Wednesday, 24 June 2026

MALTA & THE ORDER OF THE KNIGHTS OF SAINT JOHN (I)

Today, The Grandma wants to talk about one of the oldest European orders: The Order of Knights of the Hospital of Saint John of Jerusalem whose history in Malta has left lots of footprints in these islands. It's an amazing part of our history that The Grandma wants to share in a two-parts story.

The Order of Malta maintains a unique status in international law: it is a sovereign state without territory. It has diplomatic relations with 115 states and is a permanent observer at the UN. This allows its members to act with complete neutrality, impartiality and political independence, facilitating the delivery of aid to anyone, regardless of their ethnicity or religion (whether Christian, Muslim or Jewish). 

The Order of Knights of the Hospital of Saint John of Jerusalem, also known as the Order of Saint John, Order of Hospitallers, Knights Hospitaller, Knights Hospitalier or Hospitallers, was a medieval Catholic military order that became the modern Sovereign Military Order of Malta, which remains a sovereign subject of international law, as well as the Protestant members of the Alliance of the Orders of Saint John of Jerusalem. It was headquartered variously in the Kingdom of Jerusalem, on the island of Rhodes, and in Malta, and it is now headquartered in Rome.

The Hospitallers arose in the early 11th century, at the time of the great monastic reformation, as a group of individuals associated with an Amalfitan hospital in the Muristan district of Jerusalem, dedicated to John the Baptist and founded around 1023 by Gerard Thom to provide care for sick, poor or injured pilgrims coming to the Holy Land


Some scholars, however, consider that the Amalfitan order and hospital were different from Gerard Thom's order and its hospital. 

After the conquest of Jerusalem in 1099 during the First Crusade, the organisation became a religious and military order under its own Papal charter, charged with the care and defence of the Holy Land.
 
More information: Order of Malta

Following the conquest of the Holy Land by Islamic forces, the knights operated from Rhodes, over which they were sovereign, and later from Malta, where they administered a vassal state under the Spanish viceroy of Sicily. The Hospitallers were the smallest group to colonise parts of the Americas; at one point in the mid-17th century, they acquired four Caribbean islands, which they turned over to the French in the 1660s.

The knights were weakened in the Protestant Reformation, when rich commanderies of the order in northern Germany and the Netherlands became Protestant and largely separated from the Roman Catholic main stem, remaining separate to this day, although ecumenical relations between the descendant chivalric orders are amicable. 

The order was disestablished in England, Denmark, Sweden and elsewhere in northern Europe, and it was further damaged by Napoleon's capture of Malta in 1798, following which it became dispersed throughout Europe and Russia

It regained strength during the early 19th century as it redirected itself toward religious and humanitarian causes. In 1834, the order, by this time known as the Sovereign Military Order of Malta, acquired new headquarters in Rome, where it has since been based.

In 603, Pope Gregory I commissioned the Ravennate Abbot Probus, who was previously Gregory's emissary at the Lombard court, to build a hospital in Jerusalem to treat and care for Christian pilgrims to the Holy Land

In 800, Emperor Charlemagne enlarged Probus' hospital and added a library to it. About 200 years later, in 1005, Caliph Al-Hakim bi-Amr Allah destroyed the hospital and three thousand other buildings in Jerusalem

In 1023, merchants from Amalfi and Salerno in Italy were given permission by the Caliph Ali az-Zahir of Egypt to rebuild the hospital in Jerusalem. The hospital, which was built on the site of the monastery of Saint John the Baptist, took in Christian pilgrims traveling to visit the Christian holy sites. It was served by the Order of Saint Benedict.

The monastic hospitaller order was founded following the First Crusade by Gerard Thom, whose role as founder was confirmed by the papal bull Pie Postulatio Voluntatis issued by Pope Paschal II in 1113. 

After centuries from place to place in Europe, the knights gained fixed quarters in 1530 when Charles I of Spain, as King of Sicily, gave them Malta, Gozo and the North African port of Tripoli in perpetual fiefdom in exchange for an annual fee of a single Maltese falcon, the Tribute of the Maltese Falcon, which they were to send on All Souls' Day to the King's representative, the Viceroy of Sicily.

