SANTA CHIARA: RELIGIOUS ART IN THE HEART OF NAPLES

Claire Fontaine in Santa Chiara

Today is Saint Clare of Assisi, the festivity which remembers the Umbrian saint who founded the Order of Poor Ladies, a monastic religious order for women in the Franciscan tradition, and wrote their Rule of Life.

Today is a special day for Claire Fontaine because she celebrates the festivity of her name. This is the reason because of Claire has decided to travel to Naples in the Campania to visit one of the most beautiful places: Santa Chiara.

Santa Chiara is a religious complex that includes the Church of Santa Chiara, a monastery, tombs and an archeological museum. The Basilica church of Santa Chiara faces Via Benedetto Croce, which is the easternmost leg of Via Spaccanapoli. The church facade of Santa Chiara is diagonally across from the church of Gesù Nuovo.

More information: Monastero di Santa Chiara

The double monastic complex was built in 1313–1340 by Queen Sancha of Majorca and her husband King Robert of Naples, who is also buried in the complex. The original church was in traditional Provençal-Gothic style, but was decorated in the 17th century in Baroque style by Domenico Antonio Vaccaro. 

After the raid of 4 August 1943

After the edifice was partially destroyed by a fire after the Allied bombings during World War II, it was brought back to the alleged original state by a disputed restoration, which was completed in 1953.

The large rectangular building is 110.5 m long inside the walls, and 33 m wide. The walls of the nave are 47.5 m tall, and the nave itself is 82 m long. 

There are nine lateral chapels on each side of the nave, the roofs of the chapels are vaulted, and they support the gallery that runs the length of the nave. Above the gallery are the lancet windows of the clerestory. 

An unusual feature of the building is that the lateral chapels are absorbed into the body of the church, giving Santa Chiara its distinctive rectangular appearance. Another unusual feature of the building is the fact that the church does not have an apse, after the lateral chapels there is a section of the church with the high altar in the centre, flanked by the rectangular friar's choirs on either side. Behind the altar is the tomb of King Robert, behind that is a wall separating the main body of the church from the nuns' choir.

More information: Naples Life, Death & Miracle

The wall between the nave of the church and the retrochoir is penetrated by three screened grilles through which the nuns could observe the mass, while being invisible to anybody in the nave. There are also four windows in the wall which mirror the four windows on the exterior of the church. There is a large stained glass lancet window above the altar. Above this is a triangular pattern are three rose windows. At the apex of the point of the roof, above the level of the wooden beams of the ceiling is a fourth, smaller, rose window. The nuns choir is different in plan from the main body of the church, with two large piers supported by rib vaults dividing the space into three sections. 

Main façade of Santa Chiara, Naples

Santa Chiara was the largest Clarissan church ever built and it was the first Clarissan church built where the nuns in their choir would have been able to view the performance of Mass. The bell tower, separated from the main edifice, was begun in 1328 but was completed only in Renaissance times.

Behind the main altar is the tomb of King Robert of Anjou, which was sculpted by Pacio and Giovanni Bertini in 1343. In the side chapels are the tombs of the Bourbon king of Naples, Francis II and his consort Maria Sophie of Bavaria, as well as those of Queen Maria Christina of Savoy and of the national hero Salvo d'Acquisto, a carabiniere who sacrificed his life to save the lives of 22 civilian hostages during the Nazi occupation. 

More information: Sacred Destinations

The church was used, even before it was formally completed, to hold the relics of Saint Louis of Toulouse, elder brother of King Robert. One of these relics was the brain of St. Louis, in an ornate reliquary decorated with a crown Queen Sancha had donated in memory of her brother-in-law.

The tower of Santa Chiara, Naples

Initially, the interior had a Gothic style, but reconstruction from 1742 to 1762 by Domenico Vaccaro, Gaetano Buonocore, and Giovanni del Gaizo, refurbished the interior in a Baroque style. 

The stuccoed ceiling was frescoed by a team of artists, including Francesco De Mura, Giuseppe Bonito, Sebastiano Conca, and Paolo de Maio. The floor was paved with a design by Ferdinando Fuga. 

Unfortunately much of the interior decoration was destroyed in the aerial bombardment of 1943.

In the sixth chapel to the left, are 14th-century bas reliefs depicting the Martyrdom of the wife of Massenzio, while the seventh has a tomb of Ludovico di Durazzo, another 14th century work by the Florentine Pacio Bertini.

More information: Lonely Planet

To the right of the presbytery is access to the Baroque sacristy with frescoes from 1692. Through the sacristy, one can reach the Choir of the Nuns. The choir houses fragments of frescoes depicting Biblical Stories by Giotto.

Claire inside the cloister of the Clarisses

Famous is the cloister of the Clarisses, transformed in 1742 by Domenico Antonio Vaccaro with the unique addition of majolica tiles in Rococò style. The brash color floral decoration makes this cloister, with octagonal columns in pergola-like structure, likely unique and would seem to clash with the introspective world of cloistered nuns. 

The cloister arcades are also decorated by frescoes, now much degraded.

The museum houses information on the history of the church, archaeological findings and materials remaining after the fire that destroyed part of the church in 1943. It also has a collection of baroque presepi, nativity scenes.

More information: Comune di Napoli

 Put a compass to paper and trace a circle. Then tell me which other country has such a concentration of places like Amalfi, Naples, Ischia, Procida, Sorrento, Positano, Pompeii, and Capri. 

Diego Della Valle