Tuesday 4 February 2020

PATRICIA HIGHSMITH, THE PSYCHOLOGICAL THRILLERS

Patricia Highsmith
Today, The Grandma has received the wonderful visit of Jordi Santanyí, one of her closest friends. Jordi loves literature and they have been talking about Patricia Highsmith, the American novelist and short story writer who was born on a day like today in 1921.

Highsmith wrote amazing novels like Strangers on a Train and The Talented Mr. Ripley. Although The Grandma admits the quality of Highsmith's novels, she prefers to remember her by her professional career, not her life that was full of contradictions and non senses.

Patricia Highsmith (January 19, 1921-February 4, 1995) was an American novelist and short story writer best known for her psychological thrillers, including her series of five novels featuring the character Tom Ripley. She wrote 22 novels and numerous short stories throughout her career spanning nearly five decades, and her work has led to more than two dozen film adaptations. Her writing derived influence from existentialist literature, and questioned notions of identity and popular morality. She was dubbed the poet of apprehension by novelist Graham Greene.

More information: Choose Your Highsmith

Her first novel, Strangers on a Train, has been adapted for stage and screen numerous times, notably by Alfred Hitchcock in 1951. Her 1955 novel The Talented Mr. Ripley has been adapted numerous times for film, theatre, and radio.

Writing under the pseudonym Claire Morgan, Highsmith published the first lesbian novel with a happy ending, The Price of Salt, in 1952, republished 38 years later as Carol under her own name and later adapted into a 2015 film.
Highsmith was born Mary Patricia Plangman in Fort Worth, Texas. She was the only child of artists Jay Bernard Plangman (1889–1975), who was of German descent, and Mary Plangman. The couple divorced ten days before their daughter's birth.

Patricia Highsmith
In 1927, Highsmith, her mother and her adoptive stepfather, artist Stanley Highsmith, whom her mother had married in 1924, moved to New York City.

When she was 12 years old, Highsmith was sent to Fort Worth and lived with her grandmother for a year. She called this the saddest year of her life and felt abandoned by her mother. She returned to New York to continue living with her mother and stepfather, primarily in Manhattan, but also in Astoria, Queens.

Many of Highsmith's 22 novels were set in Greenwich Village, where she lived at 48 Grove Street from 1940 to 1942, before moving to 345 E. 57th Street. In 1942, Highsmith graduated from Barnard College, where she studied English composition, playwriting, and short story prose.

After graduating from college, and despite endorsements from highly placed professionals, she applied without success for a job at publications such as Harper's Bazaar, Vogue, Mademoiselle, Good Housekeeping, Time, Fortune, and The New Yorker.

Based on the recommendation from Truman Capote, Highsmith was accepted by the Yaddo artist's retreat during the summer of 1948, where she worked on her first novel, Strangers on a Train.

More information: Book Marks

Patricia Highsmith, aged 74, died on February 4, 1995, from a combination of aplastic anemia and lung cancer at Carita hospital in Locarno, Switzerland, near the village where she had lived since 1982. She was cremated at the cemetery in Bellinzona; a memorial service was conducted in the Chiesa di Tegna in Tegna, Ticino, Switzerland; and her ashes were interred in its columbarium.

She left her estate, worth an estimated $3 million, and the promise of any future royalties to the Yaddo colony, where she spent two months in 1948 writing the draft of Strangers on a Train. Highsmith bequeathed her literary estate to the Swiss Literary Archives at the Swiss National Library in Bern, Switzerland. Her Swiss publisher, Diogenes Verlag, was appointed literary executor of the estate.

Patricia Highsmith
Highsmith was a resolute atheist. Although she considered herself a liberal, and in her school years had got along with Black students, in later years she became convinced that Blacks were responsible for the welfare crisis in America. She disliked Koreans because they ate dogs.

Highsmith was an active supporter of Palestinian rights, a stance which, according to Carol screenwriter Phyllis Nagy, often teetered into outright antisemitism. When she was living in Switzerland in the 1980s, she used nearly 40 aliases when writing to various government bodies and newspapers deploring the state of Israel and the influence of the Jews. Nevertheless, many of the women she became romantically involved with as well as friends she valued were Jewish, such as Arthur Koestler, whom she met in October 1950 and with whom she had an unsuccessful affair designed to hide her homosexuality, believing that Marc Brandel's disclosure that she was homosexual would hurt her professionally. Moreover, Saul Bellow, also Jewish, was a favorite author.

Highsmith described herself as a social democrat. She believed in American democratic ideals and in the promise of U.S. history, but she was also highly critical of the reality of the country's 20th-century culture and foreign policy. Tales of Natural and Unnatural Catastrophes, her 1987 anthology of short stories, was notoriously anti-American, and she often cast her homeland in a deeply unflattering light. Beginning in 1963, she resided exclusively in Europe. She retained her United States citizenship, despite the tax penalties, of which she complained bitterly while living for many years in France and Switzerland.

More information: Los Angeles Times

In 1955, Highsmith wrote The Talented Mr. Ripley, a novel about Tom Ripley, a charming criminal who murders a rich man and steals his identity. Highsmith wrote four sequels: Ripley Under Ground (1970), Ripley's Game (1974), The Boy Who Followed Ripley (1980) and Ripley Under Water (1991), about Ripley's exploits as a con artist and serial killer who always gets away with his crimes. The series -collectively dubbed The Ripliad- are some of Highsmith's most popular works and have sold millions of copies worldwide.

The suave, agreeable and utterly amoral Ripley is Highsmith's most famous character, and has been critically acclaimed for being both a likable character and a cold-blooded killer. He has typically been regarded as cultivated, a dapper sociopath, and an agreeable and urbane psychopath.

More information: Mental Floss

Sam Jordison of The Guardian wrote, It is near impossible, I would say, not to root for Tom Ripley. Not to like him. Not, on some level, to want him to win. Patricia Highsmith does a fine job of ensuring he wheedles his way into our sympathies."

Film critic Roger Ebert made a similar appraisal of the character in his review of Purple Noon, Rene Clement's 1960 film adaptation of The Talented Mr. Ripley: Ripley is a criminal of intelligence and cunning who gets away with murder. He's charming and literate, and a monster. It's insidious, the way Highsmith seduces us into identifying with him and sharing his selfishness; Ripley believes that getting his own way is worth whatever price anyone else might have to pay. We all have a little of that in us. Novelist Sarah Waters esteemed The Talented Mr. Ripley as the one book I wish I'd written.



I can't write if someone else is in the house,
not even the cleaning woman.

Patricia Highsmith

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