Sailing along the Arno River, Firenze |
They have been sailing across the river seeing the city from other point of view and later, they have crossed the popular bridge. Later, they have visited another great place in Firenze, La Basilica di Santa Croce, the principal Franciscan church in the city.
Before sailing and visit the Basilica, The Grandma has studied two new chapters of her Intermediate Language Practice manual (Vocabulary 1 & 2).
More information: Word Formation 1
The Basilica di Santa Croce is the principal Franciscan church in Florence, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo.
The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories, Tempio dell'Itale Glorie.
The Basilica has sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself.
The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's wealthiest families. It was consecrated in 1442 by Pope Eugene IV.
The building's design reflects the austere approach of the Franciscans. The floorplan is an Egyptian or Tau cross, a symbol of St Francis, 115 metres in length with a nave and two aisles separated by lines of octagonal columns. To the south of the church was a convent, some of whose buildings remain.
The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's wealthiest families. It was consecrated in 1442 by Pope Eugene IV.
The building's design reflects the austere approach of the Franciscans. The floorplan is an Egyptian or Tau cross, a symbol of St Francis, 115 metres in length with a nave and two aisles separated by lines of octagonal columns. To the south of the church was a convent, some of whose buildings remain.
More information: Santa Croce
The Primo Chiostro, the main cloister, houses the Cappella dei Pazzi, built as the chapter house, completed in the 1470s. Filippo Brunelleschi, who had designed and executed the dome of the Duomo, was involved in its design which has remained rigorously simple and unadorned.
In 1560, the choir screen was removed as part of changes arising from the Counter-Reformation and the interior rebuilt by Giorgio Vasari. As a result, there was damage to the church's decoration and most of the altars previously located on the screen were lost.
The bell tower was built in 1842, replacing an earlier one damaged by lightning. The neo-Gothic marble façade dates from 1857-1863. The Jewish architect Niccolo Matas from Ancona, designed the church's façade, working a prominent Star of David into the composition. Matas had wanted to be buried with his peers but because he was Jewish, he was buried under the threshold and honored with an inscription.
Visiting Michelangelo's Tomb, Basilica di Santa Croce |
The Museo dell'Opera di Santa Croce is housed mainly in the refectory, also off the cloister. A monument to Florence Nightingale stands in the cloister, in the city in which she was born and after which she was named. Brunelleschi also built the inner cloister, completed in 1453.
In 1966, the Arno River flooded much of Florence, including Santa Croce. The water entered the church bringing mud, pollution and heating oil. The damage to buildings and art treasures was severe, taking several decades to repair.
More information: Visit Florence
Today the former dormitory of the Franciscan friars houses the Scuola del Cuoio, Leather School. Visitors can watch as artisans craft purses, wallets, and other leather goods which are sold in the adjacent shop. The basilica has been undergoing a multi-year restoration program with assistance from Italy’s civil protection agency.
The Ponte Vecchio, Old Bridge, is a medieval stone closed-spandrel segmental arch bridge over the Arno River, in Florence, Italy, noted for still having shops built along it, as was once common. Butchers initially occupied the shops; the present tenants are jewelers, art dealers and souvenir sellers.
The Ponte Vecchio's two neighbouring bridges are the Ponte Santa Trinita and the Ponte alle Grazie.
The Ponte Vecchio's two neighbouring bridges are the Ponte Santa Trinita and the Ponte alle Grazie.
Inside Porto Vecchio, Firenze |
The bridge first appears in a document of 996. After being destroyed by a flood in 1117 it was reconstructed in stone but swept away again in 1333 save two of its central piers, as noted by Giovanni Villani in his Nuova Cronica.
It was rebuilt in 1345. Giorgio Vasari recorded the traditional view of his day that attributed its design to Taddeo Gaddi -besides Giotto one of the few artistic names of the trecento still recalled two hundred years later. Modern historians present Neri di Fioravanti as a possible candidate.
Sheltered in a little loggia at the central opening of the bridge is a weathered dedication stone, which once read Nel trentatrè dopo il mille-trecento, il ponte cadde, per diluvio dell' acque: poi dieci anni, come al Comun piacque, rifatto fu con questo adornamento. The Torre dei Mannelli was built at the southeast corner of the bridge to defend it.
More information: Visit Florence
The bridge consists of three segmental arches: the main arch has a span of 30 meters the two side arches each span 27 meters. The rise of the arches is between 3.5 and 4.4 meters, and the span-to-rise ratio 5:1.
It has always hosted shops and merchants who displayed their goods on tables before their premises, after authorization of the Bargello, a sort of a lord mayor, a magistrate and a police authority. The back shops, retrobotteghe, that may be seen from upriver, were added in the seventeenth century.
During World War II, the Ponte Vecchio was not destroyed by Germans during their retreat on the advance of the liberating British 8th Army on 4 August 1944, unlike all other bridges in Florence. This was allegedly, according to many locals and tour guides, because of an express order by Hitler. Access to Ponte Vecchio was, however, obstructed by the destruction of the buildings at both ends, which have since been rebuilt using a combination of original and modern design.
In order to connect the Palazzo Vecchio, Florence's town hall, with the Palazzo Pitti, in 1565 Cosimo I de' Medici had Giorgio Vasari build the Vasari Corridor above it.
Contemplating the Arno River, Firenze |
A decree was made in 1595 that excluded butchers from selling their meats, only goldsmiths are not prohibited from this bridge that is constantly applied to this day. The corporative association of butchers had monopolised the shops on the bridge since 1442.
A stone with an inscription from Dante (Paradiso xvi. 140-7) records the spot at the entrance to the bridge where Buondelmonte de' Buondelmonti was murdered on behalf of the Amidei, in 1215, initiating the urban fighting of the Guelfs and Ghibellines.
In 1900, to honour and mark the fourth century of the birth of the great Florentine sculptor and master goldsmith Benvenuto Cellini, the leading goldsmiths of the bridge commissioned the most renowned Florentine sculptor of the time Raffaello Romanelli to create a bronze bust of Cellini to stand atop a fountain in the middle of the Eastern side of the bridge, where it stands to this day.
Between 2005 and 2006, 5,500 padlocks, known as love locks, which were attached to the railings around the bust of Cellini, were removed by the city council. According to the council, the padlocks were aesthetically displeasing and damaged the bust and its railings. There is now a fine for attaching love locks to the bridge.
More information: Mel B Travel
Among the four old
bridges that span the river, the Ponte Vecchio, that bridge which is covered
with the shops of jewelers and goldsmiths, is a most enchanting feature in the
scene.
The space of one house, in the center, being left open, the view beyond, is shown as in a frame; and that precious glimpse of sky, and water, and rich buildings, shining so quietly among the huddled roofs and gables on the bridge, is exquisite.
The space of one house, in the center, being left open, the view beyond, is shown as in a frame; and that precious glimpse of sky, and water, and rich buildings, shining so quietly among the huddled roofs and gables on the bridge, is exquisite.
Charles Dickens
No comments:
Post a Comment