Showing posts with label Josep Winsor. Show all posts
Showing posts with label Josep Winsor. Show all posts

Thursday, 20 March 2025

CENETH WINSOR, ACADAMH-CHIÙIL RÌOGHAIL NA H-ALBA

Today, The Winsors and The Grandma have received good news and great information.

Cenneth Winsor has been admitted at the Royal Conservatoire of Scotland, where she is starting a new course of drama. She is going to be the first Chinese student of this prestigious centre and all the family are excited with this amazing news.

To celebrate this fantastic moment, that had just been predicted by Josep Winsor, he has offerred a great brunch to the family. It has been a beautiful way to say goodbye and good luck to Ceneth and to celebrate Saint Joseph, a day after.

Ceneth Winsor has passed a hard casting where many teachers have evaluated her skills and her capacities to be a great actress in a closer future. One of the most difficult activities was singing Amazing Grace in Chinese and Scottish, only accompanied by her bagpiper. She did a great job, and she has been finally accepted as a new student for the next years.

Amazing Grace is a Christian hymn published in 1779, with words written by the English poet and Anglican clergyman John Newton, that has been translated to many different languages, but Ceneth has sung it for first time in Chinese.

A strong indication of potential is sought at the entrance audition for this programme. Successful applicants will normally be of a standard at least equivalent to Grade 8 with Distinction of the Associated Board of the Royal School of Music in their Principal Study, and Ceneth has reach her dream with a lot of effort, intelligence and tenacity.

Good luck, sister! We will miss you a lot!

 More information: Amazing grace! I once was lost, but now am found

Watch Amazing Grace by (Mónica Naranjo+Polifònica de Puig-reig+Jove Orquestra Simfònica de Barcelona+Banda de Gaitas Xuntanza de Catalunya)

Before saying goodbye to Ceneth, the family has studies some English grammar with Countable & Uncountable Nouns.

More information: A Little/A Few

More information: Much/Many

More information: Much/Many/A Lot Of

More information: How Much/How Many

More information: IELTS Liz (List of Countable & Uncountable Nouns)

The Royal Conservatoire of Scotland, in Scottish Gaelic Acadamh-chiùil Rìoghail na h-Alba, formerly the Royal Scottish Academy of Music and Drama, in Scottish Gaelic Acadamaidh Rìoghail Ciùil is Dràma na h-Alba is a conservatoire of dance, drama, music, production, and film in Glasgow, Scotland. It is a member of the Federation of Drama Schools.

Founded in 1847, it has become the busiest performing arts venue in Scotland with over 500 public performances each year. The current principal is American pianist and composer Jeffrey Sharkey. The patron is King Charles III.

The Royal Conservatoire has occupied its current purpose-built building on Renfrew Street in Glasgow since 1988. Its roots lie in several organisations. 

Officially founded in 1847 by Moses Provan as part of the Glasgow Athenaeum, from an earlier Educational Association grouping, music and arts were provided alongside courses in commercial skills, literature, languages, sciences and mathematics. Courses were open and affordable, including day classes for ladies, and the Athenaeum had a reading room, news room, library and social facilities.

Apprentices could also be members. Rented accommodation was found in the Assembly Rooms, Ingram Street, with major lectures taking place in the City Halls. The chairman at its inaugural Grand Soiree in the City Halls in December 1847 was Charles Dickens when in his opening remarks he stated that he regarded the Glasgow Athenaeum as an educational example and encouragement to the rest of Scotland. Its Dramatic Club was formed in 1886 a year before the institution moved to purpose-built premises, inclusive of a major concert hall/theatre, in St George's Place close to West Nile Street, designed by architect John Burnet.

In 1888, the commercial teaching separated to form the Athenaeum Commercial College, which, after several rebrandings and a merger, became the University of Strathclyde in 1964. The non-commercial teaching side became the Glasgow Athenaeum School of Music.

In 1893 additional premises linked through to Buchanan Street and included a new Athenaeum Theatre facing Buchanan Street designed by architect Sir John James Burnet. In 1928 the premises were substantially extended with a gift from the philanthropist Daniel Macaulay Stevenson.

