Tuesday, 3 February 2026

'TULPENMANIE', FIRST RECORDED SPECULATIVE BUBBLE

After celebrating Sant Antoni in Mallorca with family and friends and touring Provença and Occitània visiting other friends, The Grandma is now at home working on her new projects.

One of the most beautiful things about arriving at home after a few days away is opening the balconies (especially today when it hasn't rained and it's been a fantastic day) and contemplating the plants and flowers that she loves so much. Among them, the tulips that she brought from her last trip to Amsterdam stand out and are beautifully yellow and beautiful. Precisely, tulips have been her daily reading, because on a day like today in 1637, the Tulip Mania collapses within the Dutch Republic.

Tulip mania, in Dutch tulpenmanie, was a period during the Dutch Golden Age when contract prices for some bulbs of the recently introduced and fashionable tulip reached extraordinarily high levels. The major acceleration started in 1634 and then dramatically collapsed in February 1637. It is generally considered to have been the first recorded speculative bubble or asset bubble in history.

In many ways, the tulip mania was more of a then-unknown socio-economic phenomenon than a significant economic crisis. It had no critical influence on the prosperity of the Dutch Republic, which was one of the world's leading economic and financial powers in the 17th century, with the highest per capita income in the world from about 1600 to about 1720. 

The term tulip mania is now often used metaphorically to refer to any large economic bubble when asset prices deviate from intrinsic values.

Forward markets appeared in the Dutch Republic during the 17th century. Among the most notable was one centred on the tulip market. At the peak of tulip mania, in February 1637, certain tulip bulbs sold for more than 10 times the annual income of a skilled artisan. Research is difficult because of the limited economic data from the 1630s, much of which comes from biased and speculative sources.

The 1637 event gained attention in 1841 with the publication of the book Extraordinary Popular Delusions and the Madness of Crowds, written by Scottish journalist Charles Mackay, who wrote that at one point 5 hectares of land were offered for a Semper Augustus bulb. Mackay claimed that many investors were ruined by the fall in prices, and Dutch commerce suffered a severe shock. Although Mackay's book is often referenced, his account is contested. 

The introduction of the tulip to Europe is often attributed to Ogier de Busbecq, the ambassador of Charles V, Holy Roman Emperor, to Sultan Suleiman the Magnificent, who sent the first tulip bulbs and seeds to Vienna in 1554 from the Ottoman Empire. Tulip bulbs, along with other new plant life like potatoes, peppers, tomatoes, and other vegetables, came to Europe in the 16th century. These bulbs were soon distributed from Vienna to Augsburg, Antwerp, and Amsterdam.

Their popularity and cultivation in the United Provinces (now the Netherlands) started in earnest around 1593 after the Southern Netherlandish botanist Carolus Clusius had taken up a post at the University of Leiden and established the hortus academicus. He planted his collection of tulip bulbs and found that they were able to tolerate the harsher conditions of the Low Countries. Shortly thereafter, the tulip grew in popularity.

The tulip was different from other flowers known to Europe at that time, because of its intense saturated petal colour. The appearance of the nonpareil tulip as a status symbol coincides with the rise of newly independent Holland's trade fortunes. No longer the Spanish Netherlands, its economic resources could now be channelled into commerce and Holland embarked on its Golden Age. Amsterdam merchants were at the centre of the lucrative East Indies trade, where one voyage could yield profits of 400%.

As a result, tulips rapidly became a coveted luxury item, and a profusion of varieties followed. They were classified in groups: the single-hued tulips of red, yellow, or white were known as Couleren; the multicolored Rosen (white streaks on a red or pink background); Violetten (white streaks on a purple or lilac background); and the rarest of all, the Bizarden ('Bizarres') (yellow or white streaks on a red, brown, or purple background). The multicolour effects of intricate lines and flame-like streaks on the petals were vivid and spectacular, making the bulbs that produced these even more exotic-looking plants highly sought after. It is now known that this effect is due to the bulbs being infected with a type of tulip-specific mosaic virus, known as the tulip breaking virus, so called because it breaks the one petal colour into two or more. Less conspicuously, the virus also progressively impairs the tulip's production of daughter bulbs. The historian Philipp Blom theorised in his book, Nature's mutiny, that the mania might also have been driven by the effects of the Little Ice Age, which left most other flowers dry and shrivelled by the temperature, while the tulip was the one which sustained itself.

