Showing posts with label Greta Garbo. Show all posts
Showing posts with label Greta Garbo. Show all posts

Wednesday, 18 September 2019

GRETA GARBO, SWEDISH STYLE CONQUERS HOLLYWOOD

Greta Garbo
Today, The Grandma is at home reading about Greta Garbo and watching her films. The Grandma loves silent cinema and Greta Garbo was a great example of an actress who started playing her roles in silent cinema and changed to sound cinema with success. It was not the case of all the actresses of that age. Some of them had lots of problems because of public did not like their voices, unknown for it in the silent films.

Greta Garbo was born on a day like today in 1905 and The Grandma wants to homage this legend of the cinema and arts that left cinema too early to continue with her life far away Hollywood influence and lifestyle.

Before watching Greta Garbo's films, The Grandma has studied a new lesson of her Ms. Excel course.

19. Sharing Documents (VI) (Spanish Version)

Greta Garbo (born Greta Lovisa Gustafsson; 18 September 1905-15 April 1990) was a Swedish-American film actress during the 1920s and 1930s. Garbo was nominated three times for the Academy Award for Best Actress, and received an Academy Honorary Award in 1954 for her luminous and unforgettable screen performances. In 1999, the American Film Institute ranked Garbo fifth on their list of the greatest female stars of classic Hollywood cinema.

Garbo launched her career with a secondary role in the 1924 Swedish film The Saga of Gösta Berling. Her performance caught the attention of Louis B. Mayer, chief executive of Metro-Goldwyn-Mayer (MGM), who brought her to Hollywood in 1925. She stirred interest with her first American silent film, Torrent (1926). Garbo’s performance in Flesh and the Devil (1927), her third motion picture, made her an international star.

Garbo's first talking film was Anna Christie (1930). MGM marketers enticed the public with the tagline Garbo talks! That same year, she starred in Romance. For her performances in these films, she received the first of three Academy Award nominations for best actress. Academy rules at the time allowed for a performer to receive a single nomination for his or her work in more than one film. In 1932, her success allowed her to dictate the terms of her contract, and she became increasingly selective about her roles.

Greta Garbo
She continued in films such as Mata Hari (1931), Grand Hotel (1932), and Queen Christina (1933). Many critics and film historians consider her performance as the doomed courtesan Marguerite Gautier in Camille (1936) to be her finest. The role gained her a second Academy Award nomination.

However, Garbo's career soon declined and she was one of the many stars labeled box office poison in 1938. Her career revived upon her turn to comedy in Ninotchka (1939) which earned her a third Academy Award nomination, but after the failure of Two-Faced Woman (1941), she retired from the screen, at the age of 35, after acting in 28 films.

After retiring, Garbo declined all opportunities to return to the screen. Shunning publicity, she led a private life. Garbo was an art collector and her collection, including works from Pierre-Auguste Renoir, Pierre Bonnard, and Kees van Dongen, was worth millions of dollars when she died.

More information: Sotheby's

Greta Lovisa Gustafsson was born in Södermalm, Stockholm, Sweden. She was the third, and youngest, child of Anna Lovisa (née Johansson, 1872–1944), who worked at a jam factory, and Karl Alfred Gustafsson (1871–1920), a laborer. Garbo had an older brother, Sven Alfred (1898–1967), and an older sister, Alva Maria (1903–1926).

Garbo was a shy daydreamer as a child. She disliked school and preferred to play alone. Garbo was a natural leader who became interested in theatre at an early age. She directed her friends in make-believe games and performances, and dreamed of becoming an actress. Later, Garbo would participate in amateur theatre with her friends and frequent the Mosebacke Theatre. At the age of 13, Garbo graduated from school, and, typical of a Swedish working-class girl at that time, she did not attend high school. She later acknowledged a resulting inferiority complex.

