Tuesday, 30 May 2017

PIETER PAUL RUBENS: GENIUS IN THE FLEMISH BAROQUE

Selfie of Pieter Paul Rubens
Tina Picotes is in Antwerpen, Belgium. She's visiting the Rubenshuis also known as the Rubens House where you can explore some pictures of Pieter Paul Rubens in the 377th anniversary of his death.

Pieter Paul Rubens (28 June 1577-30 May 1640) was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.

More information: Rubenshuis

In addition to running a large studio in Antwerpen that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. 

Tina Picotes in the Rubenshuis, Antwerpen
His commissioned works were mostly history paintings, which included religious and mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the royal entry into Antwerpen by the Cardinal-Infante Ferdinand in 1635.

More information: Peter Paul Rubens

His drawings are mostly extremely forceful but not overly detailed. He also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.

Rubens died from heart failure, a result of his chronic gout, on 30 May 1640. He was interred in Saint James' church, Antwerpen.

His epitaph read:

D.O.M./PETRVS PAVLVS RVBENIVS eques/IOANNIS, huius urbis senatoris/flfius steini Toparcha:/qui inter cæteras quibus ad miraculum/excelluit doctrinæ historiæ priscæ/omniumq. bonarum artiu. et elegantiaru. dotes/ non sui tantum sæculi,/ sed et omnes ævi/ Appeles dicit meruit:/atque ad Regum Principumq. Virorum amicitias/gradum sibi fecit:/a. PHILIPPO IV. Hispaniarum Indiarumq. Rege / inter Sanctioris Concilli scribas Adscitus,/ et ad CAROLVM Magmnæ Brittaniæ Regem/Anno M.DC.XXIX. delegatus,/pacis inter eosdem principes mox initæ/fundamenta filiciter posuit./ Obiit anno sal. M.DC.XL.XXX. May ætatis LXIV. Hoc momumenteum a Clarissimo GEVARTIO/olim PETRO PAVLO RVBENIO consecratum/ a Posteris huc usque neglectum,/ Rubeniana stirpe Masculina jam inde extincta/ hoc anno M.DCC.LV. Poni Curavit./ R.D. JOANNES BAPT. JACOBVS DE PARYS. Hujus insignis Eccelsiæ Canonicus/ ex matre et avia Rubenia nepos./ R.I.P.//




As to the 'St. Michael,' the subject is very fine, but very difficult, so I doubt that I shall find easily amongst my pupils one capable of carrying it out satisfactorily even after my own drawing. In any case, it will be necessary for me to touch it up carefully with my own hand.

Pieter Paul Rubens

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