Showing posts with label The Ghost of Canterville. Show all posts
Showing posts with label The Ghost of Canterville. Show all posts

Monday, 15 April 2024

QUIDDITCH, FLYING BETWEEN BROOMSTICKS AND BALLS

Today The Fosters & The Grandma have been invited to watch a quidditch match between Gryffindor and Slytherin. They have enjoyed a lot discovering this interesting game and learning its rules. Harry Potter (Gryffindor) is one of the best seekers and Draco Malfoy is his great rival (Slytherin).
 
Before this, they have been reading a new chapter of Oscar Wilde's The Ghost of Canterville.

Quidditch is a fictional sport invented by author J. K. Rowling for her fantasy book series Harry Potter. It is a dangerous but popular sport played by witches and wizards riding flying broomsticks. Matches are played on a large oval pitch with three ring-shaped goals of different heights on each side, between two opposing teams of seven players each: three Chasers, two Beaters, the Keeper, and the Seeker. There are three different balls: the Quaffle, the two Bludgers, and the Golden Snitch.

The Chasers and the Keeper respectively score with and defend the goals against the Quaffle; the two Beaters bat the Bludgers away from their teammates and towards their opponents; and the Seeker locates and catches the Golden Snitch, whose capture simultaneously wins the Seeker's team 150 points and ends the game. The team with the most points at the end wins.

Harry Potter plays as Seeker for his house team at Hogwarts. Regional and international Quidditch competitions are mentioned throughout the series. Aspects of the sport's history are revealed in Quidditch Through the Ages, published by J. K. Rowling in 2001 to benefit Comic Relief.

A real-life version of the game has been created, in which the players use brooms, but run instead of flying.

Rowling came up with the sport in a Manchester hotel room after a row with her then-boyfriend. She explained: I had been pondering the things that hold a society together, cause it to congregate and signify its particular character and knew I needed a sport.

Rowling claims that the word Quidditch is not derived from any particular etymological root, but was the result of filling five pages of a notebook with different words beginning with Q.

The final Quidditch scene in the books appears in Harry Potter and the Half-Blood Prince. Rowling experienced fiendish glee writing this scene, which features memorable commentary by Luna Lovegood.
 
More information: Wizarding World
 
In 2014 Rowling started publishing a series of match reports from the Quidditch World Cup on Pottermore, culminating in a short story about the final featuring the return of Harry, Ron, Hermione and their friends as adults. This generated interest from several media outlets, as it was the first new writing about the Harry Potter characters since the end of the series in 2007.

Quidditch is introduced in Harry Potter and the Philosopher's Stone, and is a regularly recurring feature throughout the first six books. It is depicted as being played by both professionals as in tournaments like the Quidditch World Cup and amateurs.

A major motif of five of the Harry Potter books is the competition among the four Hogwarts houses for the Quidditch Cup each school year; in particular, the rivalry between Gryffindor and Slytherin.

Quidditch matches are played over an oval-shaped pitch, with a scoring area at each end consisting of three hooped goal posts, each at a different height. Each team is made up of seven players, consisting of three Chasers, two Beaters, one Keeper and one Seeker. The job of the Chasers is to keep possession of the scarlet Quaffle, a leather ball passed between players.

They must attempt to score goals worth 10 points by throwing it through one of the opponents' three hoops. These hoops are defended by the opposing team's Keeper, who ideally tries to block their goals. Meanwhile, players of both teams are attacked indiscriminately by the two Bludgers. These are round, jet-black balls made of iron that fly around violently trying to knock players off their brooms. It is the Beaters' job to defend their teammates from the Bludgers; they carry short wooden clubs, which they use to knock the Bludgers away from their teammates and/or toward the opposing team.

Finally, the role of the Seeker is to catch the Golden Snitch. This is a small golden ball the approximate size of a walnut. The winged Snitch is enchanted to hover, dart, and fly around the pitch, avoiding capture while remaining within the boundaries of the playing area.

Catching the Snitch ends the game and scores the successful Seeker's team 150 points. As the team with the most points wins, this often guarantees victory for the successful Seeker's team. A notable exception is when Bulgaria Seeker Viktor Krum catches the Snitch for Bulgaria during the World Cup Final in Goblet of Fire, while his team are still 160 points behind Ireland their opponents, thus making his own team lose by only 10 points.

