Showing posts with label Ridley Scott. Show all posts
Showing posts with label Ridley Scott. Show all posts

Tuesday, 30 November 2021

RIDLEY SCOTT, THE CREATOR OF CINEMA MASTERPIECES

Today, The Grandma is relaxing at home. She has decided to watch some films, and she has chosen the best works of one of her favourite directors, Ridley Scott, the English director who was born on a day like today in 1937.

Ridley Scott (born 30 November 1937) is an English film director and producer.

He has directed the science fiction horror film Alien (1979), the neo-noir dystopian film Blade Runner (1982), the road adventure film Thelma & Louise (1991), the historical drama film Gladiator (2000), the war film Black Hawk Down (2001), and the science fiction film The Martian (2015).

Scott began his career as a television designer and director before moving into advertising, where he honed his filmmaking skills by making inventive mini-films for television commercials. His work is known for its atmospheric and highly concentrated visual style.

Though his films range widely in setting and period, they frequently showcase memorable imagery of urban environments, spanning 2nd-century Rome (Gladiator), 12th-century Jerusalem (Kingdom of Heaven), Medieval England (Robin Hood), contemporary Mogadishu (Black Hawk Down), or the futuristic cityscapes of Blade Runner and distant planets in Alien, Alien: Covenant, Prometheus, and The Martian. Several of his films are also known for their strong female characters.

In 2021, his films The Last Duel and House of Gucci were released.

Scott has been nominated for three Academy Awards for Directing, which he received for Thelma & Louise, Gladiator and Black Hawk Down.

Gladiator won the Academy Award for Best Picture, and he received a nomination in that category for the 2015 film The Martian.

In 1995, both Scott and his brother Tony received a BAFTA for Outstanding British Contribution to Cinema.

In 2003, he was knighted for services to the British film industry.

In a 2004 BBC poll, Scott was ranked 10 on the list of most influential people in British culture.

He received an honorary doctorate from the Royal College of Art in London in 2015 and the BAFTA Fellowship for lifetime achievement in 2018.

More information: Ridley Scott

Scott was born on 30 November 1937 in South Shields, County Durham to Elizabeth (née Williams) and Colonel Francis Percy Scott. His grand-uncle Dixon Scott was a pioneer of the cinema chain and opened many cinemas around Tyneside. One of his cinemas, Tyneside Cinema, is still operating in Newcastle and is the last remaining newsreel cinema in the UK.

Born two years before World War II began, Scott was brought up in a military family. His father, an officer in the Royal Engineers, was absent for most of his early life. His elder brother, Frank, joined the Merchant Navy when he was still young and the pair had little contact.

During this time the family moved around; they lived in Cumberland as well as other areas in England, in addition to Wales and Germany. Scott's younger brother, Tony, also became a film director. After the war the Scott family moved back to County Durham and eventually settled on Teesside.

His interest in science fiction began by reading the novels of H. G. Wells as a child. He was also influenced by science-fiction films such as It! The Terror from Beyond Space, The Day the Earth Stood Still, and Them! He said these films kind of got [him] going a little but his attention was not fully caught until he saw Stanley Kubrick's 2001: A Space Odyssey, about which he said, Once I saw that, I knew what I could do.

He went to Grangefield Grammar School in Stockton on Tees and obtained a diploma in design at West Hartlepool College of Art. The industrial landscape in West Hartlepool would later inspire visuals in Blade Runner, with Scott stating, There were steelworks adjacent to West Hartlepool, so every day I'd be going through them, and thinking they're kind of magnificent, beautiful, winter or summer, and the darker and more ominous it got, the more interesting it got.

More information: Screen Rant

The Duellists (1977) marked Ridley Scott's first feature film as director. Shot in Europe, it was nominated for the main prize at the Cannes Film Festival, and won an award for Best Debut Film.

Scott had originally planned next to adapt a version of Tristan and Iseult, but after seeing Star Wars, he became convinced of the potential of large scale, effects-driven films. He accepted the job of directing Alien, the 1979 horror/science-fiction film that would win him international success. Scott made the decision to switch Ellen Ripley from the standard male action hero to a heroine.

Ripley (played by Sigourney Weaver), who appeared in the first four Alien films, would become a cinematic icon. The final scene of John Hurt's character has been named by a number of publications as one of the most memorable in cinematic history.

