Friday, 28 February 2025

'PHANTOM OF THE OPERA' BY ANDREW LLOYD-WEBBER

Today, The Winsors and The Grandma are going to the London Theatre to enjoy the Phantom of the Opera, one of the most amazing musicals of all time. The family has received the great visit of Ana Maria Bean, the most famous Portuguese influencer, who is a master in making Venetian masks.
 
Before this visit, the family has studied some English grammar with the Reflexive Pronouns, written some templates and explained how to make a carnival mask.
 
More information: Reflexive Pronouns
 
 
The story of the Phantom of the Opera was originally published in a series of articles in La Galois and then in a book in 1911 entitled, Le Fantôme de l’Opéra written by a French journalist, Gastón Leroux

When the story was first published it was not popular and the book went out of print.

Leroux whose speciality was investigative journalism based his story on true-life incidents. In fact, many who have researched this subject believe with just a few exceptions the story has several elements that are true.

The opera house in the story was based on the real Opera Garnier in Paris. The Opera Garnier does have underground tunnels and it also has an underground lake. Leroux used this setting in several dramatic scenes in his story.

There was an incident where a chandelier did fall in the Opera Garnier setting the building on fire and killing a woman.

Leroux used a falling chandelier in his story as a distraction so his Phantom could kidnap Christine.

The romance between the Phantom and Christine in the story is just fantasy but it is believed that Leroux based both characters on real people.
 
More information: The Phantom of the Opera

The Phantom is based upon a man named Erik who was born in a small village in Normandy, near Rouen. He was born with a horribly disfigured face so his parents abandoned him when he was eight. A circus basically took him and for 7 years he was used as an attraction.

It was believed that someone was secretly living in the opera house and many felt it was the ghost of the real Erik. In fact, many claimed that near Box 5 they heard ghostly voices and whispers when the area was unoccupied.

There were other witnesses that stated that they saw this phantom running through various parts of the opera house. Even more eerie these witnesses stated this figure wore a black cape and a mask over its face.

Renata de Waele in 1993 wrote a narrative that compared the fictional to the real stories. She worked in public relations at the Opera Garnier for many years. 

Some of her speculations have been proven others have not. So reality is blurred with fiction which leaves the curious with an intriguing mystery. 

More information: Archive
 

 
Every legend, moreover, contains 
its residuum of truth, 
and the root function of language 
is to control the universe by describing it. 

James A. Baldwin

Thursday, 27 February 2025

DOWNTON ABBEY, THE GRANDMA'S ENGLISH PROPIERTY

Today, The Grandma has invested in a new English propierty. She is the new owner of Downton Abbey, where she is going to share her home with the Crawley family and their domestic servants.

Play Downton Abbey Cards

Downton Abbey is a British historical drama television series set in the early 20th century, created and co-written by Julian Fellowes.

The series first aired on ITV in the United Kingdom on 26 September 2010, and in the United States on PBS, which supported production of the series as part of its Masterpiece Classic anthology, on 9 January 2011.

The series, set in the fictional Yorkshire country estate of Downton Abbey between 1912 and 1926, depicts the lives of the aristocratic Crawley family and their domestic servants in the post-Edwardian era -with the great events of the time having an effect on their lives and on the British social hierarchy.

Events depicted throughout the series include news of the sinking of the Titanic in the first series; the outbreak of the First World War, the Spanish influenza pandemic, and the Marconi scandal in the second series; the Irish War of Independence leading to the formation of the Irish Free State in the third series; the Teapot Dome scandal in the fourth series; the British general election of 1923 and the Beer Hall Putsch in the fifth series.

The sixth and final series introduces the rise of the working class during the interwar period and hints at the eventual decline of the British aristocracy.

Downton Abbey has received acclaim from television critics and won numerous accolades, including a Golden Globe Award for Best Miniseries or Television Film and a Primetime Emmy Award for Outstanding Miniseries or Movie. It was recognised by Guinness World Records as the most critically acclaimed English-language television series of 2011.

It earned the most nominations of any international television series in the history of the Primetime Emmy Awards, with twenty-seven in total, after the first two series. It was the most watched television series on both ITV and PBS, and subsequently became the most successful British costume drama series since the 1981 television serial of Brideshead Revisited.

On 26 March 2015, Carnival Films and ITV announced that the sixth series would be the last. It aired on ITV between 20 September 2015 and 8 November 2015. The final episode, serving as the annual Christmas special, was broadcast on 25 December 2015. A film adaptation, serving as a continuation of the series, was confirmed on 13 July 2018 and subsequently released in the United Kingdom on 13 September 2019, and in the United States on 20 September 2019.

The series is set in fictional Downton Abbey, a Yorkshire country house, which is the home and seat of the Earl and Countess of Grantham, along with their three daughters and distant family members. Each series follows the lives of the aristocratic Crawley family, their friends, and their servants during the reign of King George V.

More information: Movie Web


 You are being tested.
You know what they say darling,
being tested only makes you stronger.

Cora, Lady Grantham

Wednesday, 26 February 2025

ISAAC NEWTON, A KEY IN THE 'SCIENTIFIC REVOLUTION'

Today, The Winsors & The Grandma have gone to the library to meet
Isaac Newton and to borrow Philosophia Naturalis Principia Mathematica written by him. 
 
