ENJOY ASTÉRIX & THE MANSIONS OF THE GODS IN LYON

Joseph de Ca'th Lon, Claire Fontaine and TheGrandma have just arrived to Décines-Charpieu to enjoy an interesting football match and see the Northern Star.

After spending La Diada (the Catalan National Day) in Perpinyà, Catalunya Nord, the three friends have caught a train to Lyon. During the trip, they have been reading another interesting adventure of Astérix le Gaulois, this time, one titled The Mansions of the Gods.

The Mansions of the Gods, in French Le Domaine des dieux, is the seventeenth graphic novel of the Astérix comic book series, written by René Goscinny and illustrated by Albert Uderzo. Originally released as a serial for the magazine Pilote in 1971, it was later made into a graphic novel, with an English translation released in 1973. The story focuses on Asterix and the Gauls attempting to thwart the latest Roman plan against them, when Caesar decrees that the forest surrounding them be converted into a new Roman colony for the wealthy.

Set in ancient Gaul during the Roman occupation, the story revolves around the indomitable Gaulish warrior Astérix and his faithful companion Obélix. Famed for their uncanny strength, Astérix and Obélix live in the village of the indomitable Gauls, who are the sole survivors resisting the Roman conquest.

In The Mansions of the Gods, the Roman Empire, represented by its executor, Julius Caesar, hatches a new plan to finally conquer the stubborn Gauls. Not content with repeated military failures, Caesar comes up with a different approach. He decides to build a luxurious Roman housing development, The Mansions of the Gods, right next to the Gaulish village. The aim behind this project is to Romanize the Gauls gradually, diluting their identity and assimilating them into Roman culture.

While some Gauls are initially enticed by the prospect of a luxurious lifestyle, Astérix and Obélix, with their ever-vigilant resistance to Roman domination, are determined to thwart Caesar's ultimate scheme. As construction on the mansions begins, Astérix and Obélix, employing their wit, skill, and magic potion, embark on a series of comedic adventures to disrupt the Romanization efforts and preserve their village's unique identity.

The Mansions of the Gods brilliantly showcases the satirical and humorous elements that define the Astérix series. Goscinny's sharp and witty writing, combined with Uderzo's vibrant and detailed illustrations, create a visually captivating narrative that appeals to readers of all ages.

The book highlights crucial themes such as resistance to imperialism, cultural preservation, and the consequences of assimilation. Through its engaging storyline and memorable characters, The Mansions of the Gods offers a thought-provoking commentary on the collision of different cultures and the importance of preserving one's identity while resisting attempts at forced homogenization.

The Mansions of the Gods has garnered immense popularity and critical acclaim since its release. Translated into numerous languages worldwide, the book has captivated millions of readers, becoming a beloved classic within the realm of comic literature. Its success has also led to an animated film adaptation, which further propelled the legacy of Astérix to new heights.

Ultimately, The Mansions of the Gods stands as a testament to the enduring appeal of the Astérix series, showcasing its unique blend of humor, adventure, and social commentary. Through its timeless narrative, the book continues to entertain and inspire readers, fostering a love for the Gaulish heroes Astérix and Obélix, and their unwavering spirit of resistance against imperial powers.

Following the French riots of May 1968, Goscinny made increasing references in Astérix to current political events in France. In Mansions of the Gods he caricatures modern technocracy (the young urban planner), the gigantic villes nouvelles (new cities) of high-rises, and especially advertising.

The interaction between Squaronthehypotenus and the slaves resembles that of modern-day employers, trade unionists, and workers on strike.

The quizmaster in the Circus Maximus who coerces the reluctant winner to accept his prize is a caricature of the French television entertainer Guy Lux.

The character named Flaturtha was a reference to the nascent modern flat Earth movement of the 1970s, and a reference to the Numidian king Jugurtha.

A Lusitanian who makes a brief appearance among the slave workforce returns as a main character in the later album Astérix in Lusitania.

Key Lessons From The Mansions Of The Gods

-Satire of urbanization and modernity. The Mansions of the Gods provides a satirical critique of urbanization and the impact of modernity on society. It depicts the Roman city of Rome-Not-So-Eternal as a symbol of the encroaching urban expansion and its detrimental effects on the traditional Roman way of life.

-Clash of cultures. The book explores the clash between the Roman culture and the invading Gauls. It highlights their differences in terms of values, traditions, and ways of life. This clash serves as a humorous commentary on cultural assimilation and the challenges that arise when two cultures collide.

-The power of resistance. The Gaulish village in The Mansions of the Gods serves as a symbol of resistance against the Roman Empire and its attempts to colonize Gaul. The villagers' unwavering resistance and determination to preserve their way of life demonstrate the power of resilience and standing up against oppression.

-The futility of materialism. The book mocks the Roman obsession with wealth, luxury, and material possessions. It portrays the Romans as shallow and materialistic, constantly seeking new ways to acquire and display their wealth. This critique serves as a reminder of the emptiness and futility of solely pursuing material wealth.

-The importance of community. Throughout the story, the Gaulish villagers rely on their strong sense of community and unity to resist Roman influence. The book emphasizes how collective action, support, and a strong sense of community can be a powerful force in protecting one's values and way of life. It underscores the importance of solidarity and collaboration in the face of challenges.

Download The Mansions of the Gods by R. Goscinny & A. Uderzo

Si nous parvenons à faire vivre des Romains 
dans le voisinage de ces Gaulois, 
nous aurons, non seulement veni et vidi, 
mais nous aurons vraiment vici, en plus!

If we manage to get Romans 
to live alongside these Gauls, 
we shall not only have veni and vidi, 
but we shall truly have vici as well!

Julius Caesar

READING 'ASTÉRIX IN SWITZERLAND' IN FLEURY-MÉROGIS

The Grandma is enjoying her last days off before starting a new formation of almost three months in Sant Boi de Llobregat.

Last Monday, she enjoyed with Claire Fontaine and Joseph de Ca'th Lon the start of the Lux tour at the LDLC Arena in Décines-Charpieu, a place they know well and visit often because it is a few metres from the Groupama Stadium.

On Wednesday, all three friends flew to Paris where they saw the Catalan artist again, this time at the Accor Arena, in a first concert and yesterday, Friday, in a second one. They have been three wonderful concerts, although the three friends are still waiting to hear Memória live, because they are lovers of fado and it reminds them a lot of the much-loved Mísia, the Catalan-Portuguese artist, whom they followed throughout her career.

