Showing posts with label Titanic. Show all posts
Showing posts with label Titanic. Show all posts

Tuesday, 14 November 2023

1997, MY HEART WILL GO ON BY CÉLINE DION IS RELEASED

Today, The Grandma has been listening to one of the most popular songs sung by Céline Dion, My Heart Will Go On included in the album Let's talk about love, that was released on a day like today in 1997.

My Heart Will Go On is a song recorded by Celine Dion as the theme for the film Titanic

It was composed by James Horner, with lyrics by Will Jennings. It was produced by Horner, Walter Afanasieff and Simon Franglen. My Heart Will Go On was released as a single internationally by Columbia and Epic on November 24, 1997, and was included on Dion's fifth English-language album, Let's Talk About Love (1997), released ten days before, and the Titanic soundtrack.

Horner composed the basis of My Heart Will Go On as a motif used in the film soundtrack, and suggested developing it into a song. The Titanic director, James Cameron, resisted, as he felt a pop song would be inappropriate for the film, but agreed to use it after hearing the demo. The final version was arranged by Afanasieff.

My Heart Will Go On is considered Dion's signature song. The song topped the charts in more than twenty-five countries. With worldwide sales estimated at over 18 million copies, it is the second-best-selling single by a woman in music history, and one of the best-selling singles of all time. It was also the world's best-selling single of 1998.

It was included in the list of Songs of the Century by the Recording Industry Association of America and the National Endowment for the Arts. The music video was directed by Bille Woodruff and released at the end of 1997. Dion performed the song to honour the 20th anniversary of the film at the 2017 Billboard Music Awards.

Before the release of the film Titanic, studio executives were worried that it would be a commercial failure. Sony had paid $800,000 for the rights to the soundtrack album and were hoping it would include a theme song. However, the director, James Cameron, did not want to end Titanic with a pop song, feeling it would be inappropriate.

James Horner initially composed the music for My Heart Will Go On as an instrumental motif for the film soundtrack. Wanting to prepare a vocal version to use during the end credits, he enlisted the lyricist Will Jennings, who wrote the lyrics from the point of view of a person of a great age looking back so many years.

More information: American Songwriter

Originally intended for the Norwegian singer Sissel Kyrkjebø, the song was given to Céline Dion instead. Simon Franglen, who was working with Horner on electronic textures and synthesizers for the film score, suggested Dion, with whom he had worked on many of her hits. Dion initially did not want to record it, as she had already recorded the film songs Beauty and the Beast and Because You Loved Me. However, her husband and producer, René Angélil, convinced her to record a demo.

Horner waited until Cameron was in an appropriate mood before presenting him with the demo. After listening several times, Cameron approved it, but worried that he might be criticized for "going commercial at the end of the movie". Cameron also wanted to appease the anxious studio executives and saw that a hit song from his movie could only be a positive factor in guaranteeing its completion.

The producer Walter Afanasieff was not impressed with the demo, finding it meandering and dreary, but agreed to arrange and produce the studio version. He replaced every part of Horner's demo, and was upset that Horner was given a co-producer credit.

The song is written in the key of E major. The verses follow the chord progression of E-Bsus4-Aadd9-E-B. The chorus has the chord progression of C♯m-B-A-B. The song modulates to A-flat major. It contains heavy emphasis on the instrumental arranging. Usage of Tin Whistle is prominent, backed by melodic use of strings and rhythm guitars. The song features both acoustic and electronic instrumentation. Dion's vocal performance is described as emotional and demanding by Pandora Radio.

The Norwegian singer Sissel Kyrkjebø was scheduled to record the song for the film in 1997, but Dion's vocals were preferred due to Horner's decision to support Dion's career.

In a December 2014 interview, Horner quotes: When I had completed the Titanic film, I had to decide for Céline Dion or Sissel's vocals. Sissel I am very close, while Céline I had known since she was 18, and I had already written three film songs for her. But that was before Céline was known and filmmakers and marketing people had not done what they should have done for Céline and her songs. So I felt I owed her a Titanic chance, but I could still have used Sissel there.

Instead, Kyrkjebø completed much of the score for the soundtrack album, Titanic: Music from the Motion Picture. Dion accepted to sing a demo for the film, despite being initially hesitant to record as she had already done three film songs earlier. Years later, Horner chose Kyrkjebø to perform My Heart Will Go On on both world premieres of Titanic 3D (2012) and Titanic Live (2015).

