Today, The Stones and The Grandma have enjoyed a free day in Ithaca. They have sailed by boat along the coast of the island and they have been diving in these wonderful waters.
Before this, the family has connected by Skype with a new friend of them, DR, who is an expert in Occupational Safety and Health. He has explained them lots of things about the risks of sailing and diving and they have learnt a lot. It has been a wonderful day!
Occupational Safety and Health (OSH), also commonly referred to as Occupational Health and Safety (OHS), Occupational Health, or Occupational Safety, is a multidisciplinary field concerned with the safety, health, and welfare of people at work. These terms also refer to the goals of this field, so their use in the sense of this article was originally an abbreviation of occupational safety and health program/department.
The goal of Occupational Safety and health programs is to foster a safe and healthy work environment. OSH may also protect co-workers, family members, employers, customers, and many others who might be affected by the workplace environment.
In common-law jurisdictions, employers have a common law duty to take reasonable care of the safety of their employees. Statute law may in addition impose other general duties, introduce specific duties, and create government bodies with powers to regulate workplace safety issues: details of this vary from jurisdiction to jurisdiction.
As defined by the World Health Organization (WHO) occupational health deals with all aspects of health and safety in the workplace and has a strong focus on primary prevention of hazards. Health has been defined as a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity.
Occupational Health is a multidisciplinary field of healthcare concerned with enabling an individual to undertake their occupation, in the way that causes least harm to their health. It contrasts, for example, with the promotion of health and safety at work, which is concerned with preventing harm from any incidental hazards, arising in the workplace.
Today, The Grandma has been talking with TheWatsons by Skype. She is still in Ithaca with The Stones but she continues working very hard with The Watsons and their English classes. After doing an exam, they have studied Present Simple and Adverbs of Frequency.
Finally, The Watsons have started to prepare their big project: how to help Yolanda Watson to be a popular person and win the Eurovision Song Contest that is going to be celebrated next May in Rotterdam, The Netherlands. Yolanda wants to be the new France Gall and win the Contest representing her country, France.
They have done a brainstorming with lots of ideas and they are going to create different profiles in the social networks. Every member of the family is going to help Yolanda to achieve her dream of becoming a great star.
The Eurovision Song Contest, in French Concours Eurovision de la chanson, is an annual international song competition, arranged since 1956 by the Eurovision broadcasting organisation, with participants representing primarily European countries. Each participating country submits an original song to be performed on live television and radio, then casts votes for the other countries' songs to determine the winner. At least 50 countries are eligible to compete as of 2019; since 2015, Australia has been allowed as a contestant.
Based on the Sanremo Music Festival held in Italy since 1951, Eurovision has been broadcasting every year since its inauguration in 1956, making it the longest-running annual international television contest and one of the world's longest-running television programmes. It is also one of the most watched non-sporting events, with audience figures of between 100 million and 600 million internationally. It has been broadcast in several countries that do not compete, such as the United States, Canada, New Zealand, and China. Since 2000, it has been broadcast online via the Eurovision website.
Ireland holds the record for most victories, with seven wins, including four times in five years in 1992, 1993, 1994, and 1996. Under the current voting system, in place since 2016, the highest-scoring winner is Salvador Sobral of Portugal who won the 2017 contest in Kiev, Ukraine, with 758 points; under the previous system, the highest-scoring winner was Alexander Rybak of Norway with 387 points in 2009.
France Gall
The most recent winner is Duncan Laurence from the Netherlands who won the 2019 event with the song Arcade.Winning the EurovisionSongContest provides artists with a local career boost and sometimes long-lasting international success. Some of them include ABBA (winners for Sweden), Bucks Fizz & Lulu (winners for the United Kingdom), Celine Dion (winner for Switzerland), Johnny Logan (who won the contest twice for Ireland), Dana International (for Israel) and Lena (who won for Germany).
As a war-torn Europe was rebuilding itself in the 1950s, the EuropeanBroadcasting Union (EBU) -based in Switzerland- set up an ad hoc committee to search for ways of bringing together the countries of the EBU around a light entertainment programme. At a committee meeting held in Monaco in January 1955 with Marcel Bezençon of the Swiss television as chairman, the committee conceived the idea, initially proposed by Sergio Pugliese of the Italian television RAI, of an international song contest where countries would participate in one television programme to be transmitted simultaneously across all countries of the union.
