Showing posts with label Lewis Carroll. Show all posts
Showing posts with label Lewis Carroll. Show all posts

Saturday, 26 November 2022

THE WHITE RABBIT, 'OH DEAR! I SHALL BE TOO LATE!'

Today, The Grandma has been reading about White Rabbit, the song written by Grace Slick and recorded by the American rock band Jefferson Airplane for their 1967 album Surrealistic Pillow.

The White Rabbit is a fictional and anthropomorphic character in Lewis Carroll's 1865 book Alice's Adventures in Wonderland

He appears at the very beginning of the book, in chapter one, wearing a waistcoat, and muttering Oh dear! Oh dear! I shall be too late! Alice follows him down the rabbit hole into Wonderland.

Alice encounters him again when he mistakes her for his housemaid Mary Ann and she becomes trapped in his house after growing too large. The Rabbit shows up again in the last few chapters, as a herald-like servant of the King and Queen of Hearts.

Download Alice's Adventures in Wonderland

Download Through the looking glass

White Rabbit is a song written by Grace Slick and recorded by the American rock band Jefferson Airplane for their 1967 album Surrealistic Pillow.

It draws on imagery from Lewis Carroll's 1865 book Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass.

It was released as a single and became the band's second top-10 success, peaking at number eight on the Billboard Hot 100. The song was ranked number 478 on Rolling Stone's list of the 500 Greatest Songs of All Time in 2004, number 483 in 2010, and number 455 in 2021 and appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

White Rabbit was written and performed by Grace Slick while she was still with The Great Society. Slick quit them and joined Jefferson Airplane to replace their departing female singer, Signe Toly Anderson, who left the band with the birth of her child. The first album Slick recorded with Jefferson Airplane was Surrealistic Pillow, and Slick provided two songs from her previous group: her own White Rabbit and Somebody to Love, written by her brother-in-law Darby Slick and recorded under the title Someone to Love by the Great Society.

The Great Society's version of White Rabbit was much longer than the more aggressive version of Jefferson Airplane. Both songs became top-10 hits for Jefferson Airplane and have ever since been associated with that band.

More information: Jefferson Airplane

White Rabbit is one of Grace Slick's earliest songs, written during December 1965 or January 1966. It uses imagery found in the fantasy works of Lewis Carroll -1865's Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass- such as changing size after taking pills or drinking an unknown liquid.

Slick wrote the lyrics first, then composed the music at a red upright piano she had bought for US$50 with eight or ten keys missing -that was OK because I could hear in my head the notes that weren't there"- moving between major chords for the verses and chorus. She said that the music was heavily influenced by Miles Davis's 1960 album Sketches of Spain, particularly Davis's treatment of the Concierto de Aranjuez (1939).

She later said: Writing weird stuff about Alice backed by a dark Spanish march was in step with what was going on in San Francisco then. We were all trying to get as far away from the expected as possible.

Slick said the composition was supposed to be a slap to parents who read their children such novels and then wondered why their children later used drugs. She later commented that all fairytales read to little girls have a Prince Charming who comes and saves them. But Alice did not; she was on her own in a very strange place, but she kept on going and followed her curiosity  -that's the White Rabbit.

A lot of women could have taken a message from that story about how you can push your own agenda. The line feed your head is about reading, as well as psychedelics feed your head by paying attention: read some books, pay attention.

Characters Slick referenced include Alice, the White Rabbit, the hookah-smoking caterpillar, the White Knight, the Red Queen, and the Dormouse.

More information: Louder Sound

Slick reportedly wrote the song after an acid trip.

For Slick, White Rabbit is about following your curiosity. The White Rabbit is your curiosity. For her and others in the 1960s, drugs were a part of mind expansion and social experimentation. With its enigmatic lyrics, White Rabbit became one of the first songs to sneak drug references past censors on the radio. 

Even Marty Balin, Slick's eventual rival in Jefferson Airplane, regarded the song as a masterpiece. In interviews, Slick has related that Alice in Wonderland was often read to her as a child and remained a vivid memory well into her adulthood.

In an interview with The Wall Street Journal, Slick mentioned that, in addition to Alice in Wonderland, her other inspiration for the song was Ravel's Boléro. Like Boléro, White Rabbit is essentially one long crescendo. The music combined with the song's lyrics strongly suggests the sensory distortions experienced with hallucinogens, and the song was later used in pop culture to imply or accompany just such a state.