And because they are still in Paris today, they have bought some Fleury 91-OL tickets this morning and they will drive to Fleury-Mérogis, a city located 30 km south of the French capital to attend an interesting match of the Northern Star's team. They are not very sure that she will play the match because next week she has a very important European commitment, but it is 30 km and it is worth going there.

They have brought their faithful travel companion when they are in Gaul, Astérix, this time with his adventure in Switzerland, to read it during the short trip.

Astérix chez les Helvètes, in English Astérix in Switzerland, is the sixteenth volume of the Astérix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). It was originally serialized in Pilote magazine issues 557-578 in 1970 and translated into English in 1973.

Following the protests of May 1968, Goscinny started introducing more adult themes such as the opening orgy scene which parodies Federico Fellini's debauched Roman film, Fellini Satyricon. The painted faces, feeling of ennui, mechanical gorging of elaborate food, and sado-masochistic punishments are balanced (in Helvetia) by the fastidiousness of the Swiss servants who keep cleaning up messes and washing whips.

The idea to send Astérix and Obélix to Switzerland was proposed by future French president Georges Pompidou. A handwritten note from Pompidou, when he was prime minister, urging the authors to write about Astérix among the Helvetians, was displayed in an Asterix exhibition at the National Library of France in 2013.

This album features a rare dark overtone in that the plot involves a victim of attempted murder. The added element of potential death offers a startling but refreshing moment of drama in the otherwise whimsical series. Other stories that share a dramatic turn include Astérix and Son (where the village is destroyed) and Astérix and the Magic Carpet.

The comic contains several puns on typical Swiss features, such as the confidentiality and high level of security of Swiss banks, fondue, Swiss clocks (especially cuckoo clocks), the Helvetians' insistence on neutrality, yodeling, punctuality, alphorns (as an alternative form of carnyx), and -in one notable scene- the Swiss Federal Assembly.

The comic suggests that modern mountain climbing was introduced when Astérix has the idea of him, Obélix and their Helvetian aides securing themselves with ropes, and sledding when Astérix accidentally rides Obélix down the mountainside.

One scene with Astérix shooting a bow while a boy with an apple on his head fixes a target is a nod to the Swiss folk hero William Tell.

In one panel, avalanches in the Alps are satirized when the Roman legionaire hanging on to Obélix cautions, Stop shouting, you could easily start something off.

Like always, this issue concludes with the celebrational village feast with Cacophonix being tied to the tree. However in this case he's not gagged. Nothing prevents his awful singing during the affair.

Bibendum (the Michelin logo) makes a brief guest appearance as the chariot wheel dealer in the original English translation; whereas the original French version used the Gaulish-warrior-like mascot of the French service station company Antar. The 2004 English re-print from Orion Books uses the French illustrations, thus rendering Obélix's joke about Bibendum's weight in the next panel nonsensical. Call me fat! Did you see his spare tire?

The book's storyline is rife with clever wordplay, delightful caricatures, and hilarious situations as Astérix and Obélix find themselves embroiled in comical confrontations with the Romans while showcasing the determination and perseverance of the Swiss people. The authors skillfully blend history, satire, and humor throughout the narrative, making Astérix in Switzerland an entertaining and educational read for all ages.

As with all Astérix books, the illustrations by Albert Uderzo are a visual feast, capturing the charm and whimsy of the Gaulish village, the grandeur of the Swiss landscape, and the amusing antics of the characters. Uderzo's dynamic artwork, vibrant colors, and attention to detail bring the story to life, making it a visual treat for readers.

Astérix in Switzerland not only entertains readers with its engaging story and delightful illustrations but also serves as a commentary on the themes of resistance, cultural identity, and the strength of community. The book showcases the power of unity, determination, and the ability to overcome adversity, echoing timeless values that continue to resonate with readers today.

In conclusion, Astérix in Switzerland is a captivating addition to the Astérix series, offering a delightful blend of history, satire, adventure, and humor. With its lovable characters, clever wordplay, and beautiful artwork, this book is sure to charm readers of all ages, transporting them on a grand escapade through the enchanting world of Astérix and Obélix.

Key Lessons From Astérix In Switzerland

-Unity is strength. One of the central themes of the book is the power of unity. The Gauls, led by Astérix and Obélix, join forces with the Swiss to not only protect their village from the Roman invaders but also to help the Swiss regain their independence. The book demonstrates that when people come together and work towards a common goal, they can achieve great things.

-The importance of cultural identity. Astérix in Switzerland celebrates the unique cultural identity of the Swiss. The Swiss characters are portrayed as having their own distinct language, traditions, and values. The book emphasizes the importance of preserving one's cultural heritage and not succumbing to external influences. It teaches the readers to appreciate and embrace their own cultural identity.

-Cultural stereotypes. The book playfully highlights various cultural stereotypes associated with both the Swiss and the Gauls. It shows the Swiss as being disciplined, precise, and punctual, while the Gauls are depicted as unconventionally brave and fiercely loyal. However, the book also challenges these stereotypes by showing that individuals from both cultures can defy expectations and exhibit traits not typically associated with them.

-Satire and humor. Astérix in Switzerland uses satire and humor to comment on various aspects of society. It humorously pokes fun at bureaucracy and politics, specifically in the scene where the Swiss decide on their new leader through a contest of yodeling. The puns and wordplay throughout the book add to the light-hearted and comedic tone.

-Loyalty and friendship. The book emphasizes the importance of loyalty and friendship through the relationship between Astérix and Obélix. Despite their differences, the two characters demonstrate unwavering loyalty and support for each other. The book also highlights the theme of loyalty to one's homeland, as both the Gauls and the Swiss are willing to fight for their respective countries and protect their way of life.

 Download Astérix in Switzerland by René Goscinny & Albert Uderzo

Switzerland: the land of yodelling, cuckoo clocks, 
and the extraordinary power of cheese!

 

Astérix

ASTÉRIX AND THE ROMAN AGENT IN DÉCINES-CHARPIEU

Today, Claire Fontaine and Joseph de Ca'th Lon have arrived in Décines-Charpieu, Lyon where this afternoon they will go to see the Northern Star, who has a very important match today. During the trip from Milan to Lyon they have been reading a new Astérix adventure, in this case, Astérix and the Roman Agent.

