Showing posts with label Thomas Crown. Show all posts
Showing posts with label Thomas Crown. Show all posts

Wednesday, 29 April 2026

THOMAS CROWN, FIND IN THE WINDMILLS OF YOUR MIND

London start with morning fog patches that will quickly clear, leading to a mostly sunny and warm day. Temperatures will be pleasant, with highs likely reaching into the high teens or low twenties Celsius.

The Morgans are getting ready to enjoy their second day of visiting the British Museum. It's not just any day because the family has a plan that is expected to be foolproof, and to carry it out they have the help of Thomas Crown, the famous American investor and great art lover. Thomas Crown, an old friend of The Grandma who is always in the windmills of her mind, is the owner of the work 'Le Fils de l'homme' by René Magritte, a work that he has altruistically lent for an exhibition sponsored by The Grandma where José Luis Morgan is giving a dissertation on the restoration of works of art.

The conference is beginning at the scheduled time, however, previously, Vero Morgan is offerring catering to all attendees who are enjoying the performances of Andrea and Jose, while Xènia Morgan controls the soundboard, so that Kehiny Morgan is performing a beautiful version of 'Sinnerman' by Nina Simone.

Cristina Morgan is offering hugs to anyone who wants to share a little affection while Sandra Morgan is evoking the Ancient Sybyl by reading the palm of anyone who wishes.

Valentina Morgan is providing entertainment for the little ones while Lidia Morgan is looking for future investors among the attendees until the most awaited moment arrives: Jordi Morgan mentally is controlling the security guards' dogs while Vanessa Morgan is making her fascinating entrance, hypnotizing everyone present in the room while Elsa Morgan is stopping time on the security cameras.

Finally, Joan Morgan is driving a large forged metal structure and with the help of everyone present in the Museum, they are carrying an enormous Egyptian sphinx to the exit.

And so, when Vanessa Morgan is finishing her spell and everyone is returning to reality, they are realizing that they have participated in a great experience of mind control, magic and time control, a diversion offered by The Morgans, who have returned the sphinx to its place of origin (or perhaps not), but something terrible has just happened at the other end of the Museum: the Sutton Hoo Helmet, the Saxon object of incalculable historical value, has just disappeared from its display case. What has happened? The Morgans are completely innocent because their performance has been fully recorded and they are located at all times, but... where is The Grandma?

Download British Museum Map


This is an elegant crime, done by an elegant person. 
It's not about the money.

Catherine Banning

Tuesday, 28 April 2026

THE BRITISH MUSEUM, CENTURIES OF ART AND CULTURE

Today, The Morgans and The Grandma have decided to enjoy one of the most impressive museums in the world, the British Museum.

The family was very excited about this visit and they were all thinking about what souvenir they could take home from the Museum without having to go through the shop. The Grandma loves Rosetta Stone and the Sutton Hoo Helmet.

The British Museum is a public institution dedicated to human history, art and culture and it is considered one of the most important museums of the world thanks to its more than two hundred thirty million objects.
 
 

The British Museum opened on a day like today in 1759 and The Grandma wants to commemorate this event talking about the Museum and its history.

The British Museum, in the Bloomsbury area of London, United Kingdom, is a public institution dedicated to human history, art and culture. Its permanent collection of some eight million works is among the largest and most comprehensive in existence, having been widely sourced during the era of the British Empire. It documents the story of human culture from its beginnings to the present. It was the first public national museum in the world.

More information: British Musem

The British Museum was established in 1753, largely based on the collections of the Irish physician and scientist Sir Hans Sloane.

It first opened to the public in 1759, in Montagu House, on the site of the current building. Its expansion over the following 250 years was largely a result of expanding British colonisation and has resulted in the creation of several branch institutions, the first being the Natural History Museum in 1881.

In 1973, the British Library Act 1972 detached the library department from the British Museum, but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport, and as with all national museums in the UK it charges no admission fee, except for loan exhibitions.

Its ownership of some of its most famous objects originating in other countries is disputed and remains the subject of international controversy, most notably in the case of the Parthenon Marbles.

Although today principally a museum of cultural art objects and antiquities, the British Museum was founded as a universal museum. Its foundations lie in the will of the Irish physician and naturalist Sir Hans Sloane (1660–1753), a London-based doctor and scientist from Ulster.


During the course of his lifetime, and particularly after he married the widow of a wealthy Jamaican planter, Sloane gathered a large collection of curiosities and, not wishing to see his collection broken up after death, he bequeathed it to King George II, for the nation, for a sum of £20,000. At that time, Sloane's collection consisted of around 71,000 objects of all kinds including some 40,000 printed books, 7,000 manuscripts, extensive natural history specimens including 337 volumes of dried plants, prints and drawings including those by Albrecht Dürer and antiquities from Sudan, Egypt, Greece, Rome, the Ancient Near and Far East and the Americas.

