THE ROYAL OPERA HOUSE OPENS AT COVENT GARDEN

The Royal Opera House, 1810

The Grandma continues her struggle against the flu. It seems a neverending story because she doesn't feel better, although, at least, she is not worst. Today, she has decided to watch some ballet performances. She loves classic dance and one of her favourite hobbies is travelling to London,  buy a ticket to The Royal Opera House, which today celebrates its anniversary, and enjoy the show.

Because it's impossible to do this now, she has watched a recorded performance and she has enjoyed with these wonderful dancers and this amazing music.

Before watching the performance, The Grandma has studied a new lesson of her Elementary Language Practice manual (Grammar 35).

 More information: Wh- Questions (Subject & Object Questions)

The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site of the opera house's original construction in 1732.

It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. 

In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

Memories of the Royal Opera House

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The foundation of the Theatre Royal, Covent Garden lies in the letters patent awarded by Charles II to Sir William Davenant in 1662, allowing Davenant to operate one of only two patent theatre companies, The Duke's Company, in London. The letters patent remained in the possession of the patentees' heirs until the 19th century; their whereabouts are currently unknown.

More information: Royal Opera House

In 1728, John Rich, actor-manager of the Duke's Company at Lincoln's Inn Fields Theatre, commissioned The Beggar's Opera from John Gay. The success of this venture provided him with the capital to build the Theatre Royal, designed by Edward Shepherd, at the site of an ancient convent garden, part of which had been developed by Inigo Jones in the 1630s with a piazza and church. 

In addition, a Royal Charter had created a fruit and vegetable market in the area, a market which survived in that location until 1974. At its opening on 7 December 1732, Rich was carried by his actors in processional triumph into the theatre for its opening production of William Congreve's The Way of the World.

During the first hundred years or so of its history, the theatre was primarily a playhouse, with the Letters Patent granted by Charles II giving Covent Garden and Theatre Royal, Drury Lane exclusive rights to present spoken drama in London. 

Memories of the Royal Opera House

Despite the frequent interchangeability between the Covent Garden and Drury Lane companies, competition was intense, often presenting the same plays at the same time. 

 

Rich introduced pantomime to the repertoire, himself performing, under the stage name John Lun, as Harlequin, and a tradition of seasonal pantomime continued at the modern theatre, until 1939.

In 1734, Covent Garden presented its first ballet, Pygmalion. Marie Sallé discarded tradition and her corset and danced in diaphanous robes. George Frideric Handel was named musical director of the company, at Lincoln's Inn Fields, in 1719, but his first season of opera, at Covent Garden, was not presented until 1734. His first opera was Il pastor fido followed by Ariodante (1735), the première of Alcina, and Atalanta the following year. There was a royal performance of Messiah in 1743, which was a success and began a tradition of Lenten oratorio performances.

From 1735 until his death in 1759 he gave regular seasons there, and many of his operas and oratorios were written for Covent Garden or had their first London performances there. He bequeathed his organ to John Rich, and it was placed in a prominent position on the stage, but was among many valuable items lost in a fire that destroyed the theatre on 20 September 1808. In 1792 the architect Henry Holland rebuilt the auditorium, within the existing shell of the building but deeper and wider than the old auditorium, thus increasing capacity.

Rebuilding began in December 1808, and the second Theatre Royal, Covent Garden, designed by Robert Smirke, opened on 18 September 1809 with a performance of Macbeth followed by a musical entertainment called The Quaker. The actor-manager John Philip Kemble, raised seat prices to help recoup the cost of rebuilding and the cost of an increased ground rent introduced by the landowner, the Duke of Bedford, but the move was so unpopular that audiences disrupted performances by beating sticks, hissing, booing and dancing. The Old Price Riots lasted over two months, and the management was finally forced to accede to the audience's demands.

More information: Youtube-Royal Opera House

On 5 March 1856, the theatre was again destroyed by fire. Work on the third theatre, designed by Edward Middleton Barry, started in 1857 and the new building, which still remains as the nucleus of the present theatre, was built by Lucas Brothers and opened on 15 May 1858 with a performance of Meyerbeer's Les Huguenots.

The Royal English Opera company under the management of Louisa Pyne and William Harrison, made their last performance at Theatre Royal, Drury Lane on 11 December 1858 and took up residence at the theatre on 20 December 1858 with a performance of Michael Balfe's Satanella and continued at the theatre until 1864.

Memories of the Royal Opera House

The theatre became the Royal Opera House (ROH) in 1892, and the number of French and German works offered increased. Winter and summer seasons of opera and ballet were given, and the building was also used for pantomime, recitals and political meetings.

During the First World War, the theatre was requisitioned by the Ministry of Works for use as a furniture repository.

From 1934 to 1936, Geoffrey Toye was managing director, working alongside the Artistic Director, Sir Thomas Beecham. Despite early successes, Toye and Beecham eventually fell out, and Toye resigned.

During the Second World War the ROH became a dance hall. There was a possibility that it would remain so after the war but, following lengthy negotiations, the music publishers Boosey & Hawkes acquired the lease of the building. David Webster was appointed General Administrator, and Sadler's Wells Ballet was invited to become the resident ballet company.

The Covent Garden Opera Trust was created and laid out plans to establish Covent Garden as the national centre of opera and ballet, employing British artists in all departments, wherever that is consistent with the maintenance of the best possible standards...

More information: Londonist

The Royal Opera House reopened on 20 February 1946 with a performance of The Sleeping Beauty in an extravagant new production designed by Oliver Messel. Webster, with his music director Karl Rankl, immediately began to build a resident company. In December 1946, they shared their first production, Purcell's The Fairy-Queen, with the ballet company. On 14 January 1947, the Covent Garden Opera Company gave its first performance of Bizet's Carmen.

Several renovations had taken place to parts of the house in the 1960s, including improvements to the amphitheatre but the theatre clearly needed a major overhaul. In 1975 the Labour government gave land adjacent to the Royal Opera House for a long-overdue modernisation, refurbishment, and extension. In the early 1980s the first part of a major renovation included an extension to the rear of the theatre on the James Street corner. The development added two new ballet studios, offices, a Chorus Rehearsal Room and the Opera Rehearsal room. Dressing rooms were also added.

In 2014 design work, known as the Open Up Project, began with the aim of improving the entrances, lobby areas and the Linbury Theatre.

More information: Visit London

Finding ballet gave me passion for the first time in my life. 

I was always very shy and just wanted to fit in; 

I never daydreamed about what I wanted to be when I grew up. 

But dancing gave me a connection to my personality 

that made me grow. 

Misty Copeland