The Spanish flu spread throughout Stockholm in the winter of 1919 and Garbo's father, to whom she was very close, became ill and lost his job. Garbo cared for him, taking him to the hospital for weekly treatments. He died in 1920 when she was 14 years old.

Greta Garbo
Garbo first worked as a soap-lather girl in a barber shop before taking a job in the PUB department store where she ran errands and worked in the millinery department. After modeling hats for the store's catalogues, Garbo earned a more lucrative job as a fashion model.

In 1920, a director of film commercials for the store cast Garbo in roles advertising women's clothing. Her first commercial premiered on 12 December 1920. In 1922, Garbo caught the attention of director Erik Arthur Petschler, who gave her a part in his short comedy, Peter the Tramp.

From 1922 to 1924, she studied at the Royal Dramatic Theatre's Acting School in Stockholm. She was recruited in 1924 by the Finnish director Mauritz Stiller to play a principal part in his film The Saga of Gösta Berling, a dramatization of the famous novel by Nobel Prize winner Selma Lagerlöf, which also featured the actor Lars Hanson. Stiller became her mentor, training her as a film actress and managing all aspects of her nascent career.

In 1925, Garbo, who was unable to speak English, was brought over from Sweden at the request of Mayer. Both Garbo and Stiller arrived in New York in July 1925, after a 10-day trip on the SS Drottningholm. But they remained in New York for more than six months without any word from MGM.

More information: The Guardian

The impact of Garbo's acting and screen presence quickly established her reputation as one of Hollywood's greatest actresses. Film historian and critic David Denby argues that Garbo introduced a subtlety of expression to the art of silent acting, and that its effect on audiences cannot be exaggerated.

Despite her status as a star of silent films, the studio feared that her Swedish accent might impair her work in sound, and delayed the shift for as long as possible. MGM itself was the last Hollywood studio to convert to sound, and Garbo's last silent film, The Kiss (1929), was also the studio's. Despite the fears, Garbo became one of the biggest box-office draws of the next decade.

Greta Garbo
In late 1929, MGM cast Garbo in Anna Christie (1930), a film adaptation of the 1922 play by Eugene O'Neill, her first speaking role.

She was offered many roles both in the 1940s and throughout her retirement years, but rejected all but a few of them. In the few instances when she did accept them, the slightest problem led her to drop out.

In retirement, Garbo generally led a private life of simplicity and leisure. She made no public appearances and assiduously avoided the publicity which she loathed. As she had been during her Hollywood years, Garbo, with her innate need for solitude, was often reclusive.

Contrary to myth, from the beginning she had many friends and acquaintances with whom she socialized and later traveled. Occasionally, she jet-setted with well-known and wealthy personalities, striving to guard her privacy as she had during her career.

On 9 February 1951, she became a naturalized citizen of the United States, and in 1953, she bought a seven-room apartment at 450 East 52nd Street in Manhattan, New York City, where she lived for the rest of her life.

Greta Garbo died on 15 April 1990, aged 84, in the hospital.

Garbo was nominated three times for the Academy Award for Best Actress. In November 1983, she was made a Commander of the Swedish Order of the Polar Star by order of King Carl XVI Gustaf, the King of Sweden. For her contributions to cinema, in 1960, she was honored with a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard.

More information: Slate


Being a movie star, and this applies to all of them,
means being looked at from every possible direction.
You are never left at peace, you're just fair game.
If only those who dream about Hollywood
knew how difficult it all is.

Greta Garbo

Friday, 10 May 2019

1977, WHATEVER HAPPENED TO... JOAN CRAWFORD?

Lucille Fay LeSueur aka Joan Crawford
Today, The Grandma wants to talk about Joan Crawford, one of her favourite actresses, whose characters and stories were well received by Depression-era audience and who died on a day like today in 1977.

Crawford was a diva who survived the transition to talkies and left an incredible legacy of amazing roles and unforgettable performances.