They want to know more things about this genius and about his studies that changed our science and our lives.
 
Before meeting Newton, fhe family has studied some English grammar with Present Simple vs. Present Continuous; they have finished their second reading, and they have talked about international and English measures.
 
Finally, they have talked about the history of La Torre del Rellotge (The Clock Tower) and its relationship with the metre, l'Avinguda Meridiana (the Greenwich meridian) and l'Avinguda del Paral·lel (the 41° 22′ 34″ terrestrial parallel).
 

 
 
More information: Imperial Units
 
More information: Unit Converters
 
More information: Barcelona Turisme
 
Sir Isaac Newton (25 December 1642/4 January 1643-20 March 1726/27) was an English mathematician, physicist, astronomer, theologian, and author described in his own day as a natural philosopher who is widely recognised as one of the most influential scientists of all time and as a key figure in the scientific revolution.

His book Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), first published in 1687, laid the foundations of classical mechanics.

Newton also made seminal contributions to optics, and shares credit with Gottfried Wilhelm Leibniz for developing the infinitesimal calculus.


In Principia, Newton formulated the laws of motion and universal gravitation that formed the dominant scientific viewpoint until it was superseded by the theory of relativity.

Newton used his mathematical description of gravity to prove Kepler's laws of planetary motion, account for tides, the trajectories of comets, the precession of the equinoxes and other phenomena, eradicating doubt about the Solar System's heliocentricity. He demonstrated that the motion of objects on Earth and celestial bodies could be accounted for by the same principles.

Newton's inference that the Earth is an oblate spheroid was later confirmed by the geodetic measurements of Maupertuis, La Condamine, and others, convincing most European scientists of the superiority of Newtonian mechanics over earlier systems.

Newton built the first practical reflecting telescope and developed a sophisticated theory of colour based on the observation that a prism separates white light into the colours of the visible spectrum. His work on light was collected in his highly influential book Opticks, published in 1704. He also formulated an empirical law of cooling, made the first theoretical calculation of the speed of sound, and introduced the notion of a Newtonian fluid.

In addition to his work on calculus, as a mathematician Newton contributed to the study of power series, generalised the binomial theorem to non-integer exponents, developed a method for approximating the roots of a function, and classified most of the cubic plane curves.

Newton was a fellow of Trinity College and the second Lucasian Professor of Mathematics at the University of Cambridge. He was a devout but unorthodox Christian who privately rejected the doctrine of the Trinity. Unusually for a member of the Cambridge faculty of the day, he refused to take holy orders in the Church of England. 

Beyond his work on the mathematical sciences, Newton dedicated much of his time to the study of alchemy and biblical chronology, but most of his work in those areas remained unpublished until long after his death.

Politically and personally tied to the Whig party, Newton served two brief terms as Member of Parliament for the University of Cambridge, in 1689–90 and 1701–02. He was knighted by Queen Anne in 1705 and spent the last three decades of his life in London, serving as Warden (1696–1700) and Master (1700–1727) of the Royal Mint, as well as president of the Royal Society (1703–1727).

Isaac Newton was born, according to the Julian calendar, in use in England at the time, on Christmas Day, 25 December 1642 (NS 4 January 1643) an hour or two after midnight, at Woolsthorpe Manor in Woolsthorpe-by-Colsterworth, a hamlet in the county of Lincolnshire.

From the age of about twelve until he was seventeen, Newton was educated at The King's School, Grantham, which taught Latin and Greek and probably imparted a significant foundation of mathematics.

In June 1661, he was admitted to Trinity College, Cambridge, on the recommendation of his uncle Rev William Ayscough, who had studied there.

At that time, the college's teachings were based on those of Aristotle, whom Newton supplemented with modern philosophers such as Descartes, and astronomers such as Galileo and Thomas Street, through whom he learned of Kepler's work. He set down in his notebook a series of Quaestiones about mechanical philosophy as he found it. In 1665, he discovered the generalised binomial theorem and began to develop a mathematical theory that later became calculus.

More information: Thought

Although he had been undistinguished as a Cambridge student, Newton's private studies at his home in Woolsthorpe over the subsequent two years saw the development of his theories on calculus, optics, and the law of gravitation.

His studies had impressed the Lucasian professor Isaac Barrow, who was more anxious to develop his own religious and administrative potential, he became master of Trinity two years later; in 1669 Newton succeeded him, only one year after receiving his MA. He was elected a Fellow of the Royal Society (FRS) in 1672.

Newton's work has been said to distinctly advance every branch of mathematics then studied. His work on the subject usually referred to as fluxions or calculus, seen in a manuscript of October 1666, is now published among Newton's mathematical papers.

Newton is generally credited with the generalised binomial theorem, valid for any exponent. He discovered Newton's identities, Newton's method, classified cubic plane curves, polynomials of degree three in two variables, made substantial contributions to the theory of finite differences, and was the first to use fractional indices and to employ coordinate geometry to derive solutions to Diophantine equations. He approximated partial sums of the harmonic series by logarithms, a precursor to Euler's summation formula, and was the first to use power series with confidence and to revert power series. Newton's work on infinite series was inspired by Simon Stevin's decimals.

