Showing posts with label Jordi Santanyí. Show all posts
Showing posts with label Jordi Santanyí. Show all posts

Friday, 23 June 2023

THE NILE, THE CRADLE OF THE EGYPTIAN CIVILIZATION

Today, The Grandma has been reading about the British colonization of Egypt, and about the Nile, the longest river in Africa. She has remembered a trip along the river with her friends Claire Fontaine, Tina Picotes, Joseph de Ca'th Lon, Tonyi Tamaki and Jordi Santanyí. It was an incredible experience to remember and explain.

The Nile is a major north-flowing river in northeastern Africa. It flows into the Mediterranean Sea.  

The Nile is the longest river in Africa and has historically been considered the longest river in the world, though this has been contested by research suggesting that the Amazon River is slightly longer.

Of the world's major rivers, the Nile is one of the smallest, as measured by annual flow in cubic metres of water. About 6,650 km long, its drainage basin covers eleven countries: the Democratic Republic of the Congo, Tanzania, Burundi, Rwanda, Uganda, Kenya, Ethiopia, Eritrea, South Sudan, Republic of the Sudan, and Egypt.

In particular, the Nile is the primary water source of Egypt, Sudan and South Sudan. Additionally, the Nile is an important economic river, supporting agriculture and fishing.

The Nile has two major tributaries -the White Nile and the Blue Nile. The White Nile is traditionally considered to be the headwaters stream. However, the Blue Nile is the source of most of the water of the Nile downstream, containing 80% of the water and silt. The White Nile is longer and rises in the Great Lakes region. It begins at Lake Victoria and flows through Uganda and South Sudan. The Blue Nile begins at Lake Tana in Ethiopia and flows into Sudan from the southeast. The two rivers meet at the Sudanese capital of Khartoum.

The northern section of the river flows north almost entirely through the Nubian Desert to Cairo and its large delta, and the river flows into the Mediterranean Sea at Alexandria. Egyptian civilization and Sudanese kingdoms have depended on the river and its annual flooding since ancient times. Most of the population and cities of Egypt lie along those parts of the Nile valley north of the Aswan Dam. Nearly all the cultural and historical sites of Ancient Egypt developed and are found along river banks. The Nile is, with the Rhône and Po, one of the three Mediterranean rivers with the largest water discharge.

More information: National Geographic

The standard English names White Nile and Blue Nile refer to the river's source, derived from Arabic names formerly applied to only the Sudanese stretches that meet at Khartoum.

In the ancient Egyptian language, the Nile is called Ḥ'pī (Hapy) or Iteru, meaning river. In Coptic, the word ⲫⲓⲁⲣⲟ, pronounced piaro (Sahidic) or phiaro (Bohairic), means the river, and comes from the same ancient name. In Nobiin the river is called Áman Dawū, meaning the great water. In Luganda the river is called Kiira or Kiyira. In Runyoro it is called Kihiira. In Egyptian Arabic, the Nile is called en-Nīl, while in Standard Arabic it is called an-Nīl. In Biblical Hebrew, it is הַיְאוֹר‎, Ha-Ye'or or הַשִׁיחוֹר‎, Ha-Shiḥor.

The English name Nile and the Arabic names en-Nîl and an-Nîl both derive from the Latin Nilus and the Ancient Greek Νεῖλος. Beyond that, however, the etymology is disputed. Homer called the river Αἴγυπτος, Aiguptos, but in subsequent periods, Greek authors referred to its lower course as Neilos; this term became generalised for the entire river system. Thus, the name may derive from Ancient Egyptian expression nꜣ rꜣw-ḥꜣw(t) the mouths of the front parts, which referred specifically to the branches of the Nile transversing the Delta, and would have been pronounced ni-lo-he in the area around Memphis in the 8th century BCE. Hesiod at his Theogony refers to Nilus (Νεῖλος) as one of the Potamoi (river gods), son of Oceanus and Tethys.

Another derivation of Nile might be related to the term Nil, which refers to Indigofera tinctoria, one of the original sources of indigo dye. Another may be Nymphaea caerulea, known as The Sacred Blue Lily of the Nile, which was found scattered over Tutankhamun's corpse when it was excavated in 1922. Another possible etymology derives from the Semitic term Nahal, meaning river. Old Libyan has the term lilu, meaning water (in modern Berber ilel ⵉⵍⴻⵍ means sea).

With a total length of about 6,650 km between the region of Lake Victoria and the Mediterranean Sea, the Nile is among the longest rivers on Earth. The drainage basin of the Nile covers 3,254,555 square kilometers, about 10% of the area of Africa. Compared to other major rivers, though, the Nile carries little water (5% of that of the Congo River, for example). The Nile basin is complex, and because of this, the discharge at any given point along the main stem depends on many factors including weather, diversions, evaporation and evapotranspiration, and groundwater flow.

Upstream from Khartoum (to the south), the river is known as the White Nile, a term also used in a limited sense to describe the section between Lake No and Khartoum. At Khartoum, the river is joined by the Blue Nile. The White Nile starts in equatorial East Africa, and the Blue Nile begins in Ethiopia. Both branches are on the western flanks of the East African Rift.

Below the Aswan Dam, at the northern limit of Lake Nasser, the Nile resumes its historic course. North of Cairo, the Nile splits into two branches (or distributaries) that feed the Mediterranean: the Rosetta Branch to the west and the Damietta to the east, forming the Nile Delta

More information: Science Alert

Egypt is the gift of the Nile.

Herodotus

Saturday, 23 April 2022

SANT JORDI, UNKNOWN ORIGINS & VENERATED PATRON

Today, The Grandma has received the wonderful visit of their closest friends Claire Fontaine, Joseph de Ca'th Lon, Tonyi Tamaki, Laura Collins, Tina Picotes and Jordi Santanyí. They have celebrated Sant Jordi together. 

Sant Jordi is the patron of Catalonia and much more places and his origin is unknown. Some studies talk about his Palestinian origin while other talk about his Egyptian one.

The Grandma has been reading the legend of Saint Jordi based in The Golden Legend, in Latin Legenda aurea or Legenda sanctorum, the collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived. It was likely compiled around the years 1259–1266, although the text was added to over the centuries.

