Friday, 30 November 2018

FERNANDO PESSOA: THE ART OF CREATING HETERONYMS

Fernando Pessoa
The flu continues and The Grandma doesn't feel better. She continues her recovering staying at bed and reading to try to full the eternal hours.

Today, she has decided to reread Fernando Pessoa, perhaps, the best poet in Portuguese literature.

Before reading Pessoa, The Grandma has studied a new lesson of her
Elementary Language Practice manual (Grammar 28).

More information: Imperatives

Fernando António Nogueira Pessoa (13 June 1888-30 November 1935), commonly known as Fernando Pessoa, was a Portuguese poet, writer, literary critic, translator, publisher and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language. He also wrote in and translated from English and French.

Pessoa was a prolific writer, and not only under his own name, for he dreamed up approximately seventy-five others. He did not call them pseudonyms because he felt that did not capture their true independent intellectual life and instead called them heteronyms. These imaginary figures sometimes held unpopular or extreme views.

Fernando Pessoa
Pessoa was born in Lisbon on 13 June 1888. When Pessoa was five, his father, Joaquim de Seabra Pessôa, died of tuberculosis and the following year, on 2 January, his younger brother Jorge, aged one, also died.

After the second marriage of his mother, Maria Magdalena Pinheiro Nogueira, proxy wedding to João Miguel dos Santos Rosa, Fernando sailed with his mother for South Africa in the beginning of 1896, to join his stepfather, a military officer appointed Portuguese consul in Durban, capital of the former British Colony of Natal.

The young Pessoa received his early education at St. Joseph Convent School, a Catholic grammar school run by Irish and French nuns. He moved to the Durban High School in April 1899, becoming fluent in English and developing an appreciation for English literature. During the Matriculation Examination, held at the time by the University of the Cape of Good Hope, forerunner of the University of Cape Town, in November 1903 he was awarded the recently created Queen Victoria Memorial Prize for best paper in English. While preparing to enter university, he also attended the Durban Commercial High School during one year, in the evening shift.

More information: Poetry Foundation

While his family remained in South Africa, Pessoa returned to Lisbon in 1905 to study diplomacy. After a period of illness, and two years of poor results, a student strike against the dictatorship of Prime Minister João Franco put an end to his formal studies. Pessoa became an autodidact, a devoted reader who spent a lot of time at the library. 

Pessoa returned to his uncompleted formal studies, complementing his British education with self-directed study of Portuguese culture. The pre-revolutionary atmosphere surrounding the assassination of King Charles I and Crown Prince Luís Filipe in 1908, and the patriotic outburst resulting from the successful republican revolution in 1910, influenced the development of the budding writer; as did his step-uncle, Henrique dos Santos Rosa, a poet and retired soldier, who introduced the young Pessoa to Portuguese poetry, notably the romantics and symbolists of the 19th century. 

Fernando Pessoa in Lisbon
In 1912, Fernando Pessoa entered the literary world with a critical essay, published in the cultural journal A Águia, which triggered one of the most important literary debates in the Portuguese intellectual world of the 20th century: the polemic regarding a super-Camões.

In 1915 a group of artists and poets, including Fernando Pessoa, Mário de Sá-Carneiro and Almada Negreiros, created the literary magazine Orpheu, which introduced modernist literature to Portugal. Only two issues were published, the third failed to appear due to funding difficulties. Lost for many years, this issue was finally recovered and published in 1984. Among other writers and poets, Orpheu published Pessoa, orthonym, and the modernist heteronym, Álvaro de Campos.

Along with the artist Ruy Vaz, Pessoa also founded the art journal Athena (1924–25), in which he published verses under the heteronyms Alberto Caeiro and Ricardo Reis. Along with his profession, as free-lance commercial translator, Fernando Pessoa undertook intense activity as a writer, literary critic and political analyst, contributing to some journals and newspapers.

More information: My Poetic Side

After his return to Portugal, when he was seventeen, Pessoa barely left his beloved city of Lisbon, which inspired the poems Lisbon Revisited (1923 and 1926), under the heteronym Álvaro de Campos. From 1905 to 1920, when his family returned from Pretoria after the death of his stepfather, he lived in fifteen different locations in the city, moving from one rented room to another depending on his fluctuating finances and personal troubles.

A statue of Pessoa sitting at a table can be seen outside A Brasileira, one of the preferred places of young writers and artists of Orpheu's group during the 1910s. This coffeehouse, in the aristocratic district of Chiado, is quite close to Pessoa's birthplace: 4, São Carlos Square, in front of the Opera House, where stands another statue of the writer, one of the most elegant neighborhoods of Lisbon. Later on, Pessoa was a frequent customer at Martinho da Arcada, a centennial coffeehouse in Comercio Square, surrounded by ministries, almost an office for his private business and literary concerns, where he used to meet friends in the 1920s and 1930s.

Fernando Pessoa
In 1925, Pessoa wrote in English a guidebook to Lisbon but it remained unpublished until 1992. Pessoa translated a number of Portuguese books into English.