The Hospitallers continued their actions against the Muslims and especially the Barbary pirates. Although they had only a few ships they quickly drew the ire of the Ottomans, who were unhappy to see the order resettled. In 1565 Suleiman sent an invasion force of about 40,000 men to besiege the 700 knights and 8,000 soldiers and expel them from Malta and gain a new base from which to possibly launch another assault on Europe. This is known as the Great Siege of Malta.
 
  

 
Take this sword:

In Brightness Stands for Faith
Its point for hope,
Its guard for Charity,

Use it well...

Hospitaller Rite of Profession


At first the battle went as badly for the Hospitallers as Rhodes had: most of the cities were destroyed and about half the knights killed. On 18 August the position of the besieged was becoming desperate: dwindling daily in numbers, they were becoming too feeble to hold the long line of fortifications. But when his council suggested the abandonment of Birgu and Senglea and withdrawal to Fort St. Angelo, Grand Master Jean Parisot de Valette refused.

The Viceroy of Sicily had not sent help; possibly the Viceroy's orders from Philip II of Spain were so obscurely worded as to put on his own shoulders the burden of the decision whether to help the Order at the expense of his own defences. 

A wrong decision could mean defeat and exposing Sicily and Naples to the Ottomans. He had left his own son with La Valette, so he could hardly be indifferent to the fate of the fortress. 

Whatever may have been the cause of his delay, the Viceroy hesitated until the battle had almost been decided by the unaided efforts of the knights, before being forced to move by the indignation of his own officers.

On 23 August came yet another grand assault, the last serious effort, as it proved, of the besiegers. It was thrown back with the greatest difficulty, even the wounded taking part in the defence. The plight of the Turkish forces, however, was now desperate. With the exception of Fort Saint Elmo, the fortifications were still intact. 


More information: Medieval Warfare

Working night and day the garrison had repaired the breaches, and the capture of Malta seemed more and more impossible. Many of the Ottoman troops in crowded quarters had fallen ill over the terrible summer months. Ammunition and food were beginning to run short, and the Ottoman troops were becoming increasingly dispirited by the failure of their attacks and their losses.

The death on 23 June of skilled commander Dragut, a corsair and admiral of the Ottoman fleet, was a serious blow. 

The Turkish commanders, Piali Pasha and Lala Mustafa Pasha, were careless. They had a huge fleet which they used with effect on only one occasion. They neglected their communications with the African coast and made no attempt to watch and intercept Sicilian reinforcements.

On 1 September they made their last effort, but the morale of the Ottoman troops had deteriorated seriously and the attack was feeble, to the great encouragement of the besieged, who now began to see hopes of deliverance.


More information: St John's Co-Cathedral

The perplexed and indecisive Ottomans heard of the arrival of Sicilian reinforcements in Mellieħa Bay. Unaware that the force was very small, they broke off the siege and left on 8 September. The Great Siege of Malta may have been the last action in which a force of knights won a decisive victory.

When the Ottomans departed, the Hospitallers had but 600 men able to bear arms. The most reliable estimate puts the number of the Ottoman army at its height at some 40,000 men, of whom 15,000 eventually returned to Constantinople

After the siege a new city had to be built: the present capital city of Malta, named Valletta in memory of the Grand Master who had withstood the siege. In 1607, the Grand Master of the Hospitallers was granted the status of Reichsfürst, Prince of the Holy Roman Empire, even though the Order's territory was always south of the Holy Roman Empire. In 1630, he was awarded ecclesiastic equality with cardinals, and the unique hybrid style His Most Eminent Highness, reflecting both qualities qualifying him as a true Prince of the Church.

Having gained Malta, the knights stayed for 268 years, transforming what they called merely a rock of soft sandstone into a flourishing island with mighty defences and a capital city, Valletta, known as Superbissima, Most Proud, amongst the great powers of Europe. However, the indigenous islanders had not particularly enjoyed the rule of the Knights of St John. Most Knights were French and excluded the native islanders from important positions. They were especially loathed for the way they took advantage of the native women.

More information: Malta Uncovered
 
 
 
In Malta, the Wars of Religion reached their climax. 
If both sides believed that they saw Paradise 
in the bright sky above them, 
they had a close and very intimate knowledge of Hell.

Ernle Bradford

Tuesday, 23 June 2026

'LA FLAMA DEL CANIGÓ', FIRE THAT JOINS CATALAN LANDS

June 23. The Grandma is going to participate in one of her favourite traditions, La Flama del Canigó.