Astérix and the Roman Agent, in French La Zizanie, is the fifteenth volume of the Astérix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). It first appeared as a serial in Pilote magazine issues 531–552 in 1970 and was translated into English in 1972.

The original French title of this story was La Zizanie (The Ill-feeling or The Dissension). The inspiration was the dissension at Pilote magazine, a year before, during the May 1968 events in Paris, a time of civil unrest, when Goscinny, then also editor of Pilote, was almost evicted from the post, and remained bitter from the affair.

In the English version Caesar keeps making the famous Et tu Brute remark to Brutus who reacts in silent annoyance at this patronising attitude. In the original French version, Caesar keeps saying Et toi, mon fils (French for And you, my son), a possible reference to the suggestion by some historians that Brutus was actually fathered by Caesar, though some think it unlikely due to the mere 17-year age difference between the two men. It may also be a reference to the Greek phrase which the historian Suetonius reports Caesar did say to Brutus, καὶ σὺ τέκνον (Kai su, teknon?), literally, in English, You too, my child?

Brutus denies ever serving Caesar's enemy Pompey, whereas he actually did so in real life. It is a curious remark to make in a series which, although largely fictional, is based on extensive research into the history and background of the time and the habits of populations both old and new.

Centurion Felix Platypus is a caricature of the actor Lino Ventura, well-known for playing the parts of tough policemen.  

The incident of the Pirates fighting between themselves and sinking their own ship is referred to in the next adventure Astérix in Switzerland.

When Impedimenta screams at Vitalstatistix about idiots (words used in the original French edition) who might one day have the absurd idea of writing the history of the village, Goscinny and Uderzo are clearly referring to themselves.

This is the first appearance of several female villagers -Impedimenta's inner circle of prominent wives. In particular, the wives of Geriatrix and Fulliautomatix and an obese lady whose husband is not mentioned, but who appears in many crowd and background scenes in later albums, are first seen here.

In the scenes where people have been deceived into arguing, the speech bubbles are painted in increasingly dark green. In contrast, in the final banquet panel, Vitalstatistix makes his moving birthday speech in pink.

Stradivarius. The old senator's voice is compared to the sound of a Stradivarius violin, highlighting its rich and resonant quality.

Magnumopus (Fr. Savancosinus). The French name of the Roman legionary Magnumpous is Savancosinus. This is a clever play on the word cosine, referencing the comic character Savant Cosinus.

The Battle of the Four Camps. For the first time, all four Roman camps surrounding the Gaulish village  -Aquarium, Totorum, Laudanum, and Compendium- unite in a coordinated attack, increasing the stakes for the indomitable Gauls. In the American English release, the camps are named; Aquarium, Opprobrium, Nohappimedium and Delirium.

It is a very special adventure from which great vital ideas are extracted.

Despite Convolvulus's best efforts, the Gauls ultimately overcome the challenges he presents. By recognizing the dangers of manipulation and reaffirming their unity, they successfully thwart the Roman's plans and expose Convolvulus's treachery.

Astérix and the Roman Agent is a testament to the enduring brilliance of Goscinny and Uderzo. This thought-provoking adventure explores themes of trust, betrayal, and the importance of maintaining unity within a community, making it a timeless classic that continues to entertain and enlighten readers today.

Download Astérix and the Roman Agent by R. Goscinny & A. Uderzo

Astérix I think that we shall soon 

have to teach our friends a little lesson.

Obélix

ASTÉRIX & THE CAULDRON IN DÉCINES-CHARPIEU, LYON

Today, Joseph de Ca'th Lon is in Décines-Charpieu, Lyon to see the Northern Star, who has an important match this afternoon.

The weather is sunny with some clouds, the temperature does not rise above 10 degrees, and the climate is oceanic to semi-continental, with a breeze that reinforces the feeling of cold.

To avoid this, Joseph has decided that nothing is better than having a good coffee and eating some delicious choux pastry while reading a new Astérix adventure, this time, Astérix and the Cauldron.

Astérix and the Cauldron is the thirteenth volume of the Astérix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). 

It was first serialized in the magazine Pilote, issues 469-491, in 1968, and translated into English in 1976.

When Obélix suggests they get paid by telling people their adventures, Astérix rejects the idea as unlikely to raise any money. The joke is that, by this time, the series had made Goscinny and Uderzo very wealthy.

When Roman dignitaries assemble at the theatre, Uderzo (in Roman costume) is shown talking to the Prefect, while Goscinny, on the right, amuses his neighbours with jokes.

The tax collector in the book appears to be a caricature of Valéry Giscard d'Estaing, then the French minister of finance, who later became president.

Two of the actors in the theatre are named Laurensolivius and Alecginus.

This is the first and only volume in which the pirates enjoy a happy ending, and the first of the few rare stories where their ship is not sunk (though they have already taken a beating earlier in this episode).

The fight at the end of the story is one of the rare times Astérix is seen using his sword, although he always carries it with him.

Astérix's unraveling of the plot is a reference to the Roman proverb Pecunia non olet (money does not stink).

In earlier editions, the colour of the breeches of the Roman legionaries changed from white to red.

Key Lessons From Asterix And The Cauldron

Friendship and loyalty. The book showcases the strong bond of friendship and loyalty between Astérix and Obélix. Despite facing challenges and difficulties, they always stand by each other and support one another.

Greed and corruption. The story revolves around the theme of greed and corruption. The Gauls come across a wealthy Roman who is involved in various corrupt practices. The book highlights the negative consequences of greed and the importance of standing up against corruption.

Courage and bravery. Astérix and Obélix display great courage and bravery throughout the book. They take on challenging tasks and face dangerous situations fearlessly. Their determination and bravery inspire others to join their cause and stand up for what is right.

Importance of unity. The book emphasizes the importance of unity and teamwork. The Gauls, despite their differences, come together to overcome obstacles and fight against their common enemy. This highlights the strength that can be achieved when people work together towards a common goal.

The triumph of the underdog. Astérix and Obélix, who are often underestimated due to their small stature, triumph over their enemies and emerge victories. This teaches readers the important lesson that one's size or appearance does not determine their abilities or potential for success.

Download Astérix and The Cauldron by R. Goscinny & A. Uderzo

Nothing brings our village together like a good feast.