More information: Catch Penny

Georgius tribunus, genere Cappadocum, pervenit quadam vice in provinciam Libyae in civitatem, quae dicitur Silena. Iuxta quam civitatem erat stagnum instar maris, in quo draco pestifer latitabat, qui saepe populum contra se armatum in fugam converterat flatuque suo ad muros civitatis accedens omnes inficiebat.

Quapropter compulsi, cives duas oves quotidie sibi dabant, ut eius furorem sedarent, alioquin sic muros civitatis invadebat et aerem inficiebat, quod plurimi interibant. Cum ergo iam oves paene deficerent (maxime cum harum copiam habere non possent), inito consilio ovem cum adiuncto homine tribuebant.

Cum igitur sorte omnium filii et filiae hominum darentur et sors neminem exciperet, et iam paene omnes filii et filiae essent consumpti, quadam vice filia regis unica sorte est deprehensa et draconi adiudicata.

Tunc rex contristatus ait: «Tollite aurum et argentum et dimidium regni mei et filiam mihi dimittite, ne taliter moriatur.»

Quod rex videns coepit filiam suam flere dicens: «Heu me, filia mea dulcissima, quid de te faciam? Aut quid dicam? Quando plus videbo nuptias tuas?» Et conversus ad populum dixit: «Oro, ut indutias octo dierum lugendi mihi filiam tribuatis.»

Quod cum populus admisisset, in fine octo dierum reversus populus est cum furore dicens: «Quare perdis populum tuum propter filiam tuam! En omnes afflatu draconis morimur.»

Tunc, rex, videns quod non posset filiam liberare, induit eam vestibus regalibus et amplexatus eam cum lacrimis dixit: «Heu me, filia mea dulcissima, de te filios in regali gremio nutrire credebam et nunc vadis, ut a dracone devoreris.

Heu me, filia mea dulcissima, sperabam ad tuas nuptias principes invitare, palatium margaritis ornare, tympana et organa audire, et nunc vadis, ut a dracone devoreris. «Et deosculans dimisit eam dicens: «Utinam, filia mea, ego ante te mortuus essem, quam te sic amisissem.»

Tunc illa procidit ad pedes patris petens ab eo benedictionem suam. Quam cum pater cum lacrimis benedixisset, ad lacum processit.

Quam beatus Georgius casu inde transiens ut plorantem vidit, eam quid haberet interrogavit. Et illa: «Bone iuvenis, velociter equum adscende et fuge, ne mecum pariter moriaris.» Cui Georgius: «Noli timere, filia, sed dic mihi quid hic praestolaris omni plebe spectante!»

Et illa: «Ut video, bone iuvenis, magnifici cordis es tu, sed mecum mori desideras! Fuge velociter.» Cui Georgius: «Hinc ego non discedam donec mihi, quid habeas, intimabis.» Cum ergo totum sibi exposuisset, ait Georgius: «Filia noli timere, quia in Christi nomine te iuvabo.»

 Et illa: «Bone miles, sed te ipsum salvare festines, mecum non pereas. Sufficit enim, si sola peream. Nam me liberare non posses et tu mecum perires.» Dum haec loquerentur, ecce draco veniens caput de lacu levavit. Tunc puella tremefacta dixit: «Fuge, bone domine, fuge velociter.»

Tunc Georgius equum ascendens et cruce se muniens draconem contra se advenientem audaciter aggreditur et lanceam fortiter vibrans et se Deo commendans ipsum graviter vulneravit et ad terram deiecit dixitque puellae: «Proice zonam tuam in collum draconis nihil dubitans, filia.»

Quod cum fecisset, sequebatur eam velut mansuetissima canis. Cum ergo eum in civitatem duceret, populi hoc videntes per montes et colles fugere coeperunt dicentes: «Vae nobis, quia iam omnes peribimus!»

Tunc beatus Georgius innuit iis dicens: «Nolite timere, ad hoc enim me misit Dominus ad vos, ut a poenis vos liberarem draconis. Tantummodo in Christum credite et unusquisque vestrum baptizetur et draconem istum occidam.»

Tunc rex et omnes populi baptizati sunt, beatus Georgius evaginato gladio draconem occidit et ipsum extra civitatem efferri praecepit. Tunc quattuor paria boum ipsum in magnum campum foras duxerunt.

Baptizati autem sunt in illa die XX milia exceptis parvulis et mulieribus. Rex autem in honorem beatae Mariae et beati Georgi ecclesiam mirae magnitudinis construxit.

De cuius altari fons vivus emanat, cuius potus omnes languidos sanat. Rex vero infinitam pecuniam beato Georgio obtulit, quam ille recipere nolens pauperibus eam dari praecepit.

Tunc Georgius de quatuor regem breviter instruxit, scilicet ut ecclesiarum dei curam haberet, sacerdotes honoraret, divinum officium diligenter audiret et semper pauperum memor esset; et sic osculato rege inde recessit.

In aliquibus tamen libris legitur quod dum draco ad devorandum puellam pergeret, Georgius se cruce muniuit et draconem aggrediens interfecit.

More information: Michael H. Collins


Cavaller, bon cavaller
Alerta al drac
Que s'amaga rere els núvols
Ran d'aquest llac.

Knight, good knight
Dragon alert
That hides behind the clouds
over this lake.

Vicent Ferragut

Sunday, 19 December 2021

LA MARATÓ DE TV3, THIRTY YEARS OF GREAT SOLIDARITY

Today, The Grandma and her friends Claire Fontaine, Jordi Santanyí, Josep de Ca'th Lon, Tina Picotes and Tonyi Tamaki want to talk about La Marató de TV3, a Catalan public television program that raises funds for medical research and which has reached its 30th edition, this year dedicated to mental health diseases.

Mental health is a serious issue that affects a very high percentage of our society, while being highly stigmatized. The two main objectives of this Marató are to raise funds to research and raise awareness about the medical issues covered. It is a very significant day for Catalans, because they show one of the pillars of their idiosyncrasy, solidarity. No nation can move forward without solidarity and without a strong sense of community.

During the days leading up to the Marató de TV3, thousands of events are held throughout Catalonia, the Balearic Islands and Andorra where anonymous people work together to raise funds which will then be donated to La Marató. Dances, popular culture, bingo, sports events, art exhibitions, concerts ... everything is worth it to be able to come together to make this joint effort a reality: to work together to be able to finance projects that improve everyone's quality of life.

