making him the last English king to die in battle. Henry Tudor then ascended the throne as Henry VII.

 More information: University of Leicester

After the battle, Richard's corpse was taken to Leicester and buried without pomp. His original tomb monument is believed to have been removed during the English Reformation, and his remains were lost for more than five centuries, believed to have been thrown into the River Soar

King Richard III carried through Leicester, 2012
In 2012, an archaeological excavation was commissioned by the Richard III Society on a city council car park on the site once occupied by Greyfriars Priory Church.

The University of Leicester identified the skeleton found in the excavation as that of Richard III as a result of radiocarbon dating, comparison with contemporary reports of his appearance, and comparison of his mitochondrial DNA with that of two matrilineal descendants of Richard III's eldest sister, Anne of York. Richard's remains were reburied in Leicester Cathedral on 26 March 2015.

More information: CNN

Richard III is a historical play by William Shakespeare believed to have been written around 1593. It depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quarto edition, it is termed a tragedy. Richard III concludes Shakespeare's first tetralogy, also containing Henry VI parts 1–3.

It is the second longest play in the canon after Hamlet and is the longest of the First Folio, whose version of Hamlet is shorter than its Quarto counterpart. The play is often abridged; for example, certain peripheral characters are removed entirely. In such instances, extra lines are often invented or added from elsewhere in the sequence to establish the nature of characters' relationships. 

More information: Shakespeare's Globe

A further reason for abridgment is that Shakespeare assumed that his audiences would be familiar with his Henry VI plays and frequently made indirect references to events in them, such as Richard's murder of Henry VI or the defeat of Henry's queen, Margaret.

Richard III, King of England
Richard III is believed to be one of Shakespeare's earlier plays, preceded only by the three parts of Henry VI and perhaps Titus Andronicus and a handful of comedies. It is believed to have been written c. 1592–1594. 

Although Richard III was entered into the Register of the Stationers' Company on 20 October 1597 by the bookseller Andrew Wise, who published the first Quarto (Q1) later that year, with printing done by Valentine Simmes, Christopher Marlowe's Edward II, which cannot have been written much later than 1592, Marlowe died in 1593, is thought to have been influenced by it. A second Quarto (Q2) followed in 1598, printed by Thomas Creede for Andrew Wise, containing an attribution to Shakespeare on its title page. Q3 appeared in 1602, Q4 in 1605, Q5 in 1612, and Q6 in 1622, the frequency attesting to its popularity. The First Folio version followed in 1623.

More information: Shakespeare Theatre

One of the central themes of Richard III is the idea of fate, especially as it is seen through the tension between free will and fatalism in Richard's actions and speech, as well as the reactions to him by other characters. 


There is no doubt that Shakespeare drew heavily on Sir Thomas More's account of Richard III as a criminal and tyrant as inspiration for his own rendering. This influence, especially as it relates to the role of divine punishment in Richard's rule of England, reaches its height in the voice of Margaret.


 

Amongst other our secular businesses and cures, our principal intent and fervent desire is to see virtue and cleanness of living to be advanced, increased, and multiplied, and vices and all other things repugnant to virtue, provoking the high indignation and fearful displeasure of God, to be repressed and annulled. 

Richard III of England

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