The song was first played by the Great Society in a bar in San Francisco in early 1966, and later when they opened the bill for bigger bands like the Grateful Dead. They made a series of demo records for Autumn Records, for which they were assisted by Sly Stone. 

Grace Slick said: We were so bad that Sly eventually played all the instruments so the demo would sound OK. When Slick joined Jefferson Airplane later in 1966, she taught the song to the band, who recorded it for their album Surrealistic Pillow.

White Rabbit is in the key of F-sharp which Slick acknowledges is difficult for guitar players as it requires some intricate fingering.

More information: Far Out Magazine


One pill makes you largerAnd one pill makes you smallAnd the ones that mother gives youDon't do anything at allGo ask AliceWhen she's ten feet tall
 
Jefferson Airplane

Friday, 26 July 2019

WALT DISNEY'S 'ALICE IN WONDERLAND' IN LONDON, UK

Alice in Wonderland, 1951
Today, The Grandma has gone to the library to borrow Alice in Wonderland, the masterpiece written by Lewis Carroll.

Alice's Adventures in Wonderland, commonly shortened to Alice in Wonderland, is an 1865 novel written by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll.

It tells of a young girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as with children.

It is considered to be one of the best examples of the literary nonsense genre. Its narrative course, structure, characters, and imagery have been enormously influential in both popular culture and literature, especially in the fantasy genre.

She has reread this amazing book and she has watched animated musical fantasy-adventure adaptation film produced by Walt Disney Productions and premiered in London, England, on a day like today in 1951.

Before watching the film, The Grandma has studied her Ms. Excel course.

Chapter 7. Cell Format (III) (Spanish Version)

Alice in Wonderland is a 1951 American animated musical fantasy-adventure film produced by Walt Disney Productions and based on the Alice books by Lewis Carroll.

The 13th release of Disney's animated features, the film premiered in London on July 26, 1951, and in New York City on July 28, 1951. The film features the voices of Kathryn Beaumont as Alice, Sterling Holloway as the Cheshire Cat, Verna Felton as the Queen of Hearts, and Ed Wynn as the Mad Hatter.

Walt Disney first attempted unsuccessfully to adapt Alice into an animated feature film during the 1930s. However, he finally revived the idea in the 1940s. The film was originally intended to be a live-action/animated film; however, Disney decided to make it an all-animated feature in 1946.


The film was considered a flop on its initial release, leading to Walt Disney showing it on television as one of the first episodes of his TV series Disneyland. It proved to be very successful on television, especially during the psychedelic era. It was eventually re-released in theaters which proved to be massively successful.

The film became even more successful through merchandising and subsequent home video releases. The theme song of the same name has since become a jazz standard. While the film was critically panned on its initial release, it has since been regarded as one of Disney's greatest animated classics, notably one of the biggest cult classics in the animation medium, as well as one of the best film adaptations of Alice.

Alice in Wonderland, 1951
A live-action adaptation of Carroll's works and animated film, Alice in Wonderland, directed by Tim Burton, was released in 2010.

Walt Disney was familiar with Lewis Carroll's Alice books, Alice's Adventures in Wonderland and Through the Looking-Glass, and had read them as a school boy.

In 1923, he was a 21-year-old aspiring filmmaker working at the Laugh-O-Gram Studio in Kansas City, making the unsuccessful short cartoon series by the name of Newman Laugh-O-Grams. The last of Newman Laugh-O-Grams was called Alice's Wonderland, which was loosely inspired by the Alice books.

The short featured a live-action girl (Virginia Davis) interacting with an animated world. Faced with business problems, however, the Laugh-O-Gram Studio went bankrupt in July 1923, and the film was never released to the general public.

However, Disney left for Hollywood and used the film to show to potential distributors. Margaret J. Winkler of Winkler Pictures agreed to distribute the Alice Comedies, and Disney partnered with his older brother Roy O. Disney and re-hired Kansas City co-workers including Ub Iwerks, Rudolph Ising, Friz Freleng, Carman Maxwell and Hugh Harman to form the Disney Brothers Studios, which was later re-branded Walt Disney Productions. The series began in 1924 before being retired in 1927.

