THE KNIGHTS' MISSION, THE QUEST FOR THE HOLY GRAIL

Today, The Grandma has been reading about the quest for the Holy Grail, one of the most incredible and mystery legends. The Holy Grail is a vessel that serves as an important motif in Arthurian literature.

Different traditions describe it as a cup, dish or stone with miraculous powers that provide happiness, eternal youth or sustenance in infinite abundance, often in the custody of the Fisher King. The term holy grail is often used to denote an elusive object or goal that is sought after for its great significance.

A grail, wondrous but not explicitly holy, first appears in Perceval, le Conte du Graal, an unfinished romance written by Chrétien de Troyes around 1190. Here, Chrétien's story attracted many continuators, translators and interpreters in the later 12th and early 13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. 

In the late 12th century, Robert de Boron wrote in Joseph d'Arimathie that the Grail was Jesus's vessel from the Last Supper, which Joseph of Arimathea used to catch Christ's blood at the Crucifixion. Thereafter, the Holy Grail became interwoven with the legend of the Holy Chalice, the Last Supper cup, a theme continued in works such as the Vulgate Cycle, the Post-Vulgate Cycle, and Thomas Malory's Le Morte d'Arthur.

The word graal, as it is earliest spelled, comes from Old French graal or greal, cognate with Old Provençal grazal and Old Catalan gresal, meaning a cup or bowl of earth, wood, or metal, or other various types of vessels in different Occitan dialects. The most commonly accepted etymology derives it from Latin gradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus, which was, in turn, borrowed from Greek krate, κρατήρ, a large wine-mixing vessel.

Alternative suggestions include a derivative of cratis, a name for a type of woven basket that came to refer to a dish, or a derivative of Latin gradus meaning by degree, by stages, applied to a dish brought to the table in different stages or services during a meal".

In the 15th century, English writer John Hardyng invented a fanciful new etymology for Old French san-graal or san-gréal, meaning Holy Grail, by parsing it as sang real, meaning royal blood. This etymology was used by some later British writers such as Thomas Malory, and became prominent in the conspiracy theory developed in the book Holy Blood, Holy Grail, in which sang real refers to the Jesus bloodline.

The Grail is first featured in Perceval, le Conte du Graal, The Story of the Grail by Chrétien de Troyes, who claims he was working from a source book given to him by his patron, Count Philip of Flanders. In this incomplete poem, dated sometime between 1180 and 1191, the object has not yet acquired the implications of holiness it would have in later works.

While dining in the magical abode of the Fisher King, Perceval witnesses a wondrous procession in which youths carry magnificent objects from one chamber to another, passing before him at each course of the meal. First comes a young man carrying a bleeding lance, then two boys carrying candelabras. Finally, a beautiful young girl emerges bearing an elaborately decorated graal, or grail.

Chrétien refers to this object not as The Grail but as a grail, un graal, showing the word was used, in its earliest literary context, as a common noun. For Chrétien a grail was a wide, somewhat deep dish or bowl, interesting because it contained not a pike, salmon, or lamprey, as the audience may have expected for such a container, but a single Mass wafer which provided sustenance for the Fisher King's crippled father.  

Perceval, who had been warned against talking too much, remains silent through all of this and wakes up the next morning alone. He later learns that if he had asked the appropriate questions about what he saw, he would have healed his maimed host, much to his honour. The story of the Wounded King's mystical fasting is not unique; several saints were said to have lived without food besides communion, for instance Saint Catherine of Genoa. This may imply that Chrétien intended the Mass wafer to be the significant part of the ritual, and the Grail to be a mere prop.

In the modern era, a number of places have become associated with the Holy Grail. One of the most prominent is Glastonbury in Somerset, England. Glastonbury was associated with King Arthur and his resting place of Avalon by the 12th century. 

In the 13th century, a legend arose that Joseph of Arimathea was the founder of Glastonbury Abbey. Early accounts of Joseph at Glastonbury focus on his role as the evangelist of Britain rather than as the custodian of the Holy Grail, but from the 15th century, the Grail became a more prominent part of the legends surrounding Glastonbury. Interest in Glastonbury resurged in the late 19th century along, inspired by renewed interest in the Arthurian legend and contemporary spiritual movements centered on ancient sacred sites. 