After a year working on the film adaptation of Dune, and following the sudden death of his brother Frank, Scott signed to direct the film version of Philip K. Dick's novel Do Androids Dream of Electric Sheep? Re-titled Blade Runner and starring Harrison Ford, the film was a commercial disappointment in cinemas in 1982, but is now regarded as a classic.

In 1991, Scott's notes were used by Warner Bros. to create a rushed director's cut which removed the main character's voiceover and made a number of other small changes, including to the ending. Later Scott personally supervised a digital restoration of Blade Runner and approved what was called The Final Cut. This version was released in Los Angeles, New York City and Toronto cinemas on 5 October 2007, and as an elaborate DVD release in December 2007.

Today, Blade Runner is ranked by many critics as one of the most important and influential science fiction films ever made, partly thanks to its much imitated portraits of a future cityscape.

It is often discussed along with William Gibson's novel Neuromancer as initiating the cyberpunk genre. Stephen Minger, stem cell biologist at King's College London, states, It was so far ahead of its time and the whole premise of the story  -what is it to be human and who are we, where we come from? It's the age-old questions. Scott has described Blade Runner as his most complete and personal film.

In 1984, Scott directed a big-budget ($900,000) television commercial, 1984, to launch Apple's Macintosh computer. Scott filmed the advertisement in England for about $370,000; which was given a showcase airing in the US on 22 January 1984, during Super Bowl XVIII, alongside screenings in cinemas. Some consider this advertisement a watershed event in advertising and a masterpiece. Advertising Age placed it top of its list of the 50 greatest commercials.

Set in a dystopian future modelled after George Orwell's Nineteen Eighty-Four, Scott's advertisement used its heroine (portrayed by English athlete Anya Major) to represent the coming of the Macintosh, indicated by her white tank top adorned with a picture of the Apple Macintosh computer, as a means of saving humanity from conformity (Big Brother), an allusion to IBM, at that time the dominant force in computing.

In 1985, Scott directed Legend, a fantasy film produced by Arnon Milchan. Scott decided to create a once upon a time tale set in a world of princesses, unicorns and goblins, filming almost entirely inside the studio. Scott cast Tom Cruise as the film's hero, Jack; Mia Sara as Princess Lili; and Tim Curry as the Satan-horned Lord of Darkness.

Scott made Someone to Watch Over Me, a romantic thriller starring Tom Berenger and Mimi Rogers in 1987, and Black Rain (1989), a police drama starring Michael Douglas and Andy García, shot partially in Japan. Both achieved mild success at the box office. Black Rain was the first of Scott's six collaborations with the composer Hans Zimmer.

The road film Thelma & Louise (1991) starring Geena Davis as Thelma, Susan Sarandon as Louise, in addition to the breakthrough role for Brad Pitt as J.D, proved to be one of Scott's biggest critical successes, helping revive the director's reputation and receiving his first nomination for the Academy Award for Best Director.

His next project, independently funded historical epic 1492: Conquest of Paradise, was a box office failure. The film recounts the expeditions to the Americas by Christopher Columbus, French star Gérard Depardieu. Scott did not release another film for four years.

Scott's historical drama Gladiator (2000) proved to be one of his biggest critical and commercial successes. It won five Academy Awards, including Best Picture, Best Actor for the film's star Russell Crowe, and saw Scott nominated for the Academy Award for Best Director.

More information: CBR

Scott worked with British visual effects company The Mill for the film's computer-generated imagery, and the film was dedicated to Oliver Reed who died during filming -The Mill created a digital body double for Reed's remaining scenes. Some have credited Gladiator with reviving the nearly defunct sword and sandal historical genre. The film was named the fifth best action film of all time in the ABC special Best in Film: The Greatest Movies of Our Time.

Scott directed Hannibal (2001) starring Anthony Hopkins as Hannibal Lecter. The film was commercially successful despite receiving mixed reviews. Scott's next film, Black Hawk Down (2001), featuring Tom Hardy in his film debut, was based on a group of stranded US soldiers fighting for their lives in Somalia; Scott was nominated for an Oscar for Best Director.

In 2003, Scott directed a smaller scale project, Matchstick Men, adapted from the novel by Eric Garcia and starring Nicolas Cage, Sam Rockwell and Alison Lohman. It received mostly positive reviews but performed moderately at the box office.

In August 2009, Scott planned to direct an adaptation of Aldous Huxley's Brave New World set in a dystopian London with Leonardo DiCaprio.