The competition was based upon the existing Sanremo Music Festival held in Italy and was seen as a technological experiment in live television. In those days it was a very ambitious project to join many countries together in a wide-area international network. Satellite television did not exist and the EurovisionNetwork comprised a terrestrial microwave network.
The concept, then known as Eurovision Grand Prix, was approved by the EBU General Assembly in a meeting held in Rome on 19 October 1955, and it was decided that the first contest would take place in spring 1956 in Lugano, Switzerland. The name Eurovision was first used in relation to the EBU's network by British journalist George Campey in the London Evening Standard in 1951.
The first contest was held in the town of Lugano, Switzerland, on 24 May 1956. Seven countries participated -each submitting two songs, for a total of 14. This was the only contest in which more than one song per country was performed: since 1957 all contests have allowed one entry per country. The 1956 contest was won by the host nation, Switzerland.
The contest was first known as the Eurovision Grand Prix in English. This Grand Prix name was adopted by Germany, Denmark, Norway and the Francophone countries, with the French designation being Le Grand-Prix Eurovision de la Chanson Européenne.
The Grand Prix was dropped in 1973 and replaced with Concours (contest) in French and in 2001 with the English name in German, but not in Danish or Norwegian. The Eurovision network is used to carry many news and sports programmes internationally, among other specialised events organised by the EBU. However, in the minds of the public, the name Eurovision is most closely associated with the Song Contest.
International Women's Day (IWD) is celebrated on the 8th of March every year around the world. It is a focal point in the movement for women's rights.
Commemoration of International Women'sDay today ranges from being a public holiday in some countries to being largely ignored elsewhere. In some places, it is a day of protest; in others, it is a day that celebrates womanhood.
The earliest Women's Day observance, called National Woman's Day, was held on February 28, 1909, in NewYork City,organized by the Socialist Party of America at the suggestion of activist Theresa Malkiel.
There have been claims that the day was commemorating a protest by women garment workers in New York on March 8, 1857, but researchers Kandel and Picq have described this as a myth created to detach International Women's Day from its Soviet history in order to give it a more international origin.
The Stones
are celebrating the IWD in Ithaca, where they are spending some days.
The Grandma wants to support this day claiming for the defence of Civil and
Human Rights, basically respect and equality.
To commemorate this important day, The Stones have visited Penelope, one of the bravest and most popular Greek heroines in universal Literature, who fighted against all the adversities with her husband Ulysses and her son Telemachus.
In Homer's Odyssey, Penelope, in Greek Πηνελόπεια or Πηνελόπηis the wife of Odysseus, who is known for her fidelity to Odysseus while he was absent, despite having many suitors. Her name has therefore been traditionally associated with marital fidelity.
The origin of her name is believed by Robert S. P. Beekes to be Pre-Greek and related to pēnelops (πηνέλοψ) or pēnelōps (πηνέλωψ), glossed by Hesychius as some kind of bird, today arbitrarily identified with the Eurasian wigeon, to which Linnaeus gave the binomial Anas penelope, where -elōps (-έλωψ) is a common Pre-Greek suffix for predatory animals; however, the semantic relation between the proper name and the gloss is not clear. In folk etymology, Pēnelopē(Πηνελόπη) is usually understood to combine the Greek word pēnē (πήνη), weft, and ōps (ὤψ), face, which is considered the most appropriate for a cunning weaver whose motivation is hard to decipher.
Penelope is the wife of the main character, the king of Ithaca, Odysseus
(Ulysses in Roman mythology), and daughter of Icarius of Sparta and his
wife Periboea. She only has one son by Odysseus, Telemachus, who was
born just before Odysseus was called to fight in the Trojan War. She
waits twenty years for the final return of her husband, during which she
devises various strategies to delay marrying one of the 108 suitors,
led by Antinous and including Agelaus, Amphinomus, Ctessippus,
Demoptolemus, Elatus, Euryades, Eurymachus and Peisandros. On Odysseus's return, disguised as an old beggar, he finds that Penelope
has remained faithful. She has devised tricks to delay her suitors, one
of which is to pretend to be weaving a burial shroud for Odysseus's
elderly father Laertes and claiming that she will choose a suitor when
she has finished. Every night for three years, she undoes part of the
shroud, until Melantho, one of twelve unfaithful slave women, discovers
her chicanery and reveals it to the suitors.