Montségur, a medieval castle in Occitania, has become identified as the Grail castle in modern Grail lore. In 1906, French writer Joséphin Péladan identified Montségur as Munsalväsche or Montsalvat, the Grail castle in Wolfram's Parzival. 

Montségur was a fortress of the Cathars, a heretical Christian community in Occitania from the 11th-14th centuries. This identification has inspired a wider legend asserting that the Cathars possessed the Holy Grail. Similarly, the 14th-century Rosslyn Chapel in Midlothian, Scotland, became attached to the Grail legend in the 20th century. This idea began in the 1950s, but took new prominence in the 1980s when a succession of conspiracy books identified it as a secret hiding place of the Grail.

 

More information: History Cooperative 

Just because you can't understand something, 

it doesn't mean it's wrong!

King Arthur

THE SIEGE PERILOUS, A RESERVED SEAT FOR A HOLY CAUSE

Today, The Grandma has been reading an interesting chapter about the Siege Perilous, a special seat which only can be occupied by a special knight who had accomplished a special and sacred mission. 

In Arthurian legend, the Siege Perilous, also known as The Perilous Seat, is a vacant seat at the Round Table reserved by Merlin for the knight who would one day be successful in the quest for the Holy Grail. The English word siege originally meant seat or throne, coming from the Old French sege, modern French siège; the modern military sense of a prolonged assault comes from the conception of an army sitting down before a fortress.

In Thomas Malory's Le Morte d'Arthur, in an account taken from the Vulgate Queste del Saint Graal, the newly knighted Sir Galahad takes the seat in Camelot on Whitsunday, 454 years after the death of Jesus. 

The Siege Perilous is so strictly reserved that it is fatal to anyone else who sits in it. Another version of this story is related in Alfred Tennyson's Idylls of the King.

Originally, this motif about the seat and the grail belonged to Perceval, but the Lancelot-Grail Cycle transferred it to the new Cistercian-based hero Galahad. It appears, for example, in the earlier De Boron Didot Perceval, where Perceval occupies the seat at Arthur's court at Carduel.

According to many scholars, the motif of the dangerous seat can be further traced to Welsh, Cornish, and Breton mythology, where the bulk of the Arthurian legend was derived from. According to this theory, the Siege Perilous was a half-remembered version of a Celtic kingship ritual that has parallels in the Irish Lia Fáil.

The Siege, from the French siège, seat, Perilous is the seat at Arthur's Round Table in which only the chosen knight can sit. In the prose rendition of Robert de Boron's Merlin, the empty seat is reminiscent of the seat that Judas vacated.

There is also an empty seat at Joseph of Arimathea's Grail Table which destroys anyone unworthy of sitting there. In his Continuation to Chrétien's Perceval, Gerbert de Montreuil says that it was sent to Arthur by the fairy of Roche Menor.

Six knights tried to sit in it and were swallowed by the earth before Perceval sits it in and completes the adventure. When he does, the six are restored to Arthur's court.

In the thirteenth-century Vulgate Cycle, Merlin instructs Uther to build a table in commemoration of the Grail Table; at the table, there is an empty seat reserved for the Grail knight. 

In the Queste del Saint Graal, the Siege Perilous is said to parallel the seat of Christ at the Last Supper and the seat occupied by Josephus at the Grail Table. Two brothers, jealous of Josephus, objected to his having a special place, and one of them sat in it, only to be destroyed; so it came to be called the Feared Seat. 

Galahad is the knight for whom the Siege Perilous at Arthur's table is destined. In the Lancelot, a knight named Brumand, trying to perform an act that Lancelot never dared to do, sits in it and is burned to a crisp. Malory says that Merlin made the Siege Perilous for the greatest Grail knight. When Galahad arrives at Camelot, his name appears on the seat destined for him.

More information: King Arthur's Knights

 

 

No man could sit but he should lose himself...

