Showing posts with label Countable & Uncountable. Show all posts
Showing posts with label Countable & Uncountable. Show all posts

Monday, 24 March 2025

UILEBHEIST LOCH NIS, SCOTTISH FOLKLORE & LEGENDS

Today, The Windsors & The Grandma have visited Loch Ness to spend a good time with Nessie, an old friend, that has become a great legend.
 
Before visiting Nessie, the family has studied some English grammar with Countable & Uncountable, and they have written a recipe about a Blue Soup to invite Osama and Bridget to eat it.
 

The Loch Ness Monster, in Scottish Gaelic Uilebheist Loch Nis, affectionately known as Nessie, is a mythical creature in Scottish folklore that is said to inhabit Loch Ness in the Scottish Highlands. It is often described as large, long-necked, and with one or more humps protruding from the water. Popular interest and belief in the creature has varied since it was brought to worldwide attention in 1933. Evidence of its existence is anecdotal with a number of disputed photographs and sonar readings.

The scientific community explains alleged sightings of the Loch Ness Monster as hoaxes, wishful thinking, and the misidentification of mundane objects. The pseudoscience and subculture of cryptozoology has placed particular emphasis on the creature.

In August 1933, the Courier published the account of George Spicer's alleged sighting. Public interest skyrocketed, with countless letters being sent in detailing different sightings describing a monster fish, sea serpent, or dragon, with the final name ultimately settling on Loch Ness monster. Since the 1940s, the creature has been affectionately called Nessie, in Scottish Gaelic Niseag.

A number of explanations have been suggested to account for sightings of the creature. According to Ronald Binns, a former member of the Loch Ness Phenomena Investigation Bureau, there is probably no single explanation of the monster. Binns wrote two sceptical books, the 1983 The Loch Ness Mystery Solved, and his 2017 The Loch Ness Mystery Reloaded. In these he contends that an aspect of human psychology is the ability of the eye to see what it wants, and expects, to see.

They may be categorised as misidentifications of known animals, misidentifications of inanimate objects or effects, reinterpretations of Scottish folklore, hoaxes, and exotic species of large animals. A reviewer wrote that Binns had evolved into the author of the definitive, skeptical book on the subject. Binns does not call the sightings a hoax, but a myth in the true sense of the term and states that the monster is a sociological phenomenon. After 1983 the search (for the) possibility that there just might be continues to enthrall a small number for whom eye-witness evidence outweighs all other considerations".

In 1980 Swedish naturalist and author Bengt Sjögren wrote that present beliefs in lake monsters such as the Loch Ness Monster are associated with kelpie legends. According to Sjögren, accounts of loch monsters have changed over time; originally describing horse-like creatures, they were intended to keep children away from the loch. Sjögren wrote that the kelpie legends have developed into descriptions reflecting a modern awareness of plesiosaurs.

The kelpie as a water horse in Loch Ness was mentioned in an 1879 Scottish newspaper, and inspired Tim Dinsdale's Project Water Horse. A study of pre-1933 Highland folklore references to kelpies, water horses and water bulls indicated that Ness was the loch most frequently cited.

More information: The Loch Ness Centre

 Whatever is the truth, 
there is no denying that Nessie
will continue to intrigue 
the world for years to come.

Jonathan Bright

Friday, 22 March 2024

MARY ANN NICHOLS, JACK THE RIPPER'S FIRST VICTIM

Today, The Fosters and The Grandma have remembered Mary Ann "Polly" Nichols, who was the first victim of Jack The Ripper.
 
Mary Ann "Polly" Nichols (26 August 1845-31 August 1888) was one of the Whitechapel murder victims. Her death has been attributed to the notorious unidentified serial killer Jack The Ripper, who is believed to have killed and mutilated at least five women in the Whitechapel area of London from late August to early November 1888.

Mary Ann was born to locksmith Edward Walker and his wife Caroline on 26 August 1845, in Dean Street in London. On 16 January 1864 she married William Nichols, a printer's machinist, and between 1866 and 1879, the couple had five children: Edward John, Percy George, Alice Esther, Eliza Sarah, and Henry Alfred. Their marriage broke up in 1880 or 1881 because of disputed causes. Her father accused William of leaving her after he had an affair with the nurse who had attended the birth of their final child, though Nichols claimed to have proof that their marriage had continued for at least three years after the date alleged for the affair. He maintained that his wife had deserted him and was practising prostitution. Police reports say they separated because of her drunken habits.