Perhaps because The Grandma also loves Bette Davis, talking about Joan Crawford is talking about the insane rivalry of two of the greatest Hollywood stars of all times.

Joan Crawford (born Lucille Fay LeSueur; March 23, c. 1904– May 10, 1977) was an American actress. She began her career as a dancer in traveling theatrical companies before debuting as a chorus girl on Broadway. Crawford then signed a motion picture contract with Metro-Goldwyn-Mayer in 1925; her career would span decades, studios and controversies.

In the 1930s, Crawford's fame rivaled, and later outlasted, that of MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hard-working young women who found romance and success. These characters and stories were well received by Depression-era audiences, and were popular with women. Crawford became one of Hollywood's most prominent movie stars, and one of the highest-paid women in the United States.

In 1945 she won the Academy Award for Best Actress for her work in Mildred Pierce, and would go on to receive Best Actress nominations for Possessed (1947) and Sudden Fear (1952). Crawford continued to act in film and television throughout the 1950s and 1960s; she achieved box office success with the highly successful horror film Whatever Happened to Baby Jane? (1962), in which she starred alongside her long time rival Bette Davis.

Whatever Happened to Baby Jane?, 1962
In 1955, Crawford became involved with the Pepsi-Cola Company through her marriage to company Chairman and Chief Executive Officer Alfred Steele. In 1970 she retired from the screen, and following a public appearance in 1974 withdrew from public life, becoming increasingly reclusive until her death in 1977.

Crawford married four times. Her first three marriages ended in divorce; the last ended with the death of husband Alfred Steele. She adopted five children, one of whom was reclaimed.

Under the name Lucille LeSueur, Crawford began dancing in the choruses of traveling revues, and was spotted dancing in Detroit by producer Jacob J. Shubert. Shubert put her in the chorus line for his 1924 show, Innocent Eyes, at the Winter Garden Theatre on Broadway in New York City.

More information: Harpers Bazaar

Credited as Lucille LeSueur, her first film was Lady of the Night in 1925, as the body double for MGM's most popular female star, Norma Shearer. She also appeared in The Circle and Pretty Ladies (both 1925), starring comedian ZaSu Pitts. This was soon followed by equally small and unbilled roles in two other 1925 silent films : The Only Thing and The Merry Widow.

MGM publicity head Pete Smith recognized her ability to become a major star, but felt her name sounded fake; he told studio head Louis B. Mayer that her last name, LeSueur, reminded him of a sewer. The initial choice was Joan Arden, but after another actress was found to have prior claim to that name, the alternate surname Crawford became the choice. She later said that she wanted her first name to be pronounced Jo-Anne, and that she hated the name Crawford because it sounded like crawfish, but also admitted she liked the security that went with the name.

Crawford appeared in The Unknown (1927), starring Lon Chaney, Sr., who played a carnival knife thrower with no arms.

Joan Crawford in Frankfurt, Germany (1963)
In 1928, Crawford starred opposite Ramón Novarro in Across to Singapore, but it was her role as Diana Medford in Our Dancing Daughters (1928) that catapulted her to stardom.

After the release of The Jazz Singer in 1927 -the first feature-length film with some audible dialog- sound films, or talkies, as they became nicknamed, were all the rage. The transition from silent to sound panicked many, if not all, involved with the film industry; many silent film stars found themselves unemployable because of their undesirable voices and hard-to-understand accents, or simply because of their refusal to make the transition to talkies.

Many studios and stars avoided making the transition as long as possible, especially MGM, which was the last of the major studios to switch over to sound. The Hollywood Revue of 1929 was one of the studio's first all-talking films, and their first attempt to showcase their stars' ability to make the transition from silent to sound.

Crawford made a successful transition to talkies. Her first starring role in an all-talking feature-length film was in Untamed (1929), co-starring Robert Montgomery.

More information: Dear Mr. Gable

She become one of the most popular actresses in the world. During the early sound era, MGM began to place Crawford in more sophisticated roles, rather than continuing to promote her flapper-inspired persona of the silent era.