Pessoa also developed a strong interest in astrology, becoming a competent astrologist. He elaborated more than 1,500 astrological charts, including well-known people like William Shakespeare, Lord Byron, Oscar Wilde, Chopin, Robespierre, Napoleon I, Benito Mussolini, Wilhelm II, Leopold II of Belgium, Victor Emmanuel III, Alfonso XIII, or the Kings Sebastian and Charles of Portugal, and Salazar. 

In 1915, he created the heteronym Raphael Baldaya, an astrologist who planned to write System of Astrology and Introduction to the Study of Occultism. Pessoa established the pricing of his astrological services from 500 to 5,000 réis and made horoscopes of customers, friends and also himself and, astonishingly, of the heteronyms and also of journals as Orpheu.

As a mysticist, Pessoa was an enthusiast of esotericism, occultism, hermetism, numerology and alchemy. Along with spiritualism and astrology, he also paid attention to neopaganism, theosophy, rosicrucianism and freemasonry, which strongly influenced his literary work.


Politically, Pessoa described himself as a British-style conservative, that is to say, liberal within conservatism and absolutely anti-reactionary, and adhered closely to the Spencerian individualism of his upbringing. He described his brand of nationalism as mystic, cosmopolitan, liberal, and anti-Catholic

He was an outspoken elitist and aligned himself against communism, socialism, fascism and Catholicism. He initially rallied to the First Portuguese Republic but the ensuing instability caused him to reluctantly support the military coups of 1917 and 1926 as a means of restoring order and preparing the transition to a new constitutional normality. 

He wrote a pamphlet in 1928 supportive of the military dictatorship but after the establishment of the New State, in 1933, Pessoa became disenchanted with the regime and wrote critically of Salazar and fascism in general, maintaining a hostile stance towards its corporatist program, illiberalism, and censorship. 

Fernando Pessoa
In the beginning of 1935, Pessoa was banned by the Salazar regime, after he wrote in defense of Freemasonry. The regime also suppressed two articles Pessoa wrote in which he condemned Mussolini's invasion of Abyssinia and fascism as a threat to human liberty everywhere.

On 29 November 1935, Pessoa was taken to the Hospital de São Luís, suffering from abdominal pain and a high fever; there he wrote, in English, his last words: I know not what tomorrow will bring. He died the next day, 30 November 1935.

Pessoa's earliest heteronym, at the age of six, was Chevalier de Pas. Other childhood heteronyms included Dr. Pancrácio and David Merrick, followed by Charles Robert Anon, an English young man that became Pessoa's alter ego. 

 
In 1905/7, when Pessoa was a student at the University of Lisbon, Alexander Search took the place of Anon. The main reason for this was that, although Search is English, he was born in Lisbon as his author. But Search represents a transition heteronym that Pessoa used while searching to adapt to the Portuguese cultural reality.

After the republican revolution, in 1910, and consequent patriotic atmosphere, Pessoa created another alter ego, Álvaro de Campos, supposedly a Portuguese naval engineer, born in Tavira and graduated in Glasgow. Translator Richard Zenith notes that Pessoa eventually established at least seventy-two heteronyms.  

According to Pessoa himself, there were three main heteronyms: Alberto Caeiro, Álvaro de Campos and Ricardo Reis. The heteronyms possess distinct biographies, temperaments, philosophies, appearances, writing styles and even signatures.



Success consists in being successful, 
not in having potential for success. 
Any wide piece of ground is the potential site of a palace, 
but there's no palace till it's built.
 
 Fernando Pessoa

Thursday, 29 November 2018

NOV. 1899: FOOT-BALL CLUB BARCELONA WAS FOUNDED

Memories of Claire & The Grandma in the Camp Nou
The Grandma continues with her flu. Today, she has received the wonderful visit of Claire Fontaine who has wanted to share the day with her. Both of them have studied a new lesson of her Elementary Language Practice manual (Grammar 27).

On a day like today in 1899, Futbol Club Barcelona was founded. The Grandma and Claire Fontaine live in Barcelona nowadays and they are two eternal fans of this club since they were born. They want to celebrate this birthday talking about this magic club. 

More information: Passive 2-Agent

Futbol Club Barcelona, known simply as Barcelona and colloquially as Barça, is a professional football club based in Barcelona, Catalonia.

Founded in 1899 by a group of Swiss, English and Catalan footballers led by Joan Gamper, the club has become a symbol of Catalan culture and Catalanism, hence the motto Més que un club, More than a club. The official Barcelona anthem is the Cant del Barça, written by Jaume Picas and Josep Maria Espinàs.

Barcelona is one of the most widely supported teams in the world, and the club has one of the largest social media following in the world among sports teams. Barcelona players have won a record number of Ballon d'Or awards, with recipients including Johan Cruyff, as well as a record number of FIFA World Player of the Year awards.

Futbol Club Barcelona
Barcelona is one of three founding members of the Primera División that have never been relegated from the top division since its inception in 1929, along with Athletic Bilbao and Real Madrid. 