More information: Casebook: Jack the Ripper

Legally required to support his estranged wife, William Nichols paid her an allowance of five shillings a week until 1882, when he heard that she was working as a prostitute; he was not required to support her if she was earning money through illicit means. Nichols spent most of her remaining years in workhouses and boarding houses, living off charitable handouts and her meagre earnings as a prostitute. She lived with her father for a year or more but left after a quarrel; her father stated he had heard she had subsequently lived with a blacksmith named Drew in Walworth

In early 1888, the year of her death, she was placed in the Lambeth workhouse after being discovered sleeping rough in Trafalgar Square, and in May left the workhouse to take a job as a domestic servant in Wandsworth.

Unhappy in that position, she was an alcoholic and her employer, Mr Cowdry, and his wife, were teetotallers, she left two months later, stealing clothing worth three pounds ten shillings.  At the time of her death, Nichols was living in a Whitechapel common lodging house in Spitalfields, where she shared a room with a woman named Emily "Nelly" Holland.

At about 23:00 on 30 August, Nichols was seen walking the Whitechapel Road; at 00:30 on 31 August she was seen to leave a pub in Brick Lane, Spitalfields.

More information: Historical Events

An hour later, she was turned out of 18 Thrawl Street as she was lacking the fourpence required for a bed, implying by her last recorded words that she would soon earn the money on the street with the help of a new bonnet she had acquired.

She was last seen alive standing at the corner of Osborn Street and Whitechapel Road at approximately 02:30, one hour before her death, by her roommate, Emily Holland. To Holland, Nichols claimed she had earned enough money to pay for her bed three times that evening, but had repeatedly spent the money on alcohol.

A meat cart driver named Charles Allen Lechmere, who also used the name Charles Cross, claimed to have discovered Mary Ann Nichols lying on the ground in front of a gated stable entrance in Buck's Row, since renamed Durward Street, Whitechapel at 3:40 AM, about 150 yards from the London Hospital and 100 yards from Blackwall Buildings. Her skirt was raised.
 
Another passing cart driver on his way to work, Robert Paul, approached and saw Lechmere kneeling over the body. Lechmere called him over. He expressed his opinion that she was dead, but Paul was uncertain and thought she might simply be unconscious.

They pulled her skirt down to cover her lower body, and went in search of a policeman. Upon encountering PC Jonas Mizen, Lechmere informed the constable: She looks to me to be either dead or drunk, but for my part, I believe she's dead. The two men then continued on their way to work, leaving Mizen to inspect Nichols' body.

As Mizen approached the body, PC John Neale came from the opposite direction on his beat and by flashing his lantern, called a third policeman, PC John Thain, to the scene.

More information: Huffington Post

As news of the murder spread, three horse slaughterers from a neighbouring knacker's yard in Winthrop Street, who had been working overnight, came to look at the body. None of the slaughterers, the police officers patrolling nearby streets, or the residents of houses alongside Buck's Row reported hearing or seeing anything suspicious before the discovery of the body.

PC Thain fetched surgeon Dr Henry Llewellyn, who arrived at 04:00 and decided she had been dead for about 30 minutes. Her throat had been slit twice from left to right and her abdomen mutilated with one deep jagged wound, several incisions across the abdomen, and three or four similar cuts on the right side caused by the same knife, estimated to be at least 15–20 cm long, used violently and downwards.  
Llewellyn expressed surprise at the small amount of blood at the crime scene, about enough to fill two large wine glasses, or half a pint at the most. His comment led to the supposition that Nichols was not killed where her body was found, but the blood from her wounds had soaked into her clothes and hair, and there was little doubt that she had been killed at the crime scene by a swift slash to the throat. Death would have been instantaneous, and the abdominal injuries, which would have taken less than five minutes to perform, were made by the murderer after she was dead. 

When a person is killed, further wounds to their body do not always result in a large amount of blood loss. When the body was lifted a mass of congealed blood, in PC Thain's words, lay beneath the body.

As the murder had occurred in the territory of the Bethnal Green Division of the Metropolitan Police, it was initially investigated by the local detectives, inspectors John Spratling and Joseph Helson, who had little success. 

More information: All That's Interesting

Elements of the press linked the attack on Nichols to two previous murders, those of Emma Elizabeth Smith and Martha Tabram, and suggested the killing might have been perpetrated by a gang, as in the case of Smith. The Star newspaper instead suggested a single killer was the culprit and other newspapers took up their storyline. Suspicions of a serial killer at large in London led to the secondment of Detective Inspectors Frederick Abberline, Henry Moore and Walter Andrews from the Central Office at Scotland Yard.

Although Llewellyn had speculated that the attacker could have been left-handed, he later expressed doubt over this initial thought, but the belief that the killer was left-handed endured.

Rumours that a local character called Leather Apron could have been responsible for the murder were investigated by the police, even though they noted there is no evidence against him

Imaginative descriptions of Leather Apron, using crude Jewish stereotypes, appeared in the press, but rival journalists dismissed these as a mythical outgrowth of the reporter's fancy. John Pizer, a Polish Jew who made footwear from leather, was known by the name Leather Apron and was arrested despite a lack of evidence. He was soon released after the confirmation of his alibis. Pizer successfully obtained monetary compensation from at least one newspaper that had named him as the murderer.

