Saturday 6 January 2024

1724, 'SIE WERDEN AUS SABA ALLE KOMMEN' PREMIERE

Today, The Grandma has been listening to some classical music. She has chosen Johann Sebastian Bach's Sie werden aus Saba alle kommen, the church cantata, that was premiered on a day like today in 1724.

Sie werden aus Saba alle kommen (They will all come forth out of Sheba), BWV 65, is a church cantata by Johann Sebastian Bach. He composed it in 1724 in Leipzig for Epiphany and first performed it on 6 January 1724 as part of his first cantata cycle.

Bach wrote the cantata to conclude his first Christmas season as Thomaskantor in Leipzig which had been celebrated with five cantatas, four of them new compositions, the Magnificat and a new Sanctus. The text by an anonymous author, who possibly supplied texts of two of the Christmas cantatas as well, combines the prescribed readings for the feast day, the prophecy from the Book of Isaiah and the gospel of Matthew about the Wise Men from the East. 

The librettist begins with a quotation from the prophecy, comments it by a stanza of the early anonymous Christmas carol Ein Kind geborn zu Bethlehem, says in a sequence of recitatives and arias that the prophecy was fulfilled in Bethlehem, concluding that the Christian should bring his heart as a gift. The cantata ends with a chorale, stanza 10 of Paul Gerhardt's hymn Ich hab in Gottes Herz und Sinn.

Bach festively scored the seven-movement cantata, for two vocal soloists (tenor and bass), a four-part choir and a Baroque instrumental ensemble of two horns, two recorders, two oboes da caccia, strings and basso continuo. All recitatives are secco, but the full orchestra plays for the opening chorus, the last aria and the closing chorale.

Bach wrote the cantata in 1724, in his first year as Thomaskantor (director of church music) in Leipzig, to conclude his first Christmas season on the Feast of Epiphany. For the celebrations on three days of Christmas, New Year's Day and the following Sunday, he had performed five cantatas, four of them new compositions, the Magnificat and a new Sanctus in D major.

The prescribed readings for the feast day were taken from the Book of Isaiah, the heathen will convert (Isaiah 60:1-6), and from the Gospel of Matthew, the Wise Men from the East bringing gifts of gold, myrrh and frankincense to the newborn Jesus (Matthew 2:1-12). The unknown poet of the cantata text may be the same as for BWV 40 and BWV 64 for the Second and Third Day of Christmas, a person theologically competent and poetically skilfull (sic), as the Bach scholar Klaus Hofmann writes.

More information: Bachipedia

The librettist begins with the final verse of the epistle reading, Isaiah's prophecy all they from Sheba shall come: they shall bring gold and incense. The poet juxtaposes the prediction by a chorale, stanza 4 of the old anonymous Christmas carol Ein Kind geborn zu Bethlehem (Puer natus in Bethlehem, A babe is born in Bethlehem, 1543), which describes the arrival of the Kön'ge aus Saba (Kings from Sheba), related to the epistle.

The first recitative proclaims that the gospel is the fulfillment of the prophecy and concludes that it is the Christian's duty to bring his heart as a gift to Jesus. This idea is the theme of the following aria. The second recitative equates the gifts of the contemporary Christian to those of the kings: Faith to the gold, Prayer to the incense, and Patience to the myrrh.

The last aria expresses that the devoted Christian offers his heart as a present. The cantata ends with a chorale. The text is not extant, but it is assumed to be stanza 10 of Paul Gerhardt's hymn Ich hab in Gottes Herz und Sinn.

Bach first performed the cantata for Epiphany on 6 January 1724. In his Christmas Oratorio of 1734, Bach dedicated Part VI, Herr, wenn die stolzen Feinde schnauben, to the topic and the occasion and first performed it on 6 January 1735.

Bach structured the cantata in seven movements. The opening chorus is followed by a chorale, then the two soloists sing a sequence of recitative and aria each, and work closes with a chorale.

Bach scored the cantata for two vocal soloists (tenor (T) and bass (B)), a four-part choir and a festive Baroque instrumental ensemble of two horns (Co), two recorders (Fl), two oboes da caccia (Oc), two violins (Vl), viola (Va), and basso continuo.

Bach employed a pair of horns before in his Christmas cantata Darzu ist erschienen der Sohn Gottes, BWV 40, and later in his cantata for Christmas 1724, Gelobet seist du, Jesu Christ, BWV 91, and later in Part IV of his Christmas Oratorio.

He wrote the title as J. J. Festo Epiphan: Concerto. à 2 Core du Chasse. 2 Hautb: da Caccia. / due Fiauti 2 Violini è Viola con 4 Voci, which means: Jesus help (Jesu Juva -a pre-fixed prayer to most of Bach's compositions). Feast of the Epiphany: concerto for 2 hunting horns. 2 oboes da caccia / two recorders 2 violins and viola with 4 voices.

More information: Bach Cantatas Webside


It's easy to play any musical instrument:
all you have to do is touch the right key
at the right time and the instrument will play itself.

Johann Sebastian Bach

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