Congratulations on these 30 years of solidarity. Congratulations to the Catalan public television (TV3) and to all the people who participate from the Catalan Countries or from other parts of the world.

More information: La Marató de TV3

La Marató de TV3, or La Marató, is a solidarity gala or telemarathon held annually by TV3 on the Sunday before Christmas and promoted by Televisió de Catalunya and the Fundació La Marató de TV3.

The first edition was held in 1992 and each year funds are raised for research on a type of disease; each year a different type of disease. An average of seven million euros is raised each year.

Its main purpose is to raise funds for research and dissemination of a disease or group of diseases. Over the years, it has grown in prestige and donations to the point of creating in 1996 the Fundació La Marató de TV3, which is responsible for managing the funds, the selection of the best scientific projects for funding and the campaigns of relevant awareness.

To raise money for the fund of the Marató, a thousand events are organized all over the Catalan Countries. Since 2005 it has had the Marató record, which is sold to the main newspapers in Catalonia. Before the start of the 2013 edition, the Marató has allocated more than 119 million euros in 607 years to 607 biomedical research projects.

For the 2020 edition, the Foundation's board of trustees has focused its attention on COVID-19, moving the topic of Mental Illness to the 2021 edition, which will be the 30th edition of the Marató.

More information: Twitter-La Marató

There is no standard normal. Normal is subjective.
There are seven billion versions of normal on this planet.

Matt Haig

Thursday, 18 March 2021

CHARLOTTE ELLIOTT, THE GREATEST WRITER OF HYMNS

Today, The Grandma has received the visit of Jordi Santanyí, one of her closest friends. They love Literature, and they have been talking about Charlotte Elliott, the English poet, mainly famous by her hymns, who was born on a day like today in 1789.

Charlotte Elliott (18 March 1789-22 September 1871) was an English poet, hymn writer, and editor. She is best known by two hymns, Just As I Am and Thy will be done.

Elliott edited Christian Remembrancer Pocket Book (1834–59) and The Invalid's Hymn book, 6th edition, 1854. To this latter collection, she contributed 112 hymns including Just As I Am, without one plea, a hymn dated 1836, which was translated into almost every living language of the day.

In spite of being raised in a Christian home, she reflected on her conflicts and doubts and was unsure of her relationship with Christ. So she penned her words of assurance about Jesus loving her just as she was. William B. Bradbury composed music for her lyrics and published the song in 1849. The hymn was translated into many languages, with tens of thousands of people committing their lives to Christ during the playing of it.

She also wrote My God and Father while I stray, 1834, in the same collection. Elliott was the author of Hymns for a week, 1837, 40th thousand, 1871; Hours of Sorrow, 1836 and many later editions, Poems by C. E., 1863. An invalid for many years, her life was filled with deeds of beneficence. She shrank from everything ostentatious, nearly all her books having been issued anonymously.

More information: Hymnology Archive

Elliott was born on 18 March 1789 at Westfield Lodge, Brighton. Her maternal grandfather, Rev. Henry Venn of the Clapham Sect, of Huddersfield and Yelling, England, was a divine. He wrote The Complete Duty of Man (1763), and was one of that band of ministers, whose labours and writings brought about and promoted The Great Awakening of the 18th century, among the churches of Great Britain.

Elliott's childhood was passed in a circle of great refinement and piety. She was continuously told by different pastors at the many churches that she visited to pray more, study the Bible more and to perform more noble deeds.

Elliott spent the first 32 years of her life in Clapham. As a young woman, she was gifted as a portrait artist and a writer of humorous verse.

Elliott's health was improved by a visit to Normandy. But in 1829 she once more became an almost helpless sufferer, with only occasional intervals of relief.

In 1833, her father died. She undertook in 1834 the editorial supervision of The Christian Remembrancer Pocket Book, an Annual, and in 1836 of the Invalid's Hymn Book -works previously conducted by a friend, Miss Harriet Kiernan, who was then in the last stages of consumption. The annual she edited for 25 years and many of her poems appeared in it. To the edition of the Invalid's Hymn Book that she enlarged and edited anonymously in 1836 she contributed 115 hymns, among them the noted Just as I am, without one plea.

More information: All Poetry

She contributed several hymns also in 1835 to a selection of Psalms and Hymns by her brother, Rev. Henry V. Elliott. She also published, in 1836, Hours of Sorrow Cheered and Comforted. Her Morning and Evening Hymns for a Week, was printed privately in 1837, and published in 1842.

Elliott was a member of the Church of England. In later years, when she was not able to attend public worship, she wrote, My Bible is my church. It is always open, and there is my High Priest ever waiting to receive me. There I have my confessional, my thanksgiving, my psalm of praise, and a congregation of whom the world is not worthy -prophets, and apostles, and martyrs, and confessors; in short, all I can want I find there.

A volume of Poems appeared in 1863, and her brother Henry died in that year. Once only, in 1867, did she venture again from home, spending a few weeks in a neighbouring village. In 1869, she fell seriously ill but managed to recover.

She died at 10 Norfolk Terrace, Brighton, on 22 September 1871, and was buried alongside her brothers in the churchyard of St Andrew's, Hove.

Elliott was a distant relative of Virginia Woolf.

More information: Archive

Is life's evening long and dreary?
Gone the treasures once possessed?
Is thy spirit faint and weary?
Does thou long to be at rest?
On this sweet promise fix thy sight:
'At evening time it shall be light.'


Charlotte Elliott

Sunday, 28 February 2021

HENRY JAMES, LITERARY REALISM AND MODERNISM

Today, The Grandma has received the wonderful visit of one of her closest friends, Jordi Santanyí. Jordi and The Grandma love Literature, and they have been talking about Henry James, the American author who died on a day like today in 1916.

Henry James (15 April 1843-28 February 1916) was an American author. He is regarded as a key transitional figure between literary realism and literary modernism and is considered by many to be among the greatest novelists in the English language. He was the son of Henry James Sr. and the brother of renowned philosopher and psychologist William James and diarist Alice James.