Growers named their new varieties with exalted titles. Many early forms were prefixed Admirael ('admiral'), often combined with the growers' names: Admirael van der Eijck was perhaps the most highly regarded of about fifty so named. Generael ('general') was another prefix used for around thirty varieties. Later varieties were given even more extravagant names, derived from Alexander the Great or Scipio, or even Admiral of Admirals and General of Generals. Naming could be haphazard and varieties highly variable in quality. Most of these varieties have now died out.

The tulips bloomed in April and May for about one week. During the plant's dormant phase from June to September, bulbs can be uprooted and moved about, so actual purchases (in the spot market) occurred during these months. During the rest of the year, florists, or tulip traders, signed forward contracts before a notary to buy tulips at the end of the season. Thus the Dutch, who developed many of the techniques of modern finance, created a market for tulip bulbs, which were durable goods. Short selling was banned by an edict of 1610, which was reiterated or strengthened in 1621 and 1630, and again in 1636. Short sellers were not prosecuted under these edicts, but forward contracts were deemed unenforceable, so traders could repudiate deals if faced with a loss.

As the flowers grew in popularity, professional growers paid higher and higher prices for bulbs with the virus, and prices rose steadily. By 1634, in part as a result of demand from the French, speculators began to enter the market. The contract price of rare bulbs continued to rise throughout 1636. By November, the price of common, unbroken bulbs also began to increase, so that soon any tulip bulb could fetch hundreds of guilders. Forward contracts were used to buy bulbs at the end of the season.

Traders met in college at taverns and buyers were required to pay a 2.5% wine money fee, up to a maximum of three guilders per trade. Neither party paid an initial margin, nor a mark-to-market margin, and all contracts were with the individual counter-parties rather than with the Exchange. The Dutch described tulip contract trading as windhandel (literally wind trade), because no bulbs were actually changing hands. The entire business was accomplished on the margins of Dutch economic life, not in the Exchange itself.

Tulip mania reached its peak during the winter of 1636-37, when some contracts were changing hands five times. No deliveries were ever made to fulfill these contracts, because in February 1637, tulip bulb contract prices collapsed abruptly and the trade of tulips ground to a halt. The collapse seems to have occurred by the end of the first week of February 1637, which caused a number of disputes over the extant contracts. On February 7, tulip growers scrambled in Utrecht to elect representatives for a national assembly in Amsterdam. Their situation had become uncertain as the buyers no longer had any interest in honoring the contracts, and there was no legal basis for enforcing them.

By the end of February, the representatives gathered in Amsterdam for deliberations. They decided on a compromise where all contracts entered before December 1636 would be binding, but later contracts could be cancelled by paying a fee amounting to 10% of the price. The matter was brought before the Court of Holland, which declined to rule one way or the other and referred the question back to the city councils. The legislature of Holland decided to cancel all contracts to allow fresh deals to be struck during the summer. In Haarlem the issue dragged on, since the government left it to the parties to solve their issues by arbitration or other means. In May the city ruled that buyers could cancel any extant contracts at a fee of 3.5% of the price. The Dutch court system remained busy with a number of tulip disputes throughout 1639. In the end, most contracts were simply never honored.

More information: Investopedia

What we do know is that speculative episodes 
never come gently to an end. 
The wise, though for most the improbable, 
course is to assume the worst.

John Kenneth Galbraith

Monday, 2 February 2026

PERPINYÀ -> CASTELLDEFELS, FROM CASTLE TO CASTLE

Today, February 2nd, is Candlemas, and therefore, it is a very special day in places like Molins de Rei in Catalunya or Tenerife in the Islas Canarias. It is also a very special day in Ciutat de Palma, because you can see the figure of eight effect in its cathedral, and even in Punxsutawney in western Pennsylvania where they celebrate Groundhog Day.

This morning, Joseph de Ca'th Lon, Claire Fontaine and The Grandma have been having breakfast in front of the Castillet in Perpinyà before saying goodbye to this beautiful city. In fact, it is not a goodbye, but a so far because being in Perpinyà is being home despite the Treaty of the Pyrenees.
 
In Perpinyà, as in the rest of the Catalan Countries, there is a saying that goes:

Si la Candelera plora, l'hivern és fora.
Si la Candelera riu, l'hivern és viu.

 
If Candlemas cries, winter is out.
If Candlemas laughs, winter is alive.
 
