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Last Monday, she enjoyed with Claire Fontaine and Joseph de Ca'th Lon the start of the Lux tour at the LDLC Arena in Décines-Charpieu, a place they know well and visit often because it is a few metres from the Groupama Stadium.
On Wednesday, all three friends flew to Paris where they saw the Catalan artist again, this time at the Accor Arena, in a first concert and yesterday, Friday, in a second one. They have been three wonderful concerts, although the three friends are still waiting to hear Memória live, because they are lovers of fado and it reminds them a lot of the much-loved Mísia, the Catalan-Portuguese artist, whom they followed throughout her career.
And because they are still in Paris today, they have bought some Fleury 91-OL tickets this morning and they will drive to Fleury-Mérogis, a city located 30 km south of the French capital to attend an interesting match of the Northern Star's team. They are not very sure that she will play the match because next week she has a very important European commitment, but it is 30 km and it is worth going there.
They have brought their faithful travel companion when they are in Gaul, Astérix, this time with his adventure in Switzerland, to read it during the short trip.
Astérix chez les Helvètes, in English Astérix in Switzerland, is the sixteenth volume of the Astérix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). It was originally serialized in Pilote magazine issues 557-578 in 1970 and translated into English in 1973.
Following the protests of May 1968, Goscinny started introducing more adult themes such as the opening orgy scene which parodies Federico Fellini's debauched Roman film, Fellini Satyricon. The painted faces, feeling of ennui, mechanical gorging of elaborate food, and sado-masochistic punishments are balanced (in Helvetia) by the fastidiousness of the Swiss servants who keep cleaning up messes and washing whips.
The idea to send Astérix and Obélix to Switzerland was proposed by future French president Georges Pompidou. A handwritten note from Pompidou, when he was prime minister, urging the authors to write about Astérix among the Helvetians, was displayed in an Asterix exhibition at the National Library of France in 2013.
This album features a rare dark overtone in that the plot involves a victim of attempted murder. The added element of potential death offers a startling but refreshing moment of drama in the otherwise whimsical series. Other stories that share a dramatic turn include Astérix and Son (where the village is destroyed) and Astérix and the Magic Carpet.
The comic contains several puns on typical Swiss features, such as the confidentiality and high level of security of Swiss banks, fondue, Swiss clocks (especially cuckoo clocks), the Helvetians' insistence on neutrality, yodeling, punctuality, alphorns (as an alternative form of carnyx), and -in one notable scene- the Swiss Federal Assembly.
The comic suggests that modern mountain climbing was introduced when Astérix has the idea of him, Obélix and their Helvetian aides securing themselves with ropes, and sledding when Astérix accidentally rides Obélix down the mountainside.
One scene with Astérix shooting a bow while a boy with an apple on his head fixes a target is a nod to the Swiss folk hero William Tell.
In one panel, avalanches in the Alps are satirized when the Roman legionaire hanging on to Obélix cautions, Stop shouting, you could easily start something off.
Like always, this issue concludes with the celebrational village feast with Cacophonix being tied to the tree. However in this case he's not gagged. Nothing prevents his awful singing during the affair.
Bibendum (the Michelin logo) makes a brief guest appearance as the chariot wheel dealer in the original English translation; whereas the original French version used the Gaulish-warrior-like mascot of the French service station company Antar. The 2004 English re-print from Orion Books uses the French illustrations, thus rendering Obélix's joke about Bibendum's weight in the next panel nonsensical. Call me fat! Did you see his spare tire?
The book's storyline is rife with clever wordplay, delightful caricatures, and hilarious situations as Astérix and Obélix find themselves embroiled in comical confrontations with the Romans while showcasing the determination and perseverance of the Swiss people. The authors skillfully blend history, satire, and humor throughout the narrative, making Astérix in Switzerland an entertaining and educational read for all ages.
As with all Astérix books, the illustrations by Albert Uderzo are a visual feast, capturing the charm and whimsy of the Gaulish village, the grandeur of the Swiss landscape, and the amusing antics of the characters. Uderzo's dynamic artwork, vibrant colors, and attention to detail bring the story to life, making it a visual treat for readers.
Astérix in Switzerland not only entertains readers with its engaging story and delightful illustrations but also serves as a commentary on the themes of resistance, cultural identity, and the strength of community. The book showcases the power of unity, determination, and the ability to overcome adversity, echoing timeless values that continue to resonate with readers today.
In conclusion, Astérix in Switzerland is a captivating addition to the Astérix series, offering a delightful blend of history, satire, adventure, and humor. With its lovable characters, clever wordplay, and beautiful artwork, this book is sure to charm readers of all ages, transporting them on a grand escapade through the enchanting world of Astérix and Obélix.
Key Lessons From Astérix In Switzerland
-Unity is strength. One of the central themes of the book is the power of unity. The Gauls, led by Astérix and Obélix, join forces with the Swiss to not only protect their village from the Roman invaders but also to help the Swiss regain their independence. The book demonstrates that when people come together and work towards a common goal, they can achieve great things.
-The importance of cultural identity. Astérix in Switzerland celebrates the unique cultural identity of the Swiss. The Swiss characters are portrayed as having their own distinct language, traditions, and values. The book emphasizes the importance of preserving one's cultural heritage and not succumbing to external influences. It teaches the readers to appreciate and embrace their own cultural identity.
-Cultural stereotypes. The book playfully highlights various cultural stereotypes associated with both the Swiss and the Gauls. It shows the Swiss as being disciplined, precise, and punctual, while the Gauls are depicted as unconventionally brave and fiercely loyal. However, the book also challenges these stereotypes by showing that individuals from both cultures can defy expectations and exhibit traits not typically associated with them.
-Satire and humor. Astérix in Switzerland uses satire and humor to comment on various aspects of society. It humorously pokes fun at bureaucracy and politics, specifically in the scene where the Swiss decide on their new leader through a contest of yodeling. The puns and wordplay throughout the book add to the light-hearted and comedic tone.
-Loyalty and friendship. The book emphasizes the importance of loyalty and friendship through the relationship between Astérix and Obélix. Despite their differences, the two characters demonstrate unwavering loyalty and support for each other. The book also highlights the theme of loyalty to one's homeland, as both the Gauls and the Swiss are willing to fight for their respective countries and protect their way of life.
Download Astérix in Switzerland by René Goscinny & Albert Uderzo
and the extraordinary power of cheese!
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