In 2009, Barcelona became the first club to win the continental treble consisting of La Liga, Copa del Rey, and the UEFA Champions League, and also became the first football club to win six out of six competitions in a single year, by also winning the Spanish Super Cup, UEFA Super Cup and FIFA Club World Cup. 

In 2011, the club became European champions again and won five trophies. This Barcelona team, which won 14 trophies in just 4 years under Pep Guardiola, is considered by some in the sport to be the greatest team of all time. By winning their fifth Champions League trophy on 6 June 2015, Barcelona became the first European club in history to achieve the continental treble twice. It is also the highest paid sports team ever.

More information: Futbol Club Barcelona

On 22 October 1899, Hans Gamper placed an advertisement in Los Deportes declaring his wish to form a football club; a positive response resulted in a meeting at the Gimnasio Solé on 29 November. Eleven players attended -Walter Wild (the first director of the club), Lluís d'Ossó, Bartomeu Terradas, Otto Kunzle, Otto Maier, Enric Ducal, Pere Cabot, Carles Pujol, Josep Llobet, John Parsons, and William Parsons- and Foot-Ball Club Barcelona was born. Officially, Futbol Club Barcelona was founded on 29 November 1899 as Foot-Ball Club Barcelona.

FC Barcelona had a successful start in regional and national cups, competing in the Campionat de Catalunya and the Copa del Rey. In 1902, the club won its first trophy, the Copa Macaya. 

Hans Gamper
In 1908, Hans Gamper, now known as Joan Gamper, became club president in a desperate attempt to save Barcelona from extinction, finding the club struggling not just on the pitch, but also financially and socially, after not winning a competition since the Campionat de Catalunya in 1905. 

He said in a meeting, Barcelona cannot die and must not die. If there is nobody who is going to try, then I will assume the responsibility of running the club from now on." Club president on five separate occasions between 1908 and 1925, he spent 25 years in total at the helm. One of his main achievements was ensuring Barça acquire its own stadium and thus generate a stable income.

On 14 March 1909, the team moved into the Camp de la Indústria, a stadium with a capacity of 8,000. To celebrate their new surroundings, the club conducted a logo contest the following year. Carles Comamala won the contest, and his suggestion became the crest that the club still wears, with some minor changes, as of the present day.

With the new stadium, Barcelona participated in the inaugural version of the Pyrenees Cup, which, at the time, consisted of the best teams of Languedoc, Midi and Aquitaine, the Basque Country and Catalonia. The contest was the most prestigious in that era. From the inaugural year in 1910 to 1913, Barcelona won the competition four consecutive times.


During the same period, the club changed its official language from Castilian to Catalan and gradually evolved into an important symbol of Catalan identity. For many fans, participating in the club had less to do with the game itself and more with being a part of the club's collective identity.

Gamper simultaneously launched a campaign to recruit more club members, and by 1922, the club had more than 20,000, who helped finance a new stadium. The club then moved to the new Les Corts, which they inaugurated the same year. Les Corts had an initial capacity of 30,000, and in the 1940s it was expanded to 60,000.

The Stadium was closed as a reprisal
Gamper recruited Jack Greenwell as the first full-time manager in Barcelona's history. After this hiring, the club's fortunes began to improve on the field. During the Gamper-led era, Barcelona won eleven Campionats de Catalunya, six Copa del Rey and four Pyrenees Cups and enjoyed its first golden age.

On 14 June 1925, in a spontaneous reaction against Primo de Rivera's dictatorship, the crowd in the stadium jeered the Royal March. As a reprisal, the ground was closed for six months and Gamper was forced to relinquish the presidency of the club. This coincided with the transition to professional football, and, in 1926, the directors of Barcelona publicly claimed, for the first time, to operate a professional football club.

On 30 July 1930, Gamper committed suicide after a period of depression brought on by personal and financial problems.

Although they continued to have players of the standing of Josep Escolà, the club now entered a period of decline, in which political conflict overshadowed sports throughout society. Attendance at matches dropped as the citizens of Barcelona were occupied with discussing political matters. Although the team won the Campionat de Catalunya in 1930, 1931, 1932, 1934, 1936 and 1938, success at a national level, with the exception of the 1937 disputed title, evaded them.

A month after the Spanish Civil War began in 1936, several players from Barcelona enlisted in the ranks of those who fought against the military uprising, along with players from Athletic Bilbao.

Josep Sunyol
On 6 August, Falangist soldiers near Guadarrama murdered club president Josep Sunyol, a representative of the pro-independence political party. He was dubbed the martyr of barcelonisme, and his murder was a defining moment in the history of FC Barcelona and Catalan identity

In the summer of 1937, the squad was on tour in Mexico and the United States, where it was received as an ambassador of the Second Spanish Republic. The tour led to the financial security of the club, but also resulted in half of the team seeking asylum in Mexico and France, making it harder for the remaining team to contest for trophies.

On 16 March 1938, Barcelona came under aerial bombardment from the Italian Air Force, causing more than 3,000 deaths, with one of the bombs hitting the club's offices.