Joseph has taken a train back to Lyon where he will stay until Thursday,​​ Claire will continue to manage her business from Barcelona and The Grandma will leave this afternoon for Castelldefels where a new project awaits her. 
 
They have been intense and spectacular days visiting wonderful places and meeting fantastic people in the midst of torrential rain, snowstorms and freezing temperatures, although it seems that the sun has not come out much in Barcelona either.
 
More information: Ajuntament de Barcelona

The Castillet, Castellet in Standard Catalan, is an ancient fortification and city gate located in Perpinyà, Rosselló

This monument, a strong symbol of the city and has become a museum: Museu Català de les Arts i Tradicions Populars (La Casa Pairal). He was also called in certain periods Baluard or Bastilla.

The Castillet consists of three parts, namely:

-The Castillet proper built towards 1368 To defend the new door opened at that moment within the precincts of the city;

-The Notre-Dame or Petit Castillet gate, adjacent to the east flank of the previous building and which dates from 1481-1485;

-The polygonal bastion, established in 1542 In front of the Castillet proper to cover the approaches.

It is considered an archaeological monument of the greatest importance for the history of the city, and constitutes a unique type of military architecture. It is also decorative with its coronation of crenellations, consoles and turrets in Moorish style.

The Castillet proper was built around 1368 by the architect Guillaume Gatard on the orders of the Infant Don Joan of Aragon, to replace the door known as the Vernet which allowed to cross the ramparts and to communicate the city with the suburb. The new passage had a drawbridge that no longer exists. The massive construction of the building was that of a defensive castle to resist any offensive coming from the north. The ephemeral occupation of the Rosselló by Louis XI made it possible to change its destination. The fortress became useless, since every conflict with France was over, and it became a state prison. The windows were lined with iron fences, and the passage of the drawbridge was suppressed.

However, it was necessary to ensure an exit of the city towards the Vernet and the Petit Castillet was juxtaposed to the primitive building in 1478. It was the Portal of Nostra Dona del Pont or Gate of Our Lady of the Bridge . 

In 1542, Charles Quint had Castillet covered to the north by means of a polygonal bastion, the tower and the tower of which were advancing towards the Basse (river to the north). The workers used materials from the Portal of Nostra Dona del Pont, which was demolished (and the houses in the faubourg) for strategic reasons. 

Following the destruction of this chapel Castillet was placed under the protection of Nostra Dona del Pont and the statue of the Virgin who adorned it took place in the chapel. Thereafter, the statue was placed on the facade in a simple niche in the wall (the concave niche, visible today, adorned with a Gothic frame dates from 1864). 

Vauban strengthened the polygonal bastion of Charles V and restored the Castillet to a state of defense. During this century the Guard Corps was also built. It was a rather simple building, demolished in 1843, located on the south side on the ground floor and covered with tiles. It served as its name indicates the place of life of the Body of guard. A courtyard along the wall of Castillet allowed access to the door of the monument. 

In 1904, the fortified walls of Perpinyà were demolished but Castillet was respected. The crutches which connected it to the ramparts disappeared and the bastion and its watch were dynamited. In the twentieth century, the Castillet housed the Municipal Archives of Perpinyà.

More information: Perpignan Tourisme


 I believe very much in a dialogue between buildings 
-I believe it's always been there. 
I think buildings have different identities 
and live very well next to each other. 
We always have the shock of the new, and that's fine. 
The renaissance style is totally different from the medieval, 
and they have a dialogue across time.

Richard Rogers


This afternoon, The Grandma has started a new project in Castelldefels that will keep her busy for six months talking about communication, writing, dialectics, innovation, AI, planning and evaluation in the field of teaching and mental health.

Returning to Castelldefels is always a reason for joy because it means meeting again with the colleagues with whom you share work and with whom you work every day with the aim of improving, through teaching, the lives of people who want to improve their knowledge and skills in their respective jobs.

When you arrive in Castelldefels and cross the train bridge, you have a splendid view of the castle that gives the city its name in honour of the bravery of their ancestors who defended the population from external attacks, especially from Muslims and pirates. The city still preserves many watchtowers which, like the castle, are a must-see cultural visit to understand its history.

Castelldefels Castle is a frontier fortress in the town of Castelldefels, Catalunya, that was built to defend the frontier of the Carolingian Empire against neighbouring Muslim territories, particularly the Caliphate of Córdoba. The fortress was first recorded in the 10th century, as was the former parish church of Santa Maria, contained within its outer wall.