Magical flying broomsticks are one of the forms of transportation for wizards and witches, as well as being used for playing Quidditch.

The three most prominent broomsticks in the books are the Nimbus 2000, Nimbus 2001, and the Firebolt, both of which have been produced as merchandise by Warner Bros.
 
The Nimbus is introduced as one of the best broomsticks in the wizarding world. Harry receives a Nimbus 2000 in Philosopher's Stone so that he can play for Gryffindor house.

Lucius Malfoy buys a full set of the more advanced Nimbus 2001s for the Slytherin team as a bribe, so they would choose his son Draco as Seeker the following year.

The Firebolt later supersedes the Nimbus as the fastest and one of the most expensive racing brooms in existence. Harry receives a Firebolt model from his godfather, Sirius Black, after his Nimbus 2000 is destroyed during a Quidditch match in Prisoner of Azkaban.
 
More information: Harry Potter Fandom

In Goblet of Fire, Harry uses his Firebolt to escape the Hungarian Horntail, a dragon, during the Triwizard Tournament.

In the real world, the word Quidditch, long predating Harry Potter, occurs in some English placenames, and seems to come from Anglo-Saxon cwǣð-dīc = mud-ditch.

A street in Lower Cambourne, Cambridgeshire, England is named Quidditch Lane, supposedly after a type of nearby dry ditch called a Quidditch. Fans have been known to visit the area.

In November 2014, a plaque appeared outside the entrance of Bristol Children's Hospital attesting that the famous hooped sculptures which stand in front of the paediatric institution are, in fact, not a 15 m interactive installation inaugurated in 2001, but instead the goalposts used in the 1998 Quidditch World Cup.

In 2017, Quidditch was defined by Oxford Dictionaries, following the inclusion of Muggle in the Third (2003) Edition of the Oxford English Dictionary. Oxford Dictionaries associate editor Charlotte Buxton explained that Quidditch had gained recognition beyond the books, pointing to its existence as a real-life sport.

In 2007 the United States Quidditch Association, back then named the Intercollegiate Quidditch Association or (I.Q.A), was founded to regulate quidditch in the United States and abroad, a very popular sport amongst college students.

Since 2005, many American schools, such as UC Berkeley, have added Quidditch to their list of team sports. The sport has since then spread across more than 25 countries and includes multiple international tournaments, including a World Cup.

In 2012, the International Quidditch Association held the IQA World Cup, then named the IQA Summer Games, as the torch was passing through Oxford, UK for the Summer Olympics.

Gameplay is based on the description in the books, films, and game adaptations, though the sport has been adapted to suit real-world constraints. Quidditch is still evolving to suit safe play for the members of the teams, male and female. Apart from joining teams registered with their national governing body, individuals are also able to become an official certified referee to officiate tournaments and games throughout the year as teams compete to take part in various national and international tournaments. As the oldest national governing body, USQ has hosted a grand total of ten US Quidditch Cups as of 2017.

In the United Kingdom, the Quidditch Premier League is played between 10 teams, split between the North and South divisions. In 2017, West Midlands Revolution won the QPL.
 
More information: Sportsmatik


 He missed Hogwarts so much
it was like having a constant stomachache.
He missed the castle, with its secret passageways
and ghosts, his classes… 
 
 
 ...the mail arriving by owl, eating banquets in the Great Hall,
sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch,
the most popular sport in the wizarding world.
 
J. K. Rowling

Tuesday, 19 March 2024

DAVID ATTENBOROUGH USED TO BE THE VOICE OF THE BBC

Today, The Fosters & The Grandma have flown to London, where they have watched some TV series about animals presented by David Attenborough, the English broadcaster and natural historian.

Before, they have studied Past Simple and Used To Be, and they have read Oscar Wilde's The Ghost of Canterville.

More info: Past Simple (Regular Verbs)

More information: Used To

Sir David Frederick Attenborough, born 8 May 1926, is an English broadcaster and natural historian. He is best known for writing and presenting, in conjunction with the BBC Natural History Unit, the nine natural history documentary series forming the Life collection that together constitute a comprehensive survey of animal and plant life on Earth.

