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| Jaume Bond in the Giant's Causeway |
First time The Grandma visited the Giant's Causeway in North Ireland, she was impressed by the beauty of the place. She was accompanied by an old friend who was an expert in vulcanoes and who was the responsible of this visit.
Some years later, during an exposition in Barcelona, The Grandma discovered Sean Scully, an Irish artist whose paintings are recognized around the world. It was impossible not to think in Giant's Causeway after seeing these beautiful art.
Today, The Bonds have visited the Giant's Causeway without Sean Scully but with Montse and Jaume Bond two experts in art and painting meanwhile Eli Bond has explained who is Sean Scully and why he is so important for the Catalan community.
More information: The Giant's Causeway Official Guide
Sean Scully is an Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. His work is collected in major museums worldwide.
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| Montse Bond's painting |
Scully was born in Dublin and raised in South London. He studied at Croydon College of Art and Newcastle University. He was a recipient of a graduate fellowship at Harvard in the early 1970s and subsequently settled in New York. Scully was nominated for the Turner Prize in 1989 and 1993. He has exhibited widely in Europe and the United States, and is represented in the permanent collections of a number of museums and public galleries, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Guggenheim Museum in New York City, the National Gallery of Art and the Smithsonian American Art Museum in Washington, D.C., the Art Institute of Chicago, the Fine Arts Museum of San Francisco, the National Gallery of Australia, the Tate Gallery, London, the Irish Museum of Modern Art in Dublin, and many other private and public collections worldwide.
In 2006 Scully donated eight of his paintings to the Hugh Lane Gallery in Dublin, which opened an extension that year with a room dedicated to Scully's works.
In 2005 to 2006, Scully's Wall of Light series was displayed at museums across the United States. The work originated in a trip Scully took to Mexico in 1983. He combines abstract works with figures.
More information: Sean Scully Studio
I hold to a very Romantic ideal of what's possible in art, and I hold to the idea of the 'personal universal.' This is a complex agenda. My project is complicated in this way, and in that sense I'm out of fashion. I'm going against the current trend towards bizarreness, oddness; as you just called it, the 'esoteric', which of course was around in the 1930s. That's what is being revisited now. In between the two great wars, there was a very strong period, particularly in Europe, of a strange, bizarre, distorted and perverse kind of figuration, with freaks in the paintings. Very disturbing twins, subjects like that. These paintings were mostly coming out of Italy and Germany. Now we have a return to that, again in a strange period, after the end of Modernism - Sean Scully said.
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| Montse Bond's Painting |
As of 2015, Scully lives and works in New York City, Barcelona and Munich. In 2015 he restyled Santa Cecilia Chappel next to Montserrat Abbey in Catalonia. He was a professor at the Academy of Fine Arts, Munich.
Scully's paintings are often made up of a number of panels and are abstract. Scully paints in oils, sometimes laying the paint on quite thickly to create textured surfaces. After a brief initial period of hard-edge painting Scully abandoned the masking tape while retaining his characteristic motif of the stripe which he has developed and refined over time. His paintings typically involve architectural constructions of abutting walls and panels of painted stripes.
In recent years he has augmented his trademark stripes by also deploying a mode of compositional patterning more reminiscent of a checkerboard. He has stated that this style represents the way in which Ireland has moved towards a more chequered society. He stated in 2006, I remember growing up in Ireland and everything being chequered, even the fields and the people - he said.
More information: Santa Cecília de Montserrat-Espai d'Art Sean Scully
When I got into art school, I thought it was paradise.
I wanted to be an artist so much that
I was really driven and nothing could stop me.
Sean Scully
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