In 1666, Newton observed that the spectrum of colours exiting a prism in the position of minimum deviation is oblong, even when the light ray entering the prism is circular, which is to say, the prism refracts different colours by different angles. This led him to conclude that colour is a property intrinsic to light -a point which had been debated in prior years.

From 1670 to 1672, Newton lectured on optics. During this period he investigated the refraction of light, demonstrating that the multicoloured spectrum produced by a prism could be recomposed into white light by a lens and a second prism. Modern scholarship has revealed that Newton's analysis and resynthesis of white light owes a debt to corpuscular alchemy.

More information: How Stuff Works

He showed that coloured light does not change its properties by separating out a coloured beam and shining it on various objects and that regardless of whether reflected, scattered, or transmitted, the light remains the same colour. Thus, he observed that colour is the result of objects interacting with already-coloured light rather than objects generating the colour themselves. This is known as Newton's theory of colour.

In his Hypothesis of Light of 1675, Newton posited the existence of the ether to transmit forces between particles. The contact with the Cambridge Platonist philosopher Henry More revived his interest in alchemy.

In 1679, Newton returned to his work on celestial mechanics by considering gravitation and its effect on the orbits of planets with reference to Kepler's laws of planetary motion.

In 1704, Newton published Opticks, in which he expounded his corpuscular theory of light.

The Principia was published on 5 July 1687 with encouragement and financial help from Edmond Halley. In this work, Newton stated the three universal laws of motion. Together, these laws describe the relationship between any object, the forces acting upon it and the resulting motion, laying the foundation for classical mechanics.

They contributed to many advances during the Industrial Revolution which soon followed and were not improved upon for more than 200 years. Many of these advancements continue to be the underpinnings of non-relativistic technologies in the modern world. He used the Latin word gravitas (weight) for the effect that would become known as gravity, and defined the law of universal gravitation.

In the same work, Newton presented a calculus-like method of geometrical analysis using first and last ratios, gave the first analytical determination (based on Boyle's law) of the speed of sound in air, inferred the oblateness of Earth's spheroidal figure, accounted for the precession of the equinoxes as a result of the Moon's gravitational attraction on the Earth's oblateness, initiated the gravitational study of the irregularities in the motion of the Moon, provided a theory for the determination of the orbits of comets, and much more.

More information: Wired

Newton made clear his heliocentric view of the Solar System -developed in a somewhat modern way because already in the mid-1680s he recognised the deviation of the Sun from the centre of gravity of the Solar System. For Newton, it was not precisely the centre of the Sun or any other body that could be considered at rest, but rather the common centre of gravity of the Earth, the Sun and all the Planets is to be esteem'd the Centre of the World, and this centre of gravity either is at rest or moves uniformly forward in a right line. Newton adopted the at rest alternative in view of common consent that the centre, wherever it was, was at rest.

Newton's postulate of an invisible force able to act over vast distances led to him being criticised for introducing occult agencies into science. Later, in the second edition of the Principia (1713), Newton firmly rejected such criticisms in a concluding General Scholium, writing that it was enough that the phenomena implied a gravitational attraction, as they did; but they did not so far indicate its cause, and it was both unnecessary and improper to frame hypotheses of things that were not implied by the phenomena.

Newton died in his sleep in London on 20 March 1727 (OS 20 March 1726; NS 31 March 1727). His body was buried in Westminster Abbey. Voltaire may have been present at his funeral. A bachelor, he had divested much of his estate to relatives during his last years, and died intestate. His papers went to John Conduitt and Catherine Barton.

After his death, Newton's hair was examined and found to contain mercury, probably resulting from his alchemical pursuits. Mercury poisoning could explain Newton's eccentricity in late life.

More information: Atlas Obscura


If I have seen further it is by standing
on the shoulders of giants.

Isaac Newton

Tuesday, 25 February 2025

THE ROYAL EXCHANGE, CENTER OF COMMERCE IN LONDON

Today, The Winsors & The Grandma have visited The Royal Exchange in London,
centre of commerce for the City.
 
The family wants to invest in the city and buy some propierties, and they want to test commerce and business in the English capital before spending its money.
 
Before this visit, the family has studied some English grammar with Present Continuos in both aspects -present and future plans- and House Vocabulary.
 
 More information: Present Continuous
 
 
Download Business Vocabulary (Not necessary for A2)
 
Download English Commerical Terms (Not necessary for A2)
 
(Not necessary for A2)
 
The Royal Exchange in London was founded in the 16th century by the merchant Sir Thomas Gresham on the suggestion of his factor Richard Clough to act as a centre of commerce for the City of London.

The site was provided by the City of London Corporation and the Worshipful Company of Mercers, who still jointly own the freehold. It is trapezoidal in shape and is flanked by Cornhill and Threadneedle Street, which converge at Bank junction in the heart of the City. It lies in the ward of Cornhill.

The building's original design was inspired by a bourse Gresham had seen in Antwerp, the Antwerp bourse, and was Britain's first specialist commercial building.

It has twice been destroyed by fire and subsequently rebuilt. The present building was designed by Sir William Tite in the 1840s. The site was notably occupied by the Lloyd's insurance market for nearly 150 years. Today the Royal Exchange contains a Courtyard Grand Cafe, Threadneedle Cocktail Bar, Sauterelle Restaurant, luxury shops, and offices.