After several adjournments, to allow the police to gather further evidence, the inquest concluded on 24 September. On the available evidence, Coroner Baxter found that Nichols was murdered at just after 3 a.m. where she was found.


More information: PRI

In his summing up, he dismissed the possibility that her murder was connected with those of Smith and Tabram since the lethal weapons were different in those cases, and neither of the earlier cases involved a slash to the throat. However, by the time the inquest into Nichols' death had concluded, another woman, Annie Chapman, had been murdered, and Baxter noted The similarity of the injuries in the two cases is considerable. The police investigations into the murders of Chapman and Nichols were merged.

The subsequent murders of Elizabeth Stride and Catherine Eddowes the week after the inquest had closed, and that of Mary Jane Kelly on 9 November, were also linked by a similar modus operandi, and the murders were blamed by the press and public on a single serial killer, called Jack The Ripper.

More information: History

 
All English people have a fascination 
with Jack The Ripper. 
I don't know why, 
because it's so dreadful, 
but such a strange, 
endearing part of our culture. 
Morbid fascination sums it up.

Jane Goldman

Wednesday, 15 March 2023

NOLITA, A 'CALÇOTADA' WITH THE GRANGERS IN NYC

Today, The Grangers & The Grandma have been enjoying a calçotada in one of the most important Catalan restaurants in Nolita, New York City. Before eating, they have practised some English grammar with Have got, Countable & Uncountable and Some & Any.
 
More information: Have got
 
More information: Countable / Uncountable
 
More information: Some / Any
 
Nolita, sometimes written as NoLIta or NoLita, and deriving from North of Little Italy is a neighbourhood in the borough of Manhattan in New York City.
 
Nolita is situated in Lower Manhattan, bounded on the north by Houston Street, on the east by the Bowery, on the south roughly by Broome Street, and on the west by Lafayette Street.

It lies east of SoHo, south of NoHo, west of the Lower East Side, and north of Little Italy and Chinatown.

The neighbourhood was long regarded as part of Little Italy, but has lost its recognizable Italian character in recent decades because of rapidly rising rents. The Feast of San Gennaro, dedicated to Saint Januarius Pope of Naples, is held in the neighbourhood every year following Labor Day, on Mulberry Street between Houston and Grand Streets.

The feast, as recreated on Elizabeth Street between Prince and Houston Streets, was featured in the film The Godfather Part II.

In the second half of the 1990s, the neighbourhood saw an influx of yuppies and an explosion of expensive retail boutiques and restaurants and bars. After unsuccessful tries to pitch it as part of SoHo, real estate promoters and others came up with several different names for consideration for this newly upscale neighborhood. 

The name that stuck, as documented in an article on May 5, 1996, in the New York Times city section debating various monikers for the newly trendy area, was Nolita, an abbreviation for North of Little Italy. This name follows the pattern started by SoHo (South of Houston Street) and TriBeCa (Triangle Below Canal Street).

The neighbourhood includes St. Patrick's Old Cathedral, at the intersection of Mulberry, Mott, and Prince Streets, which opened in 1815 and was rebuilt in 1868 after a fire. The cornerstone was laid on June 8, 1809. This building served as New York City's Roman Catholic cathedral until the new St. Patrick's Cathedral was opened on Fifth Avenue in Midtown in 1879.

St. Patrick's Old Cathedral is now a parish church. In 2010, St. Patrick's Old Cathedral was honoured and became The Basilica at St. Patrick's Old Cathedral.

The Puck Building, a nine-story-high ornate structure built in 1885 on the corner of Houston and Lafayette Streets, originally housed the headquarters of the now-defunct Puck Magazine.

Since 2010, a Little Australia has emerged and is growing in Nolita on Mulberry Street and Mott Street.

More information: Compass

In the middle of Little Italy little
did we know that we riddled
some middleman who didn't do diddily.

Big Pun

Monday, 12 December 2022

IT MUST BE THE BEST MUSEUM IN ROMANESQUE ART...

Today, The Grandma has continued her English classes with The Bishops in Castelldefels. After some vacation days, it has been a little hard to come back to office, but The Bishops have done another masterclass.

First, they have been practising deductions with must and can, and they have been learning countable and uncountable nouns with many, much and a lot of.

Finally, they have described some art works from MNAC, and they have done some crosswords to improve vocabulary.

More information: Must/Mustn't & Can/Can't

More information: Countable & Uncountable Nouns

More information: Many, Much & A Lot Of

The Museu Nacional d'Art de Catalunya in English National Art Museum of Catalonia, abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia.

Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme.

The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government.

That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito.

The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995, when the Romanesque Art section was reopened, to 2004.

The Museu Nacional d'Art de Catalunya was officially inaugurated on 16 December 2004.

More information: MNAC

The history of this institution dates back to the 19th century, when, in accordance with the principles that inspired Catalonia's cultural and political Renaixença (renaissance), a movement particularly active in that century, many projects were launched to help revive and conserve the country's artistic heritage.

This process began with the establishment of the Museu d'Antiguitats de Barcelona (Barcelona Museum of Antiquities) in the Chapel of St Agatha (1880) and the Museu Municipal de Belles Arts (Municipal Fine Art Museum) in the Palau de Belles Arts (1891), a palace built to mark the occasion of the 1888 Universal Exhibition. 

A project to install all these Catalan art collections in the Palau Nacional, launched in 1934 under the initiative of Joaquim Folch i Torres, the first director of Catalonia Museum of Art, was frustrated by the outbreak of the Spanish Civil War (1936-1939), when for protection many works were transferred to Olot, Darnius and Paris, where an important exhibit was established. 

During the postwar period, the 19th- and 20th-century collections were installed in the Museu d'Art Modern, housed from 1945 to 2004 in the Arsenal building in Barcelona's Parc de la Ciutadella, whilst the Romanesque, Gothic and baroque collections were installed in the Palau in 1942.

The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government.

More information: MNAC-Twitter

In 1992 a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995, when the Romanesque Art section was reopened, to 2004.

Since 2004, the Palau Nacional has once more housed several magnificent art collections, mostly by Catalan art, but also European art. The works from that first museum have now been enriched by new purchases and donations, tracing the country's art history from early medieval times to the mid-20th century: from Romanesque, Gothic, Renaissance and baroque to modern art. This heritage is completed by the Gabinet Numismàtic de Catalunya (coin and medal collections), the Gabinet de Dibuixos i Gravats (drawings and engravings) and the library.

The Museu Nacional, as a museological institution of reference in the country, promotes a network that joins together the art museums in a common collaboration strategy, for placing value and spreading Catalan artistic heritage. The network of art museums was created with the aim of developing services, projects and activities jointly, so as to achieve a greater social, touristic and scientific projection among all the member museums.

The following museums currently form part: Biblioteca-Museu Víctor Balaguer, de Vilanova i la Geltrú; el Museu d'Art de Girona; el Museu Episcopal de Vic; Museu Diocesà i Comarcal de Solsona; el Museu del Cau Ferrat, de Sitges; el Museu de la Garrotxa, d'Olot; el Museu d'Art Jaume Morera, de Lleida; el Museu de Lleida Diocesà i Comarcal; el Museu de l'Empordà, de Figueres; el Museu de Reus; el Museu de Valls; el Museu de Manresa; el Museu d'Art de Sabadell; el Museu Abelló, de Mollet del Vallès; el Museu d'Art Modern de Tarragona; el Museu d'Art de Cerdanyola; la Fundació Apel·les Fenosa, del Vendrell; el Museu d'Art Contemporani de Barcelona; el Museu del Disseny de Barcelona; el Museu Frederic Marès, de Barcelona i la Fundació Palau, de Caldes d'Estrac.

More information: MNAC-Youtube

Externally nothing much is altered for the present;
the basic tendency of Romanesque art
remains anti-naturalistic and hieratic.

Arnold Hauser

Wednesday, 18 May 2022

MONOPOLY, FROM ATLANTIC CITY TO NEW YORK CITY

Today, The Newtons and The Grandma have been playing Monopoly, the multi-player economics-themed board game and they have bought some interesting places of New York City.

Before playing, they have been studying the Imperative, some modal verbs (Should and Must), and also Countable and Uncountable nouns.

It has been an intensive day.

Monopoly is a multi-player economics-themed board game. In the game, players roll two dice to move around the game board, buying and trading properties, and developing them with houses and hotels. Players collect rent from their opponents, with the goal being to drive them into bankruptcy.

Money can also be gained or lost through Chance and Community Chest cards, and tax squares. Players receive a stipend every time they pass Go, and can end up in jail, from which they cannot move until they have met one of three conditions.

The game has numerous house rules, and hundreds of different editions exist, as well as many spin-offs and related media

Monopoly has become a part of international popular culture, having been licensed locally in more than 103 countries and printed in more than 37 languages.

More information: Imperative

 More information: Must-Mustn't

More information: Should-Shouldn't

More information: Countable & Uncountable

Monopoly is derived from The Landlord's Game created by Lizzie Magie in the United States in 1903 as a way to demonstrate that an economy that rewards individuals is better than one where monopolies hold all the wealth, and to promote the economic theories of Henry George -in particular his ideas about taxation.