In 2009, the TV series The Good Wife premiered with Ridley and his brother Tony credited as executive producers.

In 2012, Scott produced the commercial for Lady Gaga's fragrance, Fame. It was touted as the first ever black Eau de Parfum, in the informal credits attached to the trailer for this advertisement.

On 24 June 2013, Scott's series Crimes of the Century debuted on CNN.

More information: Collider

In November 2012 it was announced that Scott would produce the documentary, Springsteen & I directed by Baillie Walsh and inspired by Life in a Day, which Scott also produced. The film featured fan footage from throughout the world on what musician Bruce Springsteen meant to them and how he impacted their lives. The film was released for one day only in 50 countries and on over 2000 film screens on 22 July 2013.

In May 2014, Scott began negotiations to direct The Martian, starring Matt Damon as Mark Watney. Like many of Scott's previous works, The Martian features a heroine in the form of Jessica Chastain's character who is the mission commander.

On 26 February 2015, the sequel was officially confirmed, with Denis Villeneuve hired to direct the film, and Scott being an executive producer. The sequel, Blade Runner 2049, was released on 6 October 2017 to universal acclaim.

In 2021, Scott directed The Last Duel, a film adaptation of Eric Jager's 2004 book The Last Duel: A True Story of Trial by Combat in Medieval France, starring Adam Driver, Matt Damon and Jodie Comer. It was released on 15 October 2021. Filming locations included the French medieval castle of Berzé-le-Châtel, with a film crew of 300 people including 100 extras, and Ireland.

He also directed House of Gucci, a film about the murder of Maurizio Gucci orchestrated by Patrizia Reggiani, who were portrayed by Adam Driver and Lady Gaga, respectively. The film was released in November 2021. Scott is also developing Kitbag, a biopic of Napoleon Bonaparte starring Joaquin Phoenix as Napoleon and Jodie Comer as the Empress Josephine, with filming set to begin on 15 January 2022.

Ridley Scott and his brother Tony produced CBS series Numb3rs (2005-10), a crime drama about a genius mathematician who helps the FBI solve crimes; and The Good Wife (2009-2016), a legal drama about an attorney balancing her job with her husband, a former state attorney trying to rebuild his political career after a major scandal.

More information: Screen Rant

I always shoot my movies with score
as certainly part of the dialogue.
Music is dialogue.
People don't think about it that way,
but music is actually dialogue.
And sometimes music is the final,
finished, additional dialogue.
Music can be one of the final characters in the film.

Ridley Scott

Sunday, 26 May 2019

ALIEN, IN SPACE NO ONE CAN HEAR YOU SCREAM

Alien
The Grandma is at home today. She has invited Claire Fontaine to watch Alien, one of their favourite films of sci-fi.

The Grandma remembers the premiere of this masterpiece on a day like today in 1979. Forty years after this premiere, the film continues being one of the most magnificent films of the history of the cinema.

Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon. Based on a story by O'Bannon and Ronald Shusett, it follows the crew of the commercial space tug Nostromo who encounter the eponymous Alien, a deadly and aggressive extraterrestrial set loose on the ship.

The film stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It was produced by Gordon Carroll, David Giler and Walter Hill through their company Brandywine Productions, and was distributed by 20th Century Fox.

Giler and Hill revised and made additions to the script; Shusett was executive producer. The Alien and its accompanying artifacts were designed by the Swiss artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the more human settings.

More information: The New York Times

Alien was released on May 25, 1979 in the United States and September 6 in the United Kingdom. It was met with critical acclaim and box office success, winning the Academy Award for Best Visual Effects, three Saturn Awards (Best Science Fiction Film, Best Direction for Scott, and Best Supporting Actress for Cartwright), and a Hugo Award for Best Dramatic Presentation, along with numerous other nominations. It has been consistently praised in the years since its release, and is considered one of the greatest films of all time.

In 2002, Alien was deemed culturally, historically or aesthetically significant by the Library of Congress and was selected for preservation in the United States National Film Registry.

In 2008, it was ranked by the American Film Institute as the seventh-best film in the science fiction genre, and as the thirty-third greatest film of all time by Empire magazine.