He is a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s. He is the only person to have won BAFTAs for programmes in each of black and white, colour, HD, 3D and 4K.

Attenborough is widely considered a national treasure in Britain, although he himself does not like the term. In 2002 he was named among the 100 Greatest Britons following a UK-wide poll for the BBC. He is the younger brother of the director, producer and actor Richard Attenborough, and older brother of the motor executive John Attenborough.

Attenborough was born in Isleworth, Middlesex, now part of west London, and grew up in College House on the campus of the University College, Leicester, where his father, Frederick, was principal. 

During the Second World War, through a British volunteer network known as the Refugee Children's Movement, his parents also fostered two Jewish refugee girls from Europe. After leaving the Navy, Attenborough took a position editing children's science textbooks for a publishing company. He soon became disillusioned with the work and in 1950 applied for a job as a radio talk producer with the BBC. Although he was rejected for this job, his CV later attracted the interest of Mary Adams, head of the Talks department of the BBC's fledgling television service.

Attenborough's association with natural history programmes began when he produced and presented the three-part series Animal Patterns. The studio-bound programme featured animals from London Zoo, with the naturalist Julian Huxley discussing their use of camouflage, aposematism and courtship displays.

More information: BBC

Through this programme, Attenborough met Jack Lester, the curator of the zoo's reptile house, and they decided to make a series about an animal-collecting expedition. The result was Zoo Quest, first broadcast in 1954, where Attenborough became the presenter at short notice due to Lester being taken ill.

In 1957, the BBC Natural History Unit was formally established in Bristol. Attenborough was asked to join it, but declined, not wishing to move from London where he and his young family were settled. Instead, he formed his own department, the Travel and Exploration Unit, which allowed him to continue to front Zoo Quest as well as produce other documentaries, notably the Travellers' Tales and Adventure series.

In the early 1960s, Attenborough resigned from the permanent staff of the BBC to study for a postgraduate degree in social anthropology at the London School of Economics, interweaving his study with further filming.

Attenborough became the controller of BBC Two in March 1965, but had a clause inserted in his contract that would allow him to continue making programmes on an occasional basis. Later the same year he filmed elephants in Tanzania, and in 1969 he made a three-part series on the cultural history of the Indonesian island of Bali.

For the 1971 film A Blank on the Map, he joined the first Western expedition to a remote highland valley in New Guinea to seek out a lost tribe.

More information: Vox

One of his most significant decisions was to order a 13-part series on the history of Western art, to show off the quality of the new UHF colour television service that BBC Two offered. Broadcast to universal acclaim in 1969, Civilisation set the blueprint for landmark authored documentaries, which were informally known as tombstone or sledgehammer projects.

Attenborough thought that the story of evolution would be a natural subject for such a series. He shared his idea with Chris Parsons, a producer at the Natural History Unit, who came up with the title Life on Earth and returned to Bristol to start planning the series.

Attenborough harboured a strong desire to present the series himself, but this would not be possible so long as he remained in a management post.

After his resignation, Attenborough became a freelance broadcaster and immediately started work on his next project, a pre-arranged trip to Indonesia with a crew from the Natural History Unit.

It resulted in the 1973 series Eastwards with Attenborough, which was similar in tone to the earlier Zoo Quest but without the animal-collecting element. After his return, he began to work on the scripts for Life on Earth. Due to the scale of his ambition, the BBC decided to partner with an American network to secure the necessary funding. While the negotiations were proceeding, he worked on a number of other television projects. He presented a series on tribal art (The Tribal Eye, 1975) and another on the voyages of discovery (The Explorers, 1975).

He also presented a BBC children's series about cryptozoology entitled Fabulous Animals (1975), which featured mythical creatures such as the griffin and kraken. Eventually the BBC signed a co-production deal with Turner Broadcasting and Life on Earth moved into production in 1976.

More information: The Guardian

Beginning with Life on Earth in 1979, Attenborough set about creating a body of work which became a benchmark of quality in wildlife film-making and influenced a generation of documentary film-makers. The series also established many of the hallmarks of the BBC's natural history output.