He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans. Examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove. His later works were increasingly experimental. In describing the internal states of mind and social dynamics of his characters, James often made use of a style in which ambiguous or contradictory motives and impressions were overlaid or juxtaposed in the discussion of a character's psyche. For their unique ambiguity, as well as for other aspects of their composition, his late works have been compared to impressionist painting.

His novella The Turn of the Screw has garnered a reputation as the most analysed and ambiguous ghost story in the English language and remains his most widely adapted work in other media. He also wrote a number of other highly regarded ghost stories and is considered one of the greatest masters of the field.

James published articles and books of criticism, travel, biography, autobiography, and plays. Born in the United States, James largely relocated to Europe as a young man and eventually settled in England, becoming a British citizen in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912 and 1916.

More information: The New Yorker

James was born at 21 Washington Place in New York City on 15 April 1843. His parents were Mary Walsh and Henry James Sr. His father was intelligent and steadfastly congenial. He was a lecturer and philosopher who had inherited independent means from his father, an Albany banker and investor. Mary came from a wealthy family long settled in New York City. Her sister Katherine lived with her adult family for an extended period of time. Henry Jr. was one of four boys, the others being William, who was one year his senior, and younger brothers Wilkinson and Robertson. His younger sister was Alice. Both of his parents were of Irish and Scottish descent.

James did not share the usual education in Latin and Greek classics. Between 1855 and 1860, the James household travelled to London, Paris, Geneva, Boulogne-sur-Mer and Newport, Rhode Island, according to the father's current interests and publishing ventures, retreating to the United States when funds were low. Henry studied primarily with tutors and briefly attended schools while the family travelled in Europe.

In 1860 the family returned to Newport. There Henry became a friend of the painter John La Farge, who introduced him to French literature, and in particular, to Balzac. James later called Balzac his greatest master, and said that he had learned more about the craft of fiction from him than from anyone else.

His first published work was a review of a stage performance, Miss Maggie Mitchell in Fanchon the Cricket, published in 1863. About a year later, A Tragedy of Error, his first short story, was published anonymously. James's first payment was for an appreciation of Sir Walter Scott's novels, written for the North American Review. He wrote fiction and non-fiction pieces for The Nation and Atlantic Monthly, where Fields was editor.

In 1871, he published his first novel, Watch and Ward, in serial form in the Atlantic Monthly. The novel was later published in book form in 1878.

During a 14-month trip through Europe in 1869-70, he met Ruskin, Dickens, Matthew Arnold, William Morris, and George Eliot. Rome impressed him profoundly. Here I am then in the Eternal City, he wrote to his brother William. At last -for the first time- I live! He attempted to support himself as a freelance writer in Rome, then secured a position as Paris correspondent for the New York Tribune, through the influence of its editor John Hay. When these efforts failed, he returned to New York City.

During 1874 and 1875 he published Transatlantic Sketches, A Passionate Pilgrim, and Roderick Hudson. During this early period in his career he was influenced by Nathaniel Hawthorne.

In the fall of 1875, he moved to the Latin Quarter of Paris. Aside from two trips to America, he spent the next three decades -the rest of his life- in Europe. In Paris, he met Zola, Alphonse Daudet, Maupassant, Turgenev, and others. He stayed in Paris only a year before moving to London.

In England, he met the leading figures of politics and culture. He continued to be a prolific writer, producing The American (1877), The Europeans (1878), a revision of Watch and Ward (1878), French Poets and Novelists (1878), Hawthorne (1879), and several shorter works of fiction.

In 1878, Daisy Miller established his fame on both sides of the Atlantic. It drew notice perhaps mostly because it depicted a woman whose behaviour is outside the social norms of Europe. He also began his first masterpiece, The Portrait of a Lady, which would appear in 1881.

More information: The Guardian

While living in London, James continued to follow the careers of the French realists, Émile Zola in particular. Their stylistic methods influenced his own work in the years to come. Hawthorne's influence on him faded during this period, replaced by George Eliot and Ivan Turgenev. The period from 1878 to 1881 saw the publication of The Europeans, Washington Square, Confidence, and The Portrait of a Lady.

In 1884, James made another visit to Paris. There he met again with Zola, Daudet, and Goncourt. He had been following the careers of the French realist or naturalist writers, and was increasingly influenced by them.

In 1886, he published The Bostonians and The Princess Casamassima, both influenced by the French writers he'd studied assiduously. Critical reaction and sales were poor. He wrote to Howells that the books had hurt his career rather than helped because they had reduced the desire, and demand, for my productions to zero.

During this time he became friends with Robert Louis Stevenson, John Singer Sargent, Edmund Gosse, George du Maurier, Paul Bourget, and Constance Fenimore Woolson.

His third novel from the 1880s was The Tragic Muse. Although he was following the precepts of Zola in his novels of the '80s, their tone and attitude are closer to the fiction of Alphonse Daudet.

The lack of critical and financial success for his novels during this period led him to try writing for the theatre; his dramatic works and his experiences with theatre are discussed below.

In 1897-1898 he moved to Rye, Sussex and wrote The Turn of the Screw. 1899-1900 saw the publication of The Awkward Age and The Sacred Fount

During 1902-1904 he wrote The Ambassadors, The Wings of the Dove, and The Golden Bowl.

In 1913, he wrote his autobiographies, A Small Boy and Others, and Notes of a Son and Brother. After the outbreak of the First World War in 1914, he did war work.

In 1915, he became a British citizen and was awarded the Order of Merit the following year. He died on 28 February 1916, in Chelsea, London, and was cremated at Golders Green Crematorium. As he requested, his ashes were buried in Cambridge Cemetery in Massachusetts.

James is one of the major figures of trans-Atlantic literature. His works frequently juxtapose characters from the Old World (Europe), embodying a feudal civilization that is beautiful, often corrupt, and alluring, and from the New World (United States), where people are often brash, open, and assertive and embody the virtues of the new American society -particularly personal freedom and a more highly evolved moral character.

James explores this clash of personalities and cultures, in stories of personal relationships in which power is exercised well or badly.

More information: FB2 Book Free

Three things in human life are important.
The first is to be kind.
The second is to be kind.
And the third is to be kind.

Henry James

Friday, 19 February 2021

ANDRÉ R. BRETON, THE FRENCH LEADER OF SURREALISM

Today, The Grandma has received the wonderful visit of one of her closest friends, Jordi Santanyí.
 