In 1929 the school was renamed as the Scottish National Academy of Music to better reflect its scope and purpose. This major acquisition of space at the corner of St George's Place (later renamed Nelson Mandela Place) and Buchanan Street was the Liberal Club (now not required by that party), designed originally by architect Alexander Skirving and remodelled by architects Campbell Douglas and Paterson in 1907.

Its principal from 1929 to 1941 was William Gillies Whittaker. In 1944, it became the Royal Scottish Academy of Music.

The Royal Scottish Academy of Music established a drama department called the Glasgow College of Dramatic Art during 1950. It became the first British drama school to contain a full, broadcast-specification television studio in 1962. In 1968 the Royal Scottish Academy of Music changed its name to the Royal Scottish Academy of Music and Drama (RSAMD) and introduced its first degree courses, which were validated by the University of Glasgow.

During 1987-88, the academy moved to its present site some two hundred yards north in Renfrew Street at Hope Street, across from the Theatre Royal, the new building having been designed by architect Sir Leslie Martin with executive architects William Nimmo and Partners.

In 1993, RSAMD became the first conservatoire in the United Kingdom to be granted its own degree-awarding powers. Research degrees undertaken at RCS are validated and awarded by the University of St Andrews.  

RCS is one of four member conservatories of the Associated Board of the Royal Schools of Music.

More information: RCS

 Amazing grace! how sweet the sound,
That saved a wretch; like me!
I once was lost, but now am found,
Was blind, but now I see.

’Twas grace that taught my heart to fear,
And grace my fears relieved;
How precious did that grace appear
The hour I first believed!

The Lord hath promised good to me,
His word my hope secures;
He will my shield and portion be
As long as life endures.

When we’ve been there ten thousand years,
Bright shining as the sun,
We’ve no less days to sing God's praise
Than when we first begun.

John Newton

Wednesday, 19 March 2025

JOSEPH MCKENZIE, THE SCOTTISH PHOTOGRAPHY FATHER

Today, Saint Joseph, The Grandma has visited an old friend, Joseph McKenzie, photographer and well-known as the father of modern Scottish photography while The Winsors are celebrating the day with Josep Winsor.

Joseph McKenzie (19 March 1929-5 July 2015) was a Scottish photographer known as the father of modern Scottish photography. He is known for his black and white images of post-war Scottish lives amid urban decay and redevelopment.

McKenzie was born in 1929. During the Second World War and afterwards until 1952, McKenzie served as a photographer in the Royal Air Force. Then from 1952 until 1954, he studied photography at the London College of Printing

He initially taught photography at Saint Martin's School of Art, and was later appointed as lecturer in photography at Duncan of Jordanstone College of Art and Design in Dundee where he worked until his retirement in 1986. His students nicknamed him the one shot wonder. For his ability to capture the desired shot only using one frame. Joseph developed and printed all his own work. He was very influential in developing documentary photography as an art in Scotland, and notably helping establish the careers of Calum Colvin and Albert Watson.

During the 1960s McKenzie's photography was exhibited widely throughout Scotland, with notably Glasgow Gorbals Children (1965), Dundee-A City in Transition (1966), Dunfermline and its People, Down among the Dead Men, Gorbals Revisited, and Caledonian Images (Scottish Arts Council, 1969).

In 1970, his exhibition Hibernian Images created controversy in its depictions of the embattled lives of young people in Northern Ireland. Amid attempts to censor his work he then largely withdrew from public exhibitions.

A retrospective of his work was held at the Third Eye Centre in August 1987, and published in Pages of Experience; photographs 1947-1987. Another collection, Gorbals children: A Study in Photographs was published in 1990.

In 1997, an exhibition, Witness to Mortality: Photographs by Joseph McKenzie was held at the Gallery of Modern Art, Glasgow.

More information: The Scotsman

McKenzie didn’t take notes or record locations.
He chatted to his sitters
–asking their permission to be photographed–
but didn’t find out their names, or much about their lives.

Anna Robertson