The Stones visit Ithaca guided by Penelope
Because of her efforts to put off remarriage, Penelope is often seen as a symbol of connubial fidelity. But because Athena wants her to show herself to the wooers, that she might set their hearts a-flutter and win greater honor from her husband and her son than heretofore, Penelope does eventually appear before the suitors.
She is ambivalent, variously asking Artemis to kill her and, apparently, considering marrying one of the suitors. When the disguised Odysseus returns, she announces in her long interview with the disguised hero that whoever can string Odysseus's rigid bow and shoot an arrow through twelve axe heads may have her hand. For the plot of the Odyssey, of course, her decision is the turning point, the move that makes possible the long-predicted triumph of the returning hero.
There is debate as to whether Penelope is aware that Odysseus is behind the disguise. Penelope and the suitors know that Odysseus, were he in fact present, would easily surpass all in any test of masculine skill, so she may have intentionally started the contest as an opportunity for him to reveal his identity. On the other hand, because Odysseus seems to be the only person, perhaps excepting Telemachus, who can actually use the bow, she could just be further delaying her marriage to one of the suitors.
When the contest of the bow begins, none of the suitors are able to string the bow, but Odysseus does, and wins the contest. Having done so, he proceeds to slaughter the suitors -beginning with Antinous whom he finds drinking from Odysseus' cup- with help from Telemachus, Athena and two slaves, Eumaeus the swineherd and Philoetius the cowherd.
Odysseus has now revealed himself in all his glory, with a little makeover by Athena; yet Penelope cannot believe that her husband has really returned -she fears that it is perhaps some god in disguise, as in the story of Alcmene- and tests him by ordering her slave Eurycleia to move the bed in their bridal-chamber.
Odysseus protests that this cannot be done since he made the bed himself and knows that one of its legs is a living olive tree. Penelope finally accepts that he truly is her husband, a moment that highlights their homophrosýnē (ὁμοφροσύνη, like-mindedness).
Homer implies, that from then on, Odysseus would live a long and happy life together with Penelope and Telemachus, wisely ruling his kingdom and enjoying wide respect and much success.
Penelope is recognizable in Greek and Roman works, from Attic vase-paintings -the Penelope Painter is recognized by his representations of her- to Roman sculpture copying or improvising upon classical Greek models, by her seated pose, by her reflective gesture of leaning her cheek on her hand, and by her protectively crossed knees, reflecting her long chastity in Odysseus' absence, an unusual pose in any other figure.
Latin references to Penelope revolved around the sexual loyalty to her absent husband. It suited the marital aspect of Roman society representing the tranquility of the worthy family. She is mentioned by various classical authors including Plautus, Propertius, Horace, Ovid, Martial and Statius. The use of Penelope in Latin texts provided a basis for her ongoing use in the Middle Ages and Renaissance as a representation of the chaste wife. This was reinforced by her being named by Saint Jerome among pagan women famed for their chastity.
After a Loli Stone's masterclass about TheIliad, accompanied by Homer, TheStones have decided to visit the island. Ithaca is a wonderful Mediterraneanisland and a fantastic place to practice trekking.
The family has decided to discover the hidden places of the island by foot. While The Stones enjoyed and contemplated the views, DanielStone was playing his fidle and Loli Stone was reciting one of the most transcendental and beautiful poems ever written, Konstantinos Petrou Kavafis's Ithaca.
Konstantin or Konstantinos Petrou Kavafis,also known as ConstantinePeter Cavafy, in Greek Κωνσταντίνος Π. Καβάφης (April 29 1863-April 29, 1933) was an Egyptiot Greek poet, journalist and civil servant. His consciously individual style earned him a place among the most important figures not only in Greek poetry, but in Westernpoetry as well.