The castle occupies a hilltop to the northeast of the modern town centre and the castle complex includes the castle keep, a church, associated outbuildings, and a cemetery, all contained within a curtain wall. The hill was first occupied in ancient times and archaeologists have excavated remains of a Laietani settlement dating from the 3rd to the 1st century BC, and a Roman villa dating from the 1st to the 6th century AD. The castle was first recorded in AD 967, and by the 14th century a fortified house existed with a strong curtain wall. The church was also fortified in the 14th century. The castle as it stands today was largely built in the 16th century as a response to the expansion of the Ottoman Empire.

The church of Santa Maria was built on the hill in the 10th century by the monastery of Sant Cugat, which had been given instruction to develop the Castelldefels region by Sunyer, Count of Barcelona. The new church was first mentioned in a document dating to AD 967. The first mention of a castle on the hill is an indirect reference to the church of Santa Maria de Castrum Felix (Fortunate Castle in Latin). Archaeologists have not identified any remains of this early castle, suggesting that it may have been just a tower or perishable fortification, or that it stood on the highest part of the hill, located within the present-day castle courtyard, the bedrock of which was levelled during the 16th century.

The church structure visible today is Romanesque in style and dates from the 11th century. The Romanesque church was probably consecrated in 1106. It has a single nave with three apses, a transept, and supports a small belltower.

By the 14th-15th centuries, regional instability led to the increased need for defences, and the church was fortified. Records from the period indicate that the hilltop had been occupied by a fortified house with a strong curtain wall. The earliest known remains of the castle date to the 14th century; a truncated circular tower to the south of the church is of this date. Also in the 14th century, the church was partially fortified, particularly the southern apse, and battlements were added.

Archaeological reconnaissance of the hillside below the castle revealed abundant ancient remains, leading to the conclusion that the hill supported an ancient Iberian settlement and a later Roman villa. The Iberian settlement, inhabited by the Laietani, has been dated from the middle of the 3rd century BC to the end of the 1st century BC. The town of the Laietani covered the hilltop and the adjoining southern and eastern flanks. An Iberian water cistern was found carved from the bedrock under the castle's subsoil. A number of Iberian house remains were excavated under the church, although none have been found under the main area of the castle due to later modifications to the land surface, in order to level the courtyard in the middle of the 16th century.

More information: Patrimoni Generalitat de Catalunya


 But now I have come to believe 
that the whole world is an enigma, 
a harmless enigma that is made terrible 
by our own mad attempt to interpret it 
as though it had an underlying truth.

Umberto Eco

Sunday, 1 February 2026

CARCASSONA, THE OCCITAN FORTIFIED CITY IN AUDE

This morning, Joseph de Ca'th Lon, Claire Fontaine and The Grandma have visited Carcassona, one of the most wonderful and mysterious places in Occitània.

It is a visit that all three wanted to do: Joseph for the history of the city and the Cathars, Claire for the role-playing game and the locations of the film Robin Hood, Prince of Thieves, and The Grandma for Occitan literature.

They have enjoyed a fantastic breakfast, have walked through historical sites and have been carried away by the magic and mystery that surrounds this walled city.

In the afternoon, the three friends have rested at the hotel while have been watching the Northern Star, which has had a very important match against the biggest rival today. She has done a great job, as always, and it has been a very interesting match for tactical football lovers.

After the match, they have left for Perpinyà where they will visit some friends tonight, in which will be the last stage of this trip through Provençal, Occitan and Catalan lands before returning to Barcelona.

Carcassona is an Occitan fortified city in the department of Aude.

Inhabited since the Neolithic Period, Carcassona is located in the plain of the Aude between historic trade routes, linking the Atlantic to the Mediterranean Sea and the Massif Central to the Pyrénées. Its strategic importance was quickly recognised by the Romans, who occupied its hilltop until the demise of the Western Roman Empire. In the fifth century, the region of Septimania was taken over by the Visigoths, who founded the city of Carcassona in the newly established Visigothic Kingdom.

Its citadel, known as the Vila de Carcassona, is a medieval fortress dating back to the Gallo-Roman period and restored by the theorist and architect Eugène Viollet-le-Duc between 1853 and 1879. It was added to the UNESCO list of World Heritage Sites in 1997 because of the exceptional preservation and restoration of the medieval citadel. Consequently, Carcassona relies heavily on tourism but also counts manufacturing and winemaking as some of its other key economic sectors.