The Landlord's Game had two sets of rules originally, one with taxation and another on which the current rules are mainly based. When Monopoly was first published by Parker Brothers in 1935, it did not include the less capitalistic taxation rule, which resulted in a more aggressive game.

Parker Brothers bought the game's copyrights from Darrow. When the company learned Darrow was not the sole inventor of the game, it bought the rights to Magie's patent for $500.

Parker Brothers began marketing the game on November 5, 1935. Cartoonist F. O. Alexander contributed the design. U. S. patent number US 2026082 A was issued to Charles Darrow on December 31, 1935, for the game board design and was assigned to Parker Brothers Inc

The original version of the game in this format was based on the streets of Atlantic City, New Jersey.

Parker Brothers was eventually absorbed into Hasbro in 1991. The game is named after the economic concept of monopoly -the domination of a market by a single entity.

More information: The Guardian


 I get more upset at losing at other things than chess.
I always get upset when I lose at Monopoly.

Magnus Carlsen

Tuesday, 14 July 2020

THE 'FÊTE DE LA FÉDÉRATION', HOW MUCH TO CELEBRATE...

French Revolution
Today, The Watsons and The Grandma have continued with their English for Sales classes.

They have reviewing Countable & Uncountable, they have worked with Much, Many and A lot of and they have edited invoices and travel lists.

The family has decided to flight to Paris to spend some hours with French people commemorating the 231st anniversary of the French Revolution.

The Grandma has given them some French guides to know better this interesting country and she has been talking about the Fête de la Fédération, a massive holiday festival that held throughout France in 1790 in honour of the French Revolution.


More information: Much, Many, A lot of


The Fête de la Fédération was a massive holiday festival held throughout France in 1790 in honour of the French Revolution.

It is the precursor of the Bastille Day which is celebrated every year in France on 14 July, celebrating the Revolution itself, as well as National Unity.

It commemorated the revolution and events of 1789 which had culminated in a new form of national government, a constitutional monarchy led by a representative Assembly.

The inaugural fête of 1790 was st for July 14th, so it would also coincide with the first anniversary of the storming of the Bastille although that is not what was itself celebrated. At this relatively calm stage of the Revolution, many people considered the country's period of political struggle to be over.

This thinking was encouraged by counter-revolutionary monarchiens, and the first fête was designed with a role for King Louis XVI that would respect and maintain his royal status. The occasion passed peacefully and provided a powerful, but illusory, image of celebrating national unity after the divisive events of 1789–1790.

After the initial revolutionary events of 1789, France's ancien régime had shifted into a new paradigm of constitutional monarchy. By the end of that year, towns and villages throughout the country had begun to join together as fédérations, fraternal associations which commemorated and promoted the new political structure. A common theme among them was a wish for a nationwide expression of unity, a fête to honour the Revolution.

King Louis XVI & Marie Antoinette
Plans were set for simultaneous celebrations in July 1790 all over the nation, but the fête in Paris would be the most prominent by far. 

It would feature the King, the royal family, and all the deputies of the National Constituent Assembly, with thousands of other citizens predicted to arrive from all corners of France.

The event took place on the Champ de Mars, which was at the time far outside Paris. The vast stadium had been financed by the National Assembly, and completed in time only with the help of thousands of volunteer laborers from the Paris region.

During these journée des brouettes, the festival workers popularised a new song that would become an enduring anthem of France, Ah! ça ira.

Enormous earthen stands for spectators were built on each side of the field, with a seating capacity estimated at 100,000. The Seine was crossed by a bridge of boats leading to an altar where oaths were to be sworn. The new military school was used to harbour members of the National Assembly and their families. At one end of the field, a huge tent was the king's step, and at the other end, a triumphal arch was built. At the centre of the field was an altar for the mass.

The feast began as early as four in the morning, under a strong rain which would last the whole day, the Journal de Paris had predicted frequent downpours.

Fourteen thousand fédérés came from the province, every single National Guard unit having sent two men out of every hundred. They were ranged under eighty-three banners, according to their département. They were brought to the place where the Bastille once stood, and went through Saint-Antoine, Saint-Denis and Saint-Honoré streets before crossing the temporary bridge and arriving at the Champ de Mars.


At this time, the first French Constitution was not yet completed, and it would not be officially ratified until September 1791. But the gist of it was understood by everyone, and no one was willing to wait.

Afterwards, Louis XVI took a similar vow: I, King of the French, swear to use the power given to me by the constitutional act of the State, to maintain the Constitution as decreed by the National Assembly and accepted by myself.

The title King of the French, used here for the first time instead of King of France and Navarre, was an innovation intended to inaugurate a popular monarchy which linked the monarch's title to the people rather than the territory of France. The Queen Marie Antoinette then rose and showed the Dauphin, future Louis XVII, saying: This is my son, who, like me, joins in the same sentiments.

