MARY ANN NICHOLS, JACK THE RIPPER'S FIRST VICTIM

Today, The Fosters and The Grandma have remembered Mary Ann "Polly" Nichols, who was the first victim of Jack The Ripper.

 

Mary Ann "Polly" Nichols (26 August 1845-31 August 1888) was one of the Whitechapel murder victims. Her death has been attributed to the notorious unidentified serial killer Jack The Ripper, who is believed to have killed and mutilated at least five women in the Whitechapel area of London from late August to early November 1888.

Mary Ann was born to locksmith Edward Walker and his wife Caroline on 26 August 1845, in Dean Street in London. On 16 January 1864 she married William Nichols, a printer's machinist, and between 1866 and 1879, the couple had five children: Edward John, Percy George, Alice Esther, Eliza Sarah, and Henry Alfred. Their marriage broke up in 1880 or 1881 because of disputed causes. Her father accused William of leaving her after he had an affair with the nurse who had attended the birth of their final child, though Nichols claimed to have proof that their marriage had continued for at least three years after the date alleged for the affair. He maintained that his wife had deserted him and was practising prostitution. Police reports say they separated because of her drunken habits.

More information: Casebook: Jack the Ripper

Legally required to support his estranged wife, William Nichols paid her an allowance of five shillings a week until 1882, when he heard that she was working as a prostitute; he was not required to support her if she was earning money through illicit means. Nichols spent most of her remaining years in workhouses and boarding houses, living off charitable handouts and her meagre earnings as a prostitute. She lived with her father for a year or more but left after a quarrel; her father stated he had heard she had subsequently lived with a blacksmith named Drew in Walworth. 

In early 1888, the year of her death, she was placed in the Lambeth workhouse after being discovered sleeping rough in Trafalgar Square, and in May left the workhouse to take a job as a domestic servant in Wandsworth.

Unhappy in that position, she was an alcoholic and her employer, Mr Cowdry, and his wife, were teetotallers, she left two months later, stealing clothing worth three pounds ten shillings.  At the time of her death, Nichols was living in a Whitechapel common lodging house in Spitalfields, where she shared a room with a woman named Emily "Nelly" Holland.

At about 23:00 on 30 August, Nichols was seen walking the Whitechapel Road; at 00:30 on 31 August she was seen to leave a pub in Brick Lane, Spitalfields.

More information: Historical Events

An hour later, she was turned out of 18 Thrawl Street as she was lacking the fourpence required for a bed, implying by her last recorded words that she would soon earn the money on the street with the help of a new bonnet she had acquired.

She was last seen alive standing at the corner of Osborn Street and Whitechapel Road at approximately 02:30, one hour before her death, by her roommate, Emily Holland. To Holland, Nichols claimed she had earned enough money to pay for her bed three times that evening, but had repeatedly spent the money on alcohol.

A meat cart driver named Charles Allen Lechmere, who also used the name Charles Cross, claimed to have discovered Mary Ann Nichols lying on the ground in front of a gated stable entrance in Buck's Row, since renamed Durward Street, Whitechapel at 3:40 AM, about 150 yards from the London Hospital and 100 yards from Blackwall Buildings. Her skirt was raised.
 

Another passing cart driver on his way to work, Robert Paul, approached and saw Lechmere kneeling over the body. Lechmere called him over. He expressed his opinion that she was dead, but Paul was uncertain and thought she might simply be unconscious.

They pulled her skirt down to cover her lower body, and went in search of a policeman. Upon encountering PC Jonas Mizen, Lechmere informed the constable: She looks to me to be either dead or drunk, but for my part, I believe she's dead. The two men then continued on their way to work, leaving Mizen to inspect Nichols' body.

As Mizen approached the body, PC John Neale came from the opposite direction on his beat and by flashing his lantern, called a third policeman, PC John Thain, to the scene.

More information: Huffington Post

As news of the murder spread, three horse slaughterers from a neighbouring knacker's yard in Winthrop Street, who had been working overnight, came to look at the body. None of the slaughterers, the police officers patrolling nearby streets, or the residents of houses alongside Buck's Row reported hearing or seeing anything suspicious before the discovery of the body.