Merlin

THE KNIGHTS' MISSION: THE QUEST FOR THE HOLY GRAIL

The Quest for the Holy Grail

Today, The Grandma has studied a new lesson of her Intermediate Language Practice manual (Chapter 50). The new chapter is about the quest for the Holy Grail, one of the most incredible and mystery legends. 

Meanwhile The Grandma was reading about this amazing story, she has received some sad news about The Queen of the Soul. Aretha Franklin has left us and with her goodbye we lost one of the most incredible singers of the history, an important figure for the American Black community and a great fighter for Civil Rights, Freedom and Respect. We will miss you, Aretha, although your legacy will be always with us.

More information: Spelling and Pronuntiation 2

The Holy Grail is a vessel that serves as an important motif in Arthurian literature. Different traditions describe it as a cup, dish or stone with miraculous powers that provide happiness, eternal youth or sustenance in infinite abundance, often in the custody of the Fisher King. The term holy grail is often used to denote an elusive object or goal that is sought after for its great significance.

A grail, wondrous but not explicitly holy, first appears in Perceval, le Conte du Graal, an unfinished romance written by Chrétien de Troyes around 1190. Here, Chrétien's story attracted many continuators, translators and interpreters in the later 12th and early 13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. 

The Quest for the Holy Grail

In the late 12th century, Robert de Boron wrote in Joseph d'Arimathie that the Grail was Jesus's vessel from the Last Supper, which Joseph of Arimathea used to catch Christ's blood at the Crucifixion. Thereafter, the Holy Grail became interwoven with the legend of the Holy Chalice, the Last Supper cup, a theme continued in works such as the Vulgate Cycle, the Post-Vulgate Cycle, and Thomas Malory's Le Morte d'Arthur.

The word graal, as it is earliest spelled, comes from Old French graal or greal, cognate with Old Provençal grazal and Old Catalan gresal, meaning a cup or bowl of earth, wood, or metal, or other various types of vessels in different Occitan dialects. The most commonly accepted etymology derives it from Latin gradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus, which was, in turn, borrowed from Greek krate, κρατήρ, a large wine-mixing vessel.

Alternative suggestions include a derivative of cratis, a name for a type of woven basket that came to refer to a dish, or a derivative of Latin gradus meaning by degree, by stages, applied to a dish brought to the table in different stages or services during a meal".

In the 15th century, English writer John Hardyng invented a fanciful new etymology for Old French san-graal or san-gréal, meaning Holy Grail, by parsing it as sang real, meaning royal blood. This etymology was used by some later British writers such as Thomas Malory, and became prominent in the conspiracy theory developed in the book Holy Blood, Holy Grail, in which sang real refers to the Jesus bloodline.

The Grail is first featured in Perceval, le Conte du Graal, The Story of the Grail by Chrétien de Troyes, who claims he was working from a source book given to him by his patron, Count Philip of Flanders. In this incomplete poem, dated sometime between 1180 and 1191, the object has not yet acquired the implications of holiness it would have in later works.

Joseph of Arimathea and the Holy Grail

While dining in the magical abode of the Fisher King, Perceval witnesses a wondrous procession in which youths carry magnificent objects from one chamber to another, passing before him at each course of the meal. First comes a young man carrying a bleeding lance, then two boys carrying candelabras. Finally, a beautiful young girl emerges bearing an elaborately decorated graal, or grail.

Chrétien refers to this object not as The Grail but as a grail, un graal, showing the word was used, in its earliest literary context, as a common noun. For Chrétien a grail was a wide, somewhat deep dish or bowl, interesting because it contained not a pike, salmon, or lamprey, as the audience may have expected for such a container, but a single Mass wafer which provided sustenance for the Fisher King's crippled father.  

Perceval, who had been warned against talking too much, remains silent through all of this and wakes up the next morning alone. He later learns that if he had asked the appropriate questions about what he saw, he would have healed his maimed host, much to his honour. The story of the Wounded King's mystical fasting is not unique; several saints were said to have lived without food besides communion, for instance Saint Catherine of Genoa. This may imply that Chrétien intended the Mass wafer to be the significant part of the ritual, and the Grail to be a mere prop.