More information: The Royal Exchange

Traditionally, the steps of the Royal Exchange is the place where certain royal proclamations, such as the dissolution of parliament, are read out by either a herald or a crier. Following the death or abdication of a monarch and the confirmation of the next monarch's accession to the throne by the Accession Council, the Royal Exchange Building is one of the locations where a herald proclaims the new monarch's reign to the public.

Richard Clough initially suggested building the exchange in 1562, and oversaw the importing of some of the materials from Antwerp: stone, slate, wainscot and glass, for which he paid thousands of pounds himself.

The Royal Exchange was officially opened on 23 January 1571 by Queen Elizabeth I who awarded the building its royal title and a licence to sell alcohol and valuable goods. Only the exchange of goods took place until the 17th century.

Stockbrokers were not allowed into the Royal Exchange because of their rude manners, hence they had to operate from other establishments in the vicinity, such as Jonathan's Coffee-House. Gresham's original building was destroyed in the Great Fire of London in 1666. 

A second complex was built on the site, designed by Edward Jarman and opened in 1669, but that also burned down, on 10 January 1838. It had been used by the Lloyd's insurance market, which was forced to move temporarily to South Sea House following the 1838 fire.

The third Royal Exchange building, which still stands today, was designed by Sir William Tite and adheres to the original layout -consisting of a four-sided structure surrounding a central courtyard where merchants and tradesmen could do business. The internal works, designed by Edward I'Anson in 1837, made use of concrete- an early example of this modern construction method. It features pediment sculptures by Richard Westmacott, the younger, and ornamental cast ironwork by Henry Grissell's Regent's Canal Ironworks.

It was opened by Queen Victoria on 28 October 1844 though trading did not commence until 1 January 1845.

In June 1844, just before the reopening of the Royal Exchange, a statue of Arthur Wellesley, 1st Duke of Wellington, was unveiled outside the building. The bronze used to cast it was sourced from enemy cannons captured during Wellington's continental campaigns.

Paul Julius Reuter established the Reuters news agency at No. 1, Royal Exchange Buildings, opposite and to the east of the Royal Exchange, in 1851. It later moved to Fleet Street.

More information: British History Online

The western end of the building consists of a portico of eight Corinthian columns topped by a pediment containing a tympanum with a sculptured frieze by Richard Westmacott, the younger. The central figure represents Commerce, above an inscription from the Bible: The Earth is the Lord's, and the fulness thereof. The Latin inscription states that the Exchange was founded in the thirteenth year of Queen Elizabeth, and restored in the eighth of Queen Victoria.


Two statues stand in niches in the central courtyard. Charles II a copy of 1792 by John Spiller after Grinling Gibbons' statue in the centre of the C17 courtyard, and Queen Elizabeth I by M. L. Watson, 1844. The Charles II statue survived the fire of 1838 that destroyed the previous Exchange. The Elizabeth I statue was commissioned as she was the monarch who had conferred the status Royal on the Exchange.

In 1982 the Royal Exchange was in disrepair -particularly the glass roof was in danger of collapse. The newly-formed London International Financial Futures Exchange (LIFFE) was the main tenant, using the courtyard for the trading floor, all done without touching the framework of the original building. Other tenants moved in later and as a result of LIFFE's presence, not only did the City experience growth in trading and greater efficiency in pricing, but also a boost to the area around the Royal Exchange which had hitherto been sleepy at best.

In 2001 the Royal Exchange, interiors and courtyard, was once again extensively remodelled, this time by architects Aukett Fitzroy Robinson. Reconstruction of the courtyard created new boutiques and restaurants to add to the existing retailers on the perimeter. The Royal Exchange is now a retail centre with shops, cafes and restaurants. The restaurants include Royal Exchange Grand Cafe, Threadneedle Cocktail Bar and Sauterelle Restaurant. Shops include Boodles, Hermès, Georg Jensen and Tiffany & Co. In 2003 the Grand Café and Bar was launched and completed the building.

In Royal Exchange Buildings, a lane by the eastern entrance to the Royal Exchange, stand two statues: one of Paul Julius Reuter who founded his news agency there, and one of George Peabody who founded the Peabody Trust and a business which became J.P. Morgan & Co.

In 2013, the Royal Exchange was sold by the Anglo Irish Private Bank to Oxford Properties, a Canadian property company. It had been announced that the site would be sold with a 104-year lease. Oxford Properties Group, a division of the Ontario Municipal Employees Retirement System, bought the retail centre for a reported £86.5 million.

More information: History
 
 
Enter into the Royal Exchange of London,
a place more respectable than many courts,
in which deputies from all nations assemble
for the advantage of mankind.
Voltaire

Monday, 24 February 2025

DEGROWTH, FROM THE EAST END TO THE CITY OF LONDON

Today, The Winsors and The Grandma have visited the East End of London and the City of London, an area that has suffered a big urban transformation from a worker borough to a finantial one. The family wants to do some investments in London.

Before the visit, the family has studied some English grammar with Shall, and they have talked about prepositions of transport, and they have talked about We shall overcome an hymn of civil rights.