Astèrix

ASTÉRIX AT THE OLYMPIC GAMES IN DÉCINES-CHARPIEU

Today, Joseph de Ca'th Lon, Claire Fontaine and The Grandma are in Décines-Charpieu, Lyon where this afternoon the Northern Star has an important match.

 

After a few days of freezing temperatures, snow and morning fog typical of Stephen King novels, the temperature has moderated and the three friends have gone for a run in the morning, have had lunch and before going to Groupama Stadium, they have been reading another Astérix adventure, this time Astérix at the Olympic Games, next to a stadium that, precisely, was the home of football at the 2024 Summer Olympics in Paris.

Astérix at the Olympic Games is the 12th comic book album in the Astérix series. Serialized in Pilote issues 434–455 in 1968 (to coincide with the México City Olympics), it was translated into English in 1972 (to coincide with the Munich Olympics). The story satirizes performance-enhancing drug usage in sports.

Authors René Goscinny and Albert Uderzo appear on page 29 in a carved bas-relief at the front of the Olympic Village. Goscinny is calling Uderzo a 'despot' and Uderzo replies with 'tyrant'. The two are pacifying a bull, implying that creating an Astérix story is a Herculean task.

Key Lessons From Astérix At The Olympic Games

-Teamwork. The book emphasizes the importance of teamwork and unity. Astérix and his friends work together to compete in the Olympic Games, showcasing the strength and power of teamwork.

-Overcoming obstacles. The characters in the book face various obstacles and challenges during the Olympic Games. However, they never give up and find creative solutions to overcome these obstacles. This teaches readers the importance of perseverance and resilience.

-Friendship. The book highlights the power of friendship. Astérix and Obélix support each other through thick and thin. Their bond and friendship enable them to face challenges with courage and determination.

-Fair play. The book promotes the value of fair play and sportsmanship. Even though the characters face cheating and unfair tactics from their competitors, they never stoop to the same level. They uphold their moral values and play by the rules, ultimately being rewarded for their integrity.

-Embracing diversity. Astérix and his friends encounter competitors from different countries during the Olympic Games. The book celebrates diversity and teaches readers to embrace different cultures and perspectives. It promotes a message of acceptance and understanding in a multicultural world.

Download Astérix at the Olympic Games by R. Goscinny & A. Uderzo

We have to return to Excellence. 
The village doesn't deserve anything less.

Astérix

ASTÉRIX AND THE CHIEFTAIN'S SHIELD IN SAINT-ÉTIENNE

This morning, The Grandma landed in Lyon just in time to meet Claire Fontaine and Joseph de Ca'th Lon and drive to Saint-Étienne to enjoy the Northern Star, who had an important match today.

The snow has caused the match to start a little late, which has been favourable for lunch and take a nice hot coffee. She has been reading a new Astérix the Gaul adventure, this time Astérix and the Chieftain's Shield.

The match has been entertaining, especially during the first half, and after the snowstorm a storm of goals has arrived. This afternoon, they will return to Lyon where they will rest before enjoying a fantastic day of skiing tomorrow. They plan to stay until next Thursday in Lyon and are just hoping that the weather will be kind to them so that they can visit all the places they have in mind.

Astérix and the Chieftain's Shield, in French Le bouclier arverne, The Arvernian Shield, is the eleventh volume in the Astérix comic book series, written by René Goscinny and drawn by Albert Uderzo. It was originally published as a serial in Pilote issues 399-421 in 1967.

The book is inspired by the battle of Alesia, where the Gaulish warrior chief Vercingetorix surrendered to Julius Caesar. However, only the very end of the actual battle appears in the book -the main plot concerns what happened after the battle.

This episode, like Astérix and the Cauldron, is plotted like a detective novel, with a mystery to be solved at the very end.

A running gag in this book features Vitalstatistix and Winesanspirix falsely claiming I don't know where Alesia is! No one knows where Alesia is!, as if ashamed at Vercingetorix's defeat. Historically, Alesia's likely location was rediscovered only after this book was published.

The ubiquitous wine-and-coal shops in Gergovie allude to the Bougnats, Arvernian immigrants to Paris operating shops selling wine, wood, and coal.

This book establishes the origin of Vitalstatistix's shield, on which he is customarily carried, as that of Vercingetorix.

This is one among a minority of Astérix books wherein the bard Cacofonix is not tied up and gagged at -and actively participating in- the feast.

This is the first album wherein Vitalstatistix's wife Impedimenta is named.

The wheel factory is a reference to Michelin, based in Clermont-Ferrand, or the Gaullish Nemessos. In real life, the main square in Clermont-Ferrand has a statue of Vercingetorix, as opposed to the statue of Caesar in the book.

In the wheel factory, Obélix shows a desire for business success: a theme later central to Obélix and Co.

Though Vitalstatistix' hydrotherapy according to the comic book takes place in Aquae Calidae (modern Vichy), the first picture on page 10 alludes to the Source Eugénie and the thermal building in Royat where the Romans used the thermal springs for hydrotherapy as well.

In the Astérix books, a map of Gaul bears the caption that 'by 50 B.C. all Gaul was occupied by the Romans'; but the historical battle of Alesia took place about the year 52 B.C. It is treated as having occurred at least 15 years before this story; thus placing Astérix in the mid-30s B.C. (though the historical Julius Caesar, a recurring character in these books, had been murdered long before).

In Page 9, Vitalstatistix refers to 1 Timothy 5:23, regarding having a little wine for his stomach problems.

This book serves as a loose basis for the Sega Mega Drive video game Astérix and the Power of the Gods.

In most editions of the book, including the original French but excluding the English translation, the Arvernians talk in a dialect where they pronounce each "s" sound as "sh". This is an homage to the dialect spoken in the Auvergne region in France. This is even made fun of when an Arvernian youth pronouncing "s" normally appears, and the other Arvernians comment that he has a lisp.

Key Lessons From Asterix And The Chieftain's Shield

-The Importance of Strong Leadership. The book emphasizes the importance of strong leadership through the character of Chief Vitalstatistix. His leadership skills are tested when his shield containing the village's secrets is stolen, and he must gather the courage to protect his tribe and recover it.

-The Significance of Community. Astérix and his fellow villagers demonstrate the power of unity and community support. They come together to help their chief, using their individual talents to overcome obstacles and triumph over their enemies.

-The Value of Friendship. The book also highlights the importance of friendship and loyalty. Astérix and his best friend Obélix always stand by each other and support one another in their adventures. This demonstrates the strength of their bond and the positive impact it has on their mission.