In the modern era, a number of places have become associated with the Holy Grail. One of the most prominent is Glastonbury in Somerset, England. Glastonbury was associated with King Arthur and his resting place of Avalon by the 12th century. 

Tapestry of the Quest for the Holy Grail

In the 13th century, a legend arose that Joseph of Arimathea was the founder of Glastonbury Abbey. Early accounts of Joseph at Glastonbury focus on his role as the evangelist of Britain rather than as the custodian of the Holy Grail, but from the 15th century, the Grail became a more prominent part of the legends surrounding Glastonbury. Interest in Glastonbury resurged in the late 19th century along, inspired by renewed interest in the Arthurian legend and contemporary spiritual movements centered on ancient sacred sites. 

Montségur, a medieval castle in Occitania, has become identified as the Grail castle in modern Grail lore. In 1906, French writer Joséphin Péladan identified Montségur as Munsalväsche or Montsalvat, the Grail castle in Wolfram's Parzival. 

Montségur was a fortress of the Cathars, a heretical Christian community in Occitania from the 11th-14th centuries. This identification has inspired a wider legend asserting that the Cathars possessed the Holy Grail. Similarly, the 14th-century Rosslyn Chapel in Midlothian, Scotland, became attached to the Grail legend in the 20th century. This idea began in the 1950s, but took new prominence in the 1980s when a succession of conspiracy books identified it as a secret hiding place of the Grail.

More information: History Cooperative

Just because you can't understand something, 

it doesn't mean it's wrong!

King Arthur

THE SIEGE PERILOUS, A RESERVED SEAT FOR A HOLY CAUSE

The Siege Perilous

Today, The Grandma wants to remember Italian people who celebrates Ferragosto, a special day for them. In Barcelona, August, 15 is a festivity but without all the importance that it has in Italian lands.

It has been an interesting chapter about the Siege Perilous, a special seat which only can be occupied by a special knight who had accomplished a special and sacred mission. After reading, The Grandma has studied one new lesson of her Intermediate Language Practice manual (Chapter 49).

More information: Spelling and Pronuntiation 1

In Arthurian legend, the Siege Perilous, also known as The Perilous Seat, is a vacant seat at the Round Table reserved by Merlin for the knight who would one day be successful in the quest for the Holy Grail. The English word siege originally meant seat or throne, coming from the Old French sege, modern French siège; the modern military sense of a prolonged assault comes from the conception of an army sitting down before a fortress.

In Thomas Malory's Le Morte d'Arthur, in an account taken from the Vulgate Queste del Saint Graal, the newly knighted Sir Galahad takes the seat in Camelot on Whitsunday, 454 years after the death of Jesus. 

The Siege Perilous

The Siege Perilous is so strictly reserved that it is fatal to anyone else who sits in it. Another version of this story is related in Alfred Tennyson's Idylls of the King.

Originally, this motif about the seat and the grail belonged to Perceval, but the Lancelot-Grail Cycle transferred it to the new Cistercian-based hero Galahad. It appears, for example, in the earlier De Boron Didot Perceval, where Perceval occupies the seat at Arthur's court at Carduel.

According to many scholars, the motif of the dangerous seat can be further traced to Welsh, Cornish, and Breton mythology, where the bulk of the Arthurian legend was derived from. According to this theory, the Siege Perilous was a half-remembered version of a Celtic kingship ritual that has parallels in the Irish Lia Fáil.

The Siege, from the French siège, seat, Perilous is the seat at Arthur’s Round Table in which only the chosen knight can sit. In the prose rendition of Robert de Boron’s Merlin, the empty seat is reminiscent of the seat that Judas vacated.

There is also an empty seat at Joseph of Arimathea’s Grail Table which destroys anyone unworthy of sitting there. In his Continuation to Chrétien’s Perceval, Gerbert de Montreuil says that it was sent to Arthur by the fairy of Roche Menor.

Merlin introduces Galahad to the Round Table

Six knights tried to sit in it and were swallowed by the earth before Perceval sits it in and completes the adventure. When he does, the six are restored to Arthur’s court.