A few months later, Catalonia came under occupation and as a symbol of the undisciplined Catalanism, the club, now down to just 3,486 members, faced a number of restrictions

All signs of regional nationalism, including language, flag and other signs of separatism were banned throughout Spain. The Catalan flag was banned and the club were prohibited from using non-Spanish names. These measures forced the club to change its name to Club de Fútbol Barcelona and to remove the Catalan flag from its crest.

In 1943, Barcelona faced rivals Real Madrid in the semi-finals of Copa del Generalísimo, now the Copa del Rey. The first match at Les Corts was won by Barcelona 3–0. Real Madrid comfortably won the second leg, beating Barcelona 11–1. According to football writer Sid Lowe, There have been relatively few mentions of the game since and it is not a result that has been particularly celebrated in Madrid. Indeed, the 11–1 occupies a far more prominent place in Barcelona's history. This was the game that first formed the identification of Madrid as the team of the dictatorship and Barcelona as its victims. It has been alleged by local journalist Paco Aguilar that Barcelona's players were threatened by police in the changing room, though nothing was ever proven.

László Kubala
With Helenio Herrera as coach, a young Luis Suárez, the European Footballer of the Year in 1960, and two influential Hungarians recommended by László Kubala, Sándor Kocsis and Zoltán Czibor, the team won another national double in 1959 and a La Liga and Fairs Cup double in 1960. In 1961, they became the first club to beat Real Madrid in a European Cup play-off. However, they lost 2–3 to Benfica in the final.

The 1960s were less successful for the club, with Real Madrid monopolising La Liga. The completion of the Camp Nou, finished in 1957, meant the club had little money to spend on new players. The 1960s saw the emergence of Josep Maria Fusté and Carles Rexach, and the club won the Copa del Generalísimo in 1963 and the Fairs Cup in 1966. Barcelona restored some pride by beating Real Madrid 1–0 in the 1968 Copa del Generalísimo final at the Santiago Bernabéu in front of Francisco Franco, with coach Salvador Artigas, a former republican pilot in the Civil War.

With the end of Franco's dictatorship in 1974, the club changed its official name back to Futbol Club Barcelona and reverted the crest to its original design, including the original letters once again.

More information: ESPN

The 1973–74 season saw the arrival of Johan Cruyff. Already an established player with Ajax, Cruyff quickly won over the Barcelona fans when he told the European press that he chose Barcelona over Real Madrid because he could not play for a club associated with Francisco Franco. He further endeared himself when he named his son Jordi, after the local Catalan Saint George.


Next to champions like Juan Manuel Asensi, Carles Rexach and Hugo Sotil, he helped the club win the 1973–74 season for the first time since 1960, defeating Real Madrid 5–0 at the Santiago Bernabéu en route. He was crowned European Footballer of the Year in 1973 during his first season with Barcelona, his second Ballon d'Or win; he won his first while playing for Ajax in 1971. Cruyff received this prestigious award a third time, the first player to do so, in 1974, while he was still with Barcelona.

Johan Cruyff
In 1988, Johan Cruyff returned to the club, this time as manager and he assembled what would later be dubbed the Dream Team.

It was ten years after the inception of the youth programme, La Masia, when the young players began to graduate and play for their first team. One of the first graduates, who would later earn international acclaim, was future Barcelona coach Pep Guardiola. Under Cruyff's guidance, Barcelona won four consecutive La Liga titles from 1991 to 1994. They beat Sampdoria in both the 1989 UEFA Cup Winners' Cup final and the 1992 European Cup final at Wembley, with a free kick goal from Dutch international Ronald Koeman. They also won a Copa del Rey in 1990, the European Super Cup in 1992 and three Supercopa de España trophies. With 11 trophies, Cruyff became the club's most successful manager at that point.

On the legacy of Cruyff's football philosophy and the passing style of play he introduced to the club, future coach of Barcelona Pep Guardiola would state, Cruyff built the cathedral, our job is to maintain and renovate it.

More information: Johan Cruyff Foundation

Barcelona B youth manager Pep Guardiola took became the new manager in 2007. Guardiola brought with him the now famous tiki-taka style of play he had been taught during his time in the Barcelona youth teams. Leo Messi has become the star of this new century.

Barça beat Athletic Bilbao 4–1 in the 2009 Copa del Rey Final, winning the competition for a record-breaking 25th time. A historic 2–6 victory against Real Madrid followed three days later and ensured that Barcelona became 2008–09 La Liga champions. Barça finished the season by beating Manchester United 2–0 at the Stadio Olimpico in Rome, with goals from Eto'o and Messi, to win their third Champions League title, and complete the first ever treble.

The team went on to win the 2009 Supercopa de España against Athletic Bilbao and the 2009 UEFA Super Cup against Shakhtar Donetsk, becoming the first European club to win both domestic and European Super Cups following a treble. In December 2009, Barcelona won the 2009 Club World Cup. Guardiola represents the new golden age of Barça.

Pep Guardiola & Leo Messi
The nickname culé for a Barcelona supporter is derived from the Catalan cul, in English arse, as the spectators at the first stadium, Camp de la Indústria, sat with their culs over the stand.

