JUAN RULFO, ONE OF THE GREATEST MEXICAN WRITERS

Today, The Grandma has been reading some works written by Juan Rulfo, the Mexican writer, who died on a day like today in 1986.

Juan Nepomuceno Carlos Pérez Rulfo Vizcaíno, best known as Juan Rulfo (16 May 1917-7 January 1986), was a Mexican writer, screenwriter, and photographer. 

He is best known for two literary works, the 1955 novel Pedro Páramo, and the collection of short stories El Llano en llamas (1953). This collection includes the popular tale ¡Diles que no me maten! (Tell Them Not to Kill Me!).

Rulfo was born in 1917 in Apulco, Jalisco (Disputed as being in San Gabriel, Jalisco) Mexico, although he was registered at Sayula, in the home of his paternal grandfather. Rulfo's birth year was often listed as 1918, because he had provided an inaccurate date to get into the military academy that his uncle, David Pérez Rulfo -a colonel working for the government- directed.

After his father was killed in 1923 and his mother died in 1927, Rulfo's grandmother raised him in Guadalajara, Jalisco. Their extended family consisted of landowners whose fortunes were ruined by the Mexican Revolution and the Cristero War of 1926-1928, a Roman Catholic revolt against the persecutions of Christians by the Mexican government, following the Mexican Revolution.

Rulfo was sent to study in the Luis Silva School, where he lived from 1928 to 1932. He completed six years of elementary school and a special seventh year from which he graduated as a bookkeeper, though he never practiced that profession. 

Rulfo attended a seminary (analogous to a secondary school) from 1932 to 1934, but did not attend a university afterwards, as the University of Guadalajara was closed due to a strike and because Rulfo had not taken preparatory school courses.

Rulfo moved to Mexico City, where he entered the National Military Academy, which he left after three months. He then hoped to study law at the Universidad Nacional Autónoma de México. In 1936, Rulfo was able to audit courses in literature at the University, because he obtained a job as an immigration file clerk through his uncle.
At the University Rulfo began writing under the tutelage of a coworker, Efrén Hernández. 

In 1944, Rulfo co-founded the literary journal Pan. Later, he was able to advance in his career and travel throughout Mexico as an immigration agent. In 1946, he started as a foreman for Goodrich-Euzkadi, but his mild temperament led him to prefer working as a wholesale traveling sales agent. This obligated him to travel throughout all of southern Mexico, until he was fired in 1952 for asking for a radio for his company car.

Rulfo obtained a fellowship at the Centro Mexicano de Escritores, supported by the Rockefeller Foundation. There, between 1952 and 1954, he was able to write two books.

The first book was a collection of harshly realistic short stories, El Llano en llamas (1953). The stories centered on life in rural Mexico around the time of the Mexican Revolution and the Cristero War. Among the best-known stories are ¡Diles que no me maten! (Tell Them Not To Kill Me!), a story about an old man, set to be executed, who is captured by order of a colonel, who happens to be the son of a man whom the condemned man had killed about forty years ago, the story contains echoes of the biblical Cain and Abel theme as well as themes critical to the Mexican Revolution such as land rights and land use; and No oyes ladrar los perros (Don't You Hear the Dogs Barking), about a man carrying his estranged, adult, wounded son on his back to find a doctor.

The second book was Pedro Páramo (1955), a short novel about a man named Juan Preciado who travels to his recently deceased mother's hometown, Comala, to find his father, only to come across a literal ghost town -populated, that is, by spectral figures. Initially, the novel met with cool critical reception and sold only two thousand copies during the first four years; later, however, the book became highly acclaimed. Pedro Páramo was a key influence for Latin American writers such as Gabriel García Márquez. Pedro Páramo has been translated into more than 30 languages, and the English version has sold more than a million copies in the United States.

The book went through several changes in name. In two letters written in 1947 to his fiancée Clara Aparicio, he refers to the novel he was writing as Una estrella junto a la luna (A Star Next to the Moon), saying that it was causing him some trouble. During the last stages of writing, he wrote in journals that the title would be Los murmullos (The Murmurs). With the assistance of a grant from the Centro Mexicano de Escritores, Rulfo was able to finish the book between 1953 and 1954; it was published in 1955.

In passages of the novel Pedro Páramo, the influence of American novelist William Faulkner is notorious, according to Rulfo's former friend, philologist Antonio Alatorre, in an interview with the latter made by journalists of Mexican newspaper El Universal in November 1998, which was published on 31 October 2010.

Between 1956 and 1958, Rulfo worked on a novella entitled El gallo de oro (The Golden Cockerel), which was not published until 1980. A revised and corrected edition was issued posthumously in 2010. 

The Fundación Rulfo possesses fragments of two unfinished novels, La cordillera and Ozumacín. Rulfo told interviewer Luis Harss that he had written and destroyed an earlier novel set in Mexico City.

From 1954 to 1957, Rulfo collaborated with La comisión del rio Papaloapan, a government institution working on socioeconomic development of the settlements along the Papaloapan River.

From 1962 until his death in 1986, he worked as editor for the National Institute for Indigenous People.

More information: BBC

 Nothing can last forever.
There isn't any memory,
no matter how intense,
that doesn't fade out at last.

Juan Rulfo