More information: Shall

More information: 'We Shall Overcome', The Song That Cries Rights

Download Transports

The East End of London, often referred to within the London area simply as the East End, is the historic core of wider East London, east of the Roman and medieval walls of the City of London and north of the River Thames.

It does not have universally accepted boundaries on its northern and eastern sides, though the River Lea is sometimes seen as the easternmost boundary. Parts of it may be regarded as lying within Central London (though that term too has no precise definition). The term East of Aldgate Pump is sometimes used as a synonym for the area.

The East End began to emerge in the Middle Ages with initially slow urban growth outside the eastern walls, which later accelerated, especially in the 19th century, to absorb pre-existing settlements. The first known written record of the East End as a distinct entity, as opposed to its component parts, comes from John Strype's 1720 Survey of London, which describes London as consisting of four parts: the City of London, Westminster, Southwark, and That Part beyond the Tower.

The relevance of Strype's reference to the Tower was more than geographical. The East End was the urbanised part of an administrative area called the Tower Division, which had owed military service to the Tower of London since time immemorial. Later, as London grew further, the fully urbanised Tower Division became a byword for wider East London, before East London grew further still, east of the River Lea and into Essex.

The area was notorious for its deep poverty, overcrowding and associated social problems. This led to the East End's history of intense political activism and association with some of the country's most influential social reformers. Another major theme of East End history has been migration, both inward and outward. The area had a strong pull on the rural poor from other parts of England, and attracted waves of migration from further afield, notably Huguenot refugees, Irish weavers, Ashkenazi Jews, and, in the 20th century, Bengalis.

The closure of the last of the Port of London's East End docks in 1980 created further challenges and led to attempts at regeneration, with Canary Wharf and the Olympic Park among the most successful examples. Paradoxically, while some parts of the East End are undergoing rapid change and are amongst the areas with the highest mean salary in the UK, it also continues to contain some of the worst poverty in Great Britain.

More information: BBC

More information: My London

The City of London, also known as the City, is a city, ceremonial county and local government district that contains the ancient centre, and constitutes, along with Canary Wharf, the primary central business district (CBD) of London and one of the leading financial centres of the world

It constituted most of London from its settlement by the Romans in the 1st century AD to the Middle Ages, but the modern area referred to as London has since grown far beyond the City of London boundary. 

The City is now only a small part of the metropolis of Greater London, though it remains a notable part of central London. The City of London is not one of the London boroughs, a status reserved for the other 32 districts (including Greater London's only other city, the City of Westminster). It is also a separate ceremonial county, being an enclave surrounded by the ceremonial county of Greater London, and is the smallest ceremonial county in England.

The City of London is known colloquially as the Square Mile, as it is 2.90 km2 in area. Both the terms the City and the Square Mile are often used as metonyms for the UK's trading and financial services industries, which continue a notable history of being largely based in the City. The name London is now ordinarily used for a far wider area than just the City

London most often denotes the sprawling London metropolis, or the 32 Greater London boroughs, in addition to the City of London itself.

The local authority for the City, the City of London Corporation, is unique in the UK and has some unusual responsibilities for a local council, such as being the police authority, and in having responsibilities and ownerships beyond its boundaries.

The corporation is headed by the Lord Mayor of the City of London (an office separate from, and much older than, the Mayor of London). The City is made up of 25 wards, with administration at the historic Guildhall. Other historic sites include St Paul's Cathedral, Royal Exchange, Mansion House, Old Bailey, and Smithfield Market. Although not within the City, the adjacent Tower of London, built to dominate the City, is part of its old defensive perimeter. Beyond the City, the developments of Westminster (and the West End) Eastminster (and the East End) and Southwark, established the early geography of the metropolis. The City has responsibility for five bridges across the Thames: Blackfriars Bridge, Millennium Bridge, Southwark Bridge, London Bridge and Tower Bridge.

The City is a major business and financial centre, with both the Bank of England and the London Stock Exchange based in the City. Throughout the 19th century, the City was the world's primary business centre, and it continues to be a major meeting point for businesses.

London was ranked second (after New York) in the Global Financial Centres Index, published in 2022. The insurance industry is concentrated in the eastern side of the city, around Lloyd's building. Since about the 1980s, a secondary financial district has existed outside the city, at Canary Wharf, 4 km to the east. The legal profession has a major presence in the northern and western sides of the City, especially in the Temple and Chancery Lane areas where the Inns of Court are located, two of which (Inner Temple and Middle Temple) fall within the City of London boundary.

Primarily a business district, the City has a small resident population of 8,583 based on 2021 census figures, but over 500,000 are employed there (as of 2019) and some estimates put the number of workers in the City to be over 1 million.

About three-quarters of the jobs in the City of London are in the financial, professional, and associated business services sectors.

More information: The Global City

  

 I don't suppose I shall ever see 
this horrid London again.
 
Oscar Wilde

Sunday, 23 February 2025

THE GRANDMA, PATRON OF THE LONDON MOCO MUSEUM

Today, The Grandma has become a new
patron of the new Moco Museum in London. She likes Modern and Contemporany Art a lot, and she has wanted to express her support to this amazing museum and cultural centre.