The first signs of settlement in this region have been dated to about 3500 BC, but the hill site of Carsac -a Celtic place-name that has been retained at other sites in the south- became an important trading place in the sixth century BC. The Volcae Tectosages fortified it and made it into an oppidum, a hill fort, which is when it was named Carsac.

The folk etymology -involving a châtelaine named Lady Carcas, a ruse ending a siege, and the joyous ringing of bells (Carcas sona)- though memorialized in a neo-Gothic sculpture of Mme. Carcas on a column near the Narbonna Gate, is a modern reconstruction of a 16th-century depiction. The name can be derived as an augmentative of the name Carcas.

Carcassona became strategically identified when the Romans fortified the hilltop around 100 BC and eventually made it the colonia of Julia Carsaco, later Carcaso, later Carcasum by the process of swapping consonants known as metathesis. The main part of the lower courses of the northern ramparts dates from Gallo-Roman times. In AD 462 the Romans officially ceded Septimania to the Visigothic king Theodoric II who had held Carcassonne since AD 453.

Theodoric is thought to have begun the predecessor of the basilica that is now dedicated to Saint Nazaire. In AD 508 the Visigoths successfully foiled attacks by the Frankish king Clovis I. In Francia, the Arab and Berber Muslim forces invaded the region of Septimania in AD 719 and deposed the local Visigothic Kingdom in AD 720; after the Frankish conquest of Narbona in 759, the Muslim Arabs and Berbers were defeated by the Christian Franks and retreated to Andalusia after 40 years of occupation, and the Carolingian king Pepin the Short came up reinforced.

A medieval fiefdom, the county of Carcassona, controlled the city and its environs. It was often united with the county of Razès. The origins of Carcassona as a county probably lie in local representatives of the Visigoths, but the first count known by name is Bello of the time of Charlemagne. Bello founded a dynasty, the Bellonids, which would rule many honoures in Septimania and Catalonia for three centuries. 

In 1067, Carcassona became the property of Raimond-Bernard Trencavel, viscount of Albi and Nîmes, through his marriage with Ermengard, sister of the last count of Carcassona. In the following centuries, the Trencavel family allied in succession with either the counts of Barcelona or of Tolosa. They built the Château Comtal and the Basilica of Saints Nazarius and Celsus. In 1096, Pope Urban II blessed the foundation stones of the new cathedral.

Carcassona became famous for its role in the Albigensian Crusades when the city was a stronghold of Occitan Cathars. In August 1209 the crusading army of the Papal Legate, abbot Arnaud Amalric, besieged the city. Viscount Raymond-Roger de Trencavel was imprisoned while negotiating his city's surrender and died in mysterious circumstances three months later in his dungeon. The people of Carcassona were allowed to leave -in effect, expelled from their city with nothing more than the shirts on their backs. Simon de Montfort was appointed the new viscount and added to the fortifications.

In 1240, Trencavel's son tried unsuccessfully to reconquer his old domain. The city submitted to the rule of the kingdom of France in 1247. Carcassona became a border fortress between France and the Crown of Aragon under the 1258 Treaty of Corbeil. King Louis IX founded the new part of the town across the river. He and his successor Philip III built the outer ramparts. Contemporary opinion still considered the fortress impregnable. During the Hundred Years' War, Edward the Black Prince failed to take the city in 1355, although his troops destroyed the lower town.

In 1659, the Treaty of the Pyrenees transferred the border province of Rosselló to France, and Carcassona's military significance was reduced. Its fortifications were abandoned and the city became mainly an economic center of the woollen textile industry, for which a 1723 source quoted by Fernand Braudel found it the manufacturing centre of Languedoc. It remained so until the Ottoman market collapsed at the end of the eighteenth century, then reverted to a country town. The town hall, known as Hôtel de Rolland, was completed in 1761.

More information: Remparts Carcassone


On voit la ville de la-haut,
Derrière les montagnes bleues;
Mais, pour y parvenir, il faut,
Il faut faire cinq grandes lieues,
En faire autant pour revenir!
Ah! si la vendange était bonne!
Le raisin ne veut pas jaunir
Je ne verrai pas Carcassonne!

