Showing posts with label Gerda Taro. Show all posts
Showing posts with label Gerda Taro. Show all posts

Tuesday, 25 May 2021

ROBERT CAPA, THE PHOTOJOURNALISM IN WAR TIMES

Today, The  Grandma has been looking at photos made by one of the best photographs in history, Robert Capa, who is considered the greatest combat and adventure photographer in history, who died on a day like today in 1954.

Robert Capa, born Endre Ernő Friedmann (October 22, 1913-May 25, 1954) was a Hungarian-American war photographer and photojournalist as well as the companion and professional partner of photographer Gerda Taro.

He is considered by some to be the greatest combat and adventure photographer in history.

Capa fled political repression in Hungary when he was a teenager, moving to Berlin, where he enrolled in college. He witnessed the rise of Hitler, which led him to move to Paris, where he met and began to work with Gerta Pohorylle. Together they worked under the alias Robert Capa and became photojournalists. Though she contributed too much of the early work, she quickly created her own alias Gerda Taro, and they began to publish their work separately. He subsequently covered five wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe, the 1948 Arab-Israeli War, and the First Indochina War, with his photos published in major magazines and newspapers.

During his career he risked his life numerous times, most dramatically as the only civilian photographer landing on Omaha Beach on D-Day. He documented the course of World War II in London, North Africa, Italy, and the liberation of Paris. His friends and colleagues included Ernest Hemingway, Irwin Shaw, John Steinbeck and director John Huston.

In 1947, for his work recording World War II in pictures, U.S. general Dwight D. Eisenhower awarded Capa the Medal of Freedom. That same year, Capa co-founded Magnum Photos in Paris. The organization was the first cooperative agency for worldwide freelance photographers. Hungary has issued a stamp and a gold coin in his honour.

More information: Magnum Photos

Capa was born Endre Ernő Friedmann to the Jewish family of Júlia and Dezső Friedmann in Budapest, Austria-Hungary on October 22, 1913. His mother, Julianna Henrietta Berkovits was a native of Nagykapos and Dezső Friedmann came from the Transylvanian village of Csucsa. At the age of 18, he was accused of alleged communist sympathies and was forced to flee Hungary.

He moved to Berlin where he enrolled in Berlin University where he worked part-time as a darkroom assistant for income and then became a staff photographer for the German photographic agency, Dephot. It was during that period that the Nazi Party came into power, which made Capa, a Jew, decide to leave Germany and move to Paris.

He became professionally involved with Gerta Pohorylle, later known as Gerda Taro, a German-Jewish photographer who had moved to Paris for the same reasons he did. The two of them decided to work under the alias Capa at this time. The two of them later separated aliases and published their work independently.

Capa and Taro developed a romantic relationship alongside their professional one. 

Capa proposed and Taro refused, but they continued their involvement. He also shared a darkroom with French photographer Henri Cartier-Bresson, with whom he would later co-found the Magnum Photos cooperative.

Capa's first published photograph was of Leon Trotsky making a speech in Copenhagen on The Meaning of the Russian Revolution in 1932.

From 1936 to 1939, Capa worked in Spain, photographing the Spanish Civil War, along with Gerda Taro, his companion and professional photography partner, and David Seymour.

Taro died when the motor vehicle in which she was travelling, apparently standing on the footboard, collided with an out-of-control tank. She had been returning from a photographic assignment covering the Battle of Brunete.

It was during that war that Capa took the photo now called The Falling Soldier, purporting to show the death of a Republican soldier. The photo was published in magazines in France and then by Life magazine and Picture Post. The authenticity of the photo was later questioned, with evidence including other photos from the scene suggesting it was staged. Picture Post, a pioneering photojournalism magazine published in the United Kingdom, had once described the twenty-five-year-old Capa as the greatest war photographer in the world.

Capa accompanied then journalist and author Ernest Hemingway to photograph the war, which Hemingway would later describe in his novel, For Whom the Bell Tolls (1940). Life magazine published an article about Hemingway and his time in Spain, along with numerous photos by Capa.