-Courage and Determination. Throughout the story, the characters display immense courage and determination in the face of challenges. They take risks, face their fears, and never back down from defending their tribe and their values.

-The Folly of Power and Greed. The book offers a critique of power and greed through the character of Claudius Civilis and his associates. Their lust for power drives them to steal Chief Vitalstatistix's shield and disrupt the harmony of the Gauls. This serves as a cautionary tale about the negative consequences of unchecked ambition and greed.

 Download Astérix and the Chieftain's Shield by R. Goscinny & A. Uderzo

It never rains but it always pours.

Unhygienix

ASTÉRIX LE GAULOIS ET LES NORMANDS IN MANCHESTER

Claire Fontaine has just arrived in Manchester where she will meet Joseph de Ca'th Lon this afternoon. They have travelled to this beautiful city to watch the Northern Star, meet up with old friends and enjoy a first class sporting spectacle. The Grandma, who will be following this interesting and emotional match from home, wishes them the best of luck and, most importantly, that both teams compete and put on a great show, because that's what it's all about: personal effort and honesty in front of the audience who come to see you. During the trip, Claire has been reading an Astérix and Obélix adventure, Astérix and the Normans.

Astérix and the Normans, in French Astérix et les Normands, is a French comic story, written by Rene Goscinny and illustrated by Albert Uderzo. 

It is the ninth story in the Astérix comic book series, and was originally published by Dargaud as a serial for Pilote magazine in 1966, before being released as a comic album in 1967.

The story focuses on Astérix and Obélix helping train up the nephew of their village chief, only to find themselves contending with a visit by men from the frozen north raiding their lands in search of learning about fear.

Astérix and the Normans received favourable reviews following its publication. An adaptation loosely based on the story, Astérix and the Vikings, was released in 2006.

In the French original, Justforkix makes mention of the work of Elvix Preslix -a pun on the name of rock musician Elvis Presley- and performs a piece by the bardic band Les Monkiix -a parody version of the rock band The Monkees. For the English version, the band was referred to as The Rolling Menhirs- a parody version of rock band The Rolling Stones.

When Astérix inquires about Justforkix's sports car-like chariot, he states it was made in Mediolanum (present-day Milan). The line is a reference to the Italian motor industry and its production of sports cars.

In one scene, Timandahaf explains to Astérix his people did not plan to start a war with Gaul, but states he will leave it to our descendants. This is a reference to the 9th century invasion of northern France by Norsemen, who would later become the Normans and give rise to the name Normandy for the region they conquered. The comic makes reference to the stereotypes of Normandy cuisine, primarily recipes from the region that use cream.

In the Finnish version, the title is Astérix ja normannien maihinnousu, which is translated as Astérix and the Landing of the Normans. The words normannien maihinnousu are a play on the Finnish history-book term Normandian maihinnousu that references the Normandy Landings of 1944.

Key Lessons From Asterix and the Normans

-Cultural differences. One of the key lessons from Astérix and the Normans is the exploration of cultural differences. The book highlights the clash between the Roman and Norman cultures, showcasing their differing values, customs, and ways of life.

-Strength in unity. The story emphasizes the power of unity and working together as a community. The Gauls demonstrate their resilience and strength by standing together against the invading Normans, showcasing the importance of teamwork and solidarity in overcoming challenges.

-Embracing diversity. Astérix and the Normans also highlights the importance of embracing diversity and accepting others despite their differences. The Gauls learn to appreciate and respect the Normans' unique customs and way of life, eventually overcoming their initial fear and animosity towards each other.

-Overcoming fear. The book explores the theme of fear and how it can be overcome. Initially, the Gauls are afraid of the Normans due to their strength and their seemingly fearless nature. However, through their encounters and interactions, both sides realize that fear can be conquered through understanding, communication, and getting to know one another.

-Celebrating individuality. Astérix and the Normans celebrates the uniqueness of individuals and the importance of embracing one's own identity. This is illustrated by the character of Justforkix, a young Viking who is initially mocked for his timid nature but later impresses the Gauls with his own brave act. The book teaches readers that everyone has their own strengths and abilities, and they should be celebrated and valued.

Astérix and the Normans not only provides readers with a delightful and humorous story, but also subtly presents important lessons about courage, identity, and the significance of facing one's fears. The book continues to be beloved by readers of all ages, captivating audiences with its unique blend of history, satire, and adventure.

Overall, Astérix and the Normans is a timeless classic that has earned its place in the world of literature, entertaining readers for generations with its enchanting storytelling, memorable characters, and humorous escapades. Whether one is a fan of comics, history, or simply appreciates a good laugh, this book is sure to leave a lasting impression.

Download Astérix and the Normands by R. Goscinny & A. Uderzo

A friend can always help you in times of need.

Astérix and the Normands

ASTÉRIX LE GAULOIS CHEZ LES BRETONS IN DIGION/DIJON

Joseph de Ca'th Lon has just arrived in Digion to watch the Northern Star, who has an important match today.

 

Digion or Dijon is just over two hours away by car from Basel and Joseph hasn't wanted to miss this new opportunity to enjoy a good football match. The Grandma and Claire Fontaine are in Barcelona taking care of their personal business and won't be there this time, but they will take a break to enjoy this match via Youtube. They are very happy that Joseph can watch it live and they just hope it won't be too cold, although for a Swiss person, that shouldn't be a problem, right?

While waiting for the match to start, The Grandma is reading a new Astérix and Obélix adventure, this time a bit premonitory because our heroes are in Britain.

Astérix in Britain (also known as Astérix in the land of the Britons, translated from French Astérix chez les Bretons) is a French comic story, written by Rene Goscinny and illustrated by Albert Uderzo.

It is the eighth story in the Astérix comic book series, and was originally published by Dargaud as a serial for Pilote magazine in 1965, before being released as a comic album in 1966.

The story focuses on Astérix and Obélix travelling to Roman-occupied Britain to help deliver a barrel of magic potion to a rebel Briton village, only to encounter obstacles that hinder their journey. The story featured several references and parodies surrounding British culture and society.

Astérix in Britain received an audiobook adaptation, as well as two film adaptations: an animated film of the same name in 1986; and a live-action film, Astérix and Obélix: God Save Britannia, in 2012.