By treating his subject seriously and researching the latest discoveries, Attenborough and his production team gained the trust of scientists, who responded by allowing him to feature their subjects in his programmes. In Rwanda, for example, Attenborough and his crew were granted privileged access to film Dian Fossey's research group of mountain gorillas.

The success of Life on Earth prompted the BBC to consider a follow-up, and five years later, The Living Planet was screened.

This time, Attenborough built his series around the theme of ecology, the adaptations of living things to their environment. It was another critical and commercial success, generating huge international sales for the BBC.

In 1990, The Trials of Life completed the original Life trilogy, looking at animal behaviour through the different stages of life. The series drew strong reactions from the viewing public for its sequences of killer whales hunting sea lions on a Patagonian beach and chimpanzees hunting and violently killing a colobus monkey.

In the 1990s, Attenborough continued to use the Life title for a succession of authored documentaries. In 1993, he presented Life in the Freezer, the first television series to survey the natural history of Antarctica. Although past normal retirement age, he then embarked on a number of more specialised surveys of the natural world, beginning with plants. They proved a difficult subject for his producers, who had to deliver five hours of television featuring what are essentially immobile objects. The result, The Private Life of Plants (1995), showed plants as dynamic organisms by using time-lapse photography to speed up their growth.

More information: Time

Prompted by an enthusiastic ornithologist at the BBC Natural History Unit, Attenborough then turned his attention to the animal kingdom and in particular, birds. 

As he was neither an obsessive twitcher nor a bird expert, he decided he was better qualified to make The Life of Birds (1998) on the theme of behaviour. The documentary series won a Peabody Award the following year. The order of the remaining Life series was dictated by developments in camera technology.

For The Life of Mammals (2002), low-light and infrared cameras were deployed to reveal the behaviour of nocturnal mammals.

The series contains a number of memorable two shots of Attenborough and his subjects, which included chimpanzees, a blue whale and a grizzly bear. Advances in macro photography made it possible to capture natural behaviour of very small creatures for the first time, and in 2005, Life in the Undergrowth introduced audiences to the world of invertebrates.

At this point, Attenborough realised that he had spent 20 years unconsciously assembling a collection of programmes on all the major groups of terrestrial animals and plants – only reptiles and amphibians were missing. When Life in Cold Blood was broadcast in 2008, he had the satisfaction of completing the set, brought together in a DVD encyclopaedia called Life on Land.

More information: Spiegel

Attenborough narrated every episode of Wildlife on One, a BBC One wildlife series that ran for 253 episodes between 1977 and 2005. At its peak, it drew a weekly audience of eight to ten million, and the 1987 episode Meerkats United was voted the best wildlife documentary of all time by BBC viewers.

He has also narrated over 50 episodes of Natural World, BBC Two's flagship wildlife series. Its forerunner, The World About Us, was created by Attenborough in 1969, as a vehicle for colour television. In 1997, he narrated the BBC Wildlife Specials, each focussing on a charismatic species, and screened to mark the Natural History Unit's 40th anniversary.

In October 2014, the corporation announced a trio of new one-off Attenborough documentaries as part of a raft of new natural history programmes.  

Attenborough's Paradise Birds and Attenborough's Big Birds was shown on BBC Two and Waking Giants, which follows the discovery of giant dinosaur bones in South America, aired on BBC One.

The BBC also commissioned Atlantic Productions to make a three-part, Attenborough-fronted series Great Barrier Reef in 2015. The series marked the 10th project for Attenborough and Atlantic, and saw him returning to a location he first filmed at in 1957. By the turn of the millennium, Attenborough's authored documentaries were adopting a more overtly environmentalist stance. In State of the Planet (2000), he used the latest scientific evidence and interviews with leading scientists and conservationists to assess the impact of man's activities on the natural world.

He later turned to the issues of global warming (The Truth about Climate Change, 2006) and human population growth (How Many People Can Live on Planet Earth?, 2009).

He also contributed a programme which highlighted the plight of endangered species to the BBC's Saving Planet Earth project in 2007, the 50th anniversary of the Natural History Unit.