Jordi and The Grandma love literature, and they have been talking about André Breton, the French writer and poet leader of surrealism, who was born on a day like yesterday in 1896.

André Robert Breton (18 February 1896-28 September 1966) was a French writer and poet.

He is known best as the co-founder, leader, principal theorist and chief apologist of surrealism. His writings include the first Manifeste du surréalisme of 1924, in which he defined surrealism as pure psychic automatism. Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou.

Those activities combined with his critical and theoretical work for writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature.

André Breton was the only son born to a family of modest means in Tinchebray (Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a particular interest in mental illness. His education was interrupted when he was conscripted for World War I.

During World War I, he worked in a neurological ward in Nantes, where he met the devotee of Alfred Jarry, Jacques Vaché, whose anti-social attitude and disdain for established artistic tradition influenced Breton considerably. Vaché committed suicide when aged 24, and his war-time letters to Breton and others were published in a volume entitled Lettres de guerre (1919), for which Breton wrote four introductory essays.

More information: The Art Story

Breton married his first wife, Simone Kahn, on 15 September 1921. The couple relocated to rue Fontaine No. 42 in Paris on 1 January 1922. The flat on rue Fontaine in the Pigalle district became home to Breton's collection of more than 5,300 items: modern paintings, drawings, sculptures, photographs, books, art catalogs, journals, manuscripts, and works of popular and Oceanic art. Like his father, he was an atheist.

Breton launched the review Littérature in 1919, with Louis Aragon and Philippe Soupault. He also associated with Dadaist Tristan Tzara. In 1924, he was instrumental in the founding of the Bureau of Surrealist Research.

In Les Champs Magnétiques, a collaboration with Soupault, he implemented the principle of automatic writing. He published the Surrealist Manifesto in 1924, and was editor of the magazine La Révolution surréaliste from that year on. A group of writers became associated with him: Soupault, Louis Aragon, Paul Éluard, René Crevel, Michel Leiris, Benjamin Péret, Antonin Artaud, and Robert Desnos.

Anxious to combine the themes of personal transformation found in the works of Arthur Rimbaud with the politics of Karl Marx, Breton joined the French Communist Party in 1927, from which he was expelled in 1933. Nadja, a novel about his encounter with an imaginative woman who later became mentally ill, was published in 1928.

Breton celebrated the concept of Mad Love, and many women joined the surrealist group over the years. Toyen was a good friend. During this time, he survived mostly by the sale of paintings from his art gallery.

However, visiting Mexico provided the opportunity to meet Leon Trotsky. Breton and other surrealists travelled via a long boat ride from Patzcuaro to the town of Erongarícuaro. Diego Rivera and Frida Kahlo were among the visitors to the hidden community of intellectuals and artists. Together, Breton and Trotsky wrote the Manifesto for an Independent Revolutionary Art, published under the names of Breton and Diego Rivera, calling for complete freedom of art, which was becoming increasingly difficult with the world situation of the time.

Breton was again in the medical corps of the French Army at the start of World War II. The Vichy government banned his writings as the very negation of the national revolution and Breton escaped, with the help of the American Varian Fry and Hiram Harry Bingham IV, to the United States and the Caribbean during 1941. He emigrated to New York City and lived there for a few years. In 1942, Breton organized a groundbreaking surrealist exhibition at Yale University.

Breton returned to Paris in 1946, where he opposed French colonialism (for example as a signatory of the Manifesto of the 121 against the Algerian War) and continued, until his death, to foster a second group of surrealists in the form of expositions or reviews (La Brèche, 1961–65). In 1959, he organized an exhibit in Paris.

By the end of World War II, André Breton decided to embrace anarchism explicitly.

In 1952, Breton wrote It was in the black mirror of anarchism that surrealism first recognized itself. Breton consistently supported the francophone Anarchist Federation, and he continued to offer his solidarity after the Platformists around founder and Secretary General Georges Fontenis transformed the FA into the Fédération communiste libertaire.

André Breton died at the age of 70 in 1966, and was buried in the Cimetière des Batignolles in Paris.

More information: Surrealist Art


 Of all those arts in which the wise excel,
Nature's chief masterpiece is writing well.

André Breton

Friday, 29 January 2021

LOUIS RACINE, POETRY OF THE AGE OF ENLIGHTENMENT

Today, The Grandma is still relaxing at home. She has received the wonderful visit of one of her closest friends, Jordi Santanyí.  They have decided to read Louis Racine, the French poet of the Age of the Enlightenment, who died on a day like today in 1763 Jordi and The Grandma love poetry, and they have spent a good time reading it.

Louis Racine (6 November 1692-29 January 1763) was a French poet of the Age of the Enlightenment.

The second son and the seventh and last child of the celebrated tragic dramatist Jean Racine, he was interested in poetry from childhood but was dissuaded from trying to make it his career by the poet Boileau on the grounds that the gift never existed in two successive generations. However, in 1719 Racine became a member of the Académie des Inscriptions and published his first major poem, La Grâce, in 1722. But, because of the poem's Jansenist inspiration, Cardinal de Fleury, chief minister of Louis XV, blocked the poet's admission to the Académie Française, and instead Racine was induced to accept the post of inspector-general of taxes at Marseille in Provence.

For the next 24 years, although he continued to write poetry, Racine worked as a tax inspector in various provincial towns and cities, marrying in 1728. His most important poem, La Religion, in which he was careful to avoid further accusations of Jansenism, was published in 1742. He eventually retired from government service in 1746, aged 54, and returned to Paris where he devoted himself to his writing.

In November 1755, he lost his only son and his daughter-in-law when they were swept away by the tsunami from the Lisbon earthquake while on honeymoon at Cadiz in Spain. This tragedy, commemorated by the French poet Écouchard-Lebrun, is said to have broken Racine's spirit. He sold his large library, gave up writing, and devoted himself now to the practice of religion. It was around this time that Racine wrote his last published work, an essay on the famous feral child of 18th-century France Marie-Angélique Memmie Le Blanc whom he had interviewed and written of in his philosophical poem L'Épître II sur l'homme (1747).

Louis Racine was characterized by Voltaire, the leading French intellectual of his day, as le bon versificateur Racine, fils du grand. His Oeuvres complètes were collected in six volumes and published in Paris in 1808. He was said by his contemporaries to have been a very personable, humble man who was sincerely pious and fluent in seven languages.

