COMPAY SEGUNDO, MUTTON CONSOMMÉ & CUBAN RUM

Compay Segundo

Today, The Grandma is relaxing at home. She has been slleping until she has been awaken by Cuban music, exactly Compay Segundo.

It has been a wonderful way to open her eyes and to start a new day, a day that commemorates the seventeenth anniversary of the death of this universal musician.

The Grandma thinks that the best way to pay homage to Compay Segundo is talking about his life and his music.

Máximo Francisco Repilado Muñoz Telles (18 November 1907-13 July 2003), known professionally as Compay Segundo, was a Cuban trova guitarist, singer and composer.

Compay (meaning compadre) Segundo, so called because he was always second voice in his musical partnerships, was born in Siboney, Cuba, and moved to Santiago de Cuba at the age of nine. His first engagement was in the Municipal Band of Santiago de Cuba, directed by his teacher, Enrique Bueno.

In 1934, after a spell in a quintet, he moved to Havana, where he also played the clarinet in the Municipal Band. He also learned to play the guitar and the tres, which became his usual instruments.

Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres.

In the 1950s he became well known as the second voice and tres player in Los Compadres, a duo he formed with Lorenzo Hierrezuelo in 1947.

More information: PBS

Los Compadres were one of the most successful Cuban duos of their time.

Greater international fame came later, in 1997, with the release of the Buena Vista Social Club album, a hugely successful recording which won several Grammy awards. Compay Segundo appeared in the Wim Wenders film of the same title.

Segundo's most famous composition is Chan Chan, the opening track on the Buena Vista Social Club album, a four-chord son cubano. Chan Chan was recorded by Segundo himself various times as well as by countless other Latin artists. Other compositions are Sarandonga, La calabaza, Hey caramba, Macusa, Saludo Compay. These are all sones, and this differentiates him from the more usual trova musicians, with their devotion to the bolero.

At a fiesta he sang to President Fidel Castro, who took his pulse and joked about his vitality despite his 90-plus years. Who could have imagined that? he asked when he found himself at the Vatican City, performing Chan Chan before Pope John Paul II. He explained his longevity simply: mutton consommé and a drink of rum.

He predicted that he would live to be 115, but died of kidney failure in Havana, 20 years short of his ambition.

In 2007, the 100th anniversary of Segundo's birth was celebrated with a concert of his compositions performed by a symphony orchestra in Havana with some of his musicians and sons.

More information: Virginia Fernandino

Las raíces de la música cubana están en mi cabeza.
 

The roots of Cuban music are in my head.

Compay Segundo