In December 2007, three boxes filled with rolls of film, containing 4,500 35 mm negatives of the Spanish Civil War by Capa, Taro, and Chim (David Seymour), which had been considered lost since 1939, were discovered in Mexico. In 2011, Trisha Ziff directed a film about those images, entitled The Mexican Suitcase.

In 1938, he travelled to the Chinese city of Hankou, now within Wuhan, to document the resistance to the Japanese invasion. He sent his images to Life magazine, which published some of them in its May 23, 1938 issue.

More information: ICP

At the start of World War II, Capa was in New York City, having moved there from Paris to look for work, and to escape Nazi persecution.

On October 7, 1943 Robert Capa was in Naples with Life reporter Will Lang Jr., and there he photographed the Naples post office bombing.

In 1947 Capa travelled to the Soviet Union with his friend, the American writer John Steinbeck. They originally met when they shared a room in an Algiers hotel with other war correspondents before the Allied invasion of Italy in 1943. They reconnected in New York, where Steinbeck told him he was thinking about visiting the Soviet Union, now that the war was over.

In 1947, Capa founded the cooperative venture Magnum Photos in Paris with Henri Cartier-Bresson, William Vandivert, David Seymour, and George Rodger. It was a cooperative agency to manage work for and by freelance photographers, and developed a reputation for the excellence of its photo-journalists.

Capa toured Israel during its founding and while it was being attacked by neighbouring states. He took the numerous photographs that accompanied Irwin Shaw's book, Report on Israel.

In the early 1950s, Capa travelled to Japan for an exhibition associated with Magnum Photos. While there, Life magazine asked him to go on assignment to Southeast Asia, where the French had been fighting for eight years in the First Indochina War. Although he had claimed a few years earlier that he was finished with war, Capa accepted the job. He accompanied a French regiment located in Thái Bình Province with two Time-Life journalists, John Mecklin and Jim Lucas.

On 25 May 1954, the regiment was passing through a dangerous area under fire when Capa decided to leave his jeep and go up the road to photograph the advance. Capa was killed when he stepped on a landmine near the road.

He was 40 at the time of his death. He is buried in plot #189 at Amawalk Hill Cemetery, also called Friends Cemetery, Amawalk, Westchester County, New York along with his mother, Julia, and his brother, Cornell Capa.

More information: The Culture Trip


If your pictures aren't good enough,
you aren't close enough.

Robert Capa

Thursday, 26 July 2018

GERDA TARO: PHOTOJOURNALISM DURING THE WAR

Gerta Pohorylle aka Gerda Taro
Dedicated to Jordi Borràs. 
Ni un pas enrere!

Today, The Grandma has studied a new lesson of her Intermediate Language Practice manual (Chapter 29).

More information: It/There I , II & III

In the evening, The Grandma has had dinner with Claire Fontaine and they have been talking about Gerda Taro, the German photojournalist who died on a day like today in 1937 during the Spanish Civil War. Claire and The Grandma admire Taro and her photos and they want to talk about her and her work.

Gerda Taro (1 August 1910, Stuttgart, Germany-26 July 1937, near Brunete, Spain) was a German war photographer, and the companion and professional partner of photographer Robert Capa. Her real name was real name Gerta Pohorylle. Taro is regarded as the first female photojournalist to cover the front lines of a war and to die while doing so. She heavily contributed to the early days of the work accredited to the alias Robert Capa.

Gerta Pohorylle was born in 1910 in Stuttgart, Kingdom of Württemberg, into a middle-class Jewish Galician family. Pohorylle attended a Swiss boarding school. In 1929, the family moved to Leipzig, just prior to the beginning of Nazi Germany. Taro opposed the Nazi Party, joining leftist groups. 