More information: Open Library

Brilliant night, tell us who gave you your sails?

Louis Racine

Friday, 15 January 2021

WIKIPEDIA, THE MULTILINGUAL OPEN-COLLABORATING

Today, The Grandma and her friends Claire Fontaine, Jordi Santanyí, Josep de Ca'thLon, Rennette Watson, Tina Picotes & Tonyi Tamaki want to congratulate Wikipedia for its 20th anniversary.

Wikipedia is a multilingual open-collaborative online encyclopaedia created and maintained by a community of volunteer editors, and it is the first source of this blog, a blog created as a tool to help The Grandma with her classes.

Congratulations to all people who participate in this wonderful project and long live for Wikipedia.

Wikipedia is a multilingual open-collaborative online encyclopaedia created and maintained by a community of volunteer editors using a wiki-based editing system.

It is one of the 15 most popular websites as ranked by Alexa, as of January 2021 and The Economist newspaper placed it as the 13th-most-visited place on the web. Featuring no advertisements, it is hosted by the Wikimedia Foundation, an American non-profit organization funded primarily through donations.

Wikipedia was launched on January 15, 2001, by Jimmy Wales and Larry Sanger.

Sanger coined its name as a portmanteau of wiki and encyclopaedia. It was initially an English-language encyclopaedia, but versions in other languages were quickly developed. With 6.2 million articles, the English Wikipedia is the largest of the more than 300 Wikipedia encyclopaedias. Overall, Wikipedia comprises more than 55 million articles, attracting 1.7 billion unique visitors per month.

Wikipedia has been criticized for its uneven accuracy and for exhibiting systemic bias, including gender bias, with the majority of editors being male. Edit-a-thons have been held to encourage female editors and increase the coverage of women's topics.

In 2006, Time magazine stated that the open-door policy of allowing anyone to edit had made Wikipedia the biggest and possibly the best encyclopaedia in the world, and was a testament to the vision of Jimmy Wales. The project's reputation improved further in the 2010s as it increased efforts to improve its quality and reliability, based on its unique structure, curation and absence of commercial bias.

In 2018, Facebook and YouTube announced that they would help users detect fake news by suggesting links to related Wikipedia articles.

Other collaborative online encyclopaedias were attempted before Wikipedia, but none were as successful.

More information: Wikipedia

Wikipedia began as a complementary project for Nupedia, a free online English-language encyclopaedia project whose articles were written by experts and reviewed under a formal process. It was founded on March 9, 2000, under the ownership of Bomis, a web portal company. Its main figures were Bomis CEO Jimmy Wales and Larry Sanger, editor-in-chief for Nupedia and later Wikipedia.

Nupedia was initially licensed under its own Nupedia Open Content License, but even before Wikipedia was founded, Nupedia switched to the GNU Free Documentation License at the urging of Richard Stallman. Wales is credited with defining the goal of making a publicly editable encyclopaedia, while Sanger is credited with the strategy of using a wiki to reach that goal.

On January 10, 2001, Sanger proposed on the Nupedia mailing list to create a wiki as a feeder project for Nupedia.

The domains wikipedia.com and wikipedia.org were registered on January 12, 2001, and January 13, 2001, respectively, and Wikipedia was launched on January 15, 2001, as a single English-language edition at www.wikipedia.com and announced by Sanger on the Nupedia mailing list.

Wikipedia's policy of neutral point-of-view was codified in its first few months. Otherwise, there were relatively few rules initially and Wikipedia operated independently of Nupedia. Originally, Bomis intended to make Wikipedia a business for profit.

There are currently 317 language editions of Wikipedia, also called language versions, or simply Wikipedias. As of January 2021, the six largest, in order of article count, are the English, Cebuano, Swedish, German, French, and Dutch Wikipedias.

In addition to the top six, twelve other Wikipedias have more than a million articles each (Russian, Italian, Spanish, Polish, Waray, Vietnamese, Japanese, Egyptian Arabic, Chinese, Arabic, Ukrainian and Portuguese), seven more have over 500,000 articles (Persian, Catalan, Serbian, Indonesian, Norwegian Bokmål, Korean and Finnish), 44 more have over 100,000, and 82 more have over 10,000.

More information: Time


A Wikipedia article is a process, not a product.

Clay Shirky

Wednesday, 13 January 2021

JOANA RASPALL I JUANOLA, CATALAN UNIVERSAL POEMS

Today, The Grandma has been reading poetry. She loves it, and it helps her to connect with her deepest feelings and disconnect of this outrageous world. She has chosen one of her favourite writers, Joana Raspall, the Catalan writer and librarian who wrote some of the most wonderful and the best poems ever written.

Joana Raspall i Juanola (Barcelona, July 1, 1913-Sant Feliu de Llobregat, December 4, 2013) was a Catalan writer, lexicographer and librarian.

Although she was known for her children's poetry, she also wrote for adults and her work includes theater, short stories and novels.

Raspall received the Gold Medal of the City of Sant Feliu de Llobregat in 1993, the Creu de Sant Jordi in 2006 and the Medal for Work President Macià in 2010. In 2013, Sant Feliu de Llobregat and the Generalitat de Catalunya declared the Year of Joana Raspall, and they celebrated their centenary in life.

Joana Raspall was born in Barcelona in the Barceloneta district, despite the fact that the family lived in El Masnou, her father was a small local agricultural exporter and her mother was in charge of keeping the accounts of the family business. Soon, at the age of three, they moved to Sant Feliu de Llobregat. She studied for a few years at the municipal school of Sant Feliu, as at eleven she went to study in Perpinyà. She only studied there for a year and a half until the death of her father caused her to return to Sant Feliu de Llobregat.

In the midst of the dictatorship of Primo de Rivera, at the age of fourteen, she began her cultural activism, always in Catalan. She participated in local magazines periodically since the 1920s and was writing poems, prose and theater, which she kept in a drawer, this material was not published until she was older.

More information: Escriptors

She also collaborated with local magazines such as El Eco de Llobregat, Camí and Claror, and participated in the theater and declamation group Miguel Rojas. In the 1930s, she led a campaign to request a Children's Library in Sant Feliu, according to a note preserved in the Municipal Fund of the Sant Feliu de Llobregat City Council of the Baix Llobregat Regional Archive.