The Moco Museum (Modern Contemporary Museum) is an independent museum located in Amsterdam, Barcelona and London, dedicated to exhibiting modern and contemporary art

The Moco Museum London opened on 10 August 2024, located near Marble Arch. It currently includes works from Jeff Koons, Jean-Michel Basquiat, Yayoi Kusama, Banksy, and temporary works from Marina Abramović.

The museum was founded with the mission of attracting broader and younger audiences, and making art accessible to the public.

Moco Museum in Amsterdam is situated on Museumplein, in the historic Villa Alsberg, a townhouse designed in 1904 by Eduard Cuypers the nephew of Pierre Cuypers, designer of Amsterdam Central Station and the Rijksmuseum. The townhouse was one of the first privately owned residencies on Museumplein and remained so until 1939. Moco Museum opened its doors in April 2016.

Moco Museum in El Born, Barcelona is in the historic Palau Cervelló-Giudice, formerly the private residence of the noble Cervelló family until the 18th century. The building incorporates parts of a previous construction from the 15th century, evidenced by the interior courtyard, arched staircase with columns, capitals, and Renaissance-type mouldings. Furthermore, Palau Cervelló displays an impressive Gothic facade entryway.

More information: MOCO Museum

Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century.

Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or -ism. Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.

In vernacular English, modern and contemporary are synonyms, resulting in some conflation and confusion of the terms modern art and contemporary art by non-specialists.

Some define contemporary art as art produced within our lifetime, recognising that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.

The classification of contemporary art as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of Modernism in the English-speaking world. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums.

A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia, and an increasing number after 1945. Many, like the Institute of Contemporary Art, Boston changed their names from ones using Modern art in this period, as Modernism became defined as a historical art movement, and much modern art ceased to be contemporary.

The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary.

Contemporary artwork is characterised by diversity: diversity of material, of form, of subject matter, and even time periods. It is distinguished by the very lack of a uniform organizing principle, ideology, or - ism that is seen in many other art periods and movements.

The focus of Modernism is self-referential. Impressionism looks at our perception of a moment through light and color, as opposed to the attempt to reflect stark reality in Realism. Contemporary art, on the other hand, does not have one, single objective or point of view, so it can be contradictory and open-ended.

There are nonetheless several common themes that have appeared in contemporary works, such as identity politics, the body, globalization and migration, technology, contemporary society and culture, time and memory, and institutional and political critique.

More information: The Collector

 I used to encourage everyone I knew to make art;
I don't do that so much anymore.

Bansky

Saturday, 22 February 2025

VIVIENNE I. WESTWOOD, PUNK & NEW WAVE FASHION

Today, The Grandma has visited an old friend, Vivienne Westwood, the English punk and new wave fashion designer.

Vivienne Isabel Westwood (8 April 1941-29 December 2022) was an English fashion designer and businesswoman, largely responsible for bringing modern punk and new wave fashions into the mainstream.

In 2022, Sky Arts ranked her the 4th most influential artist in Britain of the last 50 years.

Westwood came to public notice when she made clothes for the boutique that she and Malcolm McLaren ran on King's Road, which became known as Sex. Their ability to synchronise clothing and music shaped the 1970s UK punk scene, which included McLaren's band, the Sex Pistols. She viewed punk as a way of seeing if one could put a spoke in the system.

Westwood opened four shops in London and eventually expanded throughout Britain and the world, selling a varied range of merchandise, some of which promoted her political causes such as the Campaign for Nuclear Disarmament, climate change and civil rights groups.

Westwood was born in Hollingworth, Cheshire, on 8 April 1941. She grew up in nearby Tintwistle, and was the daughter of Gordon Swire and Dora Swire (née Ball), who had married two years previously, two weeks after the outbreak of the Second World War. At the time of Vivienne's birth, her father was employed as a storekeeper in an aircraft factory; he had previously worked as a greengrocer.

In 1958, her family moved to Harrow, Greater London. Westwood took a jewellery and silversmith course at the University of Westminster, then known as the Harrow Art School, but left after one term, saying: I didn't know how a working-class girl like me could possibly make a living in the art world. After taking a job in a factory and studying at a teacher-training college, she became a primary-school teacher. During this period, she created her own jewellery, which she sold at a stall on Portobello Road.

Westwood was one of the architects of the punk fashion phenomenon of the 1970s, saying I was messianic about punk, seeing if one could put a spoke in the system in some way.  

Westwood's emergence as a designer who made garments that reflected the economic, social, and political contexts of 1970s Britain coincided with a disillusioned youth, who developed a unique style of dress and musical expression which was instantly identifiable through its aesthetic and sound.

Westwood's boutique, originally managed with McLaren, was a meeting place for early members of the London punk scene. The boutique regularly changed names and interior design through the 1970s to fit with collections and design inspirations. It remains in its original location at 430 Kings Road, Chelsea, London (under the name Worlds End since 1980, following a short period of closure in the 1980s) to this day.

McLaren and Westwood were keen entrepreneurs, and their designs sold in their boutique -named Let It Rock, Too Fast To Live Too Young To Die, Sex, and subsequently Seditionare- helped to define and market the punk look at the exact moment that it exploded in popularity on the streets of London

Westwood's designs during the Punk Era and thereafter were informed by historicism; the V&A describing Westwood as a meticulous researcher

Westwood began challenging gender norms and promoting experimentation in her designs, which at the outset were created in collaboration with McLaren.