In 1933, Disney considered making a feature-length animated-and-live-action version of Alice starring Mary Pickford. However, these plans were eventually scrapped in favor of Snow White and the Seven Dwarfs, mainly because Disney was put off by Paramount's 1933 live-action adaptation Alice in Wonderland

However, Disney did not completely abandon the idea of adapting Alice, and in 1936 he made the Mickey Mouse cartoon Thru the Mirror.

More information: Screen Prism

In 1938, after the enormous success of Snow White, Disney bought the film rights of Alice in Wonderland with Sir John Tenniel's illustrations, and officially registered the title with the Motion Picture Association of America. He then hired storyboard artist Al Perkins and art director David S. Hall to develop the story and concept art for the film.

A story reel was completed in 1939, but Disney was not pleased; he felt that Hall's drawings resembled Tenniel's drawings too closely, making them too difficult to animate, and that the overall tone of Perkins' script was too grotesque and dark. Realizing the amount of work needed for Alice in Wonderland, and with the economic devastation of World War II and the production demands of Pinocchio, Fantasia, and Bambi, Disney shelved production on Alice in Wonderland shortly after the screening.

In fall 1945, shortly after the war ended, Disney revived Alice in Wonderland and hired British author Aldous Huxley to re-write the script. Huxley devised a story in which Lewis Carroll and Alice Liddell, the inspiration for Alice, were misunderstood and persecuted following the book's publication.

In Huxley's story, stage actress Ellen Terry was sympathetic to both Carroll and Liddell, and Queen Victoria served as the deus ex machina, validating Carroll due to her appreciation for the book. Disney considered child actress Margaret O'Brien for the title role. However, he felt that Huxley's version was too literal an adaptation of Carroll's book. 

Alice in Wonderland, 1951
Background artist Mary Blair submitted some concept drawings for Alice in Wonderland. Blair's paintings moved away from Tenniel's detailed illustrations by taking a modernist stance, using bold and unreal colors. Walt liked Blair's designs, and the script was re-written to focus on comedy, music, and the whimsical side of Carroll's books.

Around this time, Disney considered making a live-action-and-animated version of Alice in Wonderland, similar to his short Alice Comedies, that would star Ginger Rogers and would utilize the recently developed sodium vapor process. Lisa Davis, who later voiced Anita Radcliffe in One Hundred and One Dalmatians, and Luana Patten were also considered for the role of Alice

However, Disney soon realized that he could do justice to the book only by making an all-animated feature, and in 1946 work began on Alice in Wonderland. With the film tentatively scheduled for release in 1950, animation crews on Alice in Wonderland and Cinderella effectively competed against each other to see which film would finish first. By early 1948, Cinderella had progressed further than Alice in Wonderland.

Through various drafts of the script, many sequences that were present in Carroll's book drifted in and out of the story. However, Disney insisted that the scenes themselves keep close to those in the novel since most of its humor is in the writing.

 More information: Alice in Wonderland

One omitted scene from the 1939 treatment of the film occurred outside the Duchess' manor, where the Fish Footman is giving a message to the Frog Footman to take to the Duchess, saying that she is invited to play croquet with the Queen of Hearts. Alice overhears this and sneaks into the kitchen of the manor, where she finds the Duchess' Cook maniacally cooking and the Duchess nursing her baby. The cook is spraying pepper all over the room, causing the Duchess and Alice to sneeze and the baby to cry. After a quick conversation between Alice and the Duchess, the hot-tempered Cook starts throwing pots and pans at the noisy baby. Alice rescues the baby, but as she leaves the house the baby turns into a pig and runs away. The scene was scrapped for pacing reasons.

Another scene that was deleted from a later draft occurred in Tulgey Wood, where Alice encountered what appeared to be a sinister-looking Jabberwock hiding in the dark, before revealing himself as a comical-looking dragon-like beast with bells and factory whistles on his head.

A song, Beware the Jabberwock, was also written. However, the scene was scrapped in favor of The Walrus and the Carpenter poem. Out of a desire to keep the Jabberwocky poem in the film, it was made to replace an original song for the Cheshire Cat, I'm Odd. 

Alice in Wonderland, 1951
Another deleted scene in Tulgey Wood shows Alice consulting with The White Knight, who was meant to be somewhat a caricature of Walt Disney. Although Disney liked the scene, he felt it was better if Alice learned her lesson by herself, hence the song Very Good Advice. Other characters, such as The Mock Turtle and the Gryphon were discarded for pacing reasons.