Between 1935 and 1938 she studied at the School of Librarians of Barcelona,​​where she obtained a degree in Library Science. From then until the end of the Spanish Civil War she worked as a librarian in Vilafranca, where she helped save many examples of Catalan books of destruction with Leon Rose. At school, she also met the librarian Maria Magdalena Bonamich Font.

During Franco's dictatorship, in the years when teaching Catalan was forbidden, she did so clandestinely by teaching at her private home. She continued to write and publish where she could, encouraging everyone to love and use the Catalan language, which she continued to do years later with the advice of Òmnium Cultural.

In 1941, she married Dr. Antoni Cauhé, a doctor and head of Health in Sant Feliu de Llobregat, with whom she had three daughters and a son.

In 1963, she won the Joan Santamaria Prize, for theater for adults, with L'ermita de Sant Miquel, a play written entirely in verse, which is her first published book.

During the 1970s she was known in independent theater for her children's plays: El pou, a play that won the 1969 Cavall Fort Award, followed by two more plays making a trilogy, L'invent i Consum.

She was making synonym cards, which she kept in shoe boxes and which would be the origin of her work as a lexicographer. This work dedicated to the lexicon culminated with the publication of three dictionaries, works in which her mastery of the language is well reflected by the dictionary of phrases made. She received the IEC Marià Aguiló Prize in 1984.

From the 1980s she began to publish poetry and narrative for children and young people and until the 1990s she did not republish anything for adults. She regularly collaborated in local magazines and was the promoter of the Martí Dot Prize for poetry for young people in Sant Feliu de Llobregat and the literary gathering of the same name.

As a writer, she was a pioneer in Catalonia of poetry for children and young people. She cultivated this genre with the desire to bring children and young people closer to poetry and make them love it. She defended poetry as an effective vehicle in the education of feelings, thus advancing new trends in emotional education.

Raspall stated that she wrote poetry for the sole desire to approach, to make thorough understanding and to love the little things around us and to find meaning in the things we have always looked at only from afar. Her children's poetry is characterized by a great capacity for observation, an exquisite and transparent balance, both in the use of language and in a delicate sensitivity that she entrusts to the reader. She visited many schools and many others visited her and brought her works inspired by her work.

Her first book of children's poetry, Petits poemes para nois i noies (1981), received the Serra d'Or Critics' Prize, a special mention for poetry in the same year, and appeared when she was 68 years old. Ten years later, her poetic publications intensified, she also wrote short stories and the volume of poetry for young people: Llum i gira-sols (1994). More than 100 poems have been set to music.

Adult poetry is what she felt most intimate, most of her own. The work, which she considered the summary of her poetic life, was Jardí vivent (2010). She has also published a novel: Diamants i culs de got (2006), based on wartime experiences. The volume Batec de poesia, collects all her lyrical production.

Raspall took an active part in the First Congress of Catalan Culture with the paper El llibre de teatre infantil and promoted, together with other theater lovers, the creation of a collection of children's theater in Catalan at the Edebé publishing house. She was an honorary member of the Catalan Language Writers Association.

Already in the time of the Civil War she saved a truck full of books from the collection of the Library of Vilafranca del Penedès and the originals of the Calaix de sastre (18th century), owned by the wealthy family to which the Palau Falguera belonged, emblematic building of Sant Feliu de Llobregat. She never left the literary task of writing and publishing works in Jocs Florals, literary contests and popular festivals.

During the Franco period she took advantage of all the opportunities to write in Catalan in the local weekly Alba, as well as actively participating in the Pro Altar campaign of the Virgin of Montserrat that was to be built in the then parish, now a cathedral, from Sant Llorenç, writing radio scripts on Montserrat songs. She also wrote plays performed by local groups at the Parish Center of Sant Feliu de Llobregat and gave private lessons in semi-clandestine Catalan to whomever she wanted and readings of poems in literary meetings.

In 1974, she promoted the creation of the Martí Dot Prize for poetry; in 1976 she chaired the Can Nadal Neighbours Association and in 1977 she was president of the Parish Center.

In 1990, she started the Literary Meeting in Sant Feliu de Llobregat, and never stopped participating in literary events, visits to schools, talks. Thus, in addition to the institutional tributes, in 2004 the Association of the Casal de la Dona of Sant Feliu de Llobregat approved the creation of the Short Story Contest for women Joana Raspall.

More information: Versos (Catalan Version)


Ve l'hora de plegar.
La feina em cau del cor
-esquinç dolorosíssim-,
i es posa en altres mans.
L'amor les acompanyi!

 It's time to fold.
Work falls on my heart
-very painful tear-,
and is placed in other hands.
Love accompanies them!

Joana Raspall i Juanola

Tuesday, 12 January 2021

CHARLES PERRAULT WRITES 'HISTOIRES DU TEMPS PASSÉ'

Today, The Grandma has received the wonderful visit of one of her closest friends, Jordi Santanyí. Jordi loves Literature and they have been talking about Charles Perrault, the French author and founder for a new literary genre, the fairy and folk tales, who was born on a day like today in 1628.

Charles Perrault (12 January 1628-16 May 1703) was a French author and member of the Académie Française.

He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book Histoires ou contes du temps passé. The best known of his tales include Le Petit Chaperon Rouge, Cendrillon, Le Maître chat ou le Chat botté, La Belle au bois dormant, and Barbe Bleue.

Some of Perrault's versions of old stories influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to opera, ballet, theatre, and film.

Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.

Perrault was born in Paris to a wealthy bourgeois family, the seventh child of Pierre Perrault and Paquette Le Clerc. He attended very good schools and studied law before embarking on a career in government service, following in the footsteps of his father and elder brother Jean.

He took part in the creation of the Academy of Sciences as well as the restoration of the Academy of Painting. In 1654, he moved in with his brother Pierre, who had purchased the position of chief tax collector of the city of Paris. When the Academy of Inscriptions and Belles-Lettres was founded in 1663, Perrault was appointed its secretary and served under Jean Baptiste Colbert, finance minister to King Louis XIV. Jean Chapelain, Amable de Bourzeys, and Jacques Cassagne (the King's librarian) were also appointed.