Kavafis wrote 155 poems, while dozens more remained incomplete or in sketch form. During his lifetime, he consistently refused to formally publish his work and preferred to share it through local newspapers and magazines, or even print it out himself and give it away to anyone interested.
His most important poems were written after his fortieth birthday, and officially published two years after his death.
Kavafis was born in 1863 in Alexandria, Egypt, to Greek parents, originated from the Greek community of Constantinople (Istanbul), and was baptized into the Greek Orthodox Church.
His father's name was Πέτρος Ἰωάννης, Petros Ioannēs -hence the Petrou patronymic (GEN) in his name- and his mother's Charicleia. His father was a prosperous importer-exporter who had lived in England in earlier years and acquired British nationality. After his father died in 1870, Kavafis and his family settled for a while in Liverpool.
David & Loli Stone recite Kavafis's Ithaka in Aetos
In
1876, his family faced financial problems due to the Long Depression of
1873, so, by 1877, they had to move back to Alexandria.
In 1882,
disturbances in Alexandria caused the family to move again, though
temporarily, to Constantinople. This was the year when a revolt broke
out in Alexandria against the Anglo-French control of Egypt, thus
precipitating the 1882 Anglo-Egyptian War. Alexandria was bombarded by a
British fleet, and the family apartment at Ramleh was burned.
In 1885, Kavafis returned to Alexandria, where he lived for the rest of his life. His first work was as a journalist; then he took a position with the British-run Egyptian Ministry of Public Works for thirty years. Egypt was a British protectorate until 1926.
He published his poetry from 1891 to 1904 in the form of broadsheets, and only for his close friends. Any acclaim he was to receive came mainly from within the Greek community of Alexandria. Eventually, in 1903, he was introduced to mainland-Greek literary circles through a favourable review by Gregorios Xenopoulos.
He received little
recognition because his style differed markedly from the then-mainstream
Greek poetry. It was only twenty years later, after the Greek defeat in
the Greco-Turkish War (1919–1922), that a new generation of almost
nihilist poets would find inspiration in Kavafis's work.
He died on April 29, 1933, his 70th birthday. Since his death, Kavafis'sreputation has grown. His poetry is taught in school in Greece and Cyprus, and in universities around the world.
E. M. Forster knew him personally and wrote a memoir of him, contained in his book Alexandria. Forster, Arnold J. Toynbee, and T. S. Eliot were among the earliest promoters of Kavafis in the English-speaking world before the Second World War. In 1966, David Hockney made a series of prints to illustrate a selection of Kavafis's poems, including In the dull village.
Kavafis was instrumental in the revival and recognition of Greek poetry both at
home and abroad. His poems are, typically, concise but intimate
evocationsof real or literary figures and milieux that have played
roles in Greek culture.
Visiting the Alalkomenes Acropolis, Ithaca
Uncertainty about the future, sensual pleasures, the moral character and psychology of individuals, homosexuality, and a fatalistic existential nostalgia are some of the defining themes.
Besides his subjects, unconventional for the time, his poems also exhibit a skilled and versatile craftsmanship, which is extremely difficult to translate.
Kavafis was a perfectionist, obsessively refining every single line of his poetry. His mature style was a free iambic form, free in the sense that verses rarely rhyme and are usually from 10 to 17 syllables. Inhis poems, the presence of rhyme usually implies irony.
Kavafis drew his themes from personal experience, along with a deep and wide knowledge of history, especially of the Hellenistic era. Many of his poems are pseudo-historical, or seemingly historical, or accurately but quirkily historical.
One of Kavafis's most important works is his 1904 poem Waiting for the Barbarians. The poem begins by describing a city-state in decline, whose population and legislators are waiting for the arrival of the barbarians. When night falls, the barbarians have not arrived. The poem ends: What is to become of us without barbarians? Those people were a solution of a sort.
In 1911, Kavafis wrote Ithaca, inspired by the Homeric return journey of Odysseus to his home island, as depicted in the Odyssey.
The poem's theme is the destination which produces the journey of life: Keep Ithaka always in your mind. / Arriving there is what you’re destined for. The traveller should set out with hope, and at the end you may find Ithaca has no more riches to give you, but Ithaca gave you the marvelous journey.