Attenborough also forged a partnership with Sky, working on documentaries for the broadcaster's new 3D network, Sky 3D. Their first collaboration was Flying Monsters 3D, a film about pterosaurs which debuted on Christmas Day of 2010.

A second film, The Bachelor King 3D, followed a year later. His next 3D project, Conquest of the Skies, made by the team behind the BAFTA-winning David Attenborough's Natural History Museum Alive, aired on Sky 3D at Christmas 2014.

Attenborough has narrated three series of David Attenborough's Natural Curiosities for UKTV channel Watch, with the third series showing in 2015. He has also narrated A majestic celebration: Wild Karnataka, India’s first blue-chip natural history film, directed by Kalyan Varma and Amoghavarsha.

More information: World Economic Forum
 
 
It seems to me that the natural world is 
the greatest source of excitement; 
the greatest source of visual beauty; 
the greatest source of intellectual interest. 
It is the greatest source of so much in life
that makes life worth living.

David Attenborough

Friday, 8 March 2024

INTERNATIONAL WOMEN'S DAY, THE FOSTERS CAN DO IT!

Today, The Fosters and The Grandma have celebrated the International Women's Day.

Before, they have been studying some English grammar with Can/Can't, and they have read Oscar Wilde's The Ghost of Canterville.

More information: Can/Can't

International Women's Day (IWD) is celebrated annually on 8 March as a global day focussing on the women's rights movement, bringing attention to issues such as gender equality, reproductive rights, and violence and abuse against women.

Spurred on by the universal female suffrage movement that had begun in New Zealand, IWD originated from labor movements in North America and Europe during the early 20th century.

The earliest version was purportedly a Women's Day organized by the Socialist Party of America in New York City February 28, 1909. This inspired German delegates at the 1910 International Socialist Women's Conference to propose a special Women's Day be organized annually, albeit with no set date; the following year saw the first demonstrations and commemorations of International Women's Day across Europe. In 1913 IWD was moved to 8 March and continues to this day.

After women gained suffrage in Soviet Russia in 1917 (the beginning of the February Revolution), it was subsequently celebrated on that date by the socialist movement and communist countries. The day was associated with far-left movements and governments until its adoption by the global feminist movement in the late 1960s. IWD became a mainstream global holiday following its adoption by the United Nations in 1977.

International Women's Day is commemorated in a variety of ways worldwide; it is a public holiday in several countries, and observed socially or locally in others to celebrate and promote the achievements of women.

The UN observes the holiday in connection with a particular issue, campaign, or theme in women's rights

In some parts of the world, IWD still reflects its political origins, being marked by protests and calls for radical change; in other areas, particularly in the West, it is largely sociocultural and centered on a celebration of womanhood.

The earliest reported Women's Day observance, called National Woman's Day, was held on February 28, 1909, in New York City, organized by the Socialist Party of America at the suggestion of activist Theresa Malkiel. There have been claims that the day was commemorating a protest by women garment workers in New York on March 8, 1857, but researchers have alleged this to be a myth intended to detach International Women's Day from its socialist origin.

In August 1910, an International Socialist Women's Conference was organized ahead of the general meeting of the Socialist Second International in Copenhagen, Denmark. Inspired in part by the American socialists, German delegates Clara Zetkin, Käte Duncker, Paula Thiede, and others proposed the establishment of an annual Women's Day, although no date was specified. The 100 delegates, representing 17 countries, agreed with the idea as a strategy to promote equal rights, including women's suffrage.

The following year, on March 19, 1911, the first International Women's Day was marked by over a million people in Austria, Denmark, Germany, and Switzerland. In Austria-Hungary alone, there were 300 demonstrations, with women parading on the Ringstrasse in Vienna, carrying banners honouring the martyrs of the Paris Commune. Across Europe, women demanded the right to vote and to hold public office, and protested against employment sex discrimination.

IWD initially had no set date, though it was generally celebrated in late February or early March. Americans continued to observe National Women's Day on the last Sunday in February, while Russia observed International Women's Day for the first time in 1913, on the last Saturday in February (albeit based on the Julian calendar, as in the Gregorian calendar, the date was March 8).