The club's original crest was a quartered diamond-shaped crest topped by the Crown of Aragon and the bat of Jaume I, King James, and surrounded by two branches, one of a laurel tree and the other a palm. The club shared Barcelona's coat of arms, as a demonstration of its identification with the city and a desire to be recognised as one.

In 1910, the club held a competition among its members to design a new crest. The winner was Carles Comamala, who at the time played for the club. Comamala's suggestion became the crest that the club wears today, with some minor variations. The crest consists of the St George Cross in the upper-left corner with the Catalan flag beside it, and the team colours at the bottom.

Several competing theories have been put forth for the blue and red design of the Barcelona shirt. The son of the first president, Arthur Witty, claimed it was the idea of his father as the colours were the same as the Merchant Taylor's School team. In Catalonia the common perception is that the colours were chosen by Joan Gamper and are those of his home team, FC Basel. The club's most frequently used change colours have been yellow and orange. An away kit featuring the red and yellow stripes of the flag of Catalonia has also been used many times.

More information: Messi


At Barcelona, I had the best players ever, 
and they helped me to be a successful manager. 

Pep Guardiola

Wednesday, 28 November 2018

VAN BEETHOVEN'S PIANO CONCERTO NO. 5: THE EMPEROR

Angela
Suffering the flu is a process of seven days, more or less. During these days, you must stay at home, avoid being in contact with other people and relax as time as you could. It's not easy if you are a very active person like The Grandma. She is a bit desperate after three days of relax and she is starting to lose her nerves.

The Grandma has a lot of friends, and they are a great help when you are under her situation. Today, Angela, one of her best German friends, has visited her. She has travelled from Hamburg to Barcelona to spend some days with her and help her. Angela has a busy agenda and The Grandma appreciates a lot her visit. Her German friend is a fan of one of the best musicians of the history, Ludwig Van Beethoven, and The Grandma has wanted to offer her a welcoming concert to celebrate her arrival. The Grandma has chosen a special concerto, No 5, also known as the Emperor Concerto, the Angela's favourite one.

Before Angela's arrival, The Grandma has studied a new lesson of her
Elementary Language Practice manual (Grammar 26).

More information: Passive 1

The Piano Concerto No. 5 in E♭ major, Op. 73, by Ludwig van Beethoven, popularly known as the Emperor Concerto, was his last completed piano concerto. It was written between 1809 and 1811 in Vienna, and was dedicated to Archduke Rudolf, Beethoven's patron and pupil.

The first performance took place on 13 January 1811 at the Palace of Prince Joseph Lobkowitz in Vienna, with Archduke Rudolf as the soloist, followed by a public concert on 28 November 1811 at the Gewandhaus in Leipzig under conductor Johann Philipp Christian Schulz, the soloist being Friedrich Schneider. On 12 February 1812, Carl Czerny, another student of Beethoven's, gave the Vienna debut of this work.

Ludwig van Beethoven
The epithet of Emperor for this concerto was not Beethoven's own but was coined by Johann Baptist Cramer, the English publisher of the concerto. Its duration is approximately forty minutes.

The concerto is scored for solo piano, two flutes, two oboes, two clarinets in B♭ (clarinet I playing in A in movement 2), two bassoons, two horns, two trumpets, timpani in E♭ and B♭, and strings. In the second movement, 2nd flute, 2nd clarinet, trumpets, and timpani are tacet.

The concerto is divided into three movements: Allegro in E♭ major, Adagio un poco mosso in B major and Rondo: Allegro in E♭ major.

More information: Redlands Symphony

The first movement begins with the solo piano unfurling a series of virtuosic pronouncements punctuated by mammoth chords from the full orchestra. The vigorous, incessantly propulsive main theme follows, undergoing complex thematic transformation, with a secondary theme of tonic and dominant notes and chords. When the piano enters with the first theme, the expository material is repeated with variations, virtuoso figurations, and modified harmonies. The second theme enters in the unusual key of B minor before moving to B major and at last to the expected key of B♭ major several bars later.

Following the opening flourish, the movement follows Beethoven's three-theme sonata structure for a concerto. The orchestral exposition is a two-theme sonata exposition, but the second exposition with the piano introduces a triumphant, virtuosic third theme that belongs solely to the solo instrument, a trademark of Beethoven's concertos. 


Playing The Piano Concerto No. 5
The coda elaborates upon the open-ended first theme, building in intensity before finishing in a final climactic arrival at the tonic E♭ major.

The second movement in B major forms a quiet nocturne for the solo piano, muted strings, and wind instruments that converse with the solo piano. The third movement begins without interruption when a lone bassoon note B drops a semitone to B♭, the dominant of the tonic key E♭. The end of the second movement was written to build directly into the third.

The final movement of the concerto is a seven-part rondo form (ABACABA). The solo piano introduces the main theme before the full orchestra affirms the soloist's statement. The rondo's B-section begins with piano scales, before the orchestra again responds. The C-section is much longer, presenting the theme from the A-section in three different keys before the piano performs a passage of arpeggios. Rather than finishing with a strong entrance from the orchestra, however, the trill ending the cadenza dies away until the introductory theme reappears, played first by the piano and then the orchestra. In the last section, the theme undergoes variation before the concerto ends with a short cadenza and robust orchestral response.