Almost all of Kavafis's work was in Greek; yet, his poetry remained unrecognized and underestimated in Greece, until after the publication of the first anthology in 1935 by Heracles Apostolidis, father of Renos Apostolidis.
His unique style and language, which was a mixture of Katharevousa and Demotic Greek, had brought him under the criticism of Kostis Palamas, the greatest poet of his era in mainland Greece, and his followers, who were in favour of the simplest form of Demotic Greek.
He is known for his prosaic use of metaphors, his brilliant use of historical imagery, and his aesthetic perfectionism. These attributes, amongst others, have assured him an enduring place in the literary pantheon of the Western World.
Ithaka gave you the marvelous journey. Without her you would not have set out. She has nothing left to give you now. And if you find her poor, Ithaka won’t have fooled you. Wise as you will have become, so full of experience, you will have understood by then what these Ithakas mean.
The Stones have just arrived to Ithaca this evening. They have gone to their hotel directly where Homer, an old Grandma'sfriend, was waiting for them. After unpacking their baggage and having a hot shower, all the members of the family have joined in the great hall to listen to LoliStone. It is an emotive travel for her because she has returned at home -she is Greek- and she has met one of her most admired Greek poets, Homer.
Loli and Homer have offered an interesting conference about the Iliad to The Stones,who have discovered unknown stories and have enjoyed a lot with this experience.
Homer, in Ancient Greek Ὅμηρος, is the legendary author of the Iliad and the Odyssey, two epic poems that are the central works of ancient Greek literature.
The Iliad is set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek kingdoms. It focuses on a quarrel between KingAgamemnon and the warrior Achilles lasting a few weeks during the last year of the war.
The Odyssey focuses on the ten-year journey home of Odysseus, king of Ithaca, after the fall of Troy. Many accounts of Homer's life circulated in classical antiquity, the most widespread being that he was a blind bard from Ionia, a region of central coastal Anatolia in present-day Turkey. Modern scholars consider these accounts legendary.
The Homeric Question -concerning by whom, when, where and under what circumstances the Iliad and Odyssey were composed- continues to be debated. Broadly speaking, modern scholarly opinion falls into two groups. One holds that most of the Iliad and, according to some, the Odyssey are the works of a single poet of genius.
The other considers the Homeric poems to be the result of a process of working and reworking by many contributors, and that Homer is best seen as a label for an entire tradition. It is generally accepted that the poems were composed at some point around the late eighth or early seventh century BC.
The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally.
From antiquity until the present day, the influence of Homeric epic on Western
civilization has been great, inspiring many of its most famous works of
literature, music, art and film. The Homeric epics were the greatest
influence on ancient Greek culture and education; to Plato, Homer was
simply the one who has taught Greece -ten Hellada pepaideuken.
Loli Stone & Homer read The Iliad
The Homeric epics are written in an artificial literary language or Kunstspracheonly used in epichexameter poetry.
HomericGreek showsfeatures of multiple regional Greek dialects and periods, but is fundamentally based on Ionic Greek, in keeping with the tradition that Homerwas from Ionia.
Linguistic analysis suggests that the Iliad was composed slightly before the Odyssey, and that Homericformulae preserve older features than other parts of the poems.
The Iliad, in Ancient Greek Ἰλιάς, sometimes referred to as the Song of Ilion or Song of Ilium, is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.
Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
Although the story covers only a few weeks in the final year of the war, theIliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War.
The Iliad is paired with something of a sequel, the Odyssey, also attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. In the modern vulgate, the standard accepted version, the Iliad contains 15,693 lines; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects.
The poem dates to the archaic period of Classical Antiquity. Scholarly consensus mostly places it in the 8th century BC, although some favour a 7th-century date. Herodotus, having consulted the Oracle at Dodona, placed Homer and Hesiod at approximately 400 years before his own time, which would place them at c.850 BC.