In 1914, International Women's Day was held on March 8 for the first time in Germany, possibly because that date was a Sunday. As elsewhere, Germany's observance was dedicated to women's right to vote, which German women did not win until 1918. Concurrently, there was a march in London in support of women's suffrage, during which Sylvia Pankhurst was arrested in front of Charing Cross station on her way to speak in Trafalgar Square.

More information: UN Women

Women don't realize how powerful they are.

Judith Light

Friday, 1 March 2024

CRISTINA FOSTER MEETS DAVID BOWIE, 'LIFE ON MARS'

Today, The Fosters have said goodbye to one of their members, Cristina Foster, the Norwegian acrobat, who is starting a new adventure in a new light in Quebec.

The family and The Grandma are missing her a lot, but they are happy because she is following her dream: to be one of the best acrobats of all time in circus history. 

She is not travelling alone. David Bowie, who is an English artist and Grandma's friend, is starting this new adventure with her.

Good luck friend and sister! You deserve the best!

Before saying goodbye to Cristina, the family has studied some English grammar, vocabulary about transports, and they have been talking about the origins of circus with some TV Series examples like Carnivàle or American Story: Freak Show.

Finally, they have been reading Oscar Wilde's The Ghost of Canterville.

Download Transports

David Robert Jones (8 January 1947-10 January 2016), known professionally as David Bowie was an English singer, songwriter, musician, and actor

He is regarded as one of the most influential musicians of the 20th century.

Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

David Robert Jones was born on 8 January 1947 in Brixton, London.

Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. He released a string of unsuccessful singles with local bands and a solo album before achieving his first top-five entry on the UK Singles Chart with Space Oddity (1969).

After a period of experimentation, he re-emerged in 1972 during the glam rock era with the flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Starman and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity.

In 1975, Bowie's style shifted towards a sound he characterised as plastic soul, initially alienating many of his UK fans but garnering his first major US crossover success with the number-one single Fame and the album Young Americans.

In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station

In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the Berlin Trilogy. Heroes (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single Ashes to Ashes, its album Scary Monsters (and Super Creeps) and Under Pressure (a 1981 collaboration with Queen). He achieved his greatest commercial success in the 1980s with Let's Dance (1983).

Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Phillip Jeffries in Twin Peaks: Fire Walk with Me (1992), Andy Warhol in the biopic Basquiat (1996), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006.

He returned from a decade-long recording hiatus in 2013 with The Next Day. He died two days after both his 69th birthday and the release of his final album, Blackstar.

During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling musicians of all time. Often dubbed the chameleon of rock due to his constant musical reinventions, he was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest artists in history

As of 2022, Bowie was the best-selling vinyl artist of the 21st century.

Bowie died in New York City on 10 January 2016.

Bowie's songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing its immediate forms and subsequent development.

Perone credited Bowie with having brought sophistication to rock music, and critical reviews frequently acknowledged the intellectual depth of his work and influence.

The BBC's arts editor Will Gompertz likened Bowie to Pablo Picasso, writing that he was an innovative, visionary, restless artist who synthesised complex avant garde concepts into beautifully coherent works that touched the hearts and minds of millions.

More information: David Bowie

I find only freedom in the realms of eccentricity.

David Bowie

Monday, 19 February 2024

THE FOSTERS MEET OSCAR WILDE, THE IRISH WRITER

After a few days in Liverpool, today, The Fosters & The Grandma have returned to London to meet Oscar Wilde, one of the greatest writers of all time.

Before this visit, the family has been studying some English grammar with Demonstratives and Prepositions of Place and Movement.

Later, The Grandma has explained a long story about Ramon Llull and the importance of languages as a communication tool during our history; the fall of Berlin Wall, and also, about the importance of salt and fennel in Sant Boi de Llobregat and Mallorca, two places with a common past.

Finally, the family has welcome its Classroom, an interesting digital tool, and they have started to read Oscar Wilde's The Ghost of Canterville, a masterpiece written in 1887.

More information: Demonstratives

More information: Prepositions of Place and Movement

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854-30 November 1900) was an Irish poet and playwright.

After writing in different forms throughout the 1880s, the early 1890s saw him become one of the most popular playwrights in London. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts, imprisonment, and early death at age 46.