In the thirteenth-century Vulgate Cycle, Merlin instructs Uther to build a table in commemoration of the Grail Table; at the table, there is an empty seat reserved for the Grail knight. 

In the Queste del Saint Graal, the Siege Perilous is said to parallel the seat of Christ at the Last Supper and the seat occupied by Josephus at the Grail Table. Two brothers, jealous of Josephus, objected to his having a special place, and one of them sat in it, only to be destroyed; so it came to be called the Feared Seat. 

Galahad is the knight for whom the Siege Perilous at Arthur’s table is destined. In the Lancelot, a knight named Brumand, trying to perform an act that Lancelot never dared to do, sits in it and is burned to a crisp. Malory says that Merlin made the Siege Perilous for the greatest Grail knight. When Galahad arrives at Camelot, his name appears on the seat destined for him.

More information: King Arthur's Knights

No man could sit but he should lose himself...

Merlin

PERCIVALE & LANCELOT, KNIGHTS OF THE ROUND TABLE

Lancelot by Chrétien de Troyes

Today, The Grandma has studied a new lesson of her Intermediate Language Practice manual (Chapter 48). 

It's a hard day for The Grandma after listening the latest news that arrive from Genoa, a city that she adores. She wants to send her support to all Genovese population in these terrible moments, especially to these heroes who never rest and they are always ready to help: the emergency services. They are our modern heroes without any kind of doubt.

More information: Capital Letters & Punctuation

In the Arthurian Cycle, there are some characters, considered heroes, who have their own stories that help to create the whole cycle. Two of them are Lancelot and Percival. 

Sir Lancelot du Lac, meaning Lancelot of the Lake, alternatively also written as Launcelot and other spellings, is one of the Knights of the Round Table in the Arthurian legend. He typically features as King Arthur's greatest companion, the lord of Joyous Gard and the greatest swordsman and jouster of the age, until his adulterous affair with Queen Guinevere is discovered, causing a civil war exploited by Mordred which brings about the end of Arthur's kingdom.

More information: King Arthur's Knights

His first appearance as a main character is in Chrétien de Troyes' Lancelot, the Knight of the Cart, written in the 12th century. Later, his exploits were expanded upon in the Prose Lancelot, which was further expanded upon for the Lancelot-Grail cycle. His and Lady Elaine's son, Galahad, also becomes a famed knight.

Lancelot of the Lake

It was suggested that Lancelot is related to either the character Llenlleawg the Irishman from Culhwch and Olwen, or the Welsh hero Llwch Llawwynnauc, probably a version of the euhemerized Irish deity Lugh Lonbemnech, possibly via a now-forgotten epithet like Lamhcalad.

Traditional scholars thought that they are the same figure due to the fact that their names are similar and that they both wield a sword and fight for a cauldron in Preiddeu Annwn and Culhwch.

Modern scholars are less certain. The name may have been an invention by Chrétien de Troyes, given the manuscript evidence of L'Ancelot, since ancelot means servant. Another suggestion is that the name may have been derived from Geoffrey of Monmouth's Anguselaus. However, one scholar has suggested that Lancelot may be a variant of the name Lancelin.

More information: Britannica

Lancelot or Lancelin may instead have been the hero of an independent folk tale which had contact with and was ultimately absorbed into the Arthurian tradition. 

The theft of an infant by a water fairy, the appearance of the hero at a tournament on three consecutive days in three different disguises, and the rescue of a queen or princess from an Otherworld prison are all features of a well-known and widespread tale, variants of which are found in almost every land and numerous examples of which have been collected by Theodore Hersart de la Villemarqué in his Barzaz Breiz, by Emmanuel Cosquin in his Contes Lorrains, and by John Francis Campbell in his Tales of the West Highlands.  

Lancelot of the Lake

The character Lancelot is first introduced by writer Chrétien de Troyes in the 12th century. In Chrétien's earliest known work Erec and Enide, the name Lancelot appears as third on a list of knights at King Arthur's court.

The fact that Lancelot's name follows Gawain and Erec indicates the presumed importance of the knight at court, even though he did not figure prominently in Chrétien's tale. Lancelot reappears in Chrétien's Cligès. Here, Lancelot takes a more important role as one of the knights that Cligès must overcome in his quest.