They see the town from up on high,
Behind the range of mountains blue;
But, to arrive there by and by,
Some five great leagues I’ll have to do;
And do as much just to come back!
Ah!  Had the grapes in plenty grown!
They all that yellow ripeness lack:
I never will see Carcassonne!

Gustave Nadaud

Saturday, 31 January 2026

CHARLES TRENET & 'LA MER, BERGÈRE D'AZUR INFINIE...'

One of the things that catches your eye when you drive along the A9 past Béziers and before reaching Narbona is a service centre named Charles Trenet in honour of the fantastic singer born in this same city. The service centre contains an exhibition evoking his life and work, as well as sculptures by Pascale and Thierry Delorme. After visiting Narbona and on the way to Carcassona leaving the A9 for a while, it is essential to talk about this Narbona artist who is the author of thousands of beautiful songs, including La Mer.

Joseph de Ca'th Lon, Claire Fontaine and The Grandma have decided that Charles Trenet will be their soundtrack between Narbona and Carcassona and, truly, they have chosen an incomparable company. 

Louis Charles Augustin Georges Trenet (18 May 1913-19 February 2001) was a renowned Occitan singer-songwriter who composed both the music and the lyrics for nearly 1,000 songs over a career that lasted more than 60 years. These songs include Boum! (1938), La Mer (1946) and Nationale 7 (1955). Trenet is also noted for his work with musicians Michel Emer and Léo Chauliac, with whom he recorded Y'a d'la joie (1938) for the first and La Romance de Paris (1941) and Douce France (1947) for the latter. He was awarded an Honorary Molière Award in 2000.

Trenet was born in Avenue Charles Trenet, Narbona, Occitània, the son of Françoise Louise Constance (Caussat) and Lucien Etienne Paul Trenet. When he was age seven, his parents divorced, and he was sent to boarding school in Béziers, but he returned home just a few months later, suffering from typhoid fever. It was during his convalescence at home that he developed his artistic talents, such as performing music, painting and sculpting. His mother remarried, and he lived with her and his stepfather, writer Benno Vigny.

In 1922, Trenet moved to Perpinyà, this time as a day pupil. André Fons-Godail, the Catalan Renoir and a friend of the family, took him for excursions with painting. His poetry is said to have the painter's eye for detail and colour. Many of his songs refer to his surroundings such as places near Narbona, the Pyrenees and the Mediterranean coast.

He passed his baccalauréat with high marks in 1927. After leaving school, he left for Berlin, where he studied art, and later, he also briefly studied at art schools in France. When Trenet first arrived in Paris in the 1930s, he worked in a movie studio as a props handler and assistant, and later joined the artists in the Montparnasse neighbourhood. His admiration of the surrealist poet and Catholic mystic Max Jacob (1876-1944) and his love of jazz were two factors that influenced Trenet's songs.

In November 2000, the Narbona house in which Trenet was born, which had become 13 Avenue Charles Trenet, was turned into a small museum. Visitors could view souvenirs from Trenet's childhood and family life -especially those belonging to his mother, who had spent most of her life in the house- as well as original drafts of the songs that made his career.

Trenet died three months later, on 19 February 2001.

Trenet's best-known songs are Boum!, La Mer, Y'a d'la joie, Que reste-t-il de nos amours?, Ménilmontant and Douce France. His catalog of songs is enormous, numbering close to 1,000.

More information: The Guardian


La mer
Qu'on voit danser le long des golfes clairs
A des reflets d'argent
La mer
Des reflets changeants
Sous la pluie

The sea
That we see dancing along the clear gulfs
Having silver reflections
The sea
Changing reflections
Under the rain

Charles Trenet

Friday, 30 January 2026

FROM COLONIA NARBO MARTIUS TO OCCITAN NARBONA

Visiting Narbona is experiencing Occitan history at its best. 

It is a must go up 170 steps to the Gilles Aycelin, keep and see the Tour Saint-Martial, Gothic Narbona Cathedral, its Saint-Pasteur cloister and the Archbishop's Palace.

Walking through streets full of history, between palaces and Gothic architecture, savouring the excellent local cuisine and resting by the canal while reading some beautiful troubadour poems is an indescribable pleasure that Joseph de Ca'th Lon, Claire Fontaine and The Grandma did not want to miss.

Narbona is an amazing city with a fascinating history and warm and welcoming people who will make your stay an unforgettable memory.