In an effort to retain some of Carroll's imaginative poems, Disney commissioned top songwriters to compose songs built around them for use in the film. Over 30 potential songs were written, and many of them were included in the film -some for only a few seconds- the greatest number of songs of any Disney film.

In 1939, Frank Churchill was assigned to compose songs, and they were accompanied by a story reel featuring artwork from David S. Hall. Although none of his songs were used in the finished film, the melody for Lobster Quadrille was used for the song Never Smile at a Crocodile in Peter Pan.

When work on Alice resumed in 1946, Tin Pan Alley songwriters Mack David, Al Hoffman and Jerry Livingston began composing songs for it after working on Cinderella. However, the only song by the trio that made it into the film was The Unbirthday Song.

While he was composing songs in New York, Sammy Fain had heard that the Disney studios wanted him to compose songs for Alice in Wonderland. He also suggested lyricist Bob Hilliard as his collaborator. The two wrote two unused songs for the film, Beyond the Laughing Sky and I'm Odd. The music for the former song was kept but the lyrics were changed, and it later became the title song for Peter Pan, The Second Star to the Right. By April 1950, Cahn and Hilliard had finished composing songs for the film.

More information: Animation Screen Caps

The title song, composed by Sammy Fain, has become a jazz standard, adapted by jazz pianist Dave Brubeck in 1952 and included on his 1957 Columbia album Dave Digs Disney.

The song, In a World of My Own, is included on the orange disc of Classic Disney: 60 Years of Musical Magic.

The film soundtrack was first released on LP record on July 28, 1951. The soundtrack was re-released on Audio CD by Walt Disney Records on February 3, 1998.

All tracks written by Sammy Fain, Bob Hilliard, Mack David, Al Hoffman, Jerry Livingston, Oliver Wallace, Ted Sears, Gene de Paul, and Don Raye.

Alice in Wonderland premiered at the Leicester Square Theatre in London on July 26, 1951.

During the film's initial theatrical run, the film was released as a double feature with the True-Life Adventures documentary short, Nature's Half Acre. Following the film's initial lukewarm reception, it was never re-released theatrically in Disney's lifetime, instead being shown occasionally on television. Alice in Wonderland aired as the second episode of the Walt Disney's Disneyland television series on ABC on November 3, 1954, in a severely edited version cut down to less than an hour.

Beginning in 1971, the film was screened in several sold-out venues at college campuses, becoming the most rented film in some cities. Then, in 1974, Disney gave Alice in Wonderland its first theatrical re-release.

The company even promoted it as a film in tune with the psychedelic times, using radio commercials featuring the song White Rabbit performed by Jefferson Airplane. This release was so successful that it warranted a subsequent re-release in 1981. Its first UK re-release was on July 26, 1979.



 If you don't know where you are going, 
any road will get you there.
 
Lewis Carroll

Sunday, 27 January 2019

CHARLES LUTWIDGE DODGSON A.K.A. LEWIS CARROLL

Lewis Carroll
Today, The Grandma is at home resting and preparing new exciting ideas for this year. She is working very hard in some interesting projects that she is going to explain in her blog.

Tomorrow, The Grandma is going to welcome a new member of her adventures, Jordi Santanyí, a magnificent writer who she has known in Palma. Jordi Santanyí is the character who is going to talk to you about Literature and Writing since tomorrow.

After an exciting night of Mallorcan culture, The Grandma has decided to not going out and stay at home reading interesting books like Alice's Adventures in Wonderland, a masterpiece written by Lewis Carroll an amazing author who was born on a day like today in 1832.

Before reading about Carroll, The Grandma has studied a new lesson of her Elementary Language Practice manual (Vocabulary 9).

More information: Vocabulary 9-Animals

Charles Lutwidge Dodgson (27 January 1832-14 January 1898), better known by his pen name Lewis Carroll, was an English writer of world-famous children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. He was noted for his facility at word play, logic and fantasy.

The poems Jabberwocky and The Hunting of the Snark are classified in the genre of literary nonsense. He was also a mathematician, photographer, and Anglican deacon.

More information: The British Library

Carroll came from a family of high church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this.

Charles Lutwidge Dodgson a.k.a. Lewis Carroll
Dodgson's family was predominantly northern English, with Irish connections, conservative and high church Anglican. Most of Dodgson's male ancestors were army officers or Church of England clergy. His great-grandfather, also named Charles Dodgson, had risen through the ranks of the church to become the Bishop of Elphin. His paternal grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803 when his two sons were hardly more than babies. The older of these sons –yet another Charles Dodgson– was Carroll's father.