Every year, she participates in this traditional event, carrying the flame some kilometres. It is her way to collaborate in this tradition that evokes the common roots of the Catalan Countries.

Due to the current situation, The Grandma has taken all the possible precautions, but she has reached her goal. Today, she wants to talk about this tradition linked to the summer solstice and Sant Joan, the patron of the Catalan Countries.

La Flama del Canigó is a Catalan tradition linked to the summer solstice that takes place in various places in the Catalan Countries every year, between 22 and 23 June.

It begins with the renovation of the fire at the top of the Canigó and culminates with the lighting of the bonfires on the night of Sant Joan after the flame, carried by volunteers, spread throughout the country.

It is related to other summer solstice fire festivals in the Pyrenees, such as the Isil, Alins, Durro, Vilaller, Barruera, Pont de Suert and Andorra faults or the Haro burn of the Val d'Aran, where the fire coming down from the mountain is also the protagonist of the night. But beyond this festival, the Canigó Flame has a symbolism linked to the persistence and vitality of Catalan culture.

In 1955, Francesc Pujada, a villager from Arles de Tec (Vallespir, Northern Catalonia), driven by his enthusiasm for the Canigó massif and inspired by the epic poem by Jacint Verdaguer (Canigó, 1886) took the initiative, together with Esteve Albert and Josep Deloncle, to light the fires of the Night of Sant Joan at the top of this mountain and, from there, to spread the flame throughout all the regions of the Catalan Countries.

Thus began the tradition of the Canigó Flame, which connected with the millennial celebration of the summer solstice linked to fire and its collective significance.

The new tradition gained strength in a short time, so that, according to Òmnium Cultural, today it is practically impossible to find a single bonfire in Northern Catalonia that is not lit with the Canigó Flame.

In 1966 the fire crossed the border between the French and Spanish states for the first time and reached Vic. Despite the Franco dictatorship, the tradition spread throughout the Principality of Catalonia, often underground, as a symbol of the survival of Catalan culture.

Gradually the network spread, and the fire that descends from the Canigó also reached the Valencian Country and Balearic Islands.
 
More information: Omnium 

There are currently dozens of organizations that celebrate the festival by spreading the flame that is lit on the beautiful top of the Canigó and is preserved in the Castellet de Perpinyà. Barcelona receives the flame in Plaça de Sant Jaume with the cobla, the eagle and the giants of the city, and from there it goes to the neighbourhoods.

In Terres de l'Ebre and the Priorat, every year a different village welcomes it, and people from the neighbouring counties gather there, who go in a caravan of cars, with the heir and heiress of the major festival of each locality. Alacant has kept alive the tradition of the fires of Sant Joan in the Valencian Country. Other cities also have their tradition, such as Tarragona in the Serrallo.

Every June 22, a group of hikers from the Cercle de Joves de Perpinyà catch the fire that has been lit in the kitchen of the Casa Pairal Museum, in Castellet de Perpinyà, since 1965, and climb to the top of the Canigó, 2,784 metres, where they light a new bonfire, after reading a manifesto.

At dawn on June 23, they begin the descent with the renewed Flame. Together with the group of hikers of the Cercle Jove many other people gather at the top to catch the flame and thus begin the journey to different parts of the Catalan Countries doing relays on foot, by bike, by car and even in lute in the Ebre to make it possible for the Flame to spread through towns and cities and arrive in time to light the bonfires on the night of Sant Joan.

Every year, the Canigó Flame is received by the Parliament of Catalonia in an institutional event, as well as by town councils, county councils and cultural, social and sports organizations in more than 350 municipalities in the Catalan Countries.

In this way, and thanks to hundreds of volunteers, the fire coming from the mountain illuminates the popular festivals that take place around the fire. It is estimated that about 3,000 bonfires were lit that night with the fire coming from the top of the Canigó.

To make this ritual possible, on the weekend before Sant Joan, hundreds of people from all over the Catalan Countries and, especially, from Northern Catalonia, are in the Cortalets refuge, in the Cadí valley, at the foot of the Canigó. They arrive on Saturday night and stay at the shelter or camp with tents nearby.