It is not until Chrétien's Lancelot, the Knight of the Cart, Le Chevalier de la Charrette, however, that Lancelot becomes the protagonist. It is also Chrétien who first gives Lancelot the name Lancelot du Lac, Lancelot of the Lake, which was later picked up by the French authors of the Lancelot-Grail and then by Thomas Malory. 

Download Lancelot, the Knight of the Cart by Chrétien de Troyes

He is presented as the most formidable knight at King Arthur's court, the bravest of knights and one whom everyone is forced to describe as uniquely perfect: his deeds are recounted for their uniqueness, not only among living knights but of all men who have ever lived.

However, this supposed saint-like perfection stands at stark contrast with his adulterous relationship with King Arthur's wife Queen Guinevere, which motif has been also introduced in this text. Their affair can be seen as parallel to that of Tristram and Iseult, with him ultimately identified with the tragedy of chance and human failing that is responsible for the downfall of the Round Table.

Percival is one of King Arthur's legendary Knights of the Round Table. First made famous by the French author Chrétien de Troyes, in the tale Perceval, the Story of the Grail, his story was allotted to the fictional figure of Peredur son of Efwc in the Welsh adaptation of Chrétien's tale titled Peredur, Son of Efrawg. He is most well known for being the original hero in the quest for the Grail before being replaced in later literature by Galahad.

Percival

Chrétien de Troyes wrote the first story of Percival, Perceval, the Story of the Grail in the late 12th century. Wolfram von Eschenbach's Parzival, Thomas Malory's Le Morte d'Arthur, and the now-lost Perceval of Robert de Boron are other famous accounts of his adventures.

There are many versions of Perceval's birth. In Robert de Boron's account Saint Graal, he is of noble birth; his father is stated to be either Alain le Gros, King Pellinore or another worthy knight. His mother is usually unnamed but plays a significant role in the stories. His sister is the bearer of the Holy Grail; she is sometimes named Dindrane. In tales where he is Pellinore's son, his brothers are Sir Aglovale, Sir Lamorak and Sir Dornar, and by his father's affair with a peasant woman, he also has a half-brother named Sir Tor.

More information: King Arthur's Knights

After the death of his father, Perceval's mother takes him to the forests where she raises him ignorant to the ways of men until the age of 15. Eventually, however, a group of knights passes through his wood, and Perceval is struck by their heroic bearing. Wanting to be a knight himself, the boy leaves home to travel to King Arthur's court. 

In some versions his mother faints in shock upon seeing her son leave. After proving his worthiness as a warrior, he is knighted and invited to join the Knights of the Round Table.

Percival

In the earliest story about him, he is connected to the Grail. In Chrétien's Perceval, he meets the crippled Fisher King and sees a grail, not yet identified as holy, but he fails to ask a question that would have healed the injured king. 

Upon learning of his mistake he vows to find the Grail castle again and fulfill his quest but Chrétien's story breaks off soon after, to be continued in a number of different ways by various authors, such as in Sir Perceval of Galles.

In later accounts, the true Grail hero is Galahad, Lancelot's son. But though his role in the romances had been diminished, Percival remained a major character and was one of only two knights, the other was Sir Bors, who accompanied Galahad to the Grail castle and completed the quest with him.

In early versions, Perceval's sweetheart was Blanchefleur and he became the King of Carbonek after healing the Fisher King, but in later versions he was a virgin who died after achieving the Grail. In Wolfram's version, Perceval's son is Lohengrin, the Knight of the Swan.

More information: Myths and Legends

Maybe he will make thee a Knight of His Round Table

and there is no honor in all the world that can be as great as that!

King Arthur

EXCALIBUR, THE LEGENDARY SWORD OF KING ARTHUR

Excalibur, the sword in the stone

The Grandma is reading about the myth of Excalibur, Arthur's sword, which legend says that was freed from a stone by Arthur. It is sometimes also attributed with magical powers or associated with the rightful sovereignty of Britain.

Excalibur is one of the most famous swords in Literature and The Grandma wants to talk about it.