The festival organisers welcomed delegations from countries around the world, including the recently established United States. John Paul Jones, Thomas Paine and other Americans unfurled their Stars and Stripes at the Champ de Mars, the first instance of the flag being flown outside of the United States.

After the end of the official celebration, the day ended in a huge popular feast. It was also a symbol of the reunification of the Three Estates, after the heated Estates-General of 1789, with the Bishop (First Estate) and the King (Second Estate) blessing the people (Third Estate).

In the gardens of the Château de La Muette, a meal was offered to more than 20,000 participants, followed by much singing, dancing, and drinking. The feast ended on the 18 July.



Liberté, égalité, fraternité.

Liberty, equality, fraternity.

Wednesday, 20 November 2019

INVENTORY MANAGEMENT & PROCUREMENT (III)

The Grandma is manufacturing inventory
Today, The Grandma is still in Sant Boi learning lots of things about Logistics. Inventory is an important stage in the Logistics process and she has wanted to know more information about it. She has found an interesting article written in Investopedia that explains what an inventory is perfectly.

An inventory is a group of items to store, keep and move and because of this, The Grandma has considered that it was very important to explain some aspects of English grammar to have more vocabulary, especially, Countable & Uncountable; Plurals of Nouns; Some/Any & No; and There is/There are constructions.

More information: Plural of Nouns & There is/There Are


Inventory management refers to the process of ordering, storing, and using a company's inventory. These include the management of raw materials, components, and finished products, as well as warehousing and processing such items.

For companies with complex supply chains and manufacturing processes, balancing the risks of inventory gluts and shortages is especially difficult. To achieve these balances, firms have developed two major methods for inventory management:
just-in-time and materials requirement planning: just-in-time (JIT) and materials requirement planning (MRP).

How Inventory Management Works
 
 
A company's inventory is one of its most valuable assets. In retail, manufacturing, food service, and other inventory-intensive sectors, a company's inputs and finished products are the core of its business. A shortage of inventory when and where it's needed can be extremely detrimental.

At the same time, inventory can be thought of as a liability (if not in an accounting sense). A large inventory carries the risk of spoilage, theft, damage, or shifts in demand. Inventory must be insured, and if it is not sold in time it may have to be disposed of at clearance prices -or simply destroyed. 

Jessica, Just in Time (JIT)
For these reasons, inventory management is important for businesses of  any size.

Knowing when to restock certain items, what amounts to purchase or produce, what price to pay -as well as when to sell and at what price -can easily become complex decisions. Small businesses will often keep track of stock manually and determine the reorder points and quantities using Excel formulas.

Larger businesses will use specialized enterprise resource planning (ERP) software. The largest corporations use highly customized software as a service (SaaS) applications.

Appropriate inventory management strategies vary depending on the industry. An oil depot is able to store large amounts of inventory for extended periods of time, allowing it to wait for demand to pick up. While storing oil is expensive and risky -a fire in the UK in 2005 led to millions of pounds in damage and fines -there is no risk that the inventory will spoil or go out of style. For businesses dealing in perishable goods or products for which demand is extremely time-sensitive -2019 calendars or fast-fashion items, for example -sitting on inventory is not an option, and misjudging the timing or quantities of orders can be costly.

More information: Trade Gecko

Inventory Accounting

Inventory represents a current asset since a company typically intends to sell its finished goods within a short amount of time, typically a year

Inventory has to be physically counted or measured before it can be put on a balance sheet. Companies typically maintain sophisticated inventory management systems capable of tracking real-time inventory levels. Inventory is accounted for using one of three methods: first-in-first-out (FIFO) costing; last-in-first-out (LIFO) costing; or weighted-average costing.

An inventory account typically consists of four separate categories:

-Raw materials

-Work in process

-Finished goods

-Merchandise

Raw materials represent various materials a company purchases for its production process. These materials must undergo significant work before a company can transform them into a finished good ready for sale.

Works-in-process represent raw materials in the process of being transformed into a finished product.

Finished goods are completed products readily available for sale to a company's customers.

Merchandise represents finished goods a company buys from a supplier for future resale.

Depending on the type of business or product being analyzed, a company will use various inventory management methods. Some of these management methods include just-in-time (JIT) manufacturing, materials requirement planning (MRP), economic order quantity (EOQ), and days sales of inventory (DSI).

More information: Big Commerce

Just-in-Time Management

Just-in-time (JIT) manufacturing originated in Japan in the 1960s and 1970s; Toyota Motor Corp. (TM) contributed the most to its development. The method allows companies to save significant amounts of money and reduce waste by keeping only the inventory they need to produce and sell products. This approach reduces storage and insurance costs, as well as the cost of liquidating or discarding excess inventory.