In 1931, MGM cast Crawford in five films. Three of them teamed her opposite the studio's soon to be biggest male star and King of Hollywood, Clark Gable. Dance, Fools, Dance, released in February 1931, was the first pairing of Crawford and Gable.

Their second movie together, Laughing Sinners, released in May 1931, was directed by Harry Beaumont, and also co-starred Neil Hamilton. Possessed, their third film together, released in October, was directed by Clarence Brown.

With Clark Gable in Dancing Lady, 1933
MGM next cast her in the film Grand Hotel, directed by Edmund Goulding. As the studio's first all-star production, Crawford co-starred opposite Greta Garbo, John and Lionel Barrymore, and Wallace Beery, among others.

She was again teamed with Clark Gable, along with Franchot Tone and Fred Astaire, in the hit Dancing Lady (1933), in which she received top billing. She next played the title role in Sadie McKee (1934), opposite Tone and Gene Raymond. She was paired with Gable for the fifth time in Chained (1934), and for the sixth time in Forsaking All Others (1934). Crawford's films of this era were some of the most-popular and highest-grossing films of the mid-1930s.

She next starred in The Gorgeous Hussy (1936), opposite Robert Taylor and Lionel Barrymore, as well as Tone. It was a critical and box office success, and became one of Crawford's biggest hits of the decade.

She wanted to play the title role in Mildred Pierce (1945), but Bette Davis was the studio's first choice. However, Davis turned the role down. Director Michael Curtiz did not want Crawford to play the part, and he instead lobbied for the casting of Barbara Stanwyck.

More information: Aurora's Gin Joint

In Daisy Kenyon (1947), she appeared opposite Dana Andrews and Henry Fonda, and in Flamingo Road (1949), her character has an ultimately deadly feud with a corrupt southern sheriff played by Sydney Greenstreet.

In 1954, she starred in a cult classic, directed by Nicholas Ray, a western film, Johnny Guitar, co-starring Sterling Hayden and Mercedes McCambridge.

Crawford starred as Blanche Hudson, an elderly, disabled former A-list movie star who lives in fear of her psychotic sister Jane, in the highly successful psychological thriller What Ever Happened to Baby Jane? (1962). Despite the actresses' earlier tensions, Crawford reportedly suggested Bette Davis for the role of Jane. The two stars maintained publicly that there was no feud between them. The director, Robert Aldrich, fueling publicity rumors, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented, It's proper to say that they really detested each other, but they behaved absolutely perfectly.

Crawford's appearance in the 1969 television film Night Gallery, which served as pilot to the series that followed, marked one of Steven Spielberg's earliest directing jobs.

Crawford died at her New York apartment of a myocardial infarction on May 10, 1977.

More information: List 25


I never go outside unless I look like Joan Crawford 
the movie star. If you want to see the girl next door, 
go next door.

Joan Crawford

Sunday, 11 January 2015

DAVID, ABBA, GRETA & ROXETTE: SWEDISH STYLE

Greta Garbo
David, our surgeon, was born in Sweden the native country of Greta Garbo, Max Von Sydow or Ingrid Bergman but also of Europe, Roxette or Stieg Larsson. 

He’s the Nordic archetype: blond, blue eyes and terribly charming. Nobody resists him. His job enables the possibility of traveling around the world. He’s not a normal surgeon. He’s one of the best plastic surgeons. He’s created and retouched hundreds of famous people and his results are better than no Photoshop. 

One day, David got bored about these superficial people and, inspired in one ABBA’s song, his favourite group, decided to change his live and dedicate it to help without receiving anything.


Chiquitita, you and I know
How the heartaches come and they go and the scars they're leaving
You'll be dancing once again and the pain will end
You will have no time for grieving
Chiquitita, you and I cry
But the sun is still in the sky and shining above you



ABBA