As with stories involving encounters with various foreign people, Astérix in Britain makes fun of common English stereotypes, though in the original publication both Rene Goscinny and Albert Uderzo included a foreword stating that this was done with no intention of insulting France's famous rivals.

The story features several notable references, the most notable being:

-In the story, Astérix and Obélix head for a rugby match, in which one of the teams comes from Camulodunum and wear blue and white uniforms. Camulodunum is the ancient name of Colchester, while the uniforms are based on those wore by the footballers of Colchester United FC. The opposing team they face come from Durovernum. The name references a Roman town and hilltop fort called Durovernum Cantiacorum that became the site for present-day Canterbury.

-The name Mykingdomforanos is a pun on the Shakespearean line my kingdom for a horse from the play Richard III. The name Encyclopaedicus Britannicus is a play on the real-life name of the general knowledge encyclopaedia, the Encyclopædia Britannica.

-In the French version of the comic, Goscinny and Uderzo used literal French translations of English expressions - for example Je dis!, which is the translation of I say! In some of their work with English expressions, they stuck with French grammar rather than English, meaning some adjectives were placed before nouns, rather than after them. For the English translation, translators Anthea Bell and Derek Hockridge had several Briton characters speak with a stereotypical upper class English, such as for example This is a jolly rum thing, eh, what?

-The city of Londinium is based on the real-life Roman city that was founded in 47 AD. The comic's creators took some historical liberty in using it for some of the settings used in the comic.

Key Lessons From Asterix In Britain

-Cultural Differences. The book highlights the cultural differences between Ancient Britain and Ancient Gaul (where Astérix and his friends are from). The British have peculiar habits such as drinking hot water with a splash of milk, driving on the left side, and consuming a lot of tea. This teaches us to appreciate and respect different customs and traditions.

-Satire and Humor. Astérix in Britain is known for its witty and satirical humor. It pokes fun at various aspects of British society and stereotypes, such as the British obsession with queues, the class system, and even the British weather. This teaches us to not take ourselves too seriously and to find humor in everyday situations.

-Unity and Resistance. The book highlights the spirit of unity and resistance against foreign invaders. Despite Britain being occupied by the Romans, the British tribes refuse to fully submit and come together to fight against them. This teaches us the importance of standing up for one's beliefs and working together towards a common goal.

-Friendship and Loyalty. Throughout the book, Astérix and his best friend Obélix demonstrate their unwavering loyalty and friendship towards each other. They support and protect one another in times of trouble, showcasing the importance of having strong bonds with those we care about.

-Historical References. Astérix in Britain includes several historical references, such as the construction of Hadrian's Wall and the involvement of Roman Emperor Julius Caesar. These references provide readers with a glimpse into ancient history and can spark an interest in learning more about the time period. It teaches us the value of understanding and appreciating history in order to better comprehend the present. 

Download Astérix in Britain by R. Goscinny & A. Uderzo

The Britons are lovable, 
but they have a strange fascination 

with everything round 
-round tables, round stones, round shields.

Astérix in Britain

ASTÉRIX LE GAULOIS & LES GOTHS IN DÉCINES-CHARPIEU

Today, Claire Fontaine and The Grandma are travelling to Lyon to see the Northern Star, who has an important match near this beautiful city. They have decided to travel by train to enjoy the views. It is an interesting trip that crosses Catalonia, Occitania and Auvergne-Rhône-Alpes. During the trip, they have been reading a new adventure of the most popular gaulois, Astérix the Gaul, an amazing adventure with the Goths.

Astérix and the Goths, in French Astérix et les Goths, is a French comic story, written by René Goscinny and illustrated by Albert Uderzo. 

It is the third story in the Astérix comic book series, and was originally published by Dargaud as a serial for Pilote magazine in 1962, before being later released as a comic album in 1963.

The story focuses on Astérix and Obélix travelling into the lands of the Goths in Germania in order to rescue their druid from his kidnappers, who seek his power to conquer the Gauls and the Romans.

Following its publication, Uderzo regretted the Germanophobic tone of the story, which led to him and Goscinny changing how German characters appeared in the series in later stories. While several translations were made, including an English version in 1974, one translation for West Germany later drew criticism from the creators for including political propaganda and had to be reprinted as a result.

Astérix and Obélix travel with their druid Getafix, as he heads from the Gaulish village in Armorica to attend the annual druids' conference in the Forest of the Carnutes. During their journey, the pair meet with Getafix's British friend Valueaddedtax, a fellow druid, before encountering a Roman patrol who warn them that a band of Goths have recently crossed the border into Gaul. Whilst Astérix and Obélix are forced to wait outside the forest, as the conference does not allow non-druids to attend, Getafix wins first prize in a contest regarding druidic inventions by impressing the others with his magic potion that gives superhuman strength.

As he leaves the conference to reunite with his friends, Getafix is kidnapped by the Goths, led by Choleric, who had been spying on the druids with the intention of finding a powerful druid amongst them who could help the Goths conquer both Gaul and Rome. When Astérix and Obélix learn Getafix is missing, they join Valueaddedtax to search around where he was heading, and discover a Visigoth helmet. Realizing his predicament, the pair set off in pursuit, only to encounter a Roman patrol in the process who mistakenly believe they are Goths. To avoid capture, the Gauls knock out two Roman soldiers and steal their uniforms, which soon sows confusion amongst the Romans, all while failing to stop the real Goths from escaping.

Forced to cross the border between Gaul and Germania, the pair knock out a pair of Goths and steal their clothing to disguise themselves once again. Tracking down Getafix to a Gothic garrison, the pair accidentally get imprisoned after angering the garrison commander, but find themselves thrown into a cell with a Goth named Rhetoric -a translator who was helping the Goth's chief, Metric, convince Getafix to use his powers for him, but had to falsify his translations when Getafix refused in Gaulish (despite being able to speak in Gothic). After breaking out of the garrison, the pair discover Rhetoric speaks Gaulish and force him to lead them to their druid.

After allowing themselves to be captured, the pair are imprisoned with Getafix, who in turn exposes Rhetoric for lying to Metric, leading the translator to be thrown in with them. Discussing their situation, Getafix reveals what the Goths are planning to do, and decides they must prevent a major war breaking out by forcing the Goths to fight amongst themselves. After enduring attempts to torture them, the Gauls trick Rhetoric and Metric into fighting each other for leading as chief, giving them magic potion to do so, and then trick other Goths that they should be chief. 