Gerda Taro
In 1933, she was arrested and detained for distributing anti-Nazi propaganda. Eventually, the entire Pohorylle household was forced to leave Nazi Germany toward different destinations. Taro would not see her family again.

Escaping the anti-Semitism of Hitler's Germany, Pohorylle moved to Paris in 1934. In 1935, she met the photojournalist Endre Friedmann, a Hungarian Jew, learning photography and becoming his personal assistant. They fell in love. Pohorylle began to work for Alliance Photo as a picture editor.

In 1936, Pohorylle received her first photojournalist credential. Then, she and Friedmann devised a plan. Both took news photographs, but these were sold as the work of the non-existent American photographer Robert Capa, which was a convenient name overcoming the increasing political intolerance prevailing in Europe and belonging in the lucrative American market.

Capa was derived from Friedmann's Budapest street nickname Cápa which means Shark in Hungarian. The secret did not last long, but Friedman kept the more commercial name Capa for his own name, while Pohorylle adopted the professional name of Gerda Taro after the Japanese artist Tarō Okamoto and Swedish actress Greta Garbo. 

More information: BBC

The two worked together to cover the events surrounding the coming to power of the Popular Front in 1930s France.

When the Spanish Civil War broke out (1936), Gerda Taro travelled to Barcelona to cover the events with Capa and David Chim Seymour. Taro acquired the nickname of La pequeña rubia , The little blonde. They covered the war together at northeastern Aragon and at the southern Córdoba.
 
Gerda Taro & Robert Capa
Always together under the common, bogus signature of Robert Capa, they were successful through many important publications, the Swiss Züricher Illustrierte, the French Vu

Their early war photos are distinguishable since Taro used a Rollei camera which rendered squared photographs while Capa produced rectangular Leica pictures. However, for some time in 1937 they produced similar 135 film pictures together under the label of Capa&Taro.

Subsequently, Taro attained some independence. She refused Capa's marriage proposal. Also, she became publicly related to the circle of anti fascist European intellectuals, Ernest Hemingway, George Orwell, who crusaded particularly for the Spanish Republic.

The Ce Soir, a leftist newspaper of France, signed her for publishing Taro's works only. Then, she began to commercialize her production under the Photo Taro label. Regards, Life, Illustrated London News and Volks-Illustrierte were amongst those publications. 

Reporting the Valencia bombing alone, Gerda Taro attained the photographs which are her most celebrated. Also, in July 1937, Taro's photographs were in demand by the international press when, alone, she was covering the Brunete region near Madrid for Ce Soir.

More information: The Telegraph

Although the Nationalist propaganda claimed that the region was under its control, the Republican forces had in fact forced that faction out. Taro's camera was the only testimony of the actual situation.

During her coverage of the Republican army retreat at the Battle of Brunete, Taro hopped onto the footboard of a car that was carrying wounded soldiers, then a Republican tank crashed into its side. Taro suffered critical wounds and died the next day, July 26, 1937. 

Gerda Taro
The circumstances of Taro's death have been questioned by British journalist Robin Stummer, writing in the New Statesman magazine.  

Stummer cited Willy Brandt, later Chancellor of West Germany, and a friend of Taro's during the Spanish Civil War, saying that she had been the victim of the Stalinist purge of Communists and Socialists in Spain not aligned to Moscow. However, Stummer provided no other evidence for this claim.

In an interview with the Spanish daily El País, a nephew of a Republican soldier at the Battle of Brunete explained that she had died in an accident. According to the eye-witness account, she had been run over by a reversing tank and she died from her wounds in El Goloso English hospital a few hours later.

Due to her political commitment, Taro had become an anti-fascist figure. On August 1, 1937, on what would have been her 27th birthday, the French Communist Party gave her a grand funeral in Paris, buried her at Père Lachaise Cemetery, and commissioned Alberto Giacometti to create a monument for her grave.

More information: The New York Times
 

 In a war, you must hate somebody or love somebody; 
you must have a position or you cannot stand what goes on. 

Robert Capa