Showing posts with label Catalan Atlas. Show all posts
Showing posts with label Catalan Atlas. Show all posts

Tuesday, 10 August 2021

JAUME FERRER, FROM MALLORCA TO 'THE RIVER OF GOLD'

Today, The Grandma has been reading about one of her greatest passions, Mallorca. She has chosen the biography and adventures of Jaume Ferrer, the Mallorcan sailor and explorer who found the legendary River of Gold on a day like today in 1346.

Jaume Ferrer (1346) was a Mallorcan sailor and explorer. He sailed from Mallorca to find the legendary River of Gold on 10 August 1346, but the outcome of his quest and his fate are unknown. He is memorialized in his native city of Palma, Mallorca.

Very little is known about Jaume Ferrer except that he was a Mallorcan captain who set out in a galley in 1346 and sailed down the West African coast in an attempt to reach the legendary River of Gold. The results of this expedition, including whether Ferrer survived the journey, are unknown. Some recent research tentatively identifies Jaume Ferrer as Giacomino Ferrar di Casa Maveri, a second generation Genoese immigrant in Mallorca.

Virtually the only information for his expedition is the depiction and note given in the Catalan Atlas of 1375, attributed to the Mallorcan cartographer Abraham Cresques, correct patronymic: Cresques Abraham. In the bottom-left corner of the map, there is a brightly painted Aragonese-flagged vessel and a note indicating merely that Jacme Ferrer set out in an uxer on 10 August 1346 to search for the Riu de l'Or, River of Gold. An uxer is a single-mast, square-rigged and oar-powered cargo galley, with rounded stern and low prow, commonly used to freight horses.

More information: University of Pittsburg

The geographic position of the ship, below the Canary Islands, suggests Ferrer probably sailed past Cape Bojador, at that time the non plus ultra of navigation, beyond which European ships dared not sail. If Ferrer survived and returned, then his feat preceded, by nearly a whole century, the famous successful passage of that cape by the Portuguese explorer Gil Eanes in 1434.

There is a sliver of additional information found in a note in the secret archives of the Republic of Genoa, uncovered in 1802, which refers to the expedition, noting that Joannis Ferne, a Catalan, left the city of the Mallorcans in a galleass on 10 July 1346 but the vessel was never heard of again, that he went searching for the Riu Auri, River of Gold, because he heard that it was a collection point for aurum de paiola, perhaps gold nuggets, but Paiola has also been interpreted not as nugget, but as the name of a river island depicted in the 1367 Pizzigani map, that the people on the shores were all engaged in gold collection and that the river was wide and deep enough for the largest ships.

The River of Gold, frequently spoken of by trans-Saharan traders, was a reference to the Senegal River that flowed into the heart of the gold-producing Mali Empire. The Genoese note refers to it also by the alternative name of Vedamel -almost certainly a derivation from Arabic, probably Wad al-mal, river of treasure or possibly, by transcription error, Wad al-Nill, river of Nile -the Senegal was also long known as the Western Nile. Vedamel might also be the origin of Budomel, used by early Portuguese explorers in the 15th century to refer to a Wolof statelet on the Grande Côte, south to the Senegal River.

Despite the sparse information, Jaume Ferrer is memorialized in his native city of Palma, in Mallorca, by a street name, a statue in the Plaça de les Drassanes and a relief in the town hall. The statue is a reproduction of one commissioned by the city hall and sculpted by Jacint Mateu around 1843, but replaced in 1914 by a copy with some modifications by Joan Grauches. The original is in the old Consolat de Mar building in Palma. The Atlas's ship is reproduced on a monumental sundial on the city's maritime promenade.

More information: The Cresques Project

It is not the ship so much as the skillful sailing
that assures the prosperous voyage.

George William Curtis

Tuesday, 22 January 2019

ABRAHAM CRESQUES & THE CATALAN ATLAS OF 1375

The Grandma visits the Palma Cathedral
Today, The Grandma and Claire Fontaine are spending their last days in Palma. They are very happy with their visit and they are sure they will come back very soon because they love this island, its culture and traditions -common for them- and its people.

Visiting Mallorca is always a hard experience for The Grandma. She's excited every time she arrives to Son Sant Joan but she is also very sad when she is in the island because lots of memories appear on her mind. She misses her lost friends although she tries to enjoy every single moment in the island.