The next morning they perform the first ritual of the Focs de Sant Joan: go up to the top of the Canigó and leave the small bundles of firewood that each one has brought from their city, town, village or orchard. The branches and twigs are tied with a ribbon that bears the name of the place where they come from, and some have drawings and writings with wishes to burn at the bonfire of Sant Joan. All these bundles of firewood are left stacked around the iron cross at the top of the mountain until the night the bonfire is lit.

More information: Ajuntament de Barcelona


Ja les podeu fer ben altes
les fogueres aquest any
cal que brillin lluny i es vegin
els focs d'aquest Sant Joan.
Cal que es vegin de València,
de Ponent i de Llevant...

I en fareu també en la Serra
perquè els vegin més enllà...
i el crit d'una sola llengua
s'alci dels llocs més distants
omplint els aires encesos
d'un clamor de Llibertat!

Joan Maragall

Monday, 22 June 2026

IF YOU'RE LOST YOU CAN LOOK AND YOU WILL FIND ME...

Today is the birthday of Cyndi Lauper, one of the most important artists on the contemporary music scene.

Next Saturday, The Grandma will join Joseph de Ca'th Lon and Clara Fontaine who are spending a few days in Portuguese lands, and will enjoy Cyndi's performance in Lisbon, a city that for them will always be linked to another great artist, Mísia.

To pay tribute to Cyndi, nothing better than one of her great songs, Time after time, which is not the most festive or the most iconic in terms of popular culture, but it is the one that has best withstood the test of time. It has a very special sensitivity, a beautiful melody and lyrics about loyalty and mutual support that continue to move decades later. In addition, it reflects a facet of Cyndi that goes beyond the extravagant aesthetics of the eighties: her ability as a composer and performer.

Congratulations, Cyndi!

Lying in my bed, I hear the clock tick and think of you
Caught up in circles
Confusion is nothing new
Flashback, warm nights
Almost left behind
Suitcase of memories
Time after

Sometimes you picture me
I'm walking too far ahead
You're calling to me, I can't hear
What you've said
Then you say, "go slow"
And I fall behind
The second hand unwinds

If you're lost you can look and you will find me
Time after time
If you fall, I will catch you, I'll be waiting
Time after time
If you're lost, you can look and you will find me
Time after time
If you fall, I will catch you, I will be waiting
Time after time

After my picture fades and darkness has
Turned to gray
Watching through windows
You're wondering if I'm okay
Secrets stolen from deep inside (deep inside)
And the drum beats out of time

If you're lost you can look and you will find me
Time after time
If you fall I will catch you, I'll be waiting
Time after time
If you're lost, you can look and you will find me
Time after time
If you fall, I will catch you, I will be waiting
Time after time
Time after time

I've got a suitcase of memories that I almost left behind
Time after time
Time, time, time
But you say to go slow but I fall behind
Time after time after time (after time, oh)

More information: Cyndi Lauper


 When I sing I have a lot of visions. 
Like what's happening now in my life.

Cyndi Lauper

Sunday, 21 June 2026

PLUTO'S MOONS, NIX (134340 PII) & HYDRA (134340 PIII)

Last night in Mallorca and last chance to see a much clearer sky than in Barcelona. The Grandma has taken her telescope and has been observing a part of this majestic universe just on the same day that twenty years ago Pluto's newly discovered moons were officially named Nix and Hydra
Tomorrow it will be time to say goodbye to friends and family and return to Barcelona where three new formations await her during these months of June and July. In fact, it is not goodbye but a so far, because Mallorca, like Napoli, Montpelhièr, Lyon or Bergen is home for The Grandma.

Nix, formal designation (134340) Pluto II, is a natural satellite of Pluto, with a diameter of 49.8 km across its longest dimension. It was discovered along with Pluto's outermost moon Hydra on 15 May 2005 by astronomers using the Hubble Space Telescope, and was named after Nyx, the Greek goddess of the night.  

Nix is the third moon of Pluto by distance, orbiting between the moons Styx and Kerberos.

Nix was imaged along with Pluto and its other moons by the New Horizons spacecraft as it flew by the Pluto system in July 2015. These images reveal a large reddish area on Nix that is likely an impact crater.

Nix was independently discovered by Max Mutchler and Andrew Steffl, members of the Pluto Companion Search Team, using the Hubble Space Telescope. The New Horizons team had suspected that Pluto and its moon Charon might be accompanied by other moons, hence they used Hubble to search for faint moons around Pluto in 2005. Since Nix's brightness is about 5,000 times fainter than Pluto, long exposure images were taken in order to find it.

