Showing posts with label Gran Teatre del Liceu. Show all posts
Showing posts with label Gran Teatre del Liceu. Show all posts

Tuesday, 5 December 2023

JOSEP CARRERAS, FROM SANTS TO THE WORLD SUCCESS

Today, The Grandma has been reading about Josep Carreras, the Catalan tenor, who was born on a day like today in 1946.

Josep Maria Carreras Coll (5 December 1946) is a Catalan operatic tenor who is particularly known for his performances in the operas of Donizetti, Verdi and Puccini.

Born in Barcelona, he made his debut on the operatic stage at 11 as Trujamán in Manuel de Falla's El retablo de Maese Pedro, and went on to a career that encompassed over 60 roles, performing in the world's leading opera houses and on numerous recordings. He gained fame with a wider audience as one of the Three Tenors, with Plácido Domingo and Luciano Pavarotti, in a series of large concerts from 1990 to 2003.

He is also known for his humanitarian work as president of the Josep Carreras International Leukaemia Foundation (La Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia), which he established following his own recovery from the disease in 1988.

Carreras was born in Sants, a working-class district in Barcelona. He was the youngest of Antònia Coll i Saigi and Josep Carreras i Soler's three children.

In 1951, his family emigrated to Argentina in search of a better life. However, this move abroad proved unsuccessful, and within a year they had returned to Sants where Carreras was to spend the rest of his childhood and teenage years.

He showed an early talent for music and particularly singing, which intensified at the age of six when he saw Mario Lanza in The Great Caruso. The story recounted in his autobiography and numerous interviews is that after seeing the film, Carreras sang the arias incessantly to his family, especially La donna è mobile, often locking himself in the family's bathroom when they became exasperated with his impromptu concerts.

At that point, his parents, with the encouragement of his grandfather Salvador Coll, an amateur baritone, found the money for music lessons for him. At first he studied piano and voice with Magda Prunera, the mother of one of his childhood friends, and at the age of eight, he also started taking music lessons at Barcelona's Municipal Conservatory.

At just eight years old, he also gave his first public performance, singing La donna è mobile, accompanied by Magda Prunera on the piano, on Spanish National Radio. A recording of this still exists and can be heard on the video biography, Josep Carreras -A Life Story.

More information: Instagram-Josep Carreras

On 3 January 1958, at the age of eleven, he made his debut in Barcelona's great opera house, the Gran Teatre del Liceu, singing the boy soprano role of Trujamán in Manuel de Falla's El retablo de Maese Pedro. A few months later, he sang for the last time as a boy soprano at the Liceu in the second act of La Bohème.

Throughout his teenage years, he continued to study music, moving on to the Conservatori Superior de Música del Liceu and taking private voice lessons, first with Francisco Puig and later with Juan Ruax, whom Carreras has described as his artistic father. Following the advice of his father and brother, who felt that he needed a backup career, he also entered the University of Barcelona to study chemistry, but after two years he left the university to concentrate on singing.

Juan Ruax encouraged Carreras to audition for what was to become his first tenor role at the Liceu, Flavio in Norma, which opened on 8 January 1970. Although only a minor role, the few phrases he sang caught the attention of the production's leading lady, the eminent soprano and fellow Catalan, Montserrat Caballé. She asked him to sing Gennaro with her in Donizetti's Lucrezia Borgia, which opened on 19 December 1970.

It was his first principal adult role, and the one which he considers to be his true debut as a tenor

In 1971, he made his international debut in a concert performance of Maria Stuarda in London's Royal Festival Hall, again with Caballé singing the title role. Caballé was instrumental in promoting and encouraging his career for many years, appearing in over fifteen different operas with him, while her brother and manager, Carlos Caballé, was also Carreras's manager until the mid-1990s.

Following his own recovery from leukaemia, Carreras sought both to repay the debt he owed to medical science and to improve the lives and care of other leukaemia sufferers. 

On 14 July 1988, he established the Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia (known in English as the Josep Carreras International Leukaemia Foundation) in Barcelona.

In its prime, Carreras's voice was considered one of the most beautiful tenor voices of the day.

More info: Fundació Josep Carreras per a la Lluita contra la Leucèmia


Fire feeds on careless deeds.
What originates everything are the emotions,
the feelings, what we call soul.
Then the brain commands these feelings to the voice.
The voice is just the vehicle;
it's the very last step in the chain.

Josep Carreras

Friday, 26 January 2018

MARIA CALLAS & ANA MARIA BEAN, CASTA DIVAS

Maria Callas & Ana Maria Bean leaving The Liceu
Maria Callas was a great influence for me and she also became my best friend. I always remember her with a smile, when I hear her voice.