She is also studying a new lesson of her Intermediate Language Practice manual (Chapter 42).

More information: Verbs followeb by -ing or Infinitive 1

Excalibur or Caliburn, is the legendary sword of King Arthur, sometimes also attributed with magical powers or associated with the rightful sovereignty of Britain. Sometimes Excalibur and the Sword in the Stone, the proof of Arthur's lineage, are said to be the same weapon, but in most versions they are considered separate. Excalibur was associated with the Arthurian legend very early. In Welsh, it is called Caledfwlch; in Cornish, Calesvol; in Breton, Kaledvoulc'h; and in Latin, Caliburnus.

The name Excalibur ultimately derives from the Welsh Caledfwlch, and Breton Kaledvoulc'h, Middle Cornish Calesvol, which is a compound of caled hard and bwlch breach, cleft.

More information: Ancient History

Caledfwlch appears in several early Welsh works, including the poem Preiddeu Annwfn and the prose tale Culhwch and Olwen, a work associated with the Mabinogion and written perhaps around 1100. The name was later used in Welsh adaptations of foreign material such as the Bruts, chronicles, which were based on Geoffrey of Monmouth.

It is often considered to be related to the phonetically similar Caladbolg, a sword borne by several figures from Irish mythology, although a borrowing of Caledfwlch from Irish Caladbolg has been considered unlikely by recent studies that suggest instead that both names may have similarly arisen at a very early date as generic names for a sword; this sword then became exclusively the property of Arthur in the British tradition.

Excalibur, the sword in the stone

Geoffrey of Monmouth, in his Historia Regum Britanniae, The History of the Kings of Britain, c. 1136, Latinised the name of Arthur's sword as Caliburnus, potentially influenced by the Medieval Latin spelling calibs of Classical Latin chalybs, from Greek chályps [χάλυψ] steel. Most Celticists consider Geoffrey's Caliburnus to be derivative of a lost Old Welsh text in which bwlch had not yet been lenited to fwlch.

In Old French sources this then became Escalibor, Excalibor, and finally the familiar Excalibur. Geoffrey Gaimar, in his Old French L'Estoire des Engles (1134-1140), mentions Arthur and his sword: this Constantine was the nephew of Arthur, who had the sword Caliburc, Cil Costentin, li niès Artur, Ki out l'espée Caliburc.

In Wace's Roman de Brut (c. 1150-1155), an Old French translation and versification of Geoffrey's Historia, the sword is called Calabrum, Callibourc, Chalabrun, and Calabrun, with alternate spellings such as Chalabrum, Calibore, Callibor, Caliborne, Calliborc, and Escaliborc, found in various manuscripts of the Brut.

In Chrétien de Troyes' late 12th-century Old French Perceval, Arthur's knight Gawain carries the sword Escalibor and it is stated, for at his belt hung Escalibor, the finest sword that there was, which sliced through iron as through wood, Qu'il avoit cainte Escalibor, la meillor espee qui fust, qu'ele trenche fer come fust. 

This statement was probably picked up by the author of the Estoire Merlin, or Vulgate Merlin, where the author, who was fond of fanciful folk etymologies, asserts that Escalibor is a Hebrew name which means in French 'cuts iron, steel, and wood, c'est non Ebrieu qui dist en franchois trenche fer & achier et fust; note that the word for steel here, achier, also means blade or sword and comes from medieval Latin aciarium, a derivative of acies sharp, so there is no direct connection with Latin chalybs in this etymology. 

It is from this fanciful etymological musing that Thomas Malory got the notion that Excalibur meant cut steel, the name of it, said the lady, is Excalibur, that is as moche to say, as Cut stele.

 

Excalibur, the sword in the stone

In Arthurian romance, a number of explanations are given for Arthur's possession of Excalibur. In Robert de Boron's Merlin, the first tale to mention the sword in the stone motif, Arthur obtained the British throne by pulling a sword from an anvil sitting atop a stone that appeared in a churchyard on Christmas Eve. In this account, the act could not be performed except by the true king, meaning the divinely appointed king or true heir of Uther Pendragon. 