The discovery images were taken on 15 May 2005 and 18 May 2005. The discoveries were announced on 31 October 2005, after confirmation by precovering archival Hubble images of Pluto from 2002. The two newly announced moons of Pluto were subsequently provisionally designated S/2005 P 1 for Hydra and S/2005 P 2 for Nix. The moons were informally referred to as "P1" and "P2", respectively by the discovery team.

The name Nix was approved by the International Astronomical Union (IAU) and was announced on 21 June 2006 along with the naming of Hydra in the IAU Circular 8723

Nix was named after Nyx, the Greek goddess of darkness and night and mother of Charon, the ferryman of Hades in Greek mythology. The original proposal for the naming of Nix was to use the classical spelling Nyx, but to avoid confusion with the asteroid 3908 Nyx, the spelling was changed to Nix, the Coptic spelling of the name. The adjectival form of the name is Nictian (cf. Russian Никта Nikta).

More information: NASA

Hydra, formal designation (134340) Pluto III, is a natural satellite of Pluto, with a diameter of approximately 51 km across its longest dimension. It is the second-largest moon of Pluto, being slightly larger than Nix. Hydra was discovered along with Nix by astronomers using the Hubble Space Telescope on 15 May 2005, and was named after the Hydra, the nine-headed underworld serpent in Greek mythology. By distance, Hydra is the fifth and outermost moon of Pluto, orbiting beyond Pluto's fourth moon Kerberos.

Hydra has a highly reflective surface caused by the presence of water ice, similar to other Plutonian moons. Hydra's reflectivity is intermediate, in between those of Pluto and Charon. The New Horizons spacecraft imaged Pluto and its moons in July 2015 and returned multiple images of Hydra.

Members of the New Horizons team suspected that Pluto and Charon might be accompanied by other small, distant moons, weakly bound to the Pluto system. They used the Hubble Space Telescope to test this hypothesis. This led to the discovery of Nix and Hydra -both surprisingly close to Pluto/Charon- and that no significant moons existed in Pluto's extended sphere of influence.

The discovery images were taken on 15 May 2005 and 18 May 2005. Hydra and Nix were independently discovered by Max J. Mutchler on 15 June 2005 and by Andrew J. Steffl on 15 August 2005. The discoveries were announced on 31 October 2005, after confirmation by precovering archival Hubble images of Pluto from 2002. The two newly discovered moons were subsequently provisionally designated S/2005 P 1 for Hydra and S/2005 P 2 for Nix. The moons were informally referred to as "P1" and "P2" respectively, by the discovery team.

The name Hydra was approved on 21 June 2006 by the International Astronomical Union (IAU) and was announced along with the naming of Nix in the IAU Circular 8723

Hydra was named after the Lernaean Hydra, a multi-headed serpent that battled Heracles/Hercules in Greek and Roman mythology. Particularly, the nine heads of Hydra subtly references Pluto's former ninth planetary status. The two newly named moons were intentionally named that the order of their initials N and H honors the New Horizons mission to Pluto, similarly to how the first two letters of Pluto's name honors Percival Lowell.

The names of features on the bodies in the Pluto system are related to mythology and the literature and history of exploration. In particular, the names of features on Hydra must be related to legendary serpents and dragons from literature, mythology, and history.

More information: NASA


 I tend to think of Pluto and its moons 
as presents sitting under a Christmas tree. 
They're wrapped, and from Earth 
all we can do is look at the boxes
 to see whether they're light or heavy, 
to see if something maybe jiggles a bit inside. 
We're seeing intriguing things, 
but we really don't know what's in there.

Alan Stern

Saturday, 20 June 2026

RAMON LLULL, COSMOS & MYSTICISM AT PUIG DE RANDA

One of the most mystical experiences you can have in Mallorca is to climb Puig de Randa at night and contemplate the stars with the same gaze as Ramon Llull did it more than seven centuries ago.

Knowing Llull's works, reading them, analyzing them, delving into his thoughts is to delve into the most elementary of the human condition: asking ourselves where we come from, what we are doing here and what will become of us.