The resulting chaos this causes prompts the Goths to abandon their plans of invasion and creates a civil war amongst them. Satisfied with this, Astérix and his friends return home to their village, where everyone delights in their safe return and host a banquet in celebration.

Key Lessons From Astérix and the Goths

-Cultural Differences. One of the key lessons in Astérix and the Goths is the exploration of cultural differences and the importance of embracing diversity. The book humorously portrays the contrasting lifestyles and customs of the Gauls and the Goths, highlighting the need for understanding and acceptance between different communities.

 

-Courage and Determination. Another key lesson from the book is the significance of courage and determination in overcoming challenges. Astérix, Obélix, and their fellow Gauls exhibit unwavering determination in their quest to rescue their bard, Cacofonix, showcasing the importance of perseverance in the face of adversity.

 

-Unity and Teamwork. Astérix and the Goths emphasizes the power of unity and teamwork. Through their collective efforts, the Gauls are able to thwart the Goths' invasion and save their village. The book teaches the reader that working together can lead to greater accomplishments than individual efforts.

 

-Friendship and Loyalty. Friendship and loyalty are recurring themes in Asterix and the Goths. Astérix, Obélix, and their friends demonstrate unwavering loyalty towards each other, constantly supporting and helping one another. This highlights the significance of strong bonds in overcoming challenges and achieving common goals.

 

-Importance of Education. The book also underscores the value of education and learning. The Goths, initially portrayed as ignorant and uneducated, are shown to appreciate the Gauls' advanced knowledge and educational system. This encourages readers to appreciate the benefits of education and its impact on personal growth and development.

Download Astérix and the Goths by R. Goscinny & A. Uderzo

 Nothing they'll all be in the same boat. 
Being more or less equal. 
They'll go on fighting each other for centuries... 
and they won't stop to think about invading their neighbours.

Panoramix

ASTÉRIX LE GAULOIS & LA SERPE D'OR IN SAINT-ÉTIENNE

Joseph de Ca'th Lon, Claire Fontaine and The Grandma are going to meet in Saint-Etiénne to see the Northern Star who is going to shine in the capital of Loire today.

Claire Fontaine and The Grandma have just arrived to Lyon while Joseph will arrive in two hours. Later, altogether will drive from Lyon to Saint-Étienne.

During the flight, they have been reading a new adventure of the most popular gaulois, Astérix the Gaul, an amazing adventure with the Golden Sickle.

Astérix and the Golden Sickle, also known as The Golden Billhook, translated from French La Serpe D'or, is a French comic story, written by René Goscinny and illustrated by Albert Uderzo. 

It is the second story in the Astérix comic book series, and was originally published by Dargaud as a serial for Pilote magazine in 1960, before being later being published as a comic album in 1962.

The story focuses on Astérix, accompanied by his friend Obélix, as they attempt to acquire a golden sickle for their druid, only to find themselves dealing with a criminal consortium trying to profit from an illicit trade in them.

Following its publication, The Golden Sickle received favourable reviews, with Dargaud later planning an animated adaptation of the story; though they were forced to scrap the project after Goscinny and Uderzo blocked production following the company's animated adaptation of the previous comic story.

One day in the forest outside the village of rebel Gauls in Armorica, Druid Getafix breaks his golden sickle. He explains to the villagers that this will prevent him attending the annual conference of druids, as well as making the magic potion that provides their superhuman strength to resist the Romans. Determined to resolve his dilema, Astérix and his friend Obélix vow to travel to Lutetia (the predecessor of present-day Paris), ands secure a new golden sickle from Obélix's cousin Metallurgix, a renowned sicklesmith. On the journey to the city, the pair learn that Lutetia is currently suffering a shortage of golden sickles for unknown reasons.

Upon arriving in the city, Astérix and Obélix learn that Metallurgix has gone missing, and decide to spend the next day searching for information. This causes them to encounter Clovogarlix, a local rogue, who brings them to a club run by his superior, Navishtrix. After refusing to buy a golden sickle from him at an exorbitant price, the pair are forced to fight off Navishtrix's men. When the Romans raid the club, Navhistrix and Clovogarlix escape, while Asterix and Obelix are promptly arrested for their actions. When brought before the city's prefect, Surplus Dairyprodus, they are surprised when he releases them for providing him with good entertainment. As they leave his palace, his centurion informs the pair that Metallurgix may have been kidnapped by sickle traffickers, who have taken advantage of the sickle shortage in Lutetia.

Continuing their investigation, the pair track down Clovogarlix's house to search it for clues, but are arrested by the Romans again and thrown into jail. To their surprise, they encounter a drunkard in their cell who reveals that Navishtrix has a hideout in the Boulogne forest. After Dairyprodus releases the Gauls once again, they head to the forest and find a trapdoor to an underground hideout, which contains a vast hoard of golden sickles. Before they can explore further, Navishtrix discovers them, and orders his men to apprehend them as he escapes. Following the fight, the pair interrogate Clovogarlix, who admits his boss is working for someone else. Tracking down Navishtrix, which results in another run-in with the Romans, the pair are shocked to discover the mastermind behind the sickle shortage is Dairyprodus.

The prefect freely confesses to them and his centurion that he did so for his own amusement, sponsoring Navishtrix's illegal sickle operation. Dairyprodus and Navishtrix are arrested, while Astérix and Obélix are released. Learning Metallurgix had been held in the prefect's dungeon, the pair rescue him, whereupon he greatly rewards them with one of his best golden sickles for Getafix. With this in hand, the pair return home to their village, which holds a banquet to celebrate the success of their adventure.

Key Lessons From Astérix and the Golden Sickle

-This is the first time Obélix has a major role in the story and highlights his keenness to fight at every opportunity. It is also the first journey away from the village for Astérix and Obélix. There was a planned film adaptation of this book, but it was never released.

-This is the first time Obélix demonstrates his ability of opening doors.

-This also is the first book Astérix and Obélix have a mystery to solve.

-This is one of the few times Astérix uses his sword.

-When Astérix and Obélix were eating at an inn, a stranger tells them that Lutetia is a very beautiful but dangerous city and it is probably talking about what Paris is today

-The prefect (and chief villain) is a caricature of the actor Charles Laughton.

-Due to a mistake by Uderzo, the final pages were drawn in comic strip panels, which resulted in a printing error (the panels are smaller and the margins are larger than normal) in all versions.