More information: The Crimson


 You're here, there's nothing I fear
And I know that my heart will go on
We'll stay forever this way
You are safe in my heart and
My heart will go on and on

Sissel Kyrkjebø / Céline Dion

Sunday, 28 June 2020

KATHY D. BATES, THE GREATEST ROLES IN TERROR CINEMA

Kathy Bates
Today, The Grandma has been at home resting and watching TV. She has wanted to pay tribute to one of her favourite actresses, Kathy Bates, who was born on a day like today in 1948.

The Grandma loves mystery and terror films and Kathy Bates has played some of the best roles of these genres in cinema and television. Dolores Claiborne, Misery or American Horror Story are great examples of it.

Kathleen Doyle Bates (born June 28, 1948) is an American actress and director. She is the recipient of numerous accolades, including an Academy Award, two Primetime Emmy Awards, and two Golden Globe Awards.

Born in Memphis, Tennessee, she studied theatre at the Southern Methodist University before moving to New York City to pursue an acting career. She landed minor stage roles before being cast in her first on screen role in Taking Off (1971). Her first Off-Broadway stage performance was in the 1976 production of Vanities.

Throughout the 1970s and early 1980s, she continued to perform on screen and on stage, and garnered a Tony Award nomination for Best Lead Actress in a Play in 1983 for her performance in night, Mother, and won an Obie Award in 1988 for her performance in Frankie and Johnny in the Clair de Lune.

Bates' performance as Annie Wilkes in the horror film Misery (1990), marked her Hollywood breakthrough, winning her the Academy Award for Best Actress.

More information: Twitter-Kathy Bates

Further acclaim came for her starring role in Dolores Claiborne (1995), The Waterboy (1998), and supporting roles in Fried Green Tomatoes (1991) and Titanic (1997); the latter, in which she portrayed Molly Brown, became the highest-grossing film to that point.

Bates received nominations for the Academy Award for Best Supporting Actress for her work in Primary Colors (1998), About Schmidt (2002), and Richard Jewell (2019).

Bates' television work has resulted in 14 Emmy Award nominations, including two for her leading role on the NBC series Harry's Law (2011–12).

She won the Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series for her appearance on the ninth season of Two and a Half Men (2012) and the Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for her portrayal of Delphine LaLaurie on the third season of American Horror Story (2014). She also received accolades for her portrayal of Miss Hannigan in the 1999 television adaptation of Annie.

Kathy Bates, Misery (1990)
Her directing credits include several episodes of the HBO television series Six Feet Under (2001–03) and the television film Ambulance Girl (2005).

Bates was born in Memphis, Tennessee. Her great-great-grandfather was an Irish emigrant to New Orleans, Louisiana, who served as President Andrew Jackson's doctor. She graduated early from White Station High School (1965) and from Southern Methodist University (1969), where she studied theatre and became a member of the Alpha Delta Pi sorority. She moved to New York City in 1970 to pursue an acting career.

After moving to New York City, Bates worked several odd jobs as well as minor stage roles while struggling to find work as an actress. At one point, she worked as a cashier at the Museum of Modern Art.

In 1971, Bates was cast in a minor role in the Miloš Forman comedy Taking Off, her first on screen role in a feature film.

After Taking Off was released, Bates didn't work on another feature film until she appeared opposite Dustin Hoffman in Straight Time (1978). Throughout the 1970s, she continued to perform on stage. Her first Off-Broadway performance was in the 1976 production of Vanities. During this time, she also began working in television, starring in a variety of soap operas such as The Doctors, All My Children, and One Life to Live.

More information: Reader's Digest

Bates' performance in the 1990 horror film Misery, based on the book of the same name by Stephen King, marked her Hollywood breakthrough. The film was a commercial and critical success and her performance as Annie Wilkes was met with widespread critical adulation.

The following year, she won the Academy Award for Best Actress and the Golden Globe Award for Best Actress-Motion Picture Drama. The American Film Institute included Annie Wilkes, as played by Bates, in their 100 Heroes and Villains list, ranking her as the 17th most iconic villain and sixth most iconic villainess in film history.

