Showing posts with label Maverick. Show all posts
Showing posts with label Maverick. Show all posts

Monday, 19 July 2021

JAMES GARNER, FROM BRET MAVERICK TO ZANE COOPER

Today, The Grandma has been watching some western series and films. She has chosen Maverick, the TV Series interpreted by James Garner, the American actor who died on a day like today in 2014.

James Garner (born James Scott Bumgarner; April 7, 1928-July 19, 2014) was an American actor and producer.

He starred in several television series over more than five decades, including popular roles such as Bret Maverick in the 1950s Western series Maverick and as Jim Rockford in the 1970s private detective show, The Rockford Files.

He played leading roles in more than 50 theatrical films, including The Great Escape (1963) with Steve McQueen, Paddy Chayefsky's The Americanization of Emily (1964) with Julie Andrews, Grand Prix (1966) with Toshiro Mifune, Marlowe (1969) with Bruce Dern, Support Your Local Sheriff! (1969), Support Your Local Gunfighter (1971), The Castaway Cowboy (1974), and Blake Edwards's Victor/Victoria (1982) with Julie Andrews, and Murphy's Romance (1985) with Sally Field, for which he received an Academy Award nomination.

Garner's career and popularity continued through another decade in movies like Space Cowboys (2000) with Clint Eastwood, Atlantis: The Lost Empire (2001) with Michael J. Fox and Cree Summer, and The Notebook (2004) with Gena Rowlands, and his TV sitcom role as Jim Egan in 8 Simple Rules (2003–2005).

More information: Me TV

Garner was born James Scott Bumgarner on April 7, 1928 in Denver, Oklahoma (now a part of Norman, Oklahoma). His parents were German American. Weldon Warren Bumgarner, a widower, and Mildred Scott (Meek), who died five years after his birth. His older brothers were Jack Garner and Charles Bumgarner, a school administrator. His family was Methodist. After their mother's death, Garner and his brothers were sent to live with relatives. Garner was reunited with his family in 1934, when Weldon remarried.

In 1954, Paul Gregory, a friend whom Garner had met while attending Hollywood High School, persuaded Garner to take a non-speaking role in the Broadway production of The Caine Mutiny Court-Martial, where he was able to study Henry Fonda night after night. During the week of Garner's death in 2014, TCM broadcast several of his movies, introduced by Robert Osborne, who said that Fonda's gentle, sincere persona rubbed off on Garner, greatly to Garner's benefit.

Garner subsequently moved to television commercials and eventually to television roles. 

In 1955, Garner was considered for the lead role in the Western series Cheyenne, but that role went to Clint Walker because the casting director could not reach Garner in time. 

After several feature film roles, including Sayonara (1957) with Marlon Brando, Garner got his big break playing the role of professional gambler Bret Maverick in the Western series Maverick from 1957-1962.

Only Garner and series creator Roy Huggins thought Maverick could compete with The Ed Sullivan Show and The Steve Allen Show, but for two years it beat both in the time slot. The show almost immediately made Garner a household name.

Garner was the lone star of Maverick for the first seven episodes, but production demands forced the studio, Warner Bros., to create a Maverick brother, Bart, played by Jack Kelly. This allowed two production units to film different story lines and episodes simultaneously, necessary because each episode took an extra day to complete, meaning that eventually the studio would run out of finished episodes to air partway through the season unless another actor was added.

Critics were positive about the chemistry between Garner and Kelly and the series occasionally featured popular cross-over episodes starring both Maverick brothers and numerous brief appearances by Kelly in Garner episodes. 

Although Garner quit the series after the third season because of a dispute with Warner Bros., he did make one fourth-season Maverick appearance, in an episode titled The Maverick Line starring both Garner and Jack Kelly filmed in the third season but held back to run as the season's first episode if Garner lost his lawsuit against Warner Bros. Garner won in court, left the series, and the episode was run in the middle of the season instead.

The studio attempted to replace Garner's character with a Maverick cousin who had lived in Britain long enough to gain an English accent, featuring Roger Moore as Beau Maverick, but Moore left the series after filming only 14 episodes.