On 7 June 1753, King George II gave his Royal Assent to the Act of Parliament which established the British Museum. The British Museum Act 1753 also added two other libraries to the Sloane collection, namely the Cottonian Library, assembled by Sir Robert Cotton, dating back to Elizabethan times, and the Harleian Library, the collection of the Earls of Oxford. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, assembled by various British monarchs. Together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving manuscript of Beowulf.

More information: British Museum-Youtube

The British Museum was the first of a new kind of museum -national, belonging to neither church nor king, freely open to the public and aiming to collect everything.

Sloane's collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary and antiquarian element and meant that the British Museum now became both National Museum and library.

By the last years of the 19th century, The British Museum's collections had increased to the extent that its building was no longer large enough. In 1895 the trustees purchased the 69 houses surrounding the museum with the intention of demolishing them and building around the west, north and east sides of the museum. The first stage was the construction of the northern wing beginning 1906.

All the while, the collections kept growing. Emil Torday collected in Central Africa, Aurel Stein in Central Asia, D.G. Hogarth, Leonard Woolley and T. E. Lawrence excavated at Carchemish.

Around this time, the American collector and philanthropist J Pierpont Morgan donated a substantial number of objects to the museum, including William Greenwell's collection of prehistoric artefacts from across Europe which he had purchased for £10,000 in 1908. Morgan had also acquired a major part of Sir John Evans's coin collection, which was later sold to the museum by his son John Pierpont Morgan Junior in 1915.

In 1918, because of the threat of wartime bombing, some objects were evacuated via the London Post Office Railway to Holborn, the National Library of Wales (Aberystwyth) and a country house near Malvern.

On the return of antiquities from wartime storage in 1919 some objects were found to have deteriorated. A conservation laboratory was set up in May 1920 and became a permanent department in 1931. It is today the oldest in continuous existence. In 1923, the British Museum welcomed over one million visitors.

Today the museum no longer houses collections of natural history, and the books and manuscripts it once held now form part of the independent British Library.

More information: Smithsonian

The museum nevertheless preserves its universality in its collections of artefacts representing the cultures of the world, ancient and modern. The original 1753 collection has grown to over 13 million objects at the British Museum, 70 million at the Natural History Museum and 150 million at the British Library.

The Round Reading Room, which was designed by the architect Sydney Smirke, opened in 1857. For almost 150 years researchers came here to consult the museum's vast library. The Reading Room closed in 1997 when the national library (the British Library) moved to a new building at St Pancras. Today it has been transformed into the Walter and Leonore Annenberg Centre.

This department covers all levels of education, from casual visitors, schools, degree level and beyond. The museum's various libraries hold in excess of 350,000 books, journals and pamphlets covering all areas of the museum's collection.

Also the general museum archives which date from its foundation in 1753 are overseen by this department; the individual departments have their own separate archives and libraries covering their various areas of responsibility, which can be consulted by the public on application.

The Anthropology Library is especially large, with 120,000 volumes. However, the Paul Hamlyn Library, which had become the central reference library of the British Museum and the only library there freely open to the general public, closed permanently in August 2011. The website and online database of the collection also provide increasing amounts of information.

It is a point of controversy whether museums should be allowed to possess artefacts taken from other countries, and the British Museum is a notable target for criticism.

The Elgin Marbles, Benin Bronzes, Ethiopian Tabots and the Rosetta Stone are among the most disputed objects in its collections, and organisations have been formed demanding the return of these artefacts to their native countries of Greece, Nigeria, Ethiopia, and Egypt respectively. Parthenon Marbles claimed by Greece were also claimed by UNESCO among others for restitution. From 1801 to 1812, Elgin's agents took about half of the surviving sculptures of the Parthenon, as well as sculptures from the Propylaea and Erechtheum.

In recent years, controversies pertaining to reparation of artefacts taken from the Old Summer Palace in Beijing during the Anglo-French invasion of China in 1860 have also begun to surface. Victor Hugo condemned the French and British for their plundering.

More information: The Culture Trip

The British Museum and the Victoria and Albert Museum, among others, have been asked since 2009 to open their archives for investigation by a team of Chinese investigators as a part of an international mission to document lost national treasures. However, there have been fears that the United Kingdom may be asked to return these treasures.

The British Museum has refused to return these artefacts, stating that the restitutionist premise, that whatever was made in a country must return to an original geographical site, would empty both the British Museum and the other great museums of the world.

The museum has also argued that the British Museum Act of 1963 legally prevents any object from leaving its collection once it has entered it. Nevertheless, it has returned items such as the Tasmanian Ashes after a 20-year-long battle with Australia.