Kathy Bates, Fried Green Tomatoes (1991)
Soon after, she starred in the acclaimed 1991 film Fried Green Tomatoes, based on the novel by comedic actress Fannie Flagg. For her performance in this film, she received a BAFTA Award nomination.

In 1995, Bates played the title character in Dolores Claiborne, another well-received Stephen King adaptation, for which she was nominated for Best Actress at the 22nd Saturn Awards. Bates began working behind the screen as well, as a director, on several television series.

In 1996, Bates received her first Emmy Award nomination for Outstanding Supporting Actress in a Miniseries or a Movie, for her performance as Jay Leno's manager Helen Kushnick in HBO's The Late Shift (1996). That role also earned Bates her second Golden Globe Award win in the category of Best Supporting Actress-Series, Miniseries or Television Film and her first Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie. During this time, she also appeared frequently on television.

More information: Interview Magazine

In 2012, Bates made a guest appearance on Two and a Half Men as the ghost of Charlie Harper on the episode Why We Gave Up Women, which aired on April 30, 2012. This guest appearance resulted in Bates winning her first Emmy Award, in the category of Outstanding Guest Actress in a Comedy Series, following nine nominations.

In 2013, she began starring in the American Horror Story series' third season, Coven, as Delphine LaLaurie, an immortal racist who is brought back into the modern world after spending years buried alive. For that role, she won her second Emmy Award, in the category of Outstanding Supporting Actress in a Miniseries or a Movie. Bates claimed that Ryan Murphy, the creator of the series, resurrected her career.

Kathy Bates, American Horror Story (2011)
Bates returned for the fourth season of American Horror Story, Freak Show, this time as Ethel Darling, a bearded lady who performs in a freak show.

She subsequently returned again for the fifth season, Hotel, where she played Iris, the hotel's hateful manager.

Bates returned for her fourth, and the show's sixth season, Roanoke, playing two characters-Thomasin The Butcher White and Agnes Mary Winstead. She received further Emmy Award nominations for each season.

On September 20, 2016, Bates received a star on the Hollywood Walk of Fame for her work in the film industry. Her star is located at 6927 Hollywood Boulevard.

More information: People

In 2017, Bates starred in the Netflix television series Disjointed, in which she played the character of Ruth Whitefeather Feldman, an owner of a California medical marijuana dispensary. The show aired for two seasons.

In 2018, she appeared in two films: in Xavier Dolan's critically panned arthouse film The Death and Life of John F. Donovan and as political activist Dorothy Kenyon in the Ruth Bader Ginsburg biopic On the Basis of Sex. That year, she also guest-starred in the finale of the 11th season of The Big Bang Theory.

In 2019, Bates portrayed American politician Miriam A. Ferguson in the Netflix film The Highwaymen. She also appeared in the Clint Eastwood film Richard Jewell, playing the mother of the title individual, for which she was nominated for a Best Supporting Actress Golden Globe as well as her fourth Academy Award nomination, also in the Best Supporting Actress category.

More information: The Guardian


 I try to always stretch myself to fit
the characters that have been presented.

Kathy Bates

Tuesday, 28 February 2017

FORCES OF NATURE: ICEBERGS & VOLCANOES

Titanic
Today, The Bonds are still in Canary Islands. After climbing up Teide Mount, they have flown over Hierro Island to see the sea volcanoes and they have arrived to La Gomera to visit the Guanche Community

The family has revised some English grammar like Past Perfect vs. Past Simple, Present Perfect vs. Past Simple and Present and Past Perfect Continuous

After offering new prizes to the Queens of Carnival, David and Pedro Bond, the family has listened a beautiful and sad Mariona Bond's story about Paris and the Tour Eiffel and Noemí Bond has talked about innovation, resilience, creativity and imagination with the Barcelona Mobile World Congress and Steve Jobs like examples.


Finally, the family has read a new chapter of Mary Shelley's Frankenstein and they have been talking about the story of Titanic, a story of power against nature and about the broken dreams of the Irish immigration.


Failure saves lives. In the airline industry, every time a plane crashes the probability of the next crash is lowered by that. 
The Titanic saved lives because we're building bigger and bigger ships. So these people died, but we have effectively improved the safety of the system, and nothing failed in vain. 

Nassim Nicholas Taleb