More information: Heroes & Icons

Warner Bros. then hired Robert Colbert, a Garner look-alike, to play a third Maverick brother named Brent Maverick. Colbert only appeared in two episodes toward the end of the season. That left the rest of the series' run to Kelly, alternating with reruns of episodes with Garner during the fifth season.

Garner still received billing during the opening series credits for these newly produced Kelly episodes, aired in the 1961–1962 season, although he did not appear in them and had left the series two years previously. The studio did, however, reverse the billing at the beginning of each show and in advertisements during the fifth season, billing Kelly above Garner.

When Charlton Heston turned down the lead role in Darby's Rangers (1958), before Garner's departure from Maverick, Garner (originally slated to play a large supporting part that was given to Stuart Whitman) was selected and performed well in the role.

As a result of Garner's performance in Darby's Rangers, coupled with his enormous Maverick popularity, Warner Bros. subsequently gave him lead roles in two other major theatrical films during his breaks from shooting the series, Up Periscope (1959) with Edmond O'Brien and Cash McCall (1960) with Natalie Wood.

Garner and Jack Kelly reappeared as Bret and Bart Maverick in a 1978 made-for-television film titled The New Maverick written by Juanita Bartlett, directed by Hy Averback, and also starring Susan Sullivan as Poker Alice. As had often been the case in episodes of the original series, Bret's brother Bart shows up only briefly toward the end.

The New Maverick served as the pilot for a failed television series, Young Maverick, featuring the adventures of Bret and Bart's younger cousin Ben Maverick, portrayed in both The New Maverick and Young Maverick by Charles Frank.

The series itself, which only presented Garner for a few moments at the beginning of the first show, was cancelled so rapidly that some episodes filmed were never broadcast in the United States. Despite the title, Frank was three years older than Garner had been at the launch of the original series.

Garner was nominated for his only Oscar for Best Actor in a Leading Role for the film Murphy's Romance (1985), opposite Sally Field. Field and director Martin Ritt had to fight the studio, Columbia Pictures, to have Garner cast, since he was regarded as a TV actor by then despite having co-starred in the box office hit Victor/Victoria opposite Julie Andrews two years earlier.

More information: The Stacks Reader

In 1994, Garner played Marshal Zane Cooper in a film version of Maverick, with Mel Gibson as Bret Maverick (in the end it is revealed that Garner's character is the father of Gibson's Maverick) and Jodie Foster as a gambling lass with a fake Southern accent.

Nominated for 15 Emmy Awards during his television career, Garner received the award in 1977 as Outstanding Lead Actor in a Drama Series (The Rockford Files) and in 1987 as executive producer of Promise.

For his contribution to the film and television industry, Garner received a star on the Hollywood Walk of Fame at 6927 Hollywood Boulevard.

In 1990, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. He was also inducted into the Television Hall of Fame that same year. In February 2005, he received the Screen Actors Guild's Lifetime Achievement Award.

Garner was a private and introverted man, according to family and friends. On July 19, 2014, police and rescue personnel were summoned to Garner's Los Angeles-area home, where they found the actor dead at the age of 86. He had suffered a heart attack caused by coronary artery disease. He had been in poor health since his stroke in 2008.

More information: The Guardian


It wasn't until I'd turned 50 and had been in the business 
25 years that I realized I might actually have a career as an actor.

James Garner

Wednesday, 28 February 2018

THE NAVAJO NATION, NIZHÓNÍGO AŁHÉÉHOSIILZĮĮD

The Grandma driving across Navajo Nation
The Beans are in New Mexico. They're visiting the Navajo Nation and they're going to visit Arizona and Utah, too. 

They arrived last night after they had flown from San Diego. The family is excited because they're going to discover on of the most ancient and incredible cultures: the Native American. They arrived to Alburquerque with a lot of luggage because they had bought lots of souvenirs in San Diego. The Grandma was a little sad because she had said goodbye to Maverick, her handsome friend and the family decided to go to the hotel quickly because they had had a tired flight and they wanted to rest a little and review some English grammar, especially, the Past Simple Passive and the Past Perfect

The Grandma was also talking about earthquakes and volcanoes, two things that she adores and admires like incredible natural forces. She has also talked about classic films which she also loves.