As Malory's writes: Whoso pulleth out this sword of this stone and anvil, is rightwise king born. This sword is thought by many to be the famous Excalibur, and its identity is made explicit in the later Prose Merlin, part of the Lancelot-Grail cycle. The challenge of drawing a sword from a stone also appears in the Arthurian legends of Galahad, whose achievement of the task indicates that he is destined to find the Holy Grail.

However, in what is called the Post-Vulgate Cycle, Excalibur was given to Arthur by the Lady of the Lake sometime after he began to reign. She calls the sword Excalibur, that is as to say as Cut-steel. 

More information: The Vintage News

In the Vulgate Mort Artu, Arthur is at the brink of death and so orders Griflet to throw the sword into the enchanted lake; after two failed attempts, as he felt such a great sword should not be thrown away, Griflet finally complies with the wounded king's request and a hand emerges from the lake to catch it. This tale becomes attached to Bedivere instead of Griflet in Malory and the English tradition. Malory records both versions of the legend in his Le Morte d'Arthur, naming both swords as Excalibur.

Excalibur in Family Guy

In Welsh legend, Arthur's sword is known as Caledfwlch. In Culhwch and Olwen, it is one of Arthur's most valuable possessions and is used by Arthur's warrior Llenlleawg the Irishman to kill the Irish king Diwrnach while stealing his magical cauldron. 

Irish mythology mentions a weapon Caladbolg, the sword of Fergus mac Róich, which was also known for its incredible power and was carried by some of Ireland's greatest heroes. The name, which can also mean hard cleft in Irish, appears in the plural, caladbuilc, as a generic term for great swords in Togail Troi, The Destruction of Troy, the 10th-century Irish translation of the classical tale.

In the late 15th/early 16th-century Middle Cornish play Beunans Ke, Arthur's sword is called Calesvol, which is etymologically an exact Middle Cornish cognate of the Welsh Caledfwlch. It is unclear if the name was borrowed from the Welsh, if so, it must have been an early loan, for phonological reasons, or represents an early, pan-Brittonic traditional name for Arthur's sword.

Geoffrey's Historia is the first non-Welsh source to speak of the sword. Geoffrey says the sword was forged in Avalon and Latinises the name Caledfwlch as Caliburnus. 

When his influential pseudo-history made it to Continental Europe, writers altered the name further until it finally took on the popular form Excalibur, various spellings in the medieval Arthurian romance and chronicle tradition include: Calabrun, Calabrum, Calibourne, Callibourc, Calliborc, Calibourch, Escaliborc, and Escalibor.

Excalibur

The legend was expanded upon in the Vulgate Cycle, also known as the Lancelot-Grail Cycle, and in the Post-Vulgate Cycle which emerged in its wake. 

Both included the work known as the Prose Merlin, but the Post-Vulgate authors left out the Merlin continuation from the earlier cycle, choosing to add an original account of Arthur's early days including a new origin for Excalibur. In several early French works, such as Chrétien de Troyes' Perceval, the Story of the Grail and the Vulgate Lancelot Proper section, Excalibur is used by Gawain, Arthur's nephew and one of his best knights. This is in contrast to later versions, where Excalibur belongs solely to the king.

In many versions, Excalibur's blade was engraved with phrases on opposite sides: Take me up and Cast me away, or similar. In addition, when Excalibur was first drawn, in the first battle testing Arthur's sovereignty, its blade blinded his enemies. Malory writes: thenne he drewe his swerd Excalibur, but it was so breyght in his enemyes eyen that it gaf light lyke thirty torchys.

Excalibur's scabbard was said to have powers of its own. Loss of blood from injuries, for example, would not kill the bearer. In some tellings, wounds received by one wearing the scabbard did not bleed at all. In the later romance tradition, including Le Morte d'Arthur, the scabbard is stolen from Arthur by his half-sister Morgan le Fay in revenge for the death of her beloved Accolon and thrown into a lake, never to be found again. This act later enables the death of Arthur at the Battle of Camlann.

More information: Ancient Origins

One day, a King will come, 

and the Sword will rise... again.

King Arthur