The historical backdrop of the poem is the time of the Late Bronze Age collapse, in the early 12th century BC. Homer is thus separated from his subject matter by about 400 years, the period known as the Greek Dark Ages. Intense scholarly debate has surrounded the question of which portions of the poem preserve genuine traditions from the Mycenaean period. The Catalogue of Ships in particular has the striking feature that its geography does not portray Greece in the Iron Age, the time of Homer, but as it was before the Dorian invasion.
Venetus A, copied in the 10th century AD, is the oldest fully extant manuscript of the Iliad. The first edition of the Iliad, editio princeps, edited by Demetrius Chalcondyles and published by Bernardus Nerlius, and Demetrius Damilas in Florence in 1488/89.
The Grandma has an enormous objective this year, to manage two families at time The Watsons & TheStones. It is not possible to stay in two different places at the same moment and thanks to the new technology, she can stay closer to both families.
While The Stones are preparing their baggage to travel to Ithaca, Greece, The Grandma has been with The Watsons preparing a new English exam, studying some English grammar and talking about their last visit to some important enterprises.
They have been talking about Adverbs of Manner, Prepositions of Place and Questions Tags. They have remembered the difficulty of the Phrasal Verbs and they have also read two new chapters of The Secret of Oldstone Hall and they have discussed about March, 8, its significance and some women chosen from an endless list who have not had their recognition in their professions.
In the moonlit nights, when all the surrounding woods remain silent, you can feel the somorous voices that sing Gregorian songs coming, along the winding path that goes from Sant Boi de Llobregat to the hermitage of Sant Ramon,thesummit of Montbaig.
Suddenly, the procession stops on a bend. Barefoot, with its brown habit, the white cord at the waist and the hood covering their faces, the spectral friars move forward until they reach the garden square in front of the hermitage, now in shadows. And as soon as they begin to climb up the large stairway leading up to the front door, they disappear as mysteriously as they have appeared.
Their hesitating and uncertain step reminds us of the resurrectioned mummies...
From the middle of the 16th century, the Capuchin Order developed a macabre funerary practice that consisted of mummifying the deceased friars. The method became so famous that it even gave its name: to be buried in the way of the Capuchin.
This religious order was born in 1520 in Italy, separated from the Franciscans. The communities were small, ten or twelve members, who lived with simplicity and austerity, preaching the Franciscan spirit of poverty, observing rigorous fastings and penances and taking care of the disadvantaged. His name comes from the long and sharp hood of his habit.
The Grandma in an old visit to the Capuchins
In Catalonia, the Capuchin Order arrived in 1578, byspecialrequest of the Consell de Cent.
And they established convents in several cities and towns, where they still profess. Under the plant of the old convents of Girona, currently in the Museum of History of the City, and Figueres, now converted into an auditorium, the corpse dryers are still preserved. The process of conserving the bodies of the deceased, perfected by the years of practice of the monks, consisted of the following: first, the bodies of the deceased brothers were placed in small underground cells called coladors, a kind of vertical niches with some banks of stone where the corpses were sitting, before covering the entrance.
For a couple of years, with the shortage of air and humidity, the bodies were dehydrating naturally, and the internal fluids were escorted by the holes that had been practiced in the banks. After this time, the individual tufts were demolished, the mummified bodies were removed, they were cleaned with vinegar, and they were allowed to dry outdoors.
Finally, they were dressed in their habit and hanged in nearby units, along with other mummified monks. In this way, some macabre exhibition halls were created, gradually becoming one of the most important parts of the architecture of Capuchin convents. There they were contemplated and venerated by their alive brothers, as a reminder of the brevity of life and the need for captivity and humility.
In Sant Boi de Llobregat, the Capuchin Community was soon established: in 1579, they built a convent in the neighborhood of El Molí Nou, which they dedicated to the Visitation of the Virgin. But sixteen years later, for reasons of unhealthiness, the Provincial Government decided to close it. The building passed into the hands of another mendicant order, the Servants of Mary. After the 1835 dissolution, he was occupied by the brothers of Sant Joan de Déu, who established the famous mental health center today known as the Psychiatric Hospital.
Perhaps because of this, because they no longer have a room to rest for all eternity, the Capuchin Order of Sant Boi wake up at night, mummified, in the Baix Llobregat county.