More information: Vivienne Westwood

Westwood's designs were independent and represented a statement of her own values. She collaborated on occasion with Gary Ness, who assisted Westwood with inspirations and titles for her collections.

McLaren and Westwood's first fashion collection to be shown to the media and potential international buyers was Pirate, combining 18th and 19th century dress, British history and textiles with African prints.

She dubbed the period 1981-85 New Romantic (during which time she created the famous look of the band Adam and the Ants) and 1988-91 as The Pagan Years during which Vivienne's heroes changed from punks and ragamuffins to Tatler girls wearing clothes that parodied the upper class.

In July 2011, Westwood's collections were presented at The Brandery fashion show in Barcelona.

Westwood was a longtime supporter of Julian Assange and WikiLeaks, and called for his release from custody.

In June 2013, Westwood dedicated one of her collections to Chelsea Manning and at her fashion show she and all her models wore large image badges of Manning with the word Truth under her picture. 

In 2012, she used her appearances at London Fashion Week to push for Assange's release by presenting I am Julian Assange t-shirts. She visited him several times during his political asylum at the Ecuadorian Embassy in London and in Belmarsh Prison after his arrest in April 2019.

In July 2020, she protested outside London's Old Bailey court against Assange's possible extradition to the United States by wearing a yellow pantsuit and suspending herself in a giant birdcage. Describing herself as the canary in the coal mine, she said she was half-poisoned already from government corruption of law and gaming of the legal system by government.

For Assange's wedding to Stella Moris in March 2022 in Belmarsh Prison, the groom wore an outfit based on a Scottish kilt and the bride a dress with a graffiti application, both designs by Westwood and her husband, Austrian fashion designer Andreas Kronthaler.

More information: The Guardian

Buy less. Choose well. Make it last. 
Quality, not quantity.
Everybody's buying far too many clothes.
 
There's nowhere else like London. 
Nothing at all, anywhere.

Vivienne Westwood

Friday, 21 February 2025

SUSANA WINSOR & 'MATTER MATTERS' AT THE DHUB (II)

Today, The Winsors and The Grandma have attended the inauguration of Matter Matters, the new permanent exhibition at the DHub in Barcelona

The family has gone to the Tate Gallery in London to follow the opening by video conference and to support Susana Winsor, the influencer who has presented and directed the event. 

They have received two great special guest stars -Eli Bond-Bean, the German TV Star and Susana's closer friend; and Claire Fontaine, the Quebecoise designer and photographer, and The Grandma's closest friend.

More information: DHub

Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives

It is located in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark.

Tate Modern is one of the largest museums of modern and contemporary art in the world. As with the UK's other national galleries and museums, there is no admission charge for access to the collection displays, which take up the majority of the gallery space, whereas tickets must be purchased for the major temporary exhibitions.

The nearest railway and London Underground station is Blackfriars, which is 0.5 km from the gallery.

After sharing the Millbank site with Tate Britain for many decades, since 2000 Tate Modern has occupied the converted former Bankside Power Station. This was originally designed by Sir Giles Gilbert Scott, the architect of Battersea Power Station, and built in two stages between 1947 and 1963. It is directly across the river from St Paul's Cathedral. The power station closed in 1981.

Prior to redevelopment, the power station was a 200 m long, steel framed, brick clad building with a substantial central chimney standing 99 m. The structure was roughly divided into three main areas each running east-west-the huge main Turbine Hall in the centre, with the boiler house to the north and the switch house to the south.

For many years after closure Bankside Power station was at risk of being demolished by developers. Many people campaigned for the building to be saved and put forward suggestions for possible new uses. An application to list the building was refused. 

In April 1994 the Tate Gallery announced that Bankside would be the home for the new Tate Modern. In July of the same year, an international competition was launched to select an architect for the new gallery. Jacques Herzog and Pierre de Meuron of Herzog & de Meuron were announced as the winning architects in January 1995. The £134 million conversion to the Tate Modern started in June 1995 and was completed in January 2000.

The most obvious external change was the two-story glass extension on one half of the roof. Much of the original internal structure remained, including the cavernous main turbine hall, which retained the overhead travelling crane. An electrical substation, taking up the Switch House in the southern third of the building, remained on-site and owned by the French power company EDF Energy while Tate took over the northern Boiler House for Tate Modern's main exhibition spaces.

The history of the site as well as information about the conversion was the basis for a 2008 documentary Architects Herzog and de Meuron: Alchemy of Building & Tate Modern. The conversion work was carried out by Carillion.

Tate Modern was opened by the Queen on 11 May 2000.

Tate Modern received 5.25 million visitors in its first year. The previous year the three existing Tate galleries had received 2.5 million visitors combined.

More information: Tate


Art cannot be modern. Art is primordially eternal.

Egon Schiele

SUSANA WINSOR & 'MATTER MATTERS' AT THE DHUB (I)

Dear fans & followers,

We are waiting for some news and photos about this event that is going to be celebrated this evening at 18:00.

When we have more information about this event, we will post it.