PC Thain fetched surgeon Dr Henry Llewellyn, who arrived at 04:00 and decided she had been dead for about 30 minutes. Her throat had been slit twice from left to right and her abdomen mutilated with one deep jagged wound, several incisions across the abdomen, and three or four similar cuts on the right side caused by the same knife, estimated to be at least 15–20 cm long, used violently and downwards.  

Llewellyn expressed surprise at the small amount of blood at the crime scene, about enough to fill two large wine glasses, or half a pint at the most. His comment led to the supposition that Nichols was not killed where her body was found, but the blood from her wounds had soaked into her clothes and hair, and there was little doubt that she had been killed at the crime scene by a swift slash to the throat. Death would have been instantaneous, and the abdominal injuries, which would have taken less than five minutes to perform, were made by the murderer after she was dead. 

When a person is killed, further wounds to their body do not always result in a large amount of blood loss. When the body was lifted a mass of congealed blood, in PC Thain's words, lay beneath the body.

As the murder had occurred in the territory of the Bethnal Green Division of the Metropolitan Police, it was initially investigated by the local detectives, inspectors John Spratling and Joseph Helson, who had little success. 

More information: All That's Interesting

Elements of the press linked the attack on Nichols to two previous murders, those of Emma Elizabeth Smith and Martha Tabram, and suggested the killing might have been perpetrated by a gang, as in the case of Smith. The Star newspaper instead suggested a single killer was the culprit and other newspapers took up their storyline. Suspicions of a serial killer at large in London led to the secondment of Detective Inspectors Frederick Abberline, Henry Moore and Walter Andrews from the Central Office at Scotland Yard.

Although Llewellyn had speculated that the attacker could have been left-handed, he later expressed doubt over this initial thought, but the belief that the killer was left-handed endured.

Rumours that a local character called Leather Apron could have been responsible for the murder were investigated by the police, even though they noted there is no evidence against him. 

Imaginative descriptions of Leather Apron, using crude Jewish stereotypes, appeared in the press, but rival journalists dismissed these as a mythical outgrowth of the reporter's fancy. John Pizer, a Polish Jew who made footwear from leather, was known by the name Leather Apron and was arrested despite a lack of evidence. He was soon released after the confirmation of his alibis. Pizer successfully obtained monetary compensation from at least one newspaper that had named him as the murderer.

After several adjournments, to allow the police to gather further evidence, the inquest concluded on 24 September. On the available evidence, Coroner Baxter found that Nichols was murdered at just after 3 a.m. where she was found.

More information: PRI

In his summing up, he dismissed the possibility that her murder was connected with those of Smith and Tabram since the lethal weapons were different in those cases, and neither of the earlier cases involved a slash to the throat. However, by the time the inquest into Nichols' death had concluded, another woman, Annie Chapman, had been murdered, and Baxter noted The similarity of the injuries in the two cases is considerable. The police investigations into the murders of Chapman and Nichols were merged.

The subsequent murders of Elizabeth Stride and Catherine Eddowes the week after the inquest had closed, and that of Mary Jane Kelly on 9 November, were also linked by a similar modus operandi, and the murders were blamed by the press and public on a single serial killer, called Jack The Ripper.

More information: History

 

All English people have a fascination 

with Jack The Ripper. 

I don't know why, 

because it's so dreadful, 

but such a strange, 

endearing part of our culture. 

Morbid fascination sums it up.

Jane Goldman

IT MUST BE THE BEST MUSEUM IN ROMANESQUE ART...

Today, The Grandma has continued her English classes with The Bishops in Castelldefels. After some vacation days, it has been a little hard to come back to office, but The Bishops have done another masterclass.

First, they have been practising deductions with must and can, and they have been learning countable and uncountable nouns with many, much and a lot of.

Finally, they have described some art works from MNAC, and they have done some crosswords to improve vocabulary.

More information: Must/Mustn't & Can/Can't

More information: Countable & Uncountable Nouns

More information: Many, Much & A Lot Of

The Museu Nacional d'Art de Catalunya in English National Art Museum of Catalonia, abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia.

Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme.

The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government.

That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito.

The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995, when the Romanesque Art section was reopened, to 2004.

The Museu Nacional d'Art de Catalunya was officially inaugurated on 16 December 2004.

