Monday 2 July 2018

DICKENSIAN: EXCELLENT CHARACTERS & NEW WORDS

Charles John Huffam Dickens
The Grandma has started to read Charles DickensA tale of two cities. One of the most fascinating things in Dickens novels is to analyze the characters because they change during the story -psychological novel- and they try to redempt themselves in the way they can.

In nearly all novels by Charles Dickens, characters take the main the stage and generally are just as important as the plot becuase of their complexity. 

Charles Dickens' novel, A Tale of Two Cities, offers far more to the reader than the title suggests, particularly because of the enormous complexity of the characters, both central and peripheral. A Tale of Two Cities by Dickens is also a series of tales about dual identities and the ways in which one character serves as a foil to another. In Books I and II of Tale of Two Cities, Dickens establishes the setting and the dynamic relationships among the characters, all of whom are struggling, to greater and lesser degrees, with their positions regarding the Revolution and as a result, this creates a struggle with their identities.

While some characters in the Dickens novel A Tale of Two Cities, especially Darnay, clearly have more acute conflicts to resolve and far more to lose than the seemingly minor characters, it is by examining the marginal characters that the reader can understand the dynamic conflicts of the period more fully. Two of the novel’s marginal characters, John Barsad, the duplicitous spy in A Tale of Two Cities by Dickens, and Gaspard, the quiet but determined peasant who takes justice into his own hands, represent two faces of the Revolution, and help to emphasize the conflicts and conditions of the major characters.

Charles John Huffam Dickens
When John Barsad is introduced in the novel A Tale of Two Cities by Dickens, it is immediately clear that he is not only self-serving and hypocritical, he is a man who is not to be trusted. While he is not a popular character, he is, nonetheless an excellent candidate for a character analysis as Barsad is complex and multilayered.

Aside from the case of A Tale of Two Cities the literary canon is full of examples of seemingly minor men and women who become heroes and highly worthy of character analysis, hardly-noticed characters who turn into villains, and people of no reputation who shape the entire course of a novel’s events. This is part of what makes the story Dickens is telling so interesting, even though the events themselves are worthy of note, the characters who are the subjects of great interest and character analysis and their level of complexity make A Tale of Two Cities what it is. 

More information: BBC

Beyond offering the reader a mere narration of the events leading up to the Revolution, Dickens creates suspense, tension, and the opportunity for opinions and actions to be transformed by elevating the influence of characters worthy of intense character analysis in A Tale of Two Cities by Dickens who would otherwise be marginal to the plot. 

BBC One's Dickensian
John Barsad and Gaspard are two men who are quite different from one another, and who also differ in their motives and means of expressing their power and influence. 

Nonetheless, in several relatively brief scenes, both men shape the outcome of the novel by acting upon their beliefs and passions decisively and without apology. As a result, the lives of the major characters in A Tale of Two Cities by Dickens and the decisions that they are able and which they choose to make are transformed.

More information: How Stuff Works

Dickensian is a British drama television series that premiered on BBC One from 26 December 2015 to 21 February 2016. The 20-part series, created and co-written by Tony Jordan, brings characters from many Charles Dickens novels together in one Victorian London neighbourhood, as Inspector Bucket investigates the murder of Ebenezer Scrooge's partner Jacob Marley.

Red Planet Pictures's Alex Jones vowed to lobby HM Revenue and Customs and the Department for Culture, Media and Sport to relax the tax-relief rules for Dickensian; tax relief is only given for dramas longer than 30 minutes and each episode of Dickensian lasts 30 minutes.

More information: BBC


Little Red Riding Hood was my first love. 
I felt that if I could have married Little Red Riding Hood, 
 should have known perfect bliss. 

Charles Dickens

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