-Lutetia (future Paris) satirizes the big city, in contrast with the countryside (Astérix's village)

-The great ox-cart race, the Suindinum 24 hours is a reference to the 24 Hours of Le Mans, France. Suindinum is the old name of Le Mans.

-The book contains much more satirical commentary on modern Paris society than its predecessor, Astérix the Gaul, (In an inspired moment, a fisherman has only been able to catch amphoras and has assembled quite a pile of them). Goscinny and Uderzo are starting to find their feet and this book shows it.

-Astérix is a great polyglot. Astérix and the Golden Sickle appears in several languages. There's La Falç d'or in Catalan, La Hoz de Oro in Castilian, O fouciño de ouro in Galician, and Urrezko Igitaia in Basque.

-Albert Uderzo's famous caricatures appear for the first time in this album. And so the long list begins, delighting physiognomists and others alike, from Raimu (French actor with a strong Marseilles accent) to Jacques Chirac via Kirk Douglas and the Beatles.

-A cartoon feature film of Astérix and the Golden Sickle was produced on the quiet by Dargaud at the same time as the first one, Astérix the Gaul. While the authors had accepted the first film, they flatly refused the second and went on to take part in the production of Astérix and Cleopatra. 

Download Astérix and the Golden Sickle by R. Goscinny & A. Uderzo

This is no time for fooling, Obélix. 
We've got a lot of important things to do!

Astérix

ASTÉRIX LE GAULOIS, VIRTUTE DUCE ET COMITE FORTUNA

Joseph de Ca'th Lon, Claire Fontaine and The Grandma are coming back to their homes. After spending some days in Tromsø living the experience of the Vikings, and before returning to Basel and Barcelona, they have done a little stop in Lyon to visit another viking, a Northern Star, who is building her future there.

They are accompanied by Astérix and his friends, some local inhabitants who know Lyon perfectly and who are the best guides you can have in these lands. 

Astérix le Gaulois, in English Astérix the Gaul, is a French comic story, written by René Goscinny and illustrated by Albert Uderzo. First published by Dargaud as a serial for Pilote magazine in October 1959, it was later released as a comic album in 1961. The story focuses on a Gaul named Astérix, whose village resists Roman rule, as he attempts to rescue his village's druid from a Roman garrison when its commander seeks to secure the secret of the village's superhuman strength.

The story proved hugely popular with French readers, leading to Goscinny and Uderzo writing further stories that would go on to form the Astérix comic strip series, with international versions of the comic helping to broaden its appeal outside of France. Dargaud later developed an animated adaptation of the comic for theatrical release in 1967 with its own production company, though Goscinny and Uderzo disapproved of the poor animation quality; they later blocked a sequel based on their next story. Alongside the film, an audiobook adaptation was created by EMI Records.

In 50 B.C., all of Gaul is under the control of the Romans, with the exception of a small village in Armorica (present-day Brittany), whose inhabitants constantly hold back their forces through superhuman strength. 

Determined to uncover their secret, Centurion Crismus Bonus, commander of the camp of Compendium, sends a spy into the village. His spy soon reveals that the village's druid, Getafix, periodically supplies the villagers with a magic potion that is the source of their strength. Amazed by this, Crismus Bonus orders Getafix to be captured, in order to gain control over the magic potion.

Astérix, a warrior from the village, learns of Getafix's kidnapping from a cart-seller and decides to infiltrate the Roman camp to rescue him. Once inside the camp that evening, Astérix overhears Crismus Bonus talking with his second-in-command, Marcus Ginantonicus, about his plans to use the magic potion to initiate a rebellion against Rome that will overthrow Julius Caesar. When Astérix finds Getafix, he informs him of what he learnt and comes up with a plan to prevent this from happening.

The following morning Astérix lets himself be captured and pretends to give in to torture, whereupon Getafix pretends to give in and agree to make the potion. After securing the ingredients he needs, Getafix tricks Crismus Bonus that he needs strawberries, only for him and Astérix to consume them all once the Romans find some. Eventually, Getafix uses the ingredients he collected to brew a potion which he tricks Crismus Bonus and the Romans to drink, unaware it will cause their hair and beards to grow at an accelerated rate for at least a day.

After tricking Crismus Bonus to let them gather ingredients for an antidote to the potion, Getafix supplies the camp with vegetable soup. However, he secretly collects what is needed for the magic potion, which Astérix uses to help them escape from their captors. Before they make for their village, the pair discover Roman reinforcements have arrived, led by Caesar, who becomes suspicious about what has recently occurred in Compendium. Astérix soon exposes Crismus Bonus' intentions, prompting Caesar to exile him and his men to Outer Mongolia for their treachery, while allowing the Gauls to leave on the grounds of a truce. Astérix and Getafix eventually return to their village, which celebrates by holding a banquet for their success.

The story was first published as a serial in Pilote magazine, a Franco-Belgian comics magazine founded by Goscinny and a few other comic artists.

More information: Astérix

Key Lessons From Astérix The Gaul

-Strength in Unity. One of the key lessons that can be derived from Astérix the Gaul is the importance of coming together as a community and supporting one another. The Gauls in the book, led by Astérix and Obélix, demonstrate that by working together and pooling their strengths, they are able to overcome many challenges and adversaries.

-Embracing Diversity. The book also teaches us the significance of embracing diversity and appreciating different cultures. Astérix and Obelix encounter numerous characters from various parts of the Roman Empire, all with their distinct customs and traditions. The Gauls learn to respect and understand these differences, highlighting the beauty of diversity.

-Courage and Perseverance. Through Astérix's unwavering courage and Obélix's determination, the book conveys the importance of never giving up, even in the face of seemingly insurmountable odds. The Gauls face numerous obstacles, but their resilience and perseverance guide them towards victory.

-Humor as a Tool. Astérix the Gaul intelligently uses humor as an effective tool to convey its messages. The book uses satire, puns, and witty exchanges, making it enjoyable for readers of all ages while also conveying important lessons about history, power dynamics, and societal norms.

-Challenging Authority. Astérix the Gaul subtly encourages readers to question authority and challenge oppressive systems. The Gauls' resistance against Roman occupation showcases the power of standing up against injustice, inspiring readers to question societal norms and fight for freedom and equality.

Download Astérix The Gaul by René Goscinny & Albert Uderzo

 I may be the smallest, 

but I'm also the smartest!

 

Astérix