SAMUEL BECKETT'S 'WAITING FOR GODOT' PREMIERE

Today, The Grandma has been reading Waiting for Godot, the play written by Samuel Beckett, that was premiered in Paris on a day like today in 1953.

Samuel Barclay Beckett (1906-1989) was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in Paris for most of his adult life and wrote in both English and French. 

He is widely regarded as among the most influential writers of the 20th century.

Waiting for Godot is a play by Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. Waiting for Godot is Beckett's translation of his own original French-language play, En attendant Godot, and is subtitled (in English only) a tragicomedy in two acts.

The original French text was composed between 9 October 1948 and 29 January 1949. The premiere, directed by Roger Blin, was on 5 January 1953 at the Théâtre de Babylone, Paris. The English-language version premiered in London in 1955. In a poll conducted by the British Royal National Theatre in 1998/99, it was voted the most significant English-language play of the 20th century.

More information: Samuel Beckett, the Irish Avant-Garde Writer

There is only one scene throughout both acts. Two men are waiting on a country road by a tree. The men are of unspecified origin, though it is clear that they are not English by nationality since they refer to currency as francs, and tell derisive jokes about the English -and in English-language productions the pair are traditionally played with Irish accents. The script calls for Estragon to sit on a low mound but in practice -as in Beckett's own 1975 German production- this is usually a stone.  In the first act the tree is bare. In the second, a few leaves have appeared despite the script specifying that it is the next day. The minimal description calls to mind the idea of the lieu vague, a location which should not be particularised.

Beckett received numerous requests to adapt Waiting for Godot for film and television. The author, however, resisted these offers, except for occasional approval out of friendship or sympathy for the person making the request.

Although not his favourite amongst his plays, Waiting for Godot was the work which brought Beckett fame and financial stability and as such it always held a special place in his affections. When the manuscript and rare books dealer, Henry Wenning, asked him if he could sell the original French manuscript for him, Beckett replied: Rightly or wrongly have decided not to let Godot go yet. Neither sentimental nor financial, probably peak of market now and never such an offer. Can't explain.

More information: EDisciplinas

Every word is like an unnecessary stain
on silence and nothingness.

Samuel Beckett