Monday 19 February 2024

THE FOSTERS MEET OSCAR WILDE, THE IRISH WRITER

After a few days in Liverpool, today, The Fosters & The Grandma have returned to London to meet Oscar Wilde, one of the greatest writers of all time.

Before this visit, the family has been studying some English grammar with Demonstratives and Prepositions of Place and Movement.

Later, The Grandma has explained a long story about Ramon Llull and the importance of languages as a communication tool during our history; the fall of Berlin Wall, and also, about the importance of salt and fennel in Sant Boi de Llobregat and Mallorca, two places with a common past.

Finally, the family has welcome its Classroom, an interesting digital tool, and they have started to read Oscar Wilde's The Ghost of Canterville, a masterpiece written in 1887.

More information: Demonstratives

More information: Prepositions of Place and Movement

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854-30 November 1900) was an Irish poet and playwright.

After writing in different forms throughout the 1880s, the early 1890s saw him become one of the most popular playwrights in London. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts, imprisonment, and early death at age 46.

Wilde's parents were Anglo-Irish intellectuals in Dublin. A young Wilde learned to speak fluent French and German. At university, Wilde read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.

As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new English Renaissance in Art and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day.

At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890).

The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London.

More information: The Paris Review

At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. 

After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897.

During his last year in prison, he wrote De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure.

On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.

Wilde died of meningitis on 30 November 1900. Wilde was initially buried in the Cimetière de Bagneux outside Paris; in 1909 his remains were disinterred and transferred to Père Lachaise Cemetery, inside the city. His tomb there was designed by Sir Jacob Epstein. It was commissioned by Robert Ross, who asked for a small compartment to be made for his own ashes, which were duly transferred in 1950.

In 2017, Wilde was among an estimated 50,000 men who were pardoned for homosexual acts that were no longer considered offences under the Policing and Crime Act 2017, homosexuality was decriminalised in England and Wales in 1967. The 2017 Act implements what is known informally as the Alan Turing law.

More information: Free Editorial


No great artist ever sees things as they really are.
If he did, he would cease to be an artist.
 
Oscar Wilde

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