More information: MNAC

The history of this institution dates back to the 19th century, when, in accordance with the principles that inspired Catalonia's cultural and political Renaixença (renaissance), a movement particularly active in that century, many projects were launched to help revive and conserve the country's artistic heritage.

This process began with the establishment of the Museu d'Antiguitats de Barcelona (Barcelona Museum of Antiquities) in the Chapel of St Agatha (1880) and the Museu Municipal de Belles Arts (Municipal Fine Art Museum) in the Palau de Belles Arts (1891), a palace built to mark the occasion of the 1888 Universal Exhibition. 

A project to install all these Catalan art collections in the Palau Nacional, launched in 1934 under the initiative of Joaquim Folch i Torres, the first director of Catalonia Museum of Art, was frustrated by the outbreak of the Spanish Civil War (1936-1939), when for protection many works were transferred to Olot, Darnius and Paris, where an important exhibit was established. 

During the postwar period, the 19th- and 20th-century collections were installed in the Museu d'Art Modern, housed from 1945 to 2004 in the Arsenal building in Barcelona's Parc de la Ciutadella, whilst the Romanesque, Gothic and baroque collections were installed in the Palau in 1942.

The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government.

More information: MNAC-Twitter

In 1992 a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995, when the Romanesque Art section was reopened, to 2004.

Since 2004, the Palau Nacional has once more housed several magnificent art collections, mostly by Catalan art, but also European art. The works from that first museum have now been enriched by new purchases and donations, tracing the country's art history from early medieval times to the mid-20th century: from Romanesque, Gothic, Renaissance and baroque to modern art. This heritage is completed by the Gabinet Numismàtic de Catalunya (coin and medal collections), the Gabinet de Dibuixos i Gravats (drawings and engravings) and the library.

The Museu Nacional, as a museological institution of reference in the country, promotes a network that joins together the art museums in a common collaboration strategy, for placing value and spreading Catalan artistic heritage. The network of art museums was created with the aim of developing services, projects and activities jointly, so as to achieve a greater social, touristic and scientific projection among all the member museums.

The following museums currently form part: Biblioteca-Museu Víctor Balaguer, de Vilanova i la Geltrú; el Museu d'Art de Girona; el Museu Episcopal de Vic; Museu Diocesà i Comarcal de Solsona; el Museu del Cau Ferrat, de Sitges; el Museu de la Garrotxa, d'Olot; el Museu d'Art Jaume Morera, de Lleida; el Museu de Lleida Diocesà i Comarcal; el Museu de l'Empordà, de Figueres; el Museu de Reus; el Museu de Valls; el Museu de Manresa; el Museu d'Art de Sabadell; el Museu Abelló, de Mollet del Vallès; el Museu d'Art Modern de Tarragona; el Museu d'Art de Cerdanyola; la Fundació Apel·les Fenosa, del Vendrell; el Museu d'Art Contemporani de Barcelona; el Museu del Disseny de Barcelona; el Museu Frederic Marès, de Barcelona i la Fundació Palau, de Caldes d'Estrac.

More information: MNAC-Youtube

Externally nothing much is altered for the present;
the basic tendency of Romanesque art
remains anti-naturalistic and hieratic.

Arnold Hauser

WE MUST PROTECT ENVIRONMENT, WE NEED OUR PLANET

Today, The Grandma has been reading about the environmental risks in Hawaii.

 

Basically, there are four important issues: plastic pollutioin, tourism, invasive species and air quality.

 

The family has been reading about what Hawaiians must do and mustn't do to protect their islands and live with a good qualitity of life. While The Grandma was reading about Hawaiian issues, The Stones have been practising some English grammar. They have reviewed Modal Verbs (Must & Need) and Countable/Uncountable (Much, Many, A lot of, A little & A few).

The majority of environmental issues affecting Hawaii today are related to pressures from increasing human and animal population and urban expansion both directly on the islands as well as overseas. These include tourism, urbanization, climate change implications, pollution and invasive species.

The waters surrounding the Hawaiian Islands are affected by increasing waste products like marine debris from land and ocean sources washing onto shore as well as effluents generated and released from the islands themselves. Oceans in particular are being devastated by factors including marine debris, plastic pollution, and tourism.

