Showing posts with label The Merchant of Venice. Show all posts
Showing posts with label The Merchant of Venice. Show all posts

Monday, 22 July 2019

THE MERCHANT OF VENICE & THE STATIONERS' REGISTER

The Merchant of Venice by William Shakespeare
Today, The Grandma has gone to the library to borrow The Merchant of Venice, one of the masterpieces written by William Shakespeare in the 16th-century.

The Grandma loves Shakespeare plays and it is always a fantastic moment to reread the classics.

The Grandma has chosen The Merchant of Venice because on a day like today in 1598 this William Shakespeare’s play entered on the Stationers' Register. By decree of Queen Elizabeth, the Stationers' Register licensed printed works, giving the Crown tight control over all published material.

The Stationers' Register was a record book maintained by the Stationers' Company of London. The company is a trade guild given a royal charter in 1557 to regulate the various professions associated with the publishing industry, including printers, bookbinders, booksellers, and publishers in England.

The Register itself allowed publishers to document their right to produce a particular printed work, and constituted an early form of copyright law. The Company's charter gave it the right to seize illicit editions and bar the publication of unlicensed books.

More information: Stationers' Register

The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice named Antonio must default on a large loan provided by a Jewish moneylender, Shylock. It is believed to have been written between 1596 and 1599.

Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is most remembered for its dramatic scenes, and it is best known for Shylock and his famous Hath not a Jew eyes? speech on humanity. Also notable is Portia's speech about the quality of mercy.

William Shakespeare
The forfeit of a merchant's deadly bond after standing surety for a friend's loan was a common tale in England in the late 16th century. In addition, the test of the suitors at Belmont, the merchant's rescue from the pound of flesh penalty by his friend's new wife disguised as a lawyer, and her demand for the betrothal ring in payment are all elements present in the 14th-century tale Il Pecorone by Giovanni Fiorentino, which was published in Milan in 1558.

Elements of the trial scene are also found in The Orator by Alexandre Sylvane, published in translation in 1596. The story of the three caskets can be found in Gesta Romanorum, a collection of tales probably compiled at the end of the 13th century.

The date of composition of The Merchant of Venice is believed to be between 1596 and 1598. The play was mentioned by Francis Meres in 1598, so it must have been familiar on the stage by that date. The title page of the first edition in 1600 states that it had been performed divers times by that date. Salerino's reference to his ship the Andrew is thought to be an allusion to the Spanish ship St. Andrew, captured by the English at Cádiz in 1596. A date of 1596–97 is considered consistent with the play's style.

The play was entered in the Register of the Stationers Company, the method at that time of obtaining copyright for a new play, by James Roberts on 22 July 1598 under the title The Merchant of Venice, otherwise called The Jew of Venice.

More information: Shakespeare

On 28 October 1600 Roberts transferred his right to the play to the stationer Thomas Heyes; Heyes published the first quarto before the end of the year. It was printed again in 1619, as part of William Jaggard's so-called False Folio.

Later, Thomas Heyes' son and heir Laurence Heyes asked for and was granted a confirmation of his right to the play, on 8 July 1619. The 1600 edition is generally regarded as being accurate and reliable. It is the basis of the text published in the 1623 First Folio, which adds a number of stage directions, mainly musical cues.

The earliest performance of which a record has survived was held at the court of King James in the spring of 1605, followed by a second performance a few days later, but there is no record of any further performances in the 17th century.

In 1701, George Granville staged a successful adaptation, titled The Jew of Venice, with Thomas Betterton as Bassanio. This version, which featured a masque, was popular, and was acted for the next forty years. Granville cut the clownish Gobbos in line with neoclassical decorum; he added a jail scene between Shylock and Antonio, and a more extended scene of toasting at a banquet scene.

Thomas Doggett was Shylock, playing the role comically, perhaps even farcically. Rowe expressed doubts about this interpretation as early as 1709; Doggett's success in the role meant that later productions would feature the troupe clown as Shylock.



The devil can cite Scripture for his purpose.

Antonio, Act 1 Scene 3-The Merchant of Venice

Monday, 5 February 2018

THE TRADITION OF THE MASKS: FROM MEXICO TO VENICE

Don Diego Vega, aka Zorro
The family has spend its last hours in Mexico DF. They have done a quick visit before going to the Mexico City International Airport to take a plane to the capital of Veneto. In Venice, the family has an intensive agenda: enjoy the Carnevale, visit Belén Collins, Asun Holmes and Eva Collins-Holmes and help The Grandma to find Corto Maltese, her eternal lover.

In the north of Mexico, in South California, in the Pueblo of Los Angeles during the era of Spanish California (1769–1821) a mysterious character became a hero for his population. He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobés, and a mask that covers the upper part of his face.

More information: Carnevale di Venezia 2018

The Grandma sees Venice from the air
The tradition of wearing a mask is ancestral and modern at time. Today, after a flight of fourteen hours and an important jet lag, The Beans are going to arrive to Venice where they're going to enjoy the Carnevale during some days and where they're going to meet lots of people who are going to hide their real identities behind a mask, like Don Diego Vega, aka Zorro did in Los Angeles.

Meanwhile, some members of the family takes profit of the flight and read a New Grammar Book offered by Natalia Bean, a good book plenty of exercises and well-explained theory; other read a William Shakespeare's classic play, The Merchant of Venice, other watch an interesting film named Night Train to Venice with Hugh Grant as the main guest star and other read a Basic Manual for the Prevention of Occupational Hazards. The Grandma is reading some comics of Zorro from the webpage archive.org, where you can find millions of free documents to be downloaded.

Fourteen hours are a lot of hours and you need to do something to avoid sleeping all time and try to survive to the jet lag.


Venice or Venessia in Venetian is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and linked by bridges, of which there are 400. The islands are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, and artwork. The lagoon and a part of the city are listed as a World Heritage Site.

Asun Homes is waiting The Beans in Venice
The name is derived from the ancient Veneti people who inhabited the region by the 10th century BCE. 

The city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals.


The Republic of Venice was a major financial and maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce, especially silk, grain, and spice, and art in the 13th century up to the end of the 17th century. The city-state of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century. This made Venice a wealthy city throughout most of its history.

More information: UNESCO

It is also known for its several important artistic movements, especially the Renaissance period. After the Napoleonic Wars and the Congress of Vienna, the Republic was annexed by the Austrian Empire, until it became part of the Kingdom of Italy in 1866, following a referendum held as a result of the Third Italian War of Independence

Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. The city is facing some major challenges, however, including financial difficulties, erosion, pollution, subsidence, an excessive number of tourists in peak periods and problems caused by oversized cruise ships sailing close to the banks of the historical city.



But I recall all of them nights down in Mexico,
one place I may never go in my life again.
Was I just off somewhere or just too high?

I only miss you every now and then,
like the soft breeze blowin' up from the Caribbean.

But I can't remember if we said goodbye.

Emmylou Harris