In her last days in Mallorca, The Grandma, who always used to have Joseph de Ca'th Lon as her astronomical advisor, wanted to enjoy this mystical experience of contemplating the sky, which she often did years ago from the Costitx observatory, now dismantled.

On the summit of Puig de Randa, Ramon Llull did not merely contemplate the landscape of Mallorca; he contemplated the hidden order of the universe. Nature became a mirror of the divine attributes, and the cosmos a language leading toward God.

Around 1274, after a profound spiritual conversion, Ramon Llull withdrew to Puig de Randa, in Mallorca, seeking silence, prayer, and contemplation. According to the Lullian tradition, it was there that he received the inspiration that would give rise to his Ars Magna, the intellectual system that would shape the rest of his life.

For Llull, the universe was not simply a collection of physical objects, but a harmonious and interconnected reality reflecting the qualities of its Creator. The cosmos revealed the divine attributes -goodness, greatness, wisdom, power, truth, and glory- which were present throughout creation in different degrees.

From the heights of Randa, Llull perceived nature as a living book written by God. Every creature, every element, and every relationship within the world pointed beyond itself toward a deeper spiritual reality. Humanity occupied a unique place within this cosmic order, standing between the material and the spiritual realms.

Symbolically, the mountain itself became a bridge between earth and heaven. Through contemplation of the visible world, one could ascend toward understanding the invisible. In this sense, Puig de Randa was not merely a geographical location, but a place of revelation where the unity of God, humanity, and the cosmos became profoundly apparent.

More than seven centuries later, Llull's vision continues to inspire. His contemplative experience reminds us that the universe is not only something to be observed, but also something to be understood as a web of meaning, connection, and wonder.

At Puig de Randa, Ramon Llull discovered that the cosmos was more than a physical reality -it was a sacred language through which creation spoke of its Creator.

One of the challenges when studying Ramon Llull is that he never wrote a single treatise devoted exclusively to cosmology. Instead, his vision of the cosmos is woven throughout many of his works. For Llull, the universe, humanity, and God form an intelligible unity that must be understood as a whole.

Llibre de contemplació en Déu (1273–1274) is perhaps the work that best reflects the contemplative spirit of Llull's period at Puig de Randa. Here, Llull contemplates the world as a manifestation of God. The stars, the elements, plants, animals, and human beings become objects of contemplation because they reveal the divine order. His central idea is that creatures are signs that lead to the knowledge of the Creator. The cosmos appears as an immense symbolic book that can be read spiritually.

Ars Magna is developed from the inspiration Llull received at Randa, this work presents a more abstract cosmology. Rather than simply asking What is the cosmos?, Llull proposes that all realities within the universe are connected through universal principles derived from the divine attributes. It is an extraordinarily relational vision of reality, centuries ahead of its time. It is a matter to explain how all things are related to one another

Llibre de meravelles (1287-1289) includes the famous Llibre de les Bèsties, but the entire text is structured as a journey of discovery. Its protagonist, Fèlix, travels through the world in wonder at creation. The contemplatio n of nature becomes both a philosophical and a spiritual path. The cosmos is presented as an ordered reality whose beauty and harmony inspire awe and lead to wisdom.

Arbre de ciència (1295-1296) organizes all knowledge through a series of interconnected trees:

-The Elemental Tree

-The Vegetal Tree

-The Sensual Tree

-The Human Tree

-The Celestial Tree

-The Angelic Tree

-The Divine Tree

This structure reveals a hierarchical yet interconnected universe in which every level of reality is linked to every other. The work represents Llull's grand intellectual map of the cosmos. For Ramon Llull, the universe is a living network of relationships that reflects the divine perfections and enables human beings to ascend from the visible world toward the knowledge of God.

This insight emerges directly from his contemplative experience at Puig de Randa. For Ramon Llull, contemplation of nature was not an escape from the world, but a way of discovering its deepest order and meaning because for him, contemplating the world was learning to read the language with which God had written the universe.

More information: Quis est Lullus?

If understanding followed no rule at all, 
there would be no good in the understanding 
nor in the matter understood, 
and to remain in ignorance would be the greatest good.

Ramon Llull 

Friday, 19 June 2026

HIPERCOR. RECOGNITION, MEMORY, DIGNITY & PEACE

Lluna de pau, germana dels estels,
viatgera tranquil·la dels espais infinits,
tu que has obert la porta dels abismes,
mirall nocturn de la llum fosca del sol.