Follow us on streaming in Youtube or Instagram @susanawinsor

 

Signed by The Winsors & The Grandma

 

Thursday, 20 February 2025

THE SCIENCE & NATURAL HISTORY MUSEUMS IN LONDON

Today, The Winsors and The Grandma have had a free day. They have decided to visit two of the most important museums in London, the Science Museum and the Natural History Museum.

The Science Museum is a major museum on Exhibition Road in South Kensington, London. It was founded in 1857 and today is one of the city's major tourist attractions, attracting 3.3 million visitors annually.

Like other publicly funded national museums in the United Kingdom, the Science Museum does not charge visitors for admission, although visitors are asked for a donation if they are able. Temporary exhibitions may incur an admission fee. It is part of the Science Museum Group, having merged with the Museum of Science and Industry in Manchester in 2012.

The museum was founded in 1857 under Bennet Woodcroft from the collection of the Royal Society of Arts and surplus items from the Great Exhibition as part of the South Kensington Museum, together with what is now the Victoria and Albert Museum. It included a collection of machinery which became the Museum of Patents in 1858, and the Patent Office Museum in 1863. This collection contained many of the most famous exhibits of what is now the Science Museum.

In 1883, the contents of the Patent Office Museum were transferred to the South Kensington Museum. In 1885, the Science Collections were renamed the Science Museum and in 1893 a separate director was appointed. The Art Collections were renamed the Art Museum, which eventually became the Victoria and Albert Museum.

When Queen Victoria laid the foundation stone for the new building for the Art Museum, she stipulated that the museum be renamed after herself and her late husband. This was initially applied to the whole museum, but when that new building finally opened ten years later, the title was confined to the Art Collections and the Science Collections had to be divorced from it.

On 26 June 1909, the Science Museum, as an independent entity, came into existence.

The Science Museum's present quarters, designed by Sir Richard Allison, were opened to the public in stages over the period 1919–28. This building was known as the East Block, construction of which began in 1913 and temporarily halted by World War I. As the name suggests it was intended to be the first building of a much larger project, which was never realized.

However, the Museum buildings were expanded over the following years; a pioneering Children's Gallery with interactive exhibits opened in 1931, the Centre Block was completed in 1961-3, the infill of the East Block and the construction of the Lower & Upper Wellcome Galleries in 1980, and the construction of the Wellcome Wing in 2000 result in the Museum now extending to Queen's Gate.

More information: Science Museum

The Science Museum now holds a collection of over 300,000 items, including such famous items as Stephenson's Rocket, Puffing Billy (the oldest surviving steam locomotive), the first jet engine, the Apollo 10 command module, a reconstruction of Francis Crick and James Watson's model of DNA, some of the earliest remaining steam engines, a working example of Charles Babbage's Difference engine, the first prototype of the 10,000-year Clock of the Long Now, and documentation of the first typewriter. It also contains hundreds of interactive exhibits.

At the front of the museum to the east is Exhibition Road. Immediately to the south is Museum Lane and the Natural History Museum. To the rear is Queen's Gate and to the north is Imperial College.

More information: Visit London
 

For me too, the periodic table was a passion...
As a boy, I stood in front of the display for hours,
thinking how wonderful it was that each of those metal foils
and jars of gas had its own distinct personality.

[Referring to the periodic table display in the Science Museum, 
London, with element samples in bottles].

Freeman Dyson


The Natural History Museum in London is a natural history museum that exhibits a vast range of specimens from various segments of natural history.

It is one of three major museums on Exhibition Road in South Kensington, the others being the Science Museum and the Victoria and Albert Museum. The Natural History Museum's main frontage, however, is on Cromwell Road.

The Museum is home to life and earth science specimens comprising some 80 million items within five main collections: botany, entomology, mineralogy, paleontology and zoology.

The Museum is a centre of research specialising in taxonomy, identification and conservation. Given the age of the institution, many of the collections have great historical as well as scientific value, such as specimens collected by Charles Darwin.

The Museum is particularly famous for its exhibition of dinosaur skeletons and ornate architecture -sometimes dubbed a cathedral of nature -both exemplified by the large Diplodocus cast that dominated the vaulted central hall before it was replaced in 2017 with the skeleton of a blue whale hanging from the ceiling. 

The Natural History Museum Library contains extensive books, journals, manuscripts, and artwork collections linked to the work and research of the scientific departments; access to the library is by appointment only.

The Museum is recognised as the pre-eminent centre of natural history and research of related fields in the world.

More information: Natural History Museum

Although commonly referred to as the Natural History Museum, it was officially known as British Museum (Natural History) until 1992, despite legal separation from the British Museum itself in 1963. Originating from collections within the British Museum, the landmark Alfred Waterhouse building was built and opened by 1881 and later incorporated the Geological Museum. The Darwin Centre is a more recent addition, partly designed as a modern facility for storing the valuable collections.

Like other publicly funded national museums in the United Kingdom, the Natural History Museum does not charge an admission fee. The museum is an exempt charity and a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. Catherine, Duchess of Cambridge, is a patron of the museum. There are approximately 850 staff at the museum. The two largest strategic groups are the Public Engagement Group and Science Group.




 

A scientific man ought to have no wishes,
no affections, -a mere heart of stone.

Charles Darwin