Narbona is a commune and subprefecture in Occitània. It is located about 15 km from the shores of the Mediterranean Sea and was historically a prosperous port city.  From the 14th century onwards, it declined following a change in the course of the river Aude. While it is the largest commune in Aude, the capital of the Aude department is the smaller commune of Carcassonne.

The etymology of the town's original name, Narbo, is lost in antiquity, and it may have referred to a hillfort from the Iron Age close to the location of the current settlement or its occupants. The earliest known record of the area comes from the Ancient Greek historian and geographer Hecataeus of Miletus (5th century BCE), who identified it as a Celtic harbour and marketplace at that time, and called its inhabitants Ναρβαῖοι.

The ancient city of Narbona was established in Gaul by the Roman Republic in 118 BCE, as Colonia Narbo Martius, colloquially Narbo, and made into the capital of the newly established Roman province of Gallia Transalpina (modern-day southeastern France). It was located on the Via Domitia, the first Roman road in Gaul, built at the time of the foundation of the colony, and connecting Roma to Tarraco. Geographically, Narbona was therefore located at a very important crossroads because it was situated where the Via Domitia connected to the Via Aquitania, which led toward the Atlantic through the cities of Tolosa and Burdigala.

Politically, Narbona gained importance as a competitor to Massilia (today Marselha). Julius Caesar settled veterans from his 10th Legion there and attempted to develop its port while Marselha was supporting Pompey. Among the products of Narbona, its rosemary-flower honey was famous among Romans. Later, the Roman province of Gallia Transalpina was renamed Gallia Narbonensis after the city, which became its capital. Seat of a powerful administration, the city enjoyed economic and architectural expansion.

According to Hydatius, in 462 AD the city was handed over to the Visigoths by a local military leader in exchange for support; as a result Roman rule ended in medieval France. It was subsequently the capital of the Visigothic Kingdom of Septimania, the only territory from Gaul to fend off the attacks of the Christian Franks after the Battle of Vouille (507).

In 531, the Frankish king Childebert I invaded Septimania and defeated the Visigothic king, Amalaric, near Narbona and occupied the city. However, after Childebert's continued invasion to Catalonia failed, Amalaric's successor Theudis was able to reclaim the rich province of Septimania, including Narbona, to the Visigothic Kingdom.

The region of Septimania was the last unconquered province of the Visigothic Kingdom. The incursion into Septimania was motivated by the need to secure their territorial gains in Iberia. Arab and Berber Muslim forces began to campaign in Septimania in 719. 

The region was invaded by the Andalusian Muslims in 719, renamed as Arbūnah and turned into a military base for future operations by the Andalusian military commanders. It passed briefly to the Emirate of Córdoba, which had been expanding from the south during the same century, before its subsequent conquest by the Christian Franks in 759, who by the end of the 9th century renamed it as Gothia or Marca Gothica. After the Frankish conquest of Narbona in 759, the Muslim Arabs and Berbers were defeated by the Christian Franks and retreated to their Andalusian heartland after forty years of occupation, and the Carolingian king Pepin the Short came up reinforced.

The Carolingian king Pepin the Short chased the Muslim Arabs and Berbers away from Septimania and conquered Narbona in 759, after which the city became part of the Frankish Viscounty of Narbona. Septimania became a march of the Carolingian Empire and then West Francia down to the 13th century, though it was culturally and politically autonomous from the northern France-based central royal government. The region was under the influence of the people from the count territories of Tolosa, Provence, and ancient County of Barcelona. It was part of the wider cultural and linguistic region known as Occitània. This area was finally brought under effective control of the French kings in the early 13th century as a result of the Albigensian Crusade, after which it was assigned governors. 

Narbona became a major center of Jewish learning in Western Europe. In the 12th century, the court of Ermengarde of Narbona (r. 1134–1192) presided over one of the cultural centres where the spirit of courtly love was developed. In the 11th and 12th centuries, Narbona was home to an important Jewish exegetical school, which played a pivotal role in the growth and development of the Zarphatic (Judæo-French) and Shuadit (Judæo-Provençal) languages in medieval France.  

Jews had settled in Narbona from about the 5th century CE, with a community that numbered about 2,000 people in the 12th century. At this time, Narbona was frequently mentioned in medieval Talmudic works in connection with its scholars. One source, Abraham ibn Daud of Toledo, gives them an importance similar to the Jewish exilarchs of Babylon. In the 12th and 13th centuries, the community went through a series of ups and downs before settling into extended decline.