Ludwig van Beethoven (17 December 1770-26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Classical music, he remains one of the most recognised and influential of all composers. His best-known compositions include 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass, the Missa solemnis; and an opera, Fidelio.

Beethoven was born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire. He displayed his musical talents at an early age and was taught by his father Johann van Beethoven and composer and conductor Christian Gottlob Neefe. At the age of 21 Beethoven moved to Vienna, where he began studying composition with Joseph Haydn and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate and by the last decade of his life he was almost completely deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.

More information: Deep English


Music is a higher revelation than 
all wisdom and philosophy.

Ludwig van Beethoven

Tuesday, 27 November 2018

BATTLE OF THE WASHITA: A MASSACRE OVER CHEYENNES

Black Kettle
The Grandma continues fighting against the flu. Today, she has been listening to some news and reading some declarations of a mediocre Minister who has despised the Native American Indians and the genocide that they suffered during their resistance to be colonized.

We are living difficult moments around the world and diplomacy must be the key to resolve problems not to create new ones. Denying historical facts, changing their meaning or minimizing their importance has a name, and this name is revisionism.

In historiography, the term historical revisionism identifies the re-interpretation of the historical record. It usually means challenging the orthodox, established, accepted or traditional, views held by professional scholars about a historical event, introducing contrary evidence, or reinterpreting the motivations and decisions of the people involved.

The revision of the historical record can reflect new discoveries of fact, evidence, and interpretation, which then provokes a revised history. In dramatic cases, revisionism involves a reversal of older moral judgments.

More information: How Stuff Works

At a basic level, legitimate historical revisionism is a common and not especially controversial process of developing and refining the writing of history. Much more controversial is the reversal of moral findings, in which what had been considered to be positive forces are depicted as being negative. This revisionism is then challenged by the supporters of the previous view, often in heated terms, and becomes an illegitimate form of historical revisionism known as historical negationism if it involves inappropriate methods such as the use of forged documents or implausible distrust of genuine documents, attributing false conclusions to books and sources, manipulating statistical data and deliberately mis-translating texts. This type of historical revisionism presents a re-interpretation of the moral meaning of the historical record.

History is curious and we sometimes live some casual coincidences. We have just listened to these terrible and uneducated declarations of a Minister, when today, is the commemoration of the Battle of Washita River. Mr. Minister, study History and practise Diplomacy, it's not very difficult.

Before listening to the news, The Grandma has been studying a new lesson of her
Elementary Language Practice manual (Checkpoint 4 & Grammar 25).

More information: Reported Speech & Past Perfect

The Battle of Washita River, also called Battle of the Washita or the Washita Massacre, occurred on November 27, 1868 when Lt. Col. George Armstrong Custer’s 7th U.S. Cavalry attacked Black Kettle’s Southern Cheyenne camp on the Washita River, near present-day Cheyenne, Oklahoma.

Battle of Washita River, 1868
They were the most isolated band of a major winter encampment along the river of numerous Native American tribal bands, totaling thousands of people. But Custer's forces attacked their village because scouts had followed the trail of a party that had raided white settlers and passed through it. Black Kettle and his people had been at peace and were seeking peace. Custer's soldiers killed women and children in addition to warriors, although they also took many captive to serve as hostages and human shields. The number of Cheyenne killed in the attack has been disputed since the first reports.

After the Southern Cheyenne and Arapaho signed the Medicine Lodge Treaty, they were -according to the final treaty tect as affirmed by Congress, required to move south from present-day Kansas and Colorado to a new reservation in Indian Territory, modern Oklahoma. The actual oral accord of the treaty negotiations, however, had guaranteed the Cheyennes their traditional hunting lands as long as there was sufficient buffalo to justify the chase, a crucial treaty stipulation which was tacitly dropped in the subsequent ratification process. This forced them to give up their traditional territory for one with little arable land and away from buffalo, their main source of meat and a center of their culture. Months of fragile peace survived raids between warring Kaw Indians and Southern Cheyennes.

More information: Smithsonian

But in summer 1868, war parties of Southern Cheyenne and allied Arapaho, Kiowa, Comanche, Northern Cheyenne, Brulé, Oglala, and Pawnee warriors attacked white settlements in western Kansas, southeast Colorado, and northwest Texas. Among these raids were those along the Solomon and Saline rivers in Kansas, which began August 10, 1868. The warriors killed at least 15 white settlers, wounded others, and were reported to have raped some women, as well as taking others captive to be adopted into their tribes.

In 1897, Kansas Rep. Horace L. Moore remarked at a meeting of the Kansas State Historical Society that The total of losses from September 12, 1868, to February 9, 1869, exclusive of casualties incident to military operations, was 158 men murdered, sixteen wounded and forty-one scalped. Three scouts were killed, fourteen women outraged, one man was captured, four women and twenty-four children were carried off. Nearly all of these losses occurred in what we then called western Kansas, although the Saline, Solomon and Republican do not seem so very far west now.