Wilde's parents were Anglo-Irish intellectuals in Dublin. A young Wilde learned to speak fluent French and German. At university, Wilde read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.

As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new English Renaissance in Art and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day.

At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890).

The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London.

More information: The Paris Review

At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. 

After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897.

During his last year in prison, he wrote De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure.

On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.

Wilde died of meningitis on 30 November 1900. Wilde was initially buried in the Cimetière de Bagneux outside Paris; in 1909 his remains were disinterred and transferred to Père Lachaise Cemetery, inside the city. His tomb there was designed by Sir Jacob Epstein. It was commissioned by Robert Ross, who asked for a small compartment to be made for his own ashes, which were duly transferred in 1950.

In 2017, Wilde was among an estimated 50,000 men who were pardoned for homosexual acts that were no longer considered offences under the Policing and Crime Act 2017, homosexuality was decriminalised in England and Wales in 1967. The 2017 Act implements what is known informally as the Alan Turing law.

 
 

No great artist ever sees things as they really are.
If he did, he would cease to be an artist.
 
Oscar Wilde

Tuesday, 6 October 2020

THE BEST WAY TO PREDICT THE FUTURE IS TO CREATE IT...

Today, The Stones and The Grandma continue confined in their Hawaiian hotel. They have been reading a new chapter of Oscar Wilde's The Ghost of Canterville and talking about Future Simple (Predictions) and Adverbs of Manner.

The family has welcome a new member, Kailani, an Iván Stone's friend who is going to stay with the family, at least during their staying in the Polynesian island, and the have been reading their horoscopes.

The future is the time after the present. Its arrival is considered inevitable due to the existence of time and the laws of physics. Due to the apparent nature of reality and the unavoidability of the future, everything that currently exists and will exist can be categorized as either permanent, meaning that it will exist forever, or temporary, meaning that it will end.

In the Occidental view, which uses a linear conception of time, the future is the portion of the projected timeline that is anticipated to occur In special relativity, the future is considered absolute future, or the future light cone.

In the philosophy of time, presentism is the belief that only the present exists and the future and the past are unreal. Religions consider the future when they address issues such as karma, life after death, and eschatologies that study what the end of time and the end of the world will be. Religious figures such as prophets and diviners have claimed to see into the future.

A future study, or futurology, is the science, art, and practice of postulating possible futures. Modern practitioners stress the importance of alternative and plural futures, rather than one monolithic future, and the limitations of prediction and probability, versus the creation of possible and preferable futures.

Predeterminism is the belief that the past, present, and future have been already decided.

More information: Future Simple

The concept of the future has been explored extensively in cultural production, including art movements and genres devoted entirely to its elucidation, such as the 20th-century movement futurism.

In physics, time is the fourth dimension. Physicists argue that space-time can be understood as a sort of stretchy fabric that bends due to forces such as gravity. In classical physics the future is just a half of the timeline, which is the same for all observers. In special relativity the flow of time is relative to the observer's frame of reference.

The faster an observer is traveling away from a reference object, the slower that object seems to move through time. Hence, the future is not an objective notion anymore. A more modern notion is absolute future, or the future light cone. While a person can move backward or forwards in the three spatial dimensions, many physicists argue you are only able to move forward in time.

In the philosophy of time, presentism is the belief that only the present exists, and the future and past are unreal. Past and future entities are construed as logical constructions or fictions. The opposite of presentism is eternalism, which is the belief that things in the past and things yet to come exist eternally.

Another view, not held by many philosophers, is sometimes called the growing block theory of time -which postulates that the past and present exist, but the future does not.

Religions consider the future when they address issues such as karma, life after death, and eschatologies that study what the end of time and the end of the world will be.

In religion, Major Prophets are said to have the power to change the future. Common religious figures have claimed to see into the future, such as Minor Prophets and diviners. The term afterlife refers to the continuation of existence of the soul, spirit or mind of a human or animal after physical death, typically in a spiritual or ghostlike after world.

Deceased persons are usually believed to go to a specific region or plane of existence in this after world, often depending on the rightness of their actions during life, like the Ghost of Canterville.

More information: Adverbs of Manner

  Prediction is very difficult,
especially if it's about the future.

Niels Bohr