JIT inventory management can be risky. If demand unexpectedly spikes, the manufacturer may not be able to source the inventory it needs to meet that demand, damaging its reputation with customers and driving business toward competitors. Even the smallest delays can be problematic; if a key input does not arrive just in time, a bottleneck can result.

Materials Requirement Planning


The materials requirement planning (MRP) inventory management method is sales-forecast dependent, meaning that manufacturers must have accurate sales records to enable accurate planning of inventory needs and to communicate those needs with materials suppliers in a timely manner. For example, a ski manufacturer using an MRP inventory system might ensure that materials such as plastic, fiberglass, wood, and aluminum are in stock based on forecasted orders. Inability to accurately forecast sales and plan inventory acquisitions results in a manufacturer's inability to fulfill orders.

More information: Cleartax

Economic Order Quantity

The economic order quantity (EOQ) model is used in inventory management by calculating the number of units a company should add to its inventory with each batch order to reduce the total costs of its inventory while assuming constant consumer demand. The costs of inventory in the model include holding and setup costs.

The EOQ model seeks to ensure that the right amount of inventory is ordered per batch so a company does not have to make orders too frequently and there is not an excess of inventory sitting on hand. It assumes that there is a trade-off between inventory holding costs and inventory setup costs, and total inventory costs are minimized when both setup costs and holding costs are minimized.

Inventory in the warehouse
Days Sales of Inventory

Days sales of inventory (DSI) is a financial ratio that indicates the average time in days that a company takes to turn its inventory, including goods that are a work in progress, into sales.

DSI is also known as the average age of inventory, days inventory outstanding (DIO), days in inventory (DII), days sales in inventory or days inventory and is interpreted in multiple ways. Indicating the liquidity of the inventory, the figure represents how many days a company’s current stock of inventory will last. Generally, a lower DSI is preferred as it indicates a shorter duration to clear off the inventory, though the average DSI varies from one industry to another.

Qualitative Analysis of Inventory


There are other methods used to analyze a company's inventory. If a company frequently switches its method of inventory accounting without reasonable justification, it is likely its management is trying to paint a brighter picture of its business than what is true. The SEC requires public companies to disclose LIFO reserve that can make inventories under LIFO costing comparable to FIFO costing.

Frequent inventory write-offs can indicate a company's issues with selling its finished goods or inventory obsolescence. This can also raise red flags with a company's ability to stay competitive and manufacture products that appeal to consumers going forward.

Understanding Just-in-Time (JIT) Inventory Systems

A just-in-time inventory system is a management strategy that aligns raw-material orders from suppliers directly with production schedules.
 
More information:  JIT

Why You Should Use Days Sales Of Inventory–DSI

The days sales of inventory (DSI) gives investors an idea of how long it takes a company to turn its inventory into sales.
 
More information: DSI
 
What Works-in-Progress Really Mean
The term work-in-progress (WIP) is a production and supply-chain management term describing partially finished goods awaiting completion. WIP refers to the raw materials, labor, and overhead costs incurred for products that are at various stages of the production process.
 
More information: WIP
 
Pull-Through Production

Pull-through production is a manufacturing strategy that releases an order when a company receives the order for that item.
 
More information: PTP

Perpetual Inventory Definition

Perpetual inventory is a method of accounting for inventory that records the sale or purchase of inventory immediately through the use of computerized point-of-sale systems and enterprise asset management software.
 
More information: PID

Inventory
Inventory is the term for merchandise or raw materials that a company has on hand.

More information: Inventory

After reading about inventory, The Grandma has remembered Antoni Gaudí, the genius of Architecture whose works are universally known.

Gaudí had his warehouse of proofs in Sant Boi where he experimented with elements, materials and Mathematics. Without Sant Boi and Santa Coloma de Cervelló is impossible to understand this great artist and enormous person.

More information: Antoni Gaudí I, II, III, IV, V & VI

More information: Antoni Gaudí I & II (Catalan Version)

More information: Antoni Gaudí (Spanish Version)


Less emphasis on inventories, I think, may tend to dampen
business cycles, because business cycles are typically
in the grasp of inventory cycles and heavy industry cycles.

Paul A. Volcker

Monday, 30 April 2018

MAY GOOD FORTUNE BE WITH NEW JONES' INVESTMENTS

Paqui Jones at Hotel Des Bains in Aix-Les-Bains
Today, The Jones have revised some aspects of English grammar and they have talked about new ones like May / May Not and Countable & Uncountable

More information: May

The family has created a little post taking information thanks to the question words and they have decided where they want to travel after leaving Paris, next May 2, and about which new houses they want to buy around the world to use them as their residences. 