Imagine:

In 1959, Maria Callas sings in Barcelona at the Gran Teatre del Liceu. I have a ticket for the recital to see her for the first time in my life. I am a huge fan.

Maria Callas is singing Madame Butterfly and I am enjoying the show a lot. During the break, I'm walking through the corridors and I hear her voice from the dressing room. She seems very angry. Her manager tells her that they need an actress because the extra is ill. She looks at me and points to me, she says: 

-Can you help me? I think you are perfect for the role. What's your name? - she says. 

-Ana Maria- I answer. She opens her eyes a lot and shouts: 

-Oh My God!! Just like me, lovely coincidence". 

And that same night I participate in my favourite opera.

It was a great success!!!

Later, that night, she invites me to a cocktail party in the Ritz Hotel. After then, we become very close friends.


An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house. 

Maria Callas

Saturday, 22 October 2016

PAU CASALS: FROM EL VENDRELL TO THE UNITED NATIONS

Pau Casals i Defilló
Pau Casals i Defilló (December 29, 1876-October 22, 1973) was a cellist and conductor from El Vendrell, El Baix Penedès in Catalonia. He is generally regarded as the pre-eminent cellist of the first half of the 20th century, and one of the greatest cellists of all time. 

He made many recordings throughout his career, of solo, chamber, and orchestral music, also as conductor, but he is perhaps best remembered for the recordings of the Bach Cello Suites he made from 1936 to 1939.

His father, Carles Casals i Ribes (1852–1908), was a parish organist and choirmaster. He gave Casals instruction in piano, song, violin, and organ. He was also a very strict disciplinarian. When Casals was young his father would pull the piano out from the wall and have him and his brother, Artur, stand behind it and name the notes and the scales that his father was playing.


In 1899, Casals played at The Crystal Palace in London, and later for Queen Victoria at Osborne House, her summer residence, accompanied by Ernest Walker. On November 12, and December 17, 1899, he appeared as a soloist at Lamoureux Concerts in Paris, to great public and critical acclaim.

Pau Casals with John Fitzerald and Jackie Kennedy
On January 15, 1904, Casals was invited to play at the White House for President Theodore Roosevelt. On March 9, of that year he made his debut at Carnegie Hall in New York, playing Richard Strauss's Don Quixote under the baton of the composer.

Casals was an ardent supporter of the Republican government, and after its defeat vowed not to return to Spain until democracy was restored. Casals performed at the Gran Teatre del Liceu on October 19, 1938, possibly his last performance in Catalonia during his exile.

In the last weeks of 1936, he already settled in the French Catalan village of Prada de Conflent, near the Spanish Catalan border; between 1939 and 1942 he made sporadic appearances as a cellist in the unoccupied zone of southern France and in Switzerland.


Pau Casals in the UNO, 1971
So fierce was his opposition to the dictatorial regime of Franco in Spain that he refused to appear in countries that recognized the authoritarian Spanish government. 

He made a notable exception when he took part in a concert of chamber music in the White House on November 13, 1961, at the invitation of President John F. Kennedy, whom he admired. On December 6, 1963, Casals was awarded the U.S. Presidential Medal of Freedom.

One of his last compositions was the Hymn of the United Nations. He conducted its first performance in a special concert at the United Nations on October 24, 1971, two months before his 95th birthday. On that day, the Secretary-General of the United Nations, U Thant, awarded Pau Casals the U.N. Peace Medal in recognition of his stance for peace, justice and freedom. Casals accepted the medal and made his famous I Am a Catalan speech, where he stated that Catalonia had the first democratic parliament, long before England did.

Casals died in 1973 at Auxilio Mutuo Hospital in San Juan, Puerto Rico, at the age of 96, from complications of a heart attack he had three weeks earlier. He was buried at the Puerto Rico National Cemetery. He did not live to see the end of the Franco dictatorial regime, which occurred two years later.

In 1979 his remains were interred in his hometown of El Vendrell, Catalonia. In 1989, Casals was posthumously awarded a Grammy Lifetime Achievement Award.


Al veure despuntar
el major lluminar
en la nit més ditxosa,
els ocellets cantant,
a festejar-lo van
amb sa veu melindrosa.

In seeing emerge
the greatest light
during the most celebrated of nights,
the little birds sing,
they go to celebrate Him
with their delicate voices.

El Cant dels Ocells / The Song of the Birds, Pau Casals