He went to Westminster School and then to Christ Church, Oxford. He reverted to the other family tradition and took holy orders. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. Instead, he married his first cousin Frances Jane Lutwidge in 1830 and became a country parson.

Dodgson was born in the small parsonage at Daresbury in Cheshire near the towns of Warrington and Runcorn, the eldest boy but already the third child. Eight more children followed. When Charles was 11, his father was given the living of Croft-on-Tees in North Yorkshire, and the whole family moved to the spacious rectory. This remained their home for the next 25 years.

More information: Oxford Dictionaries

Charles's father was an active and highly conservative cleric of the Church of England who later became the Archdeacon of Richmond and involved himself, sometimes influentially, in the intense religious disputes that were dividing the church. He was high church, inclining toward Anglo-Catholicism, an admirer of John Henry Newman and the Tractarian movement, and did his best to instil such views in his children. Young Charles was to develop an ambiguous relationship with his father's values and with the Church of England as a whole.

In 1846, Dodgson entered Rugby School where he was evidently unhappy. He left Rugby at the end of 1849 and matriculated at the University of Oxford in May 1850 as a member of his father's old college, Christ Church. After waiting for rooms in college to become available, he went into residence in January 1851. He had been at Oxford only two days when he received a summons home. His mother had died of inflammation of the brain –perhaps meningitis or a stroke– at the age of 47.

First Edition of Alice's Adventures in Wonderland
His early academic career veered between high promise and irresistible distraction. He did not always work hard but was exceptionally gifted and achievement came easily to him.

In 1852, he obtained first-class honours in Mathematics Moderations and was shortly thereafter nominated to a Studentship by his father's old friend Canon Edward Pusey.

In 1854, he obtained first-class honours in the Final Honours School of Mathematics, standing first on the list, graduating Bachelor of Arts. He remained at Christ Church studying and teaching, but the next year he failed an important scholarship through his self-confessed inability to apply himself to study. Even so, his talent as a mathematician won him the Christ Church Mathematical Lectureship in 1855, which he continued to hold for the next 26 years.

More information: BBC

Despite early unhappiness, Dodgson was to remain at Christ Church, in various capacities, until his death, including that of Sub-Librarian of the Christ Church library, where his office was close to the Deanery, where Alice Liddell lived.

From a young age, Dodgson wrote poetry and short stories, contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success.

Between 1854 and 1856, his work appeared in the national publications The Comic Times and The Train, as well as smaller magazines such as the Whitby Gazette and the Oxford Critic

Lewis Carroll
Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. I do not think I have yet written anything worthy of real publication, but I do not despair of doing so some day, he wrote in July 1855. Sometime after 1850, he did write puppet plays for his siblings' entertainment, of which one has survived: La Guida di Bragia.

In 1856, he published his first piece of work under the name that would make him famous. A romantic poem called Solitude"appeared in The Train under the authorship of Lewis Carroll. This pseudonym was a play on his real name: Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which comes the name Charles.

The transition went as follows: Charles Lutwidge translated into Latin as Carolus Ludovicus. This was then translated back into English as Carroll Lewis and then reversed to make Lewis Carroll.

More information: The Guardian

Dodgson's existence remained little changed over the last twenty years of his life, despite his growing wealth and fame. He continued to teach at Christ Church until 1881 and remained in residence there until his death. The two volumes of his last novel, Sylvie and Bruno, were published in 1889 and 1893, but the intricacy of this work was apparently not appreciated by contemporary readers; it achieved nothing like the success of the Alice books, with disappointing reviews and sales of only 13,000 copies.

The only known occasion on which he travelled abroad was a trip to Russia in 1867 as an ecclesiastic, together with the Reverend Henry Liddon. He recounts the travel in his Russian Journal, which was first commercially published in 1935. On his way to Russia and back, he also saw different cities in Belgium, Germany, partitioned Poland, and France.

He died of pneumonia following influenza on 14 January 1898 at his sisters' home, The Chestnuts, in Guildford. He was two weeks away from turning 66 years old. His funeral was held at the nearby St Mary's Church. He is buried in Guildford at the Mount Cemetery.



If you don't know where you are going, 
any road will get you there.

Lewis Carroll