'THE BIRTH OF A NATION' PREMIERES IN LOS ANGELES, CA

Today, The Grandma is relaxing at home. She has been watching some films, one of them The Birth of a Nation, a controversial American silent epic drama film directed by D. W. Griffith that was premiered on a day like today in 1915.

 

The Birth of a Nation, originally called The Clansman, is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish.

 

The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play The Clansman. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.

The Birth of a Nation is a landmark of film history, lauded for its technical virtuosity. It was the first 12-reel film ever made and, at three hours, also the longest up to that point. Its plot, part fiction and part history, chronicles the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years -the pro-Union (Northern) Stonemans and the pro-Confederacy (Southern) Camerons.

It was originally shown in two parts separated by an intermission, and it was the first American-made film to have a musical score for an orchestra. It pioneered close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras, another first, made to look like thousands.

It came with a 13-page Souvenir Program. It was the first motion picture to be screened in the White House, viewed there by President Woodrow Wilson, his family, and members of his cabinet.

The film was controversial even before its release and has remained so ever since; it has been called the most controversial film ever made in the United States  and the most reprehensibly racist film in Hollywood history.

Lincoln is portrayed positively, a friend of the South, atypical of a narrative that promotes the Lost Cause ideology. The film has been denounced for its racist depiction of African Americans.

More information: The New Yorker

The film portrays them, many of whom are played by white actors in blackface, as unintelligent and sexually aggressive toward white women. The Ku Klux Klan (KKK) is portrayed as a heroic force, necessary to preserve American values, protect white women, and maintain white supremacy.

In response to the film's depictions of black people and Civil War history, African Americans across the United States organized and protested. In Boston and other localities, black leaders tried to have it banned on the basis that it inflamed racial tensions and could incite violence.

The NAACP spearheaded an unsuccessful campaign to ban the film. Griffith's indignation at efforts to censor or ban the film motivated him to produce Intolerance the following year.

In spite of its divisiveness, The Birth of a Nation was a huge commercial success and profoundly influenced both the film industry and American culture. The film has been acknowledged as an inspiration for the rebirth of the Ku Klux Klan, which took place only a few months after its release.

In 1992, the Library of Congress deemed the film culturally, historically, or aesthetically significant and selected it for preservation in the National Film Registry.

More information: NPR

Like Dixon's novels and play, Birth of a Nation received considerable criticism, both before and after its premiere. Dixon, who believed the film to be entirely truthful and historically accurate, attributed this to Sectionalists, i.e. non-Southerners who in Dixon's opinion were hostile to the truth about the South.

It was to counter these sinister forces and the dangerous... menace that Dixon and Griffiths sought the backing of President Wilson and the Supreme Court.

The National Association for the Advancement of Colored People (NAACP) protested at premieres of the film in numerous cities. According to the historian David Copeland, by the time of the movie's March 3 [1915] premiere in New York City, its subject matter had embroiled the film in charges of racism, protests, and calls for censorship, which began after the Los Angeles branch of the NAACP requested the city's film board ban the movie. Since film boards were composed almost entirely of whites, few review boards initially banned Griffith's picture.

The NAACP also conducted a public education campaign, publishing articles protesting the film's fabrications and inaccuracies, organizing petitions against it, and conducting education on the facts of the war and Reconstruction.

In 1992, the U.S. Library of Congress deemed the film culturally, historically, or aesthetically significant and selected it for preservation in the National Film Registry. The American Film Institute recognized the film by ranking it #44 within the AFI's 100 Years...100 Movies list in 1998.

More information: Facing History

Remember how small the world was

before I came along? I brought it all to life:

I moved the whole world onto a 20-foot screen.

D. W. Griffith