More information: Must/Mustn't & Need/Needn't

Marine debris is defined as any persistent solid material that is both a land-based and ocean-based issue faced across the world. The positioning of Hawaii in particular makes it a high-impact target for marine debris, given the natural ocean currents and its relative location to the North Pacific Subtropical Convergence Zone. As a result, marine debris is not limited to waste from the islands exclusively but is also carried from other locations around the world.

Although plastic pollution remains under the umbrella of marine debris, it is one of the largest concerns affecting marine life and the most ubiquitous source of pollution across the oceans.

Historically, the U.S. military used the ocean as a dumping ground for munitions from 1919 to 1970, and the U.S. army dumped 16,000 mustard gas bombs in deep water, south of Pearl Harbor after World War II. Presently, floating plastic garbage from disposable consumer products accumulate in the Great Pacific Garbage Patch, from debris eventually find its way onto the reefs and beaches in Hawaii.

Kamilo Beach, located at the southern tip of the Big Island, has been devastated by plastic pollution from the patch and was named The Dirtiest Beach in the World by the British Broadcasting Company (BBC). Unique to this site is the abundance of both microplastic and meso-plastic, where geologists found plastic-infused rocks called plastiglomerates; they expect this new rock become a part of the fossil record, indicating the intensity of human influence on the environment.

More information: Much/Many/A lot of & A little/A few

Plastiglomerates are formed when melted plastic binds together sand, shells, pebbles, basalt, coral and wood, or seeps into the cavities of larger rocks to form a rock-plastic hybrid; although they were not discovered until 2012 by Captain Charles Moore from Algalita Marine Research Institute, plastiglomerates occur in other parts of the world, in part by fire-using activities such as bonfires.

The presence of plastic is harmful to marine life, including seabirds, that often get entangled in plastic or mistake plastics as food sources and consume them. Studies show that ingestion can block gastric enzyme secretion, diminish feeding stimulus, lower hormone levels, and lead to reproductive failure.

Tourism in Hawaii began in the 19th century and persists today with its tropical weather and landscapes. Welcoming over seven million visitors annually, it is one of the major contributors to Hawaii's economy.

Although it adds to the state’s economic growth, tourism is a non-geologically driven environmental issue that also degrades the island ecosystems islands, primarily Hawaiʻi, Oʻahu, Maui, and Kauaʻi, the sites of the major tourism industries. Major concerns of the urban infrastructure development for tourism include habitat loss for local flora and fauna, energy use, consumer waste and pollution, and water shortages. Because of their need to satisfy travel customers, resort destinations’ reliance on the shining sun, a comfortable climate, and the beautiful sea heighten resource use.

More information: Hawaii Community Foundation

Invasive species are non-native organisms that are introduced, often by humans, to an ecosystem. However, what differentiates invasive species from non-native species is their negative impact and threat to economic, environmental, and human health, which aided by their ability to easily adapt and reproduce. Although invasive species may be introduced naturally, they are typically introduced by accidental or intentional means; intentional purposes include habitat restoration and removal of pests.

A number of plant species are now extinct due to grazing livestock, and aggressive non-indigenous species taking over the land. Almost 40% of the endangered species in the United States are Hawaiian species, while nearly 75% of all U.S. extinctions have occurred in Hawaii.

Prior to the arrival of non-natives, some bird species were made extinct, or pushed to near extinctio from the collection of feathers by Native Hawaiians. With the arrival of James Cook in 1778, a new set of environmental threats emerged. Alien species such as cats, dogs, rabbits, pigs, and rats affected a number of indigenous species.

Hawaii is known as the extinction capital of the world with the extinction of nearly half (140) of its historically recorded native bird species.

Some of the alien species that are currently affecting Hawaii include cane toads, mongoose, coquí frogs, gall wasps, Mediterranean, Oriental, and melon flies that damage crops, ants that destroy native insects, and bacteria that infect waters.

Compared with the mainland United States, Hawaii's rating on the air quality index is ranked among the best. Approximately 47% of all emissions are caused by burning fossil fuel for electricity production. Ground transport is the second biggest contributor with 22%, while air transport contributes 19%.

More information: Hawaii Conservation

The major problems in the world are the result
of the differences between the way nature
works and the way people think.

Gregory Bateson