Battle of Washita River, 1868
On August 19, 1868, Colonel Edward W. Wynkoop, Indian Agent for the Cheyenne and Arapaho at Fort Larned, Kansas, interviewed Little Rock, a chief in Black Kettle's Cheyenne village. Little Rock told what he had learned about the raids along the Saline and Solomon rivers. 

According to Little Rock's account, a war party of about 200 Cheyenne from a camp above the forks of Walnut Creek departed camp intending to go out against the Pawnee. Instead, they raided white settlements along the Saline and Solomon rivers. Some of the warriors returned to Black Kettle's camp. Little Rock learned from them what took place. Little Rock identified the warriors most responsible for the raids and agreed to try to have them delivered to white authorities.

On November 26, 1868, Custer’s Osage scouts located the trail of an Indian war party. Custer's troops followed this trail all day without a break until nightfall, when they rested briefly until there was sufficient moonlight to continue. They followed the trail to Black Kettle’s village, where Custer divided his force into four parts, moving each into position so that at first daylight they could simultaneously converge on the village. At daybreak, as the columns attacked, Double Wolf awoke and fired his gun to alert the village; he was among the first to die in the charge. The Cheyenne warriors hurriedly left their lodges to take cover behind trees and in deep ravines. Custer soon controlled the village, but it took longer to quell all remaining resistance.

More information: Daily History

The Osage, enemies to the Cheyenne, were at war with most of the Plains tribes. The Osage scouts led Custer toward the village, hearing sounds and smelling smoke from the camp long before the soldiers. The Osage did not participate in the initial attack, fearing that the soldiers would mistake them for Cheyenne and shoot them. Instead, they waited behind the color-bearer of the 7th US Cavalry on the north side of the river until the village was taken. The Osage rode into the village, where they took scalps and helped the soldiers round up fleeing Cheyenne women and children.

Black Kettle and his wife, Medicine Woman, were shot in the back and killed while fleeing on a pony. Following the capture of Black Kettle's village, Custer was in a precarious position. As the fighting began to subside, he saw large groups of mounted Indians gathering on nearby hilltops and learned that Black Kettle's village was only one of many Indian encampments along the river, where thousands of Indians had gathered. Fearing an attack, he ordered some of his men to take defensive positions while the others seized the Indians' property and horses. They destroyed what they did not want or could not carry, including about 675 ponies and horses. They spared 200 horses to carry prisoners.

Near nightfall, fearing the outlying Indians would find and attack his supply train, Custer began marching his forces toward the other encampments. The surrounding Indians retreated, at which point Custer turned around and returned to his supply train.

More information: National Park Service


When you lose the rhythm of the drumbeat of god, 
you are lost from the peace and rhythm of life.

Native American Cheyenne Proverb

CASABLANCA PREMIERES IN NYC: 'AS TIME GOES BY'

Casablanca
Yesterday, The Grandma was still suffering the flu. She continued resting at home and doing nothing except reading, checking the social networks and watching TV.

She has been following with a lot of attention the situation in France with the Gilets Jaunes a popular movement that has her admiration.

Thinking about France and in its recent history, The Grandma remembered how on a day like today in 1942, a magnificent film was premiered at the Hollywood Theater in New York City. It was Casablanca.

The Grandma was watching this film and enjoying again with the great performances of Humprey Bogart and Ingrid Bergman two excellent actors who are part of the most amazing age of the cinema.

After watching Casablanca, The Grandma studied a new lesson of her
Elementary Language Practice manual (Grammar 24).

 More information: Future Time Words


Allons enfants de la patrie,
Le jour de gloire est arrivé!
Contre nous de la tyrannie
L'etendard sanglant est levé!

La Marseillaise


Casablanca is a 1942 American romantic drama film directed by Michael Curtiz based on Murray Burnett and Joan Alison's unproduced stage play Everybody Comes to Rick's. The film stars Humphrey Bogart, Ingrid Bergman, and Paul Henreid; it also features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson.

Set during contemporary World War II, it focuses on an American expatriate who must choose between his love for a woman and helping her and her husband, a Czech Resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Nazis.

Principal photography began on May 25, 1942, ending on August 3; the film was shot entirely at Warner Bros. Studios in Burbank, California with the exception of one sequence at Van Nuys Airport in Van Nuys, Los Angeles.

Although Casablanca was an A-list film with established stars and first-rate writers, no one involved with its production expected it to be anything other than one of the hundreds of ordinary pictures produced by Hollywood that year.

  
Casablanca
Casablanca was rushed into release to take advantage of the publicity from the Allied invasion of North Africa a few weeks earlier. It had its world premiere on November 26, 1942, in New York City and was released nationally in the United States on January 23, 1943. The film was a solid if unspectacular success in its initial run.

Exceeding expectations, Casablanca went on to win the Academy Award for Best Picture, while Curtiz was selected as Best Director and the Epsteins and Koch were honored for writing the Best Adapted Screenplay, and gradually its reputation grew. Its lead characters, memorable lines, and pervasive theme song have all become iconic, and the film consistently ranks near the top of lists of the greatest films in history.