The crew of Nostromo
The success of Alien spawned a media franchise of films, novels, comic books, video games, and toys. It also launched Weaver's acting career, providing her with her first lead role. The story of her character's encounters with the Alien creatures became the thematic and narrative core of the sequels Aliens (1986), Alien 3 (1992) and Alien Resurrection (1997). A crossover with the Predator franchise produced the Alien vs. Predator films, which includes Alien vs. Predator (2004) and Aliens vs. Predator: Requiem (2007). A prequel series includes Prometheus (2012) and Alien: Covenant (2017).

The commercial space tug Nostromo is on a return trip to Earth with a seven-member crew in stasis, Captain Dallas, Executive Officer Kane, Warrant Officer Ripley, Navigator Lambert, Science Officer Ash and two Engineers, Parker and Brett. Detecting a transmission from nearby moon LV-426, the ship's computer, Mother, awakens the crew. Company policy requires any potential distress signal be investigated, so they land on the moon, sustaining damage from its atmosphere and rocky landscape. Parker and Brett repair the ship while Dallas, Kane and Lambert head out to investigate. They discover the signal comes from a derelict alien ship and enter it, losing communication with the Nostromo. Ripley deciphers part of the transmission, determining it to be a warning, but cannot relay this information to those on the derelict ship.

More information: The Guardian

Meanwhile, Kane discovers a chamber containing hundreds of large egg-like objects. When he touches one, a creature springs out, breaks through his helmet, and attaches itself to his face. Dallas and Lambert carry the unconscious Kane back to the Nostromo. As acting senior officer, Ripley refuses to let them aboard, citing quarantine regulations, but Ash overrides her decision and lets them inside.

Ash attempts to remove the creature from Kane's face but stops when he discovers that its blood is an extremely corrosive acid. It later detaches on its own and is found dead. The ship is partly repaired, and the crew lifts off. Kane awakens with some memory loss but is otherwise unharmed. During a final crew meal before returning to stasis, he chokes and convulses. A small alien creature bursts from Kane's chest, killing him, and escapes into the ship.

Warrant Officer Ripley
The crew attempts to locate it with tracking devices and capture or kill it with nets, electric prods and flamethrowers. Brett follows the crew's cat Jones into a huge supply room, where the now fully-grown alien attacks him and disappears with his body.

After heated discussion, the crew decide the creature must be in the air ducts. Dallas enters the ducts, intending to force the alien into an airlock, but it ambushes and kills him. Lambert implores the others to abandon ship and escape in its small shuttle. Now in command, Ripley explains it will not support four people and pursues the plan of flushing out the alien.

Now with access to Mother, Ripley discovers Ash has been secretly ordered by the company to bring the alien back, with the crew deemed expendable. She confronts Ash, who tries to choke her to death. Parker intervenes and clubs Ash, knocking his head loose and revealing him to be an android. Ash's head is reactivated, and they learn he was assigned to ensure the creature's survival. He expresses admiration for the creature's psychology, unhindered by conscience or morality, and taunts them about their chances of survival. Ripley cuts off his power; as they leave, Parker incinerates him.

More information: Cinephilia & Beyond

The remaining crew decides to self-destruct the Nostromo and escape in the shuttle. Parker and Lambert are killed by the creature as they gather supplies. Ripley initiates the self-destruct sequence, but finds the alien blocking her path to the shuttle. She retreats and attempts unsuccessfully to abort the self-destruct. With no further options, she makes her way to the shuttle and barely escapes as the Nostromo explodes.

As Ripley prepares for stasis, she discovers that the alien is aboard, having wedged itself into a narrow space. She puts on a spacesuit and uses gas to flush the creature out. It approaches Ripley, but before it can attack she opens an airlock door, almost blowing the creature into space. It manages to hang on by gripping the frame. Ripley shoots it with a grappling hook, but the gun catches as the airlock door closes, tethering the alien to the shuttle. As it floats into one of the engine exhausts, Ripley ignites them to blast the creature free. After recording the final log entry, she places herself and the cat into stasis for the trip home to Earth.

The musical score for Alien was composed by Jerry Goldsmith, conducted by Lionel Newman, and performed by the National Philharmonic Orchestra.

The sets of the Nostromo's three decks were each created almost entirely in one piece, with each deck occupying a separate stage. The actors had to navigate through the hallways that connected the stages, adding to the film's sense of claustrophobia and realism.

More information: Yahoo


 When I started the original Alien,
Ripley wasn't a woman, it was a guy.

Ridley Scott