More information: Passive Voice (Past Simple)

Today, The Beans are travelling to the Navajo Nation across the Route 40 by their Harley-Davidson, the last presents that The Grandma has bought for her lovely family. They are going to sleep in Navajo tents because the Navajo Community has invited them to share and know its incredible culture. 

More information: Past Perfect

Tomorrow, the family is going to discover the importance of this community during the WWII and one of their most amazing ceremonies: The Blessing Way.



We must not forget the Navajo customs and traditions which are unwritten.  Long before the Europeans arrived as newcomers, the Navajo people were living according to the laws, the rules, and the prayers taught to them by the Holy People, laws that brought order, beauty, peace, and harmony to the People and their world.
Nelson Gorman, Jr., Preface of the Navajo Code


The Blessing Way or hozhooji is a ceremony to awaken one to natural order, hozho; choosing constructive and life-affirming choices; healing from intentions and decisions that destroy oneself and others. 

Cristina Bean arriving to a Navajo home
To explain the blessing way, spiritual-cultural concepts are translated from the Dineh language into appropriate English descriptions to convey universal health and healing concepts from Dineh oral tradition.  

Navajo ceremonies do not require a conversion process of taking away the precious child within the natural order, and replacing this spiritual SELF-identity with a deficient self-image that has to be re-mediated to some desired end state of progress. Once awakened to the natural order, we begin living the loving way, hozhooji: literal translation of the blessing way ceremony as translated by my paternal aunt. It is a way of living in reverent revolution, of making decisions that are constructive and life affirming.

The four phases of the blessing way ceremony is a healing process that leads to curing. These two main ceremonies offer protection from contaminants like the maladaptive emotions of hate, jealousy, anger, guilt, fear and toxins from the environment.


More information:  Navajo Nation Government

Five major ceremonies: As five-fingered people, this corresponds to five major ceremonies that every child in the world could benefit by.

-Blessing Way: the blessing way honors the divine feminine as a nurturer.

-Protection Way: divine masculine as a protector-provider.

-Purification and cleansing: numerous with specific names for specific purposes.
 
-Spiritual renewal: a nine-day ceremony for spiritual renewal.

-Journey to spirit world: the ceremony for a person on their journey to the spirit world.

The Beans visiting the Navajo Nation
A blessings way Ceremonial Change Process teaches why and how to make life-affirming choices, rather than death-producing choices.   

We can understand a Dineh ceremonial change process within the context of Indigenous Science.  The strategy is to set up the optimal conditions for remembering and awakening to the oneness of creator. In healing ceremonies we affirm our holiness and wholeness. Dineh spirituality is the science of light-love-life-nature in one integrated concept.  The will-to-love, peace, beauty and joy within our Affirmative thinking system and within the universe is called hozho.

More information: Discover Navajo

The Navajo creation story speaks about the people traveling through four worlds into the current world from the place of emergence within the four sacred mountains.  This represents the concept that there is one mother of us all because our body is composed of earth.

The word for mountain is the same word for spiritual strength.  Every child is born through the water and through the birth canal.  The element of fire is our temperature and we inhale and exhale with the creator’s holy breath.  This air originates from the physical sun and radiates to the trees where we inhale oxygen and exhale carbon dioxide.

The miracle of life that we call photosynthesis is what Navajos call the creator’s holy breath.  We are instructed to use this holy breath for speaking living words that heal.  This is why our medicine people are called singers.  They sing a person back to balance, harmony with creator, themselves and others within the natural order.

The journey through the four worlds was required to restore balance and harmony from misusing life energy for destructive and death-producing choices.  There is a consequence in violating the natural order.  This is not punishment, condemnation or judgment, just consequence and a message to correct the out-of-balance life condition.

More information: History


I grew up knowing it's wrong 
to have more than you need. 
It means you're not taking 
care of your people.

Native American Navajo Proverb