In December 1941, American expatriate Rick Blaine owns an upscale nightclub and gambling den in Casablanca. Rick's Café Américain attracts a varied clientele, including Vichy French and German officials, refugees desperate to reach the still-neutral United States, and those who prey on them. Although Rick professes to be neutral in all matters, he ran guns to Ethiopia during its war with Italy and fought on the Loyalist side in the Spanish Civil War.

More information: Britannica

Petty crook Ugarte boasts to Rick of letters of transit obtained by murdering two German couriers. The papers allow the bearers to travel freely around German-occupied Europe and to neutral Portugal, and are priceless to the refugees stranded in Casablanca. Ugarte plans to sell them at the club, and asks Rick to hold them. Before he can meet his contact, Ugarte is arrested by the local police under the command of Captain Louis Renault, the unabashedly corrupt Vichy prefect of police. Ugarte dies in custody without revealing that he entrusted the letters to Rick.

Then the reason for Rick's bitterness, former lover Ilsa Lund, enters his establishment. Spotting Rick's friend and house pianist, Sam, Ilsa asks him to play As Time Goes By. Rick storms over, furious that Sam disobeyed his order never to perform that song, and is stunned to see Ilsa. She is accompanied by her husband, Victor Laszlo, a renowned fugitive Czech Resistance leader. They need the letters to escape to America to continue his work. German Major Strasser has come to Casablanca to see that Laszlo fails.

Casablanca
When Laszlo makes inquiries, Ferrari, a major underworld figure and Rick's friendly business rival, divulges his suspicion that Rick has the letters. Privately, Rick refuses to sell at any price, telling Laszlo to ask his wife the reason.

They are interrupted when Strasser leads a group of officers in singing Die Wacht am Rhein, The Watch on the Rhine. Laszlo orders the house band to play La Marseillaise. When the band looks to Rick, he nods his head. Laszlo starts singing, alone at first, then patriotic fervor grips the crowd and everyone joins in, drowning out the Germans. Strasser demands Renault close the club, which he does on the pretext of suddenly discovering there is gambling on the premises.

More information: Film Forever

Ilsa confronts Rick in the deserted café. When he refuses to give her the letters, she threatens him with a gun, but then confesses that she still loves him. She explains that when they met and fell in love in Paris in 1940, she believed her husband had been killed attempting to escape from a concentration camp. 

While preparing to flee with Rick from the imminent fall of the city to the German army, she learned Laszlo was alive and in hiding. She left Rick without explanation to nurse her sick husband. Rick's bitterness dissolves. He agrees to help, letting her believe she will stay with him when Laszlo leaves.

When Laszlo unexpectedly shows up, having narrowly escaped a police raid on a Resistance meeting, Rick has waiter Carl spirit Ilsa away. Laszlo, aware of Rick's love for Ilsa, tries to persuade him to use the letters to take her to safety.

When the police arrest Laszlo on a minor, trumped-up charge, Rick persuades Renault to release him by promising to set him up for a much more serious crime: possession of the letters. To allay Renault's suspicions, Rick explains that he and Ilsa will be leaving for America.

Casablanca
When Renault tries to arrest Laszlo as arranged, Rick forces him at gunpoint to assist in their escape. At the last moment, Rick makes Ilsa board the plane to Lisbon with Laszlo, telling her that she would regret it if she stayed, Maybe not today, maybe not tomorrow, but soon and for the rest of your life.

Strasser, tipped off by Renault, drives up alone. Rick shoots him when he tries to intervene. When policemen arrive, Renault pauses, then orders them to round up the usual suspects. He suggests to Rick that they join the Free French in Brazzaville. As they walk away into the fog, Rick says, Louis, I think this is the beginning of a beautiful friendship.

The entire picture was shot in the studio, except for the sequence showing Major Strasser's arrival, which was filmed at Van Nuys Airport, and a few short clips of stock footage views of Paris. The street used for the exterior shots had recently been built for another film, The Desert Song, and redressed for the Paris flashbacks.

More information: The Guardian

The background of the final scene, which shows a Lockheed Model 12 Electra Junior airplane with personnel walking around it, was staged using little person extras and a proportionate cardboard plane. Fog was used to mask the model's unconvincing appearance. Nevertheless, the Disney's Hollywood Studios theme park in Orlando, Florida purchased a Lockheed 12A for its Great Movie Ride attraction, and initially claimed that it was the actual plane used in the film.

Although an initial release date was anticipated for early 1943, the film premiered at the Hollywood Theater in New York City on November 26, 1942, to coincide with the Allied invasion of North Africa and the capture of Casablanca

It went into general release on January 23, 1943, to take advantage of the Casablanca Conference, a high-level meeting in the city between British Prime Minister Winston Churchill and American President Franklin D. Roosevelt. The Office of War Information prevented screening of the film to troops in North Africa, believing it would cause resentment among Vichy supporters in the region.

More information: CBC


It's still the same old story. A fight for love and glory.
A case of do or die. The world will always welcome lovers.
As time goes by.

Dooley Wilson