More information: All That Is Interesting

Using his influence as Colbert's administrative aide, in April 1667 he was able to get his brother, Claude Perrault, appointed to a committee of three, the Petit Conseil, also including Louis Le Vau and Charles Le Brun, who designed the new section of the Louvre, the Colonnade, built between 1667 and 1674, to be overseen by Colbert.

The design was chosen over designs by Gian Lorenzo Bernini, with whom, as Perrault recounts in his Memoirs, he had stormy relations while the Italian artist was in residence at Louis's court in 1665, and François Mansart. One of the factors leading to this choice included the fear of high costs, and second was the personal antagonism between Bernini and leading members of Louis' court, including Colbert and Perrault; King Louis himself maintained a public air of benevolence towards Bernini, ordering the issuing of a royal bronze portrait medal in honor of the artist in 1674.

As Perrault further describes in his Memoirs, however, the king harbored private resentment at Bernini's displays of arrogance. The king was so displeased with Bernini's equestrian statue of him that he ordered it to be destroyed; however, his courtiers prevailed upon him to have it redone instead, with a head depicting the Roman hero Marcus Curtius.

In 1668, Perrault wrote La Peinture to honor the king's first painter, Charles Le Brun. He also wrote Courses de tetes et de bague (1670), written to commemorate the 1662 celebrations staged by Louis for his mistress, Louise-Françoise de La Baume le Blanc, duchesse de La Vallière.

Perrault was elected to the Académie française in 1671.

He married Marie Guichon, age 19, in 1672; she died in 1678.

More information: Thought.Co

In 1669 Perrault advised Louis XIV to include thirty-nine fountains each representing one of the fables of Aesop in the labyrinth of Versailles in the gardens of Versailles. The work was carried out between 1672 and 1677. Water jets spurting from the animals' mouths were conceived to give the impression of speech between the creatures. There was a plaque with a caption and a quatrain written by the poet Isaac de Benserade next to each fountain.

Perrault produced the guidebook for the labyrinth, Labyrinte de Versailles, printed at the royal press, Paris, in 1677, and illustrated by Sebastien le Clerc.

Philippe Quinault, a longtime family friend of the Perraults, quickly gained a reputation as the librettist for the new musical genre known as opera, collaborating with composer Jean-Baptiste Lully.

After Alceste (1674) was denounced by traditionalists who rejected it for deviating from classical theater, Perrault wrote in response Critique de l'Opéra (1674) in which he praised the merits of Alceste over the tragedy of the same name by Euripides.

This treatise on Alceste initiated the Querelle des Anciens et des Modernes, which pitted supporters of the literature of the Ancients against supporters of the literature from the century of Louis XIV, the Moderns. He was on the side of the Moderns and wrote Le Siècle de Louis le Grand and Parallèle des Anciens et des Modernes (1688-1692) where he attempted to prove the superiority of the literature of his century. Le Siècle de Louis le Grand was written in celebration of Louis XIV's recovery from a life-threatening operation.

Perrault argued that because of Louis's enlightened rule, the present age was superior in every respect to ancient times. He also claimed that even modern French literature was superior to the works of antiquity, and that, after all, even Homer nods.

In 1682, Colbert forced Perrault into retirement at the age of 56, assigning his tasks to his own son, Jules-Armand, marquis d'Ormoy. Colbert would die the next year, and Perrault stopped receiving the pension given to him as a writer. Colbert's bitter rival succeeded him, François-Michel le Tellier, Marquis de Louvois, and quickly removed Perrault from his other appointments.

After this, in 1686, Perrault decided to write epic poetry and show his genuine devotion to Christianity, writing Saint Paulin, évêque de Nôle. Just like Jean Chapelain's La Pucelle, ou la France délivrée, an epic poem about Joan of Arc, Perrault became a target of mockery from Nicolas Boileau-Despréaux.

In 1695, when he was 67, Perrault lost his position as secretary and decided to dedicate himself to his children. In 1697, he published Histoires ou Contes du Temps passé, subtitled Les Contes de ma Mère l'Oye.

The spelling of the name is with y although modern French uses only an i. This Mother Goose has never been identified as a person, but used to refer to popular and rural storytelling traditions in proverbial phrases of the time.

These tales, based on European popular tradition and often translated from originals by the Brothers Grimm, became very popular in France. Of all his abundant literary production in verse and in prose (odes, epic poetry, essays...) these little stories for children are the only works still read today, and he is often credited as the founder of the modern fairy tale genre. 

More information: Perrault Fairy Tales

Naturally, his work reflects awareness of earlier fairy tales written in the salons, most notably by Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy, who coined the phrase fairy tale and wrote tales as early as 1690.

Some of his popular stories, particularly Cinderella and The Sleeping Beauty, are still commonly told similar to the way Perrault had written them, while others have been revised over the years. For example, some versions of Sleeping Beauty published today are based partially on a Brothers Grimm tale, Little Briar Rose, a modified version of the Perrault story, but the Disney version is true to the original Perrault tale.

Perrault had written Little Red Riding Hood as a warning to readers about men preying on young girls walking through the forest. He concludes his fairy tale with a moral, cautioning women and young girls about the dangers of trusting men. He states, Watch out if you haven’t learned that tame wolves/Are the most dangerous of all.

Perrault warns the readers about the manipulation and false appearances some men portray: I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition –neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!

Indeed, in Perrault's version, the girl gets into bed with the wolf and is devoured, lacking the happy ending found in most current versions of the story.

He had actually published his collection under the name of his last son (born in 1678), Pierre (Perrault) Darmancourt, "Armancourt" being the name of a property he bought for him, probably fearful of criticism from the Ancients.

In the tales, he used images from around him, such as the Chateau Ussé for The Sleeping Beauty, and the Marquis of the Château d'Oiron as the model for the Marquis de Carabas in Puss in Boots. He ornamented his folktale subject matter with details, asides and subtext drawn from the world of fashion. Following up on these tales, he translated the Fabulae Centum (100 Fables) of the Latin poet Gabriele Faerno into French verse in 1699.

Download The Fairy Tales of Charles Perrault


I wish with all my heart that
you may be the most lovable prince in the world,
and I bestow my gift on you as much as I am able.

Charles Perrault