More information: A Few / A Little 

After some deliberations, the family has decided to travel to Japan first, and to Galapagos Island later. They have decided to buy some new residences in France: a hotel to refurbish in Aix-Les-Bains in Savoie named Hotel Des Bains; a Templar Castle in Chinon in The Loire Valley; and a classic house in Paris

Joaquín Jones at Villa Las Tronas, Sardinia
They have also bought a new summer residence in Sardinia named Villa Las Tronas, which has been a hotel until The Grandma has decided to buy it.

Finally, The Jones have bought a Renaissance palace named Corte Sconta detta Arcana in Venice to live between canals in this dreamed city which has special memories for The Grandma and her great lost lover, Corto Maltese, who share their lives to Venice to search for an emerald known as the Clavicle of Solomon.


Ana Bean Jones in Corte Sconta detta Arcana, Venice
Ana Bean-Jones loves Venice, its canals, its palaces, its people, its food, its art and especially its carnivale and its masks. She also has a great friend who lives in this wonderful city, Maria Callas, and both of them are always happy to share as moments as they can.

A few investments to move the funds, a little money to spend now thinking in the future. May The Grandma be able to enjoy these new homes with her family. May she remain forever young.


Château de Chinon is a castle located on the bank of the Vienne river in Chinon. It was founded by Theobald I, Count of Blois. In the 11th century the castle became the property of the counts of Anjou. In 1156 Henry II of England, a member of the House of Anjou, took the castle from his brother Geoffrey after Geoffrey had rebelled for a second time. Henry favoured the Château de Chinon as a residence. Most of the standing structure can be attributed to his reign and he died there in 1189.

Some Jones have decided to live in Paris
Early in the 13th century, King Philip II of France harassed the English lands in France and in 1205 he captured Chinon after a siege that lasted several months. When King Philip IV accused the Knights Templar of heresy during the first decade of the 14th century, several leading members of the order were imprisoned there.

The settlement of Chinon is on the bank of the Vienne river about 10 kilometres from where it joins the Loire. From prehistoric times, when the settlement of Chinon originated, rivers formed the major trade routes, and the Vienne joins the fertile southern plains of the Poitou and the city of Limoges to the thoroughfare of the Loire. The site was fortified early on, and by the 5th century a Gallo-Roman castrum had been established.

More information: Experience Loire

Claudia Jones in Chinon Castle, The Loire Valley
Theobald I, Count of Blois built the earliest known castle on the mount of Chinon in the 10th century. He fortified it for use as a stronghold. After Odo II, Count of Blois died in battle in 1037, Fulk III, Count of Anjou marched into Touraine to capture Château de Langeais and then Chinon, some 22 km  away. When Fulk arrived at Chinon the castle's garrison immediately sought terms and surrendered. 

In 1044, Geoffrey, the count of Anjou, captured Theobald of Blois-Chartres. In exchange for his release, Theobald agreed to recognise Geoffrey's ownership of Chinon, Langeais, and Tours. From then until the early 13th century, Château de Chinon descended through his heirs.

More information: Travel France Online

The Hundred Years' War in the 14th and 15th centuries was fought between the kings of England and France over the succession to the French throne. The war ended in 1453 when the English were finally ejected from France, but in the early 15th century the English under King Henry V made significant territorial gains. 

Víctor Jones in Chinon Castle, The Loire Valley
The Treaty of Troyes in 1420 made Henry V the heir apparent to the French throne but when the French king, Charles VI, and Henry V died in the space of two months in 1422 the issue of succession was again uncertain. 

The English supported Henry V's son, Henry VI who was still a child, while the French supported recognised Charles VII, the Dauphin of France. Between 1427 and 1450 Château de Chinon was the residence of Charles, when Touraine was virtually the only territory left to him in France, the rest being occupied by the Burgundians or the English.

On 6 March 1429 Joan of Arc arrived at Château de Chinon. She claimed to hear heavenly voices that said Charles would grant her an army to relieve the siege of Orléans. While staying at the castle she resided in the Tour du Coudray. Charles met with her two days after her arrival and then sent her to Poitiers so that she could be cross-examined to ensure she was telling the truth. Joan returned to Chinon in April where Charles granted her supplies and sent her to join the army at Orléans.

More information: Loire Valley France

In 1562 the château came briefly into the possession of the Huguenots and was turned into a state prison by Henry IV of France. Cardinal Richelieu was given the castle to prevent it from coming under the control of unfriendly forces, though he allowed it to fall into ruin. Château de Chinon was abandoned until 1793 when, during the Reign of Terror, the castle was temporarily occupied by royalist Vendeans. Soon after, the castle lapsed back into decay.


May the good Lord be with you down every road you roam.
May sunshine and happiness surround you when you're far from home.
May you grow to be proud, dignified and true.
May good fortune be with you.
May your guiding light be strong.
May you never love in vain.

 Rod Stewart