Claire and The Grandma have visited the Cathedral and have contemplated the last work of Miquel Barceló inside this magnificent building. This amazing work has evoked them Abraham Cresques, the Jewish cartographer from Palma who is the author of the Catalan Atlas, one of the most wonderful and awesome maps from the Middle Age that we can contemplate.

Before visiting the Cathedral, The Grandma has studied a new lesson of her
Elementary Language Practice manual (Vocabulary 4).

More information: Vocabulary 4-Rooms

Abraham Cresques (1325–1387), whose real name was Cresques son of Abraham, was a 14th-century Jewish cartographer from Palma, Mallorca, then part of the Crown of Aragon. In collaboration with his son, Jehuda Cresques, Cresques is credited with the authorship of the celebrated Catalan Atlas of 1375.

A Mallorcan Jew, Cresques was a master map-maker and builder of clocks, compasses, and other nautical instruments. He was a leading member of the Mallorcan cartographic school.

More information: The Cresques Project

Abraham Cresques's real name was Eliça, a.k.a. Cresques, son of Rabbi Abraham, son of Rabbi Benaviste, son of Rabbi Eliça. Eliça being the name he would have received when he came of age but known as Cresques of Abraham, Cresques being his personal name, Eliça his religious name, Abraham his patronym, but the order is often flipped in most subsequent literature. His son, Jehuda Cresques, was also a notable cartographer.

In 1375, Cresques and his son Jehuda received an assignment from Prince Joan of Aragon, the future Joan I of Aragon, to make a set of nautical charts which would go beyond the normal geographic range of contemporary portolan charts to cover the East and the West, and everything that, from the Strait of Gibraltar leads to the West.


The Catalan Atlas by Abraham Cresques and Jehuda Cresques

For this job, Cresques and Jehuda would be paid 150 Aragonese golden florins, and 60 Mallorcan pounds, respectively, as it is stated in 14th-century documents from the Prince himself and his father Pere IV of Aragon. Prince Joan intended to present the chart to his cousin Carles, later to be Carles King of France, as a gift.

More information: IEC

In that year 1375 Cresques and Jehuda drew the six charts that composed the Catalan Atlas at their house in the Jewish quarter of Palma.

The Catalan Atlas of c. 1375 is the only map that has been confidently attributed to Cresques Abraham. But researchers have suggested that five other existing maps might also be attributed to Cresques, Jehuda or some other worker in the Cresques atelier. Like the Catalan Atlas itself, these five maps -four portolan charts, one fragment of a mappa mundi-, are unsigned and undated, and their date of composition estimated sometime between 1375 and 1400.

More information: My Old Maps

-Catalan Atlas, c. 1375, 6 panels, map from the Atlantic Ocean to China, held at the Bibliothèque Nationale de France in Paris, France

-Venice Chart, c. 1375-1400, portolan chart -missing northern Europe-, held at the Biblioteca Marciana in Venice, Italy

-Florence Chart, c. 1375-1400, portolan chart -west Mediterranean only- held (Port.22) at the Biblioteca Nazionale Centrale, Florence, Italy

-Naples Chart, c. 1375-1400, normal portolan chart held (ms.XII.D102) at the Biblioteca Nazionale Vittorio Emanuele III in Naples, Italy

-Istanbul Map c. 1375-1400, fragment of mappa mundi, held (1828) at the Topkapi Palace in Istanbul, Turkey

-Paris Chart, c. 1400, portolan chart held (AA751) at the Bibliotheque Nationale de France in Paris, France

According to the last investigations, of the four portolan charts attributed the Cresques atelier, the Naples and Paris charts are more ornate than the other two, with the Paris chart (c. 1400) in particular seeming closest to the features of the Catalan Atlas (c. 1375). However, attribution to the Cresques workshop is only tentative.

As investigators say, That this group of charts is closely related is clear. But it is hard to see, from the colour analysis alone, evidence to confirm that these four charts were the product of supervised work in a single atelier.

More information: Ballandalus


 The fact is that it is still possible to imagine 
a world of peasants without lords. 
Never, however, was it possible to imagine 
a world of lords without peasants.
We always know who is left.
 
Miquel Barceló