'CHICAGO' & THE LONGEST-RUNNING MUSICAL REVIVAL

Today, The Grandma has enjoyed one of the greatest musicals ever showed in Broadway, Chicago.

Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. 

Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by reporter Maurine Dallas Watkins, about actual criminals and the crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the celebrity criminal.

The original Broadway production opened in 1975 at the 46th Street Theatre and ran for 936 performances, until 1977. Bob Fosse directed and choreographed the original production, and his style is strongly identified with the show. 

It debuted in the West End in 1979, where it ran for 600 performances. Chicago was revived on Broadway in 1996, and a year later in the West End.

The 1996 Broadway production holds the record as the longest-running musical revival and the longest-running American musical in Broadway history. It is the second longest-running show ever to run on Broadway, behind only The Phantom of the Opera. Chicago surpassed Cats on November 23, 2014, when it played its 7,486th performance.

The West End revival became the longest-running American musical in West End history. Chicago has been staged in numerous productions around the world, and has toured extensively in the United States and United Kingdom. The 2002 film adaptation of the musical won the Academy Award for Best Picture.

The musical Chicago is based on a play of the same name by reporter and playwright Maurine Dallas Watkins, who was assigned to cover the 1924 trials of accused murderers Beulah Annan and Belva Gaertner for the Chicago Tribune.

In the early 1920s, Chicago's press and public became riveted by the subject of homicides committed by women. Several high-profile cases arose, which generally involved women killing their lovers or husbands. These cases were tried against a backdrop of changing views of women in the jazz age, and a long string of acquittals by Cook County juries of female murderers (juries at the time were all male, and convicted murderers generally faced death by hanging).

A lore arose that, in Chicago, feminine or attractive women could not be convicted. The Chicago Tribune generally favored the prosecution's case, while still presenting the details of these women's lives. Its rivals at the Hearst papers were more pro-defendant, and employed what were derisively called sob-sisters -women reporters who focused on the plight, attractiveness, redemption, or grace of the female defendants. Regardless of stance, the press covered several of these women as celebrities.

Watkins' sensational columns documenting these trials proved so popular that she wrote a play based on them.

More information: Chicago The Musical

Come on babe, why don't we paint the town?
And all that jazz
I'm gonna rouge my knees and roll my stockings down
And all that jazz
Start the car, I know a whoopee spot
Where the gin is cold but the piano's hot
It's just a noisy hall, where there's a nightly brawl
And all that jazz

John Kander & Fred Ebb