Friday, 9 September 2016

CAP DE CREUS & SANT PERE DE RODES: HISTORIC STONES

Salvador Dalí
Cap de Creus is a peninsula and a headland located at the far northeast of Catalonia, some 25 kilometres south from the French border. The cape lies in the municipal area of Cadaqués, and the nearest large town is Figueres, capital of the Alt Empordà and birthplace of Salvador Dalí. Cap de Creus is the easternmost point of the Iberian Peninsula. The area is now a Natural Park.

The peninsula has an area of 190 square kilometres of an extraordinary landscape value; a windbeaten very rocky dry region, with almost no trees, in contrast with a seaside rich in minuscule creeks of deep blue sea to anchor. Mountains are the eastern foothills of the Pyrenees, the natural border between France and Spain. The region is frequently swept by awful north wind "tramontana" (beyond mountains) which has caused many naval disasters. Cadaqués is the most well-known village, home of artists and writers, with sophisticated atmosphere, near Port Lligat where Dalí built his home in a paradise small bay. (Dalí depicted the peninsula in his painting The Persistence of Memory.) El Port de la Selva, with a little fishing harbour, is less exploited, with good gastronomic recourses and pleasant terraces.

One legend tells that the Cap de Creus was hewn by Hercules.


Sant Pere de Rodes stands out at 500 metres (1,600 ft) of altitude, with views of the Cap and the Pyrenees. It is an 11th-century monastery whose first structures date from about 750 AD. It is a former Benedictine monastery. It is in the municipal area of El Port de la Selva in the province of Girona. It has been constructed in the side of the Verdera mountain below the ruins of the castle of Sant de Verdera that had provided protection for the monastery. It offers exceptional views over the bay of Llançà, to the north of Cap de Creus. Near the monastery Santa Creu de Rodes is the ruins of a medieval town, of which its pre-Romanesque-style church is the only remains dedicated to Saint Helena. The zone is plenty of Prehistoric ruins like dolmens and menhirs. This fact demonstrates the importance of this zone since the ancient ages.

Joseph de Ca'th Lon next to a dolmen
The true origin of the monastery is not known, which has given rise to speculation and legend; such as its foundation by monks who disembarked in the area with the remains of Saint Peter and other saints, to save them from the Barbarian hordes that invaded the Western Roman Empire. Once the danger had passed the Pope Boniface IV commanded them to construct a monastery.

The first documentation of the existence of the monastery dates 878, when it was mentioned as a simple monastery cell consecrated to Saint Peter, but it is not until 945 when an independent Benedictine monastery was founded, led by an abbot. Connected with the County of Empúries, it reached its maximum splendor between the 11th and 12th centuries until its final decay in the 17th century. Its increasing importance is reflected in its status as a point of pilgrimage.

In the 17th century it was sacked in several occasions and in 1793 was deserted by the Benedictine community, which was transferred to Vila-sacred and finally settled in Figueres in 1809, until it was dissolved.

The monastery was declared a national monument in 1930. In 1935 the first restoration work was initiated.

Joseph de Ca'th Lon pointing at the North
The buildings are constructed in terraces, given its location. Cloisters of 12th century form the central part of the complex. Around them the rest of constructions are distributed. The church, consecrated in the year 1022, is an example of Romanesque style; it has nave and two vaulted. These are bordered by a double column with capitals influenced by the Carolingian style. The double column support arches separating the nave from the aisles. Columns and pillars have been taken from a former Roman building. The nave ends with an arch leading to the apse, continued in the two aisles. Under the apse is a crypt. The church synthesizes a number of original styles including Carolingian, Romanesque and Roman. 

The monastery is considered one of the best examples of Romanesque architecture in Catalonia. In the western facade of the monastery is a 12th century square-shaped bell tower, influenced by the Lombard style from the previous century. To the side is a defensive tower, that was probably began in the 10th century but finished later after several modifications.

More information: MHCAT-Sant Pere de Rodes


Intelligence without ambition is a bird without wings.
 
Salvador Dalí

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