The British Museum continues to assert that it is an appropriate custodian and has an inalienable right to its disputed artefacts under British law.

In 2016, the British Museum moved its bag searches to marquees in the front courtyard and beside the rear entrance. This has been criticised by heritage groups as out-of-character with the historic building. The British Museum clarified that the change was purely logistical to save space in the main museum entrance and did not reflect any escalation in threat.

More information: My Modern Met
 

It is a standing source of astonishment
and amusement to visitors that the British Museum
has so few British things in it: that it is a museum about
the world as seen from Britain rather than a history
focused on these islands.

Neil MacGregor

Monday, 6 June 2022

RENÉ MAGRITTE & THE ART OF ILLUSIONISM AT THE MET

Today, The Grandma has received the wonderful visit of her closest friends Claire Fontaine, Tonyi Tamaki and Laura Collins.

They have flown from Barcelona to New York to visit an interesting exposition about René Magritte at MET.

They haven't been alone. Two Grandma's old friends, Thomas Crown and Catherine Banning are with them.

Together, they have spent a wonderful day and have enjoyed with this genius of Illusionism and Surrealism.

René François Ghislain Magritte (21 November 1898-15 August 1967) was a Belgian surrealist artist, who became well known for creating a number of witty and thought-provoking images.

Often depicting ordinary objects in an unusual context, his work is known for challenging observers' preconditioned perceptions of reality. His imagery has influenced pop art, minimalist art, and conceptual art.

René Magritte was born in Lessines, in the province of Hainaut, Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant, and Régina, who was a milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910.

On 12 March 1912, his mother committed suicide by drowning herself in the River Sambre. This was not her first attempt at taking her own life; she had made many over a number of years, driving her husband Léopold to lock her in her bedroom. One day she escaped, and was missing for days. Her body was later discovered a mile or so down the nearby river.

According to a legend, 13-year-old Magritte was present when her body was retrieved from the water, but recent research has discredited this story, which may have originated with the family nurse. Supposedly, when his mother was found, her dress was covering her face, an image that has been suggested as the source of several of Magritte's paintings in 1927-1928 of people with cloth obscuring their faces, including Les Amants.

Magritte's earliest paintings, which date from about 1915, were Impressionistic in style. During 1916-1918, he studied at the Académie Royale des Beaux-Arts in Brussels, under Constant Montald, but found the instruction uninspiring. He also took classes at the Académie Royale from the painter and poster designer Gisbert Combaz. The paintings he produced during 1918-1924 were influenced by Futurism and by the figurative Cubism of Metzinger.

Depressed by the failure, he moved to Paris where he became friends with André Breton and became involved in the Surrealist group. An illusionistic, dream-like quality is characteristic of Magritte's version of Surrealism. He became a leading member of the movement, and remained in Paris for three years.

In 1929 he exhibited at Goemans Gallery in Paris with Salvador Dalí, Jean Arp, de Chirico, Max Ernst, Joan Miró, Picabia, Picasso and Yves Tanguy.

On 15 December 1929 he participated in the last publication of La Revolution Surrealiste No. 12, where he published his essay Les mots et les images, where words play with images in sync with his work The Treachery of Images.

In 1946, renouncing the violence and pessimism of his earlier work, he joined several other Belgian artists in signing the manifesto Surrealism in Full Sunlight.

During 1947-48, Magritte's Vache period, he painted in a provocative and crude Fauve style. During this time, Magritte supported himself through the production of fake Picassos, Braques, and de Chiricos -a fraudulent repertoire he was later to expand into the printing of forged banknotes during the lean postwar period.

Magritte's work frequently displays a collection of ordinary objects in an unusual context, giving new meanings to familiar things.

Magritte's use of simple graphic and everyday imagery has been compared to that of the pop artists. His influence in the development of pop art has been widely recognized, although Magritte himself discounted the connection.

More information: Rene Magritte

The Thomas Crown Affair is a 1999 American romantic heist film directed by John McTiernan, written by Leslie Dixon and Kurt Wimmer and is a remake of the 1968 film of the same name.

Its story follows Thomas Crown, a billionaire who steals a painting from an art gallery and is pursued by an insurance investigator with the two falling in love. It stars Pierce Brosnan, Rene Russo, and Denis Leary.

Filming took place in several parts of New York City, including Central Park. The corporate headquarters of Lucent Technologies stood in for Crown's suite of offices.

Due to the impossibility of filming scenes at the Metropolitan Museum of Art (the producers' request was respectfully declined), the production crew made their own museum on a soundstage. Artisans were hired to create a realistic look to the set. Another scene was filmed in a different city landmark: the main research library of the New York Public Library.

More information: MoMA


 The mind loves the unknown.
It loves images whose meaning is unknown,
since the meaning of the mind itself is unknown.

René Magritte