Lluna de pau, de la casa de cendres
enmig del cel, enmig de l'univers,
que saps parlar el llenguatge dels astres,
que fas el cant del silenci absolut.

Lluna de pau, coloma d'ales negres,
si et crido lluny, acudeixes a mi
enmig de l'ombra, amb les crineres blanques
a cavall sempre de la llum i del vent.

Lluna de pau, vestida d'oliveres,
en quart creixent, enmig dels tarongers,
la que es condorm a l'entrecuix de les dunes
i reneix a la platja, entre pins i xiprers.

Lluna de pau, aparta'ns de la ira,
de la desesperança, que no les trobem mai,
del desamor, de l'última venjança.
Lluna de pau, fes peu a casa nostra,
no ens abandonis mai.



Moon of peace, sister of the stars,
gentle wanderer of endless skies,
you who have opened the gates of the deep,
night's mirror, reflecting the sun's hidden light.

Moon of peace, from the house of ashes,
suspended in the heavens, adrift through the universe,
you who speak the ancient language of the stars,
you who give voice to the song of perfect silence.

Moon of peace, dark-winged dove,
whenever I call from far away, you come,
through the shadows, with flowing white manes,
riding forever on the wind and the light.

Moon of peace, crowned with olive branches,
a crescent rising among the orange trees,
you who sleep in the cradle of the dunes
and awaken again by the shore, among pines and cypresses.

Moon of peace, shield us from anger,
from despair, may it never find us;
from hatred and from the final act of revenge.
Moon of peace, dwell among us,
and never abandon us.

 

Lluna de pau, aparta'ns de la ira,
de la desesperança, que no les trobem mai,
del desamor, de l'última venjança.
Lluna de pau, fes peu a casa nostra,
no ens abandonis mai.
 
Moon of peace, shield us from anger,
from despair, may it never find us;
from hatred and from the final act of revenge.
Moon of peace, dwell among us,
and never abandon us.
 
Maria del Mar Bonet 

Thursday, 18 June 2026

EVOKING BLAI BONET, BLAUS I SOL DE ROSES BLANQUES...

On the anniversary of Pere Quart's death, The Grandma, from Santanyí, has been rereading and remembering another great writer, Blai Bonet.

The islanders have a character very marked by the sea. It is normal. Entire generations have lived without ever leaving their island and this marks the local idiosyncrasy. The Mallorcans are no exception and this is because Mallorca is one of the largest islands in the Mediterranean, but like all islands it is finite.

Mallorcan culture is of enormous majesty, rooted in the land, its people and this blue and infinite horizon that can always be seen from any part of the island.

Mallorcan artists have painted the island, sung about it and written about it and it is through art that they have expressed states of mind, illusions and disappointments, dreams, hopes and fears.

One of the best Mallorcan poets of the 20th century was Blai Bonet, born in Santanyí. He was a novelist and poet who captured the colors of the island like few others and who wrote one of the most beautiful poems ever written about the island, a poem that sheds light, not so much because it speaks of light, but because its language seems to illuminate what it describes. It is a poetry that does not argue or explain: it makes a vision appear. It is the union between matter and transcendence. In many religious poets, spirituality tends to distance itself from the physical world; however, Blai Bonet does just the opposite. Faith passes through colors, through animals, through the earth, through the Mediterranean light.

Blai Bonet (1926-1997) was a Mallorcan poet, novelist and art critic.

Bonet released El Mar (The Sea) in 1958. In 1962, his collections of poems L'Evangeli segons un de tants (The Gospel According to One of Many) was awarded the Carles Riba Poetry Prize, but it was not published due to Spanish Francoist censorship, delaying it for more than five years.

In 1990, he was awarded the Creu de Sant Jordi by the Catalan Government.

He was a member of the Association of Catalan Language Writers. He was a participant in the resurgence of Catalan literature in the 1960s.

Blaus i sol de roses blanques.
El pati verd i blanc de primavera,
ple de bels astorats davant la Pasqua.

Blues and sunlight of white roses.
The green-and-white courtyard of spring,
filled with lambs' bewildered bleating before Easter.

More information: GenCat


Blaus i sol de roses blanques.

Blues and sunlight of white roses.

Blai Bonet