More information: Aude Tourisme


Per solatz revelhar,
Que s'es trop enformitz,
E per pretz, qu'es faiditz
Acolhir e tornar,
Me cudei trebalhar.

To wake delight once more,
That's been too long asleep,
And worth that's exiled deep
To gather and restore:
These thoughts I've laboured for.

Guiraut de Bornelh

Thursday, 29 January 2026

VIA DOMITIA, THE FIRST ROMAN ROAD BUILT IN GAUL

Today, the day is cloudy and the temperature ranges between 11 and 12 degrees. Joseph de Ca'th Lon, Claire Fontaine and The Grandma are travelling to Narbona, the next city they will visit on their way back to Barcelona, and they are doing so by crossing Occitania on the A9, the highway that runs along what in Roman times was the road that connected Tarraco with Rome through Gallia Narbonensis, the Via Domitia.

The Via Domitia was the first Roman road built in Gaul, to link Roma and Tarraco through Gallia Narbonensis, across what is now Southern France. The route that the Romans regularized and paved was ancient when they set out to survey it, and traces the mythic route travelled by Heracles.

The construction of the road was commissioned by Gnaeus Domitius Ahenobarbus, whose name it bore, following the defeat of the Allobroges and Averni by himself and Quintus Fabius Maximus Allobrogicus in 122 BCE.

Domitius also established a fortified garrison at Narbo (modern Narbonne) on the coast, near Hispania, to guard construction of the road. It soon developed into a full Roman colony Colonia Narbo Martius. The lands on the western part of the route, beyond the River Rhône had been under the control of the Averni who, according to Strabo, had stretched their control to Narbo and the Pyrenees.

Crossing the Alps by the easiest passage, the Col de Montgenèvre (1850 m), the Via Domitia followed the valley of the Durance, crossed the Rhône at Beaucaire passed through Nîmes (Nemausus) then followed the coastal plain along the Gulf of Lion. At Narbona, it met the Via Aquitania (which led toward the Atlantic Ocean through Tolosa and Bordeaux). Thus Narbona was a crucial strategic crossroads of the Via Domitia and the Via Aquitania, and it was an accessible, but easily defensible port at that time.

This cusp point in the Roman westwards expansion and ensuing supply, communication and fortification was a very important asset, and was treated as such. In between the cities that it linked, the Via Domitia was provided with a series of mansiones at distances of a day's journey for a loaded cart, at which shelter, provender and fresh horses could be obtained for travellers on official business.

The route as it was in Late Antiquity is represented in schematic fashion on the Tabula Peutingeriana.

More information: Roamin' The Empire


"A road," said the Roman engineer, "is a promise."

"A promise," answered the philosopher, "is a road."

Wednesday, 28 January 2026

'LO TEMPS S'ES PERDUT', A POEM BY AURÉLIA LASSAQUE

Visiting Montpelhièr is getting to know part of our history. The city was a very important cultural centre during the Middle Ages and its language and architecture are witnesses to this.

Occitan is one of the many languages ​​spoken in Europe that do not have the political status it deserves. It is not the only one and this fact reminds us that only from respect for minoritized cultures (which are not minorities) can we build a common European project in which we all feel part.

 
Lo temps s'es perdut
Dins los camins de l'èr
Ont, ausèl sens còs,
Una cara de dròlla
Pren sa volada.

Una perla negra dins sos uèlhs
S'escapa cap al cèl d'Icara.

Es filha del neient
Que li daissèt en eritatge
Un tròç de nuèch sens luna
Sus las labras.

Jamai tocarà tèrra
Jamai tutejarà la pèira
Nimai los arbres
E l'aiga que los enjaura.

Qu'a esposada una quimèra
Que se perdèt dins lo vent.


Time has disappeared
Into the air-tracks
Where a young girl's face,
Bird without body,
Takes flight.

From her eyes a black pearl
Escapes to Icaria sky.

She's daughter to oblivion
That bequeathed her
A morsel of moonless night,
Left on her lips.

She'll never touch earth
She'll never tease the stone
Nor the trees
Nor the waters that confound them.

She married an illusion
That vanished in the wind.
 
 More information: The Guardian 


Lo temps s'es perdut
Dins los camins de l'èr.
 
Time has